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Lot 115

A Murano style tall glass vase, and a similar globular vase

Lot 120

A Troika cylindrical vase, two Troika mugs, a 1930s moulded clear glass centrepiece, and orange Whitefriars style glasswares

Lot 124

A quantity of assorted ceramics, including Sylvac dogs, Royal Worcester dish, teaset, a Mdina vase, dice shaker, etc

Lot 140

A Royal Doulton figure `The Old Balloon Seller` HN1315, two Royal Albert `Wind in the Willows` afternoon teasets, Aynsley and Worcester dishes, Wedgwood collectors plates, Portmeirion vase, a pair jugs and posies, etc

Lot 141

A quantity of glassware and china, a Russian(?) figure, an enamelled jug, and a pierced Eastern metal vase

Lot 143

19th century and later Japanese Imari porcelain, comprising a pair of vases, two chargers, four plates, a bowl and two vases, a large and a small Cloisonné vase

Lot 185

Twelve pieces of Shorter & Son Art Deco pottery, comprising planters, drainer and stand, bowls, chamber stick, vase and basket

Lot 211

A Sachs Dresden porcelain two handled vase, 29cm high

Lot 215

A silver mounted and glass dressing table jar, a Caithness `Flight` vase, Vasart dish, cranberry glass, a pair of vases and a Swedish style vase, etc

Lot 231

Two Royal Doulton nursery rhyme dishes (D5187), a Bunnykins bowl, a Moorcroft powder blue plate, and a New Chelsea `gilt fish` vase

Lot 239

A large lacquer vase c1930, decorated in a sombre palette with panels of landscapes, birds and flowers on a thunder-diaper black-ground, further panels on the neck and with bats at the mouth, (some wear), 62.5cm

Lot 252

A pair of Wiltonware cylindrical vases, with gilt landscape decoration on a blue ground (restored), a blue and white dish, a blue and white vase with dragon decoration, and one other item

Lot 213

UNUSUAL DOULTON STONEWARE VASE, BLUE GREEN GLAZE INSCRIBED `LWL MAY 24/97` WITH LAUGHING FACE TO THE MOUTH OF THE VASE, FRILLED EDGE WITH SOME MINOR CHIPPING AND IMPRESSED BN MARK TO THE BASE

Lot 214

MOORCROFT VASE BY RACHEL BISHOP APPROX. 4 INS. BOXED

Lot 215

MOORCROFT VASE BY RACHEL BISHOP APPROX. 8.5 INS. BOXED

Lot 217

MOORCROFT GREEN GROUND CLEMATIC PATTERN VASE APPROX. 9.5 INS

Lot 218

MOORCROFT BUTTERCUP PATTERN BLUE GROUND VASE APPROX. 4 INS.

Lot 241

CONTINENTAL PORCELAIN FIGURAL VASE APPROX. 9 INS.

Lot 22

Roderic O`Conor (1860-1940) FLEURS DANS UN VASE Oil on card laid down on board, 16" x 13" (40.5 x 33cm), signed. Provenance: Loudmer Poulain SCP, Palais d`Orsay, Paris, 29 December 1977, lot 122 (according to a label on the reverse) Private Collection, Virginia, USA

Lot 49

A rare Handyside cast iron fountain circa 1860 on associated stone plinth and with later brass spout 195cm.; 77ins high Andrew Handyside established the foundry in 1806 and by 1851 the firm had expanded and operated out of the Britannia Iron Works, Derby. At the Great Exhibition they exhibited Medici vases, a bacchanalian vase and a bronzed vase decorated with busts of Peel, Nelson, Watt, Wellington, Stephenson, Scott, Shakespeare and Milton, together with a fountain. At the time, the foundry was described as being |from the magnitude of its operations is second to none in England| 1873 incorporated at a Limited Company. They produced two catalogues one circa 1850 and one in 1874 in which this fountain is illustrated

Lot 359

Moorcroft clock, approx. 6" tall, blue/green ground with bird and fruit design, impressed candlestick for 1992 and small vase, approx. 4" tall, dark blue ground with bird design, painted arrow on base (2)

Lot 360

Moorcroft small vases, special edition `Tudor Rose Blue`, approx 5" tall, with signed certificate, impressed candlestick for 1992, dark blue ground with paler blue flower design, another approx. 5" tall, impressed diamond shape for 1993, dark blue ground with pink/purple flower design and smaller tub vase, approx. 3" tall, impressed eye for 1994, dark blue ground with yellow flower design, latter is second (3)

Lot 361

Moorcroft large squat bulbous vase, approx. 8" tall, approx. 10" at widest diameter, impressed arrow for 1990, blue/green ground with birds and fruit design, slight crazing to centre of base

Lot 368

Wedgwood lustre vase, blue ground with Humming bird design, approx. 5.1/4" tall, some wear to gilt, base marked 2355 and Z5294

Lot 376

Bronze Chinese cloisonne narrow neck baluster shaped vase, mid-late 19th century, approx. 5" tall, blue, red & white light enamelling

Lot 379

Cloisonne vases, narrow necked baluster shaped, late 19th/early 20th century, approx. 6" & 4.1/2" tall, each with a different design, two with blossom & flowers, the smaller vase with imperial dragon (3)

Lot 5

A Chinese ivory two-handled vase and cover, carved with Shoulao, immortals and attendants within a garden landscape scattered with pagodas, 10.5ins (265mm) high (Qing Dynasty - 19th Century)

Lot 21

A Chinese stained ivory figure of Guanyin holding a vase with a deer at her side, 6.125ins (158mm) high (Qing Dynasty - 18th Century)

Lot 34

A Chinese jade double gourd shaped vase and cover, the stone of white/russet tone, carved with leaves and birds, 6.25ins (158mm) high x 3.125 (79mm) wide (damaged)

Lot 36

A Chinese jadeite "Fanghu" shaped vase, after a Shang Dynasty bronze ritualistic vessel, with emeral green and spinach green inclusion, on hardwood stand, 5.625ins (142mm) high (Qing Dynasty - late 19th Century) Provenance: Frederick Evans Collection - copy of photograph showing vase in lounge of Flat in Tientsin, circa 1940

Lot 39

A Chinese jade bamboo-shaped spill vase, of pale green tone with a brown inclusion, carved with a phoenix and a peony, on wooden stand, 3.875ins (98mm) high (Qing Dynasty - Qianlong period (1736-95) - applied S.Marchant & Son Ltd paper label to base) Provenance: S. Marchant & Son Ltd, 1974 Note: Evans Inventory No. 216

Lot 41

A Chinese blue and white and copper red porcelain bottle vase, decorated with figures in a landscape, 16.5ins (420mm) high (crack to body) Provenance: S. Marchant & Son Ltd, 1965 Note: Evans Inventory No. 427

Lot 42

A Chinese blue and white `soft-paste` porcelain Meiping vase, painted with sprigs of pomegranates, finger citron and peaches, all within lappet borders, 6.25ins (160mm) high (Qing Dynasty - Qianlong period (1736-95))

Lot 43

A Chinese blue and white porcelain and copper red Meiping vase of heavy potted form, decorated with sprigs of peaches and pomegranates, all within stiff leaf and petal borders, 8.25ins (210mm) high (Qing Dynasty - 18th Century - neck chipped)

Lot 44

A Chinese blue and white porcelain bottle shaped vase, painted with sprays of bamboo, pomegranates and peonies, all within double line borders, 14.5 ins (370mm) high (Transitional period, circa 1640)

Lot 83

A pair of 20th Century Chinese porcelain baluster shaped vases in the "Cantonese" manner, 24ins high (red square seal mark to bases), and a "Famille Rose" porcelain vase (converted to electric table lamp, and shade for same), 24ins high

Lot 84

A modern Chinese porcelain table lamp in the form of a baluster shaped vase and cover painted in colours with foliage, flowers, birds and butterflies, on pierced wooden stand, 22.5ins (571mm) high

Lot 99

A Chinese white glazed and incised porcelain "Dragon" vase, the bulbous body incised with a four clawed dragon chasing flaming pearls, all picked out in light blue wash and with moulded rim and girdle to neck, 15.75ins (400mm) high (base incised with six character Chenghua mark - Qing Dynasty, Kangxi period - small chip to footrim) Note : A similar vase is illustrated in Soame Jenyns - "Later Chinese Porcelain", published London 1951, plate LXX No. 2 Provenance: The Du Boulay Family Collection - By descent to present vendor

Lot 121

A Chinese white jade baluster vase and cover, of flattened form with dragon handles, flanked by a peony and pheasant, 5.375ins (137mm) high (Qing Dynasty - 19th Century)

Lot 187

A 19th Century Chinese brown patinated bronze sleeve vase with applied cast figure of a three toed dragon, 8.5ins (216mm) high

Lot 274

A Royal Doulton Seriesware pottery bulbous two-handled vase - "The Three Musketeers", 10ins high (No. 215 of 600 - printed marks to base)

Lot 285

Horace Elliott (probably Ewenny Pottery) - A floor standing vase decorated in Sgraffito with fish amongst reeds and enamelled in colours on a brown ground, 28.5ins high (impressed "Elliott" and fleur de lis marks to base - neck restored)

Lot 311

A Whitefriars moulded cinnamon glass "Banjo" vase designed by Geoffrey Baxter, 12.25ins high

Lot 518

A George III plain silver oval mustard pot of bulbous design with reeded mounts and angular handle, 2.75ins high, by I.M., London 1802 (weight 4ozs - lacking liner and engraved to side and dented), an Edward VII silver specimen vase with shaped rim and pierced sides, 5.5ins high, Birmingham 1901 (dented to base), a George V silver six division toast rack, 4.5ins x 2.25ins, Birmingham 1925, and five sundry silver items, various

Lot 578

A 19th century plated copy of "The Warwick Vase" with twin entwined handles, on square base, 9ins diameter x 11ins high

Lot 687

A late 19th/early 20th Century French gold coloured and silvery coloured metal mounted pearl and diamond set tiara, the central flower vase pattern plume with an old cut diamond approximately 2ct and approximately 140 other old cut diamonds, and three blister pearls, one 12mm x 7mm and two 7mm diameter, the star and festoon pattern headband set with eight stars, the central rose cut diamond approximately .33ct surrounded by twenty smaller rose cut diamonds above the ten festoon pattern loops, central plume 100mm x 65mm overall, star and festoons 35mm deep (total estimated carat weight of diamonds approximately 16ct), contained in original blue leather covered fitted case initialled to top "KM" with coronet above, retailed by Guillot, Joaillier Bijoutier, 20 Rue Therese, Paris

Lot 976

A George III mahogany armchair with shaped crest rail and bold fitted and interlaced vase pattern splat, the drop-in seat in green dralon, on cabriole front legs, and an 18th Century mahogany dining chair with fretted splat, the drop-in seat in green cloth

Lot 977

A pair of 18th Century mahogany dining chairs with fretted vase pattern splats, and a pair of 18th Century mahogany dining chairs in the "Gothic" manner, all with drop-in seats in green dralon, on square front legs

Lot 997

A pair of 1920s grained as burr walnut armchairs of "Queen Anne" design with vase pattern splats and shepherd`s crook arms, drop-in seats upholstered in rose dralon, on cabriole front legs with shell carving to knees and claw and ball feet

Lot 1009

A late George III mahogany rectangular three division Canterbury with dished top and shaped vase pattern splats, the base fitted one drawer on turned feet and with brass castors, 20.5ins x 14ins x 19.5ins high

Lot 119

Grace Henry HRHA (1868-1953) THE BLUE VASE, 1931 oil on board signed lower right; with typed exhibition label on reverse; with Jorgensen retrospective exhibition label also on reverse 24 by 18.25in. (60.96 by 46.36cm) Provenance: Lots 109-132 come from the collection of Dr James Cruickshank. A copy of his text Grace Henry, The Person and the Artist, published in association with Jorgensen Fine Art and Designroom, Dublin, 2010, accompanies each of these lots. Exhibited: RHA, Dublin, 1931, catalogue no. 130 (£26-5-0); `Grace Henry HRHA 1868-1953, Retrospective Exhibition`, Jorgensen Fine Art, Dublin, 7-27 January 2010 Literature: Cruickshank, J.G., Grace Henry, The Person and Artist, published in association with Jorgensen Fine Art and Designroom, Dublin , 2010 (illustrated p.26) The Blue Vase was the only example Grace Henry exhibited with the RHA in 1931. The RHA Index of Exhibitors lists her address at this time as 13a Merrion Row, Dublin. The following year she would relocate to `Hopeton`, Rathgar. Dr. James G. Cruickshank, formerly of the Queen`s University of Belfast, is the author of books and articles on Irish geography and is a practising amateur artist. He is a native of Aberdeen, Scotland and has been a passionate collector and researcher of Grace Henry for many years. He was first introduced to her work in the 1970s through Una Whyte of the Magee Gallery, Belfast who established the connection between the two Aberdeen natives both of whom had spent their adult lives in Belfast. Dr Cruickshank`s first painting by Grace Henry, a gift from Whyte, was Bringing in the Turf (lot 110) and thus the journey began. Dr Cruickshank has written several papers on the artist. He gave one of the lectures during the `Paul and Grace Henry exhibition` at the Dublin City Gallery, The Hugh Lane in 1991 and more recently, published Grace Henry - The Person and Artist in association with Jorgensen Fine Art, Dublin in 2010. This collection is testament to his devotion and support for an artist of unique talent and vision. Born in Peterhead, Aberdeen, as Emily Grace Mitchell, she studied art at the Blanc Garrins Academy, Brussels, and the Delecluse Academy, Paris. She was also a pupil for a while under André L`hote. In Paris she met the Irish painter Paul Henry whom she married in 1903. They settled in England and Grace began exhibiting in London at the RA, the Leicester Galleries, and the Fine Art Society. Along with her artist husband, she sent works to the RHA from 1910 onwards, and two years later they left England for Achill Island, where they spent seven productive years painting the local people and landscape. In 1922 she was represented at the Irish Exhibition in Paris with five works; later she was included in a similar loan exhibition in Brussels in 1930. Both she and Paul were founder members of the Dublin Painters group. They exhibited together at the Stephen`s Green Gallery, Dublin, and the Magee Gallery, Belfast. However, the pair were formally separated in 1934. Grace took to travelling and painting in France. Her work was boldly conceived in vibrant colours and decisive brushwork; "her painting", commented the Studio in 1939, was "all poetry". She continued to exhibit both in London and Dublin, notably with the Waddington Galleries and at the RHA. Although never made an Associate, she was elected an Honorary RHA in 1949. For further reading on the artist see: Cruickshank J.G., Grace Henry - The Person and Artist. (£2,840-£3,650 approx)

Lot 11

Whitefriars tangerine drunken bricklayers vase designed by Geoffrey Baxter, 21cm high Good condition Further images and condition reports are available at www.reemandansie.com

Lot 12

Corbridge stoneware vase with floral decoration, impressed marks to base, dated 98, 21cm high Good condition Further images and condition reports are available at www.reemandansie.com

Lot 13

Art glass Monart-style vase with mottled brown decoration, 20cm high Some very small chips to rim Further images and condition reports are available at www.reemandansie.com

Lot 68

Pair of Royal Doulton vases with fruit and leaf decoration on blue ground, impressed marks to base, 30.5cm high and one other Doulton vase (3) One of the has large chip to rim Further images and condition reports are available at www.reemandansie.com

Lot 94

Murano glass owl, Murano coloured glass vase and similar bowl (3) Further images and condition reports are available at www.reemandansie.com

Lot 95

Royal Worcester vase with hand painted berry and leaf decoration, signed K Blake, 11.5cm Perfect, no damage or restoration. Gilding in excellent condition Further images and condition reports are available at www.reemandansie.com

Lot 102

Selection of Belleek porcelain including jar with lid, vases, jugs etc (13 pieces) All in very good condition with the exception of just two pieces - the biscuit barrel lid is broken and one vase is restored Further images and condition reports are available at www.reemandansie.com

Lot 172

Large collection of Torquay Motto ware including jugs, teapot, biscuit barrel, vase, candlesticks, inkwells and related books (qty) Further images and condition reports are available at www.reemandansie.com

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