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‡ Duncan Ross (born 1943) a burnished terracotta sigillata vase form, decorated with geometric bands, incised monogram to base, 24.5cm. high Literature Amanda Gane Contemporary British Crafts, The Goodison Gift to the Fitzwilliam Museum, PWP, page 24-25 catalogue number 3 for a comparable vase. Provenance Candover Gallery, 1989 Private collection
Charles Vyse (1882-1971) a stoneware vase, ovoid with collar rim, decorated in resist with stylised flowers in Chun on a celadon ground, and a Charles Vyse stoneware vase covered in a tenmoku graduating to mirrored black glaze, incised Charles Vyse, Chelsea to base, Haydock collection label, (2) Literature Charles Vyse Richard Dennis/Fine Art Society, 1974, page 46 catalogue number 84 for a vase with comparable glaze illustrated. Provenance Charles Vyse Stoneware Pottery, Wilton Gallery, Belgrave Square, London James Haydock, thence by descent.
‡ Colin Pearson (1923-2007) Winged Pot, a massive hand-built porcelain vase, covered in a metallic black glaze, impressed seal mark, 44cm. wide, 25.5cm. high Provenance Alpha House Gallery, 1996 Private collection Literature Tanya Harrod The Crafts in Britain in the 20th Century, Yale, page 395 plate 424 for a comparable form, 1987.
'Hazledene' a good Moorcroft Pottery vase designed by William Moorcroft made for Liberty & Co, gently tapering cylindrical form, shouldered with flaring neck, tubeline decorated with tall trees in a landscape, in shades of blue and green highlighted in yellow on a celadon green ground, printed factory mark, painted green signature, small bruise and minor glaze loss to foot rim, 30cm. high Literature Paul Atterbury Moorcroft, Richard Dennis Publications, page 57 plate 4 this actual vase illustrated. Provenance Albert E Wade Collection, Sotheby's 2002, A Private collection of Moorcroft Pottery
‡ Peter Layton (born 1937) a Chalcedony Flared vase made at the London Glassblowing Workshop, olive green striations on blue, cased in clear, incised signature to base, 24cm. high Provenance Peter Layton and the London Glassblowing Workshop, The De Morgan Centre, 4-30th April 2003 catalogue number 13.
‡ John Ward (born 1938) an impressive large hand-built stoneware vase, ovoid with tapering square neck, covered in a matt black glaze, the shoulder and neck with turquoise glaze and black patches, impressed seal mark, 34.5cm. high Provenance Courcoux & Courcoux private collection.
A large Farnham Pottery Owl bowl, circular with impressed and incised owl face and applied eyes to both sides, glazed green with brown highlights, and a Farnham Pottery flower vase and brick, with modelled pie-crust rim, glazed green unsigned, glaze loss and chips, 41cm. wide, (3)
‡ Dame Lucie Rie DBE (1902-1995) a porcelain bottle vase, swollen form with narrow cylindrical neck and flaring rim, the rim and shoulder decorated with two bands of sgraffito etched lines on a matt blue glaze, the neck and body covered in a bronze glaze to the foot, impressed seal mark to base, 22cm. high Literature John Houston, Lucie Rie, Crafts Council, page 84 plate 175 for a comparable bottle vase, dated circa 1976, illustrated. Provenance 88, Totnes Private collection.
Upchurch Pottery a cylindrical pottery vase, with collar rim, covered with a lavender and running purple glaze, another Upchurch Pottery twin-handled vase covered in a streaked pink glaze, and a collection of fifteen Upchurch vases, jugs and bowls impressed and incised marks, 18.5cm. high (17)
‡ John Ward (born 1938) a hand-built stoneware disc vase, flattened circular form with tapering elliptical neck, glazed in a matt green and ochre pitted glaze with concentric brown columns emphasising the form to both sides, impressed seal mark, 31cm. high Provenance Private collection.
Sam Herman (born 1936) a swollen glass solifleur vase, the pale blue streaked glass body with swollen green knop, with metallic oxide iridescent surface, unsigned, 29.5cm. high Provenance Decades of Design, Fieldings Auctioneers 26th April 2014 lot 781. The Morgan collection of Art Glass.
A Della Robbia pottery twin-handled vase by Arthur E Bells, dated 1898, shouldered form with applied scrolling handles, painted with scrolling foliage design in shades of yellow, green and turquoise on a brown ground, incised mark and AEB monogram, painted W and dated 1898, 30cm. high
Ray Finch (1914-2012) a Winchcombe Pottery stoneware vase, shouldered form decorated with simple painted motif in ochre over tenmoku, a tenmoku glazed jug by Ray Finch, a pale celadon vase by Jason Wason, a vase by Bernard Irwin, a Palshus Danish bowl, seven other studio pottery pieces and a cast yellow glass figure in the style of Picasso impressed seal marks, 19cm. high (13)
A Mason's/Ashworth's Ironstone China hexagonal section vase, mid-19th century, printed and painted with panels of Chinese scenes and views reserved on an iron-red ground, with a pair of blue dragon handles, 60cm high See Geoffrey A. Godden, The Illustrated Guide to mason's Patent Ironstone China (1971), colour plate VI. for a vase with the same print.
A Chinese Famille verte libation Cup, possibly Kangxi, applied with twin qilong handle and further qilong near the spout, 10.5cm long and a Chinese internally decorated glass Snuff Bottle, with un-matched stopper, the bottle without stopper, 7cm high; a Japanese Ginbari enamel vase, of hexagonal baluster form, decorated beneath the enamel with a dragon amongst clouds, the base mounted in white metal, 12.2cm high; a Japanese silver-wire Cloisonné vase, signed to base, 15cm high; (4) Provenance: Property of a lady from a Normandy Manoir.
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653685 item(s)/page