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Lot 500

DUTCH DELFT BLUE & WHITE JAR AND COVER, De Drie Posteleyne Astonne c. 1700, painted in the Chinese style with three flowering sprays of peony and chrysanthemum issuing form ornamental rockwork, the short neck painted with scrolling lotus, the flat domed cover with matching flowers, floral mushroom knop, painted PK monogram for Pieter Gerritsz Kamm and applied red wax Duveen seal, 32cms high Provenance: J. M. Duveen & Sons (Lot 491), Liverpool; private collection, consigned via our Cardiff office Condition Report: cover broken and reglued, restored rim, glaze chips; vase neck chipped all around and reduced slightly, chips to foot.

Lot 518

CHRISTOPHER WOOD (1901-1930) watercolour - Chrysanthemums, a still life of flowers in a vase titled on Gallery label verso, 43 x 29cms Provenance: Betty Evans Collection, former President of CASW (see catalogue foreword) Presentation & Condition: some minor creases to top margin, a little faded, framed ready to hang.

Lot 532

JAMES MACINTYRE FLORIAN BALUSTER VASE, c. 1908-9, by William Moorcroft, tube line decorated with poppies and forget-me-nots within mihrab-shaped panels to a cream ground, base with painted signature, printed mark, 29.5cms high Provenance: private collection, consigned via our Cardiff office Condition Report: small rim chip, small foot chip.

Lot 543

A LATE GEORGIAN NEEDLEWORK SAMPLER, by Isabel Dun, with verses from Psalm XLV bordered by flowers, family initials under crowns, human figure, stag, peacock, vase of flowers, pine tree, dog, chicken etc., oak frame inscribed verso with names and dates of the Dun family, 31 x 27cms Provenance: Deceased estate, South Wales. Condition Report: some age staining, several large and small holes, paper toens at back with old sellotape.

Lot 199

Original vintage poster for an exhibition held from 27 September to 25 November 1984 presented by the Joan Miro Foundation in Barcelona - The Imaginary Museum Of Tintin - featuring a great design depicting characters from the popular Belgian graphic novel by the Belgian cartoonist Herge (Georges Prosper Remi; 1907-1983) being led by the comic book hero Tintin and his dog Snowy with the detectives Thompson and Thomson, Tintin's friends Professor Calculus and Captain Haddock and the opera singer Bianca Castafiore through a museum of items on display from his most memorable adventure stories including an ancient Chinese vase, the iconic red and white rocket, a sceptre, historic artefacts, a plane and models of ships. The Adventures of Tintin was created by Belgian cartoonist Georges Remi, who wrote under the pen name Herge in 1929. Issued by Editorial Youth. Fair condition, tears, pin holes, creasing, staining, paper losses. Country of issue: Spain, designer: Herge Casterman, size (cm): 90x60, year of printing: 1984

Lot 1

Christopher Dresser for Minton, an Aesthetic Movement vase, 1864, Majolica glazed, bulbous amphora form with three twisted handles, impressed marks, 9.5cm high

Lot 10

Cassandra Annie Walker for Della Robbia, a large art pottery vase, 1897, ovoid shouldered form, sgraffito decorated with a central cartouche and foliate mask within a scrolling floral and zoomorphic ground of dragons' heads and poppies, below a stylised tulip border, incised marks, 44cm high Provenance: Christie's London, 4th May 2000, lot 68

Lot 100

Fred Allen, Charles Noke and Harry Nixon for Royal Doulton, a Chang beaker vase, circa 1925, waisted cylindrical form, craquelure drip glaze, painted marks, 8cm high

Lot 101

Charles Noke and Harry Nixon for Royal Doulton, a Chang vase, circa 1925, shouldered form, painted marks, 18.5cm high

Lot 102

Charles Noke and Harry Nixon for Royal Doulton, a Chang vase, circa 1925, shouldered form, heavy blue fissured drip glaze, painted marks, 15.5cm high

Lot 103

Charles Noke and Fred Moore for Royal Doulton, a small Chang vase, circa 1925, Meiping form, craquelure heavy dripped glaze, painted marks, 9cm high

Lot 11

Ruskin Pottery, a Lustre Lily vase, 1921, flared cylindrical form, lilac iridescent glaze, impressed marks, 29cm high

Lot 137

Robert Wallace Martin for Martin Brothers, a stoneware vase, 1886, ovoid shouldered form with conical neck, sgraffito decorated with encircled pairs of foliate dragons within a foliated tendril ground, incised marks 1-1886, RW Martin & Bros, London & Southall, 27.5cm high

Lot 138

Edwin Martin for Martin Brothers, a stoneware vase, 1898, spherical shouldered form with cylindrical flared neck, sgraffito decorated with three dragons, salt glazed ground, incised marks, 6-1898, Martin Brothers, London + Southall, 23cm high

Lot 14

Ruskin Pottery, a High Fired vase, 1910, flared cylindrical form, brown treacle and petrol glazed, impressed marks, 27cm high

Lot 15

Ruskin Pottery, a Matt Crystalline vase, circa 1927, indented ovoid form, brown oatmeal over orange ochre glaze, impressed marks, 19cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.128, for an illustration of this vase

Lot 151

William De Morgan, a lustre vase, circa 1890, bulbous necked shouldered form, painted in red over white with panels of honeysuckle and entwined daisies between chrysanthemum and pinecone motifs, below a denticulated rim and rose border, 22cm high

Lot 152

Fred Passenger for William De Morgan, a large Persian flowering foliage twin handled vase, Merton Abbey circa 1885, twin handled amphora form, turquoise rim and handles, impressed and painted marks FP, 33cm high

Lot 153

William Moorcroft, a collection of ceramic designs, circa 1891-1894, watercolour on paper, including plates and vase, including honeysuckle and snowdrop border designs, school board paper labels to some, 50cm x 34cm, framed (4)

Lot 154

William Moorcroft for James MacIntyre, a yellow Tulip and Forget Me Not Panel vase, circa 1908, footed and flared cylindrical form, printed mark and underglaze green signature, 30cm high

Lot 155

William Moorcroft for James MacIntyre, a yellow Daisy vase, circa 1902, twin handled inverse baluster form, printed Florian mar and underglaze green signature, 26cm high

Lot 156

William Moorcroft for James MacIntyre, a Pansy on White vase, circa 1911, twin handled inverse baluster bottle form, printed marks and underglaze green signature, 23cm high

Lot 157

William Moorcroft for James MacIntyre, a Florian Ware Violet vase, circa 1902, waisted gourd form, printed mark and underglaze green signature, 30cm high

Lot 159

William Moorcroft for James MacIntyre, a large green and gold Florian vase, circa 1903, slender baluster form, printed mark and underglaze green monogram, 41.5cm high

Lot 160

William Moorcroft, a large Late Florian vase, circa 1916, baluster form, impressed Burslem marks and underglaze green signature, 36cm high

Lot 161

William Moorcroft, a large Windswept or Waving Corn Landscape vase, circa 1935, inverse baluster form, impressed marks and facsimile, underglaze teal signature, 33cm high

Lot 162

William Moorcroft, a salt glazed Fish vase, circa 1928, baluster form, impressed marks and underglaze tope monogram, 18cm high

Lot 163

William Moorcroft, a salt glazed Claremont vase, circa 1930, squat baluster form, blue and green glaze, impressed marks and facsimile, underglaze blue monogram, 13cm high

Lot 164

William Moorcroft, a Claremont vase, circa 1925, cylindrical ogee form, impressed marks and underglaze blue signature, 18.5cm high

Lot 165

William Moorcroft, a Claremont vase, circa 1915, ovoid gourd form with inverted rim, impressed Burslem marks and underglaze green signature, 19.5cm high

Lot 166

William Moorcroft, a Claremont vase, 1914, baluster form, impressed Burslem marks and underglaze green signature and date, 16cm high

Lot 167

William Moorcroft, a Claremont vase, circa 1920, bulbous form, impressed marks and underglaze green monogram, 13cm high

Lot 168

William Moorcroft, a small Claremont vase, circa 1925, shouldered ovoid form, impressed marks and underglaze blue monogram, 8.5cm high

Lot 169

William Moorcroft, a large Claremont vase, circa 1915, ovoid spherical form, impressed Burslem marks and underglaze green signature, 28cm high

Lot 17

Ruskin Pottery, a Souffle vase, 1912, shouldered form, mottled blue with semi iridescent streaks, impressed marks, 24cm high

Lot 171

Rachel Bishop for Moorcroft, a large Ryden Lane limited edition floor vase, circa 1997, baluster form, number 67 of 100, impressed marks and signatures, 68cm high

Lot 172

William Moorcroft for Liberty and Co., a small Hazledene vase, circa 1903, squat ovoid form, printed marks and underglaze green signature, 8cm high

Lot 173

William Moorcroft, a small Powder Blue Cornflower vase, circa 1920, squat baluster form, impressed marks and underglaze blue monogram, 6.5cm high

Lot 174

William Moorcroft, a small Pansy on Celadon vase, circa 1915, twin handled amphora form, impressed marks and underglaze green signature, 8.5cm high

Lot 175

William Moorcroft, a small Pomegranate and Rope vase, circa 1928, inverse baluster form, impressed marks, 9.5cm high

Lot 176

William Moorcroft, a large Wisteria on blue vase, circa 1928, ovoid shouldered form, impressed marks and underglaze blue signature, 26.5cm high

Lot 177

William Moorcroft, a large Flambe Big Poppy vase, circa 1928, twin handled amphora form, impressed marks and underglaze blue signature, 27cm high

Lot 179

William Moorcroft, a Flambe Fish vase, circa 1935, baluster form, impressed marks and facsimile, underglaze teal monogram, 15.5cm high Note: illustrated in Atterbury, P. 2008, Moorcroft Pottery, Richard Dennis, p.129, fig.2

Lot 18

Ruskin Pottery, a Crystalline jug, 1933, bulbous gourd form with angled handle, banded blue, orange and green glazes over cream, impressed marks, 22cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.123, for an illustration of this vase

Lot 180

William Moorcroft, a large Flambe Landscape vase, 1926, shouldered form, iridescent lustre glaze, impressed marks, underglaze signature and date, 47.5cm high

Lot 183

Daisy Makeig Jones for Wedgwood, a Fairyland lustre vase, Candlemas pattern, circa 1920, inverse baluster form, pattern Z5154, incised 2351, gilt mark, 23cm high

Lot 186

Daisy Makeig Jones for Wedgwood, a Fairyland lustre vase, Flambe Pillar pattern, circa 1920, rouleau form, gilt Portland mark, Z5360, 36cm high

Lot 187

Wedgwood, an Aesthetic Movement vase, circa 1874, baluster form, experimental brown glaze over matte, with enamelled concentric bands, impressed Wedgwood and date code, painted M 1709 I, 25cm high Note: similar examples were used by students at the South Kensington School of Art (Victoria and Albert Museum) as design blanks

Lot 188

Wedgwood, an Aesthetic Movement vase, circa 1860, baluster form, sang de boeuf glaze with yellow rim, impressed Wedgwood twice, painted M 1707 I, 25cm high Note: with the opening of China and the Far East to foreign trade in the 1850s, British companies and designers began to copy and develop Oriental designs and elements of design in domestic objects; this is Wedgwood's attempt at a Chinese sang de boeuf glaze and baluster design; for a near identical example see the Victoria and Albert Museum collection

Lot 19

Ruskin Pottery, a Crystalline vase, circa 1932, ovoid shouldered form, mottled yellow glaze with fissured crystals and matt blue interior, shape 297, impressed marks, 17cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.125, for an illustration of this vase Provenance: William Howson Taylor Collection; Ferneyhough Collection (474); Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, number 60; Birmingham Museum and Art Gallery (125)

Lot 192

Clarice Cliff for Newport Pottery, a Delecia Citrus vase, circa 1930, concentric stepped cylindrical form, shape 511, printed Delecia Bizarre and Patent marks, 18cm high

Lot 196

Sally Tuffin for Dennis China Works, a unique Lustre Peacock vase and cover, 2007, baluster form with flat lid, multicoloured iridescent glazes, impressed marks and monogram, thrown by Chris Wright and painted by Theresa Blackmoor, numbered B111, 31.5cm high Provenance: Bonhams, London, 24th September 2008, lot 738

Lot 197

Sally Tuffin for Dennis China Works, a large Lustre Parakeet unique vase, 2008, shouldered form, tubelined with birds with iridescent wings, impressed marks and monograms, painted by Theresa Blackmoor, thrown by Rory McLeod, numbered B132, 37cm high Provenance: Bonhams, London, 24th September 2008, lot 755

Lot 198

Sally Tuffin for Dennis China Works, a unique Phoenix vase, 2011, footed tapered beaker form, decorated with an Art Deco style woman and bird, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B183, 37cm high Provenance: Bonhams, London, 21st September 2011, lot 353

Lot 199

Sally Tuffin for Dennis China Works, a large unique Butterfly Metamorphosing into a Leopard vase, 2009, shouldered form, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B138, 35.5cm high Provenance: Bonhams, London, 23rd September 2009, lot 360

Lot 20

Ruskin Pottery, a High Fired vase, 1915, shouldered form, crackled cream flambe glaze with fissure effect, impressed marks, 26.5cm high

Lot 200

Sally Tuffin for Dennis China Works, a large Bat Tower trial vase, 2005, square section tapering form, impressed and painted marks, Trial 1, 40.5cm high

Lot 201

Buchan Dennis for Dennis China Works, a large Tumbling Blocks vase, 2013, shouldered form with broad rim, decorated with geometric stacked blocks in gold lustre, black and red, impressed marks and monogram, thrown by Rory McLeod, numbered 2 of 10, 42cm high

Lot 202

Sally Tuffin for Dennis China Works, a limited edition vase after William De Morgan Antelope, 2000, shouldered form with broad rim, gold lustre on a red ground, impressed and painted marks, number 8 of 25, thrown by Rory McLeod and painted by Heidi Warr, 35cm high

Lot 203

Sally Tuffin for Dennis China Works, a large unique Poiret's Deco Fashion vase, 2010, footed tapered beaker form, decorated with female figures in 1913 costume after illustrations by Georges Lepape, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B175, 39cm high Provenance: Bonhams, London, 21st September 2010, lot 416

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