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A Royal Worcester Porcelain Vase and Cover, by Harry Davis, 1907, of urn shape, the scroll handles with mask terminals, painted with sheep in landscape within moulded and gilt borders, signed, printed mark in puce, 21cm high. Restoration to finial. Vase repaired where pedestal meets lower body. Some typical minor wear. Enamel in good condition.
A German Pewter Mounted Faience Tankard, dated 1760, of cylindrical form, painted in pale enamels with a lady carrying a vase of flowers and with foliage, the domed cover with ball knop, inscribed DEH 1760, 25cm high. Hairline crack to base. Oxidisation to pewter. Some wear.
A Chinese Porcelain Rouleau Vase, Chenghua reign mark but probably Kangxi period, painted in underglazed blue with figures in a mountainous river landscape, bears six character reign mark in underglaze blue, 25.5cm high. Some typical minor surface wear. No chips, cracks or repairs. Glaze in good order.
A Chinese Porcelain Vase, Kangxi, of flared hexagonal form with trumpet neck, painted in famille verte enamels with horses and auspicious objects on a red whorl ground, 24.5cm high . Section of rim broken out and restuck, with associated short hairline crack. Glaze chips and frits to the shoulders and edges. Typical minor surface wear. No repair.
A Chinese Porcelain Vase, Kangxi, of lappet moulded baluster form, painted in underglaze blue with figures in landscapes, 19.5cm high, with later domed cover. Cover to stuck to neck of vase, unable to remove. Cover is a marriage. Some typical rim frits at edges mainly to the rim of the cover. No restoration.
A Chinese Porcelain Dish, Kangxi, of circular form, painted in underglaze blue with a bird perched in a flowering peony within a panelled brocade border, 27cm diameter; A Similar Slightly Smaller Dish, 26cm diameter; and A Baluster Vase, Qianlong, painted in underglaze blue with a fenced garden, 19.5cm high (3). Larger dish with several small rim chips and flakes. Smaller dish with rim frit. Vase lacking cover and with large chip to foot. Glaze in good order to both.
A Chinese Porcelain Vase, Jiaqing reign mark and possibly of the period, of flared cylindrical form with sloping shoulders and trumpet neck, painted in famille rose enamels with precious objects amongst foliage in panels on a yellow ground with scrolling foliage, bears six character reign mark in red, 35cm high. Good quality restoration to neck.
A Chinese Porcelain Yenyen Vase, Kangxi reign mark but circa 1900, painted in underglaze blue with the Cracked Ice and Prunus pattern, bears four character reign mark, 36cm high; and A Similar Ginger Jar and Cover, painted in underglaze blue with mothers and children in fenced gardens on a cracked ice and prunus ground, bears four character reign mark, 20.5cm high. Cover to jar with small flat rim chip. Some typical minor wear throughout. Vase in good condition with some minor fritting.
A Chinese Porcelain Baluster Vase, 19th century, with stylised beast handles, painted in underglaze blue with scrolls and auspicious objects on a celadon ground, 51cm high, with gilt metal loops through handlesMain body badly broken and re-stuck. All cracks visible as opposed to being oversprayed.
A Chinese Porcelain Bottle Vase and Cover, 19th century, painted in white enamel and carved with dragons amongst cloud scrolls, 43cm highFiring crack around the finial, does not completely encircle. Small filled rim chip to the to the neck of the bottle. No other damage and free from repair.
A Japanese Silver, Cloisonné Enamel, Ivory and Shibayama Vase, Meiji period, of square section baluster form, decorated with birds amongst branches and vases within foliate borders, 21cm highAs per images the silver foot is substantially bent out of shape. The metal does not appear to have split at this point and so could be repaired. Slight misshaping to the silver top. Very minimal loss to the enamels on the metal, only under close scrutiny. Dent to one of the canted shoulders of the main body. Ivory free from cracks. Two panels with minor loss to Shibayama, specifically one flower head and one corner of the table top.
A Japanese Cloisonné Enamel Vase, Meiji period, of baluster form with flared neck, decorated with mythical beasts in alternating green and aventurine panels on a blue ground with insects and flowerheads, 25cm high; A Similar Vase and Cover, of lobed ovoid form, decorated with asymmetric panels of flowers on a foliate ground, 9.5cm high; A Similar Vase and Cover, 9.5cm high; A Cloisonné Vase, of baluster form, decorated with dragons chasing the flaming pearl, 24cm high; and A Blue Ground Vase, decorated with flowers, 23cm high (5). Typical minor damage to covers. Some minor wear and scratching throughout.
A Pair of Chelsea Gold Anchor Period Porcelain Baluster Vases and Covers, circa 1760, of lobed form with pierced covers and necks, painted with lovers in landscape with applied foliate borders, on four scroll feet, painted marks, 23cm high In the 1770 catalogue of Sprimont's Last Sale were listed ''two beautiful heart shap'd vases ornamented with jessamine flowers and finely enamelled''. A vase of the same shape with a mazzarine ground is in the Jones Collection in the Victoria & Albert Museum One cover with 5mm section of pierced moulding missing, and extended firing crack to rim. One vase with several sections of neck repaired and one foot restored. Some losses to applied decoration throughout.
A Staffordshire Pottery Miniature Dinner Service, possibly William Ridgeway, 1830-40, printed in underglaze blue with couples beside a classical urn, comprising: 1 Soup tureen, cover, stand and ladle 2 sauce tureens, covers and stands 1 vegetable tureen and cover 1 twin-handled rectangular dish 2 rectangular dishes 1 urn shaped vase 2 sauceboats 2 shell dishes 7 graduated rectangular platters, one with well and tree 5 soup plates 11 dinner plates 4 dessert plates 6 tea plates 1 circular platter See Milbourn (Maurice and Evelyn) Understanding Miniature British Pottery and Porcelain 1730 to present day, pg.112 for a discussion of this service
A Royal Worcester Porcelain Vase, by Charles Baldwin, 1901, of baluster form with strap handles, painted with goldfinches perched on flowering branches, the reverse with a bird perched on a branch in panels on a gilt and moulded lattice ground within formal borders, signed, printed mark in green, 31cm high. Restored through join of body and foot. The restoration is confined to where the socle meets the lower body. No repair to the body of the vase or handles. Some typical minor surface wear. some gilt wear to the top of the rim. No notable wear or scratches to the enameling.
A Royal Worcester Porcelain Vase and Cover, by Walter Powell, 1912, of baluster form, the twin handles with lion masks, painted with storks in an oasis in a desert landscape within moulded and gilt borders, signed, printed mark in puce, 28cm high. Typical minor surface wear. Restoration to the cover.
A good mixed lot of ceramics to include Carltonware lidded ginger jars, Shelley cake plate, Poole Pottery, Bourne Derby, Royal Doulton Character jugs to include Rip Van Winkle, The Falconer and Falstaff, Govancroft jug and vase, Royal Doulton Dickensware, KPM Bavaria vase, Royal Doulton limited edition John Wayne plate and similar.
LATE 19TH CENTURY BERLIN PORCELAIN VASE AND COVER, the domed cover with gilded fruit and foliate finial, the urn form pedestal vase with twin-reeded upright handles terminating in acanthus leaves, the body hand-painted with floral sprays, on a moulded stepped circular socle, printed and impressed mark to base, 44cm high
Auf rundem, gekehltem Standfuß. Balusterförmiger Korpus, gestreckter Hals, ausschweifender Mündungsrand. Auf der Wandung polychromes Blumendekor, Ränder goldstaffiert. (Berieben, in einer Vase Reste einer Halterung). Unter dem Boden unterglasurblaue Zeptermarke der Königlichen Porzellan-Manufaktur Berlin. H. 32,5 cm.
Eine Vase mit konischem Korpus, abgerundeten Schultern u. kurzem gekehltem Hals. Dekor: Deutsche Blume, goldstaffiert. Eine Vase, auf rundem Standfuß, gestreckter Korpus, ausschwingender Mündungsrand. Dekor: Zwiebelmuster Blau-Weiß. Unter dem Boden unterglasurblaue Schwertermarke Meissen (1x ein Schleifstrich, 1 x zwei Schleifstriche). 20. Jh. H. 14,5-18 cm.
Japan, Meiji-Periode. Auf rundem Standfuß, sechsseitiger, glockenförmiger Korpus, abgegratete Schulter, zylindrischer Hals, ausgestellter Rand. Auf der Wandung in feiner, goldgehöhter, polychromer Malerei Samurai und Würdenträger in weiten Landschaften (eine Vase mit Bestoßungen am Standfuß und am Rand). H. 37,5 cm.
Cloisonné. Auf Standring stehende Vase (Boden rep.). Konischer Korpus mit eingezogenen Schultern und ausgestellter Mündung, an den Seiten Messinghandhaben mit Taotie-Dekor. Wandung mit polychromem Blumendekor und Goldstaffagen (Fehlstellen und Abriebe). Auf rundem Standfuß stehende Vase mit halb ovoidem Korpus, eingezogenen Schultern, leicht tailliertem Hals und ausgesteller Mündung, an den Seiten halbrunde Handhaben mit plastischem Tierdekor. Wandung mit polychromem Ornament-, Taotie- und Vogeldekor (min. best.). China, 19./20. Jh. H. 30 cm.
BONAPARTE JEROME: (1784-1860) King of Westphalia 1807-13. Younger brother of Napoleon Bonaparte. An extremely interesting and important A.L.S. `Jerome´, signed twice, two pages, 8vo, Florence, 26th July 1846, to his daughter Princess Mathilde, in French. Jerome Bonaparte reports on the death of his brother Louis Bonaparte the day after he passed away, and states in part `I have to give you a sad new, your uncle Louis has succumbed yesterday at 10h after suffering a stroke in Livorno.. when I learned this he was dying, I had no opportunity to go and close his eyes...´, further referring to the inheritance, Jerome says `..Louis inherites a fortune of nearly twelve hundred thousand francs, despite the 150,000 francs he leaves to his godson, and the Mantua villa which he bequeaths (according to what am told) to Don Louis, Lucien's son...". Further again, Jerome refers to his brother´s wishes explained in his will, and states `I will get a copy of the will tomorrow.. he wants to be buried at St-Leu, next to his son and to my father, Will he be able ???´, and makes a prediction about his own fate` saying `If so, I am the only one remaining alive of all the Emperor's brothers and sisters, and I shall probably die, like the others, on the land of exile !!´ Jerome Bonaparte adds a postscriptum at the base of the front page, instructing his daughter `You have to mourn for two months.´ To the second page, most probably written the day after, Jerome states in part `We have just received your uncle´s will, and he has donated a souvenir to each of us; to me the lodge at the Pergola! to you the set with diamonds and ruby..´, and after a short list, adds a thought `I have to admit that I was not expecting anything, having being all through his life so cold and distant with all of us.´ Before concluding, Jerome adds one more donation referred on his brother´s will `He has bequeathed to the Grand Duke and to the Grand Duchess his large porcelaine vase and the large bust of the Emperor by Canova.´ Louis Bonaparte ((1778-1846) King of Holland 1806-10. Younger brother of Napoleon Bonaparte. Louis had three children with Hortense de Beauharnais, the first, Napoleon Charles (1802-1807) who died at the age of 4; the second, Napoleon Louis (1804-1831) King of Holland as Louis II. Died at the early age of 26 from Measles ; and the third and last Charles-Louis Napoleon (1808-1873) President of France 1848-52, and last French Monarch 1852-70, as Napoleon III. He is the inheritor Jerome Bonaparte refers to in the present letter.Princess Mathilde Bonaparte (1820-1904) Daughter of Jerome Bonaparte. Antonio Canova (1757-1822) Italian Sculptor. Best known for his marble sculptures, he is widely regarded as the greatest Neoclassical artist.
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653833 item(s)/page