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A stunning Chinese porcelain vase made into an inkwell by Edward Farmer of New York some time in the very early 20th century. The mille fleur and faux bois patterns are both used on this lovely piece of porcelain, which is extremely rare. It is also marked with an over glaze red Qianlong 4 character mark. Dimensions: Height: 5 in x diameter: 2 3/4 in. Condition: Good condition; some enameling exhibits slight wear. The hinge for the lid is broken.
Satsuma Vase with Gold Lid and Flowers. Extremely well decorated and retains its original lid, a very nice example of Japanese arts from the Meiji period. A great object for fans of Yabu Meizan at a fraction of the cost. Dimensions: Height: 6 in x diameter: 4 in. Condition: Good condition; repair to flower on lid.
One Satsuma vase with wooden stand. The vase features several monks, dragons, women, and shrines intricately painted in gold. The vase is marked along the base Hododa zo along the left and Satsuma along the right.Dimensions: Height: 17 in x diameter: 8 1/2 in. Condition: Good condition.
A lovely group of assorted Satsuma ceramics. Including cases and cups and saucers. Also includes a set of Japanese cloisonne vases. This item is from the collection of William Jennings. This collection was assembled by Jennings’ parents, who lived in Tianjin, China (then known as Tientsin) in the 1930s. Jennings’ father, Harold Jennings, was a British naval engineer who had originally come to China in the late 1920s and ran a shipyard in Tianjin. His mother, Mary Bayley Jennings, was a nurse from Ohio who originally traveled to Tianjin in 1938. The Jennings were active in the expatriate community in China and throughout Asia, and traveled within Asia, to places such as Hong Kong and Kyoto, collecting art pieces while they went. William Jennings was born in 1939, and the family moved to the United States in 1941 to escape growing conflict in the region, taking their collection with them. Dimensions: Two matching cylindrical vases; height: 5 in x diameter: 2 in. Tall cylindrical vase; height: 9 1/2 in x diameter: 4 in. Cup; height: 2 1/4 in x diameter: 2 1/2 in. Saucer; height: 3/4 in x diameter: 5 1/2 in. Small rounded vase; height: 5 in x diameter: 3 in. Large rounded vase; height: 7 in x diameter: 3 1/4 in. Black vases; height: 6 in x diameter: 2 3/4 in. Condition: One of the small pair of vases damaged.
A stunning and very large Japanese mixed metal vase decorated with a carved monkey on the front, his eyes inlaid with gold and an amazing branch with golden peaches on the back. The bottom bears the incised signature of Yokoyama Takumobo. This item is from the collection of William Jennings. This collection was assembled by Jennings’ parents, who lived in Tianjin, China (then known as Tientsin) in the 1930s. Jennings’ father, Harold Jennings, was a British naval engineer who had originally come to China in the late 1920s and ran a shipyard in Tianjin. His mother, Mary Bayley Jennings, was a nurse from Ohio who originally traveled to Tianjin in 1938. The Jennings were active in the expatriate community in China and throughout Asia, and traveled within Asia, to places such as Hong Kong and Kyoto, collecting art pieces while they went. William Jennings was born in 1939, and the family moved to the United States in 1941 to escape growing conflict in the region, taking their collection with them. Dimensions: Height: 15 in x diameter: 9 in. Condition: No major losses, scratches, or chips; some spots of discoloration to the patina; rim is bent.
A very fine Chinese vase in the meiping form, likely an early Qing replica of a Sung period ware. Almost Junyao in nature. Excellent glaze, well fired. Has been drilled for lamping. Dimensions: Height (without stand): 9 in x diameter: 5 1/2 in.Condition: Good condition; has been drilled for a lamp.
A massive and very finely worked Japanese bronze vase, well decorated with Buddha and a flute player. The burner separates into three parts and is signed on the middle part. Several elements missing. Dimensions: Height: 32 1/2 in x width: 16 1/2 in x depth: 12 in. Condition: Overall good condition; some surface abrasions; flute player finial is missing the flute and a few fingers.
Six ceramic Pre-Columbian figural vessels from regions in Peru, including: one Chimu-Inca vessel (900-1470 C.E.); one Chancay vase (1000-1476 C.E.); one Moche Blackware jar (post-classic 900-1521); one Huari human face vessel (600-800 C.E.); one Vicus female figure vessel (100 B.C.E.- 200 C.E.); and one Inca Coquero portrait vessel (1100-1300 C.E.).Provenance: Chimu-Inca vessel purchased by Fernandez Leventhal Gallery, NY from Arte Primitivo Auction in June 2000. Purchased by current owner from Fernandez Leventhal Gallery in August 2000. Chancay vase originally uncovered by Huaqueros near Huarai, Peru; purchased by current owner from E. & L. Emond, Eastman QC, Canada. Blackware jar excavated by Dr. Javier Chiappo from the northern coastal region of Peru, centered around Huaca de la Sol; purchased by current owner from Dr. William Harling from Melbourne, FL, in 2000. Huari vessel purchased by Emmerich Frankel, Switzerland; Ernesto Ledermann, Switzerland; Nora Sermier & Ernesto Lederman Schwarz, Chiasso, Switzerland; purchased by current owner from Art Primitivo auction in 2002. Vicus vessel in Dr. Robert E. Rothenberg Collection, NYC prior to 1971; purchased by current owner from Arte Primitivo auction in 2002.Dimensions: Chima-Inca; height: 7 1/2 in x width: 4 in x depth: 5 1/2 in. Chancay; height: 7 3/4 in x diameter: 5 1/4 in. Moche; height: 9 in x diameter: 7 in. Huari; height: 7 3/4 in. x diameter: 8 in. Vicus; height: 9 in x width: 5 1/2 in x depth: 8 1/2 in. Inca; height: 8 3/4 in. x diameter: 5 1/2 in.Condition: Wear consistent with age.
A late 19thC cameo glass vase in white on cranberry by Stevens & Williams, the tapering neck & globular body carved with hydrangea blossom by E. E. Rowley, engraved factory marks to footrim, 'STEVENS & WILLIAMS, STUART HILL;, together with etched artist's name and paper label for Honeybourne Museum '181', 12.5” high.
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653833 item(s)/page