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A Della Robbia vase, decorated by Hannah Jones, incised with grapevines, incised DRF with a galleon and painted initials, chips, 21.5cm, and an earthenware bowl, by Hannah Jones, in turquoise with blue-rimmed yellow panels incised with flowers, incised DRB with a galleon and painted initials, restored crack, 26cm (2) CONDITION REPORT: Vase - rim chips. Bowl - restored through and cracked. Paint flaking.
George J Cox for Mortlake Pottery, an ovoid vase, with a raspberry and blue trailed glaze, incised with dragons and 'Mortlake' to the body, and incised 'Mortlake GJϽBB', 17cm, and a plain ovoid vase, with a milk glaze and blue-green interior, incised 'Mortlake GJϽ, 1912', crack, 21cm (2)
A Royal Bonn pottery vase, of globular form, with tube lined rose decoration, printed and impressed marks, 18cm, and a Royal Bonn 'Old Dutch' vase, with painted and impressed marks, 11cm high (2) CONDITION REPORT: Old Dutch vase - crazing to the mouth of the rim. Larger vase - dirty and with various wear to the body.
C H Brannam and Baron of Barnstaple wares, a large vase, with entwined handles, incised with flowers and a purple glaze, 36cm, a butterfly wall pocket, 16.5cm high, a fish head jug, lacking glass eye, 11cm, a bowl, 23.7cm diameter, a large 'fish' jug, 32cm high, a bulb jardinière, 14cm, various marks, and a green jardinière, stamped 'Liberty, London', 18.2cm (7) CONDITION REPORT: Butterfly - chips to wings, rim chips to bracket and corners. Butterfly dish - small chip to rim. Fish - eye missing. Fish jug - glaze flakes to rim, inside neck and handle, base rim. Gardiniere - Glaze flake to one handle. Multiple nexk jardiniere - chips to all small rims. Purple vase - crazing throughout, crack to one handle.
A Sunflower Pottery vase, by Sir Edmund Elton, of tapering form with a crimped rim with beads, a green and yellow glaze, with raised fruit to the body, chip to rim, 20.2cm, and another vase, of tapering form with a tall neck, probably reduced, with raised flower heads, body rubbed, both with painted Elton marks, 30.5cm (2) CONDITION REPORT: Smaller: various chips to the rim, scratches to the body. Tall: body reduced, various wear to raised areas.
A Moorcroft Macintyre 'Revived Cornflower' vase, c.1912, with a bulbous body and swollen neck, with yellow and blue flowers on a cream ground, signed in green 'W Moorcroft' with printed Macintyre mark, restored to neck and base, 26.5cm CONDITION REPORT: Restored to the top rim into the body. Small visible crack to the rim. Deep crazing to the base of the vase.
A collecton of Carter Stabler Adams pottery, 1920s, by Anne Hatchard, Ruth Pavely and Ethel Barrett, variously decorated, impressed marks, 7 to 23cm (14) CONDITION REPORT: Tall vase - crazing throughout. Bulbous vase - erazing, some glaze chips to the top rim. Bowl and cover - glaze frits to rim of bowl. Small pink lined vase - possible crack to rim, glaze imperfections to rim.
A Crown Ducal vase, designed by Charlotte Rhead, pattern no. 5983, tube lined with exotic flowers in orange, yellow, blue and mauve lustre, printed and inscribed 'C Rhead', 22cm, another vase, tube lined with flowers, 18cm, and a Cranston pottery vase, with a mottled ground, tube lined with leaves, printed mark, 22cm (3)
A pâte-de-verre glass bowl, by Françoise-Emilé Décorchemont (1880-1971), moulded with fan decoration in shades of green and purple, impressed mark and numbered A980, 7.5cm, with wood stand (2) The mark A980 relates to the date of the piece as being made between December 1924 and August 1927. CONDITION REPORT: The vase can be removed from the stand. Underside of vase a lot of bubbles to the surface, lines in the glass probably manufacturing imperfections, nibbles to base rim - interior smooth and exterior very rough. Additional images available on request.
Jessie Tait, a Midwinter tube lined 'Tonga' pattern vase, circa 1956, of necked ovoid form, white ground with intertwined vertical black lines, printed marks to base, 23.5cm high Note: a similar example in this pattern is held at the Victoria and Albert Museum
Mark V Marshall for Royal Doulton, a stoneware vase of tall baluster form with incised Secessionist style decoration on a mottled purple glaze, dated 1904, impressed marks and monogram to base, pattern number 608, 27.5cm high Note: Mark V Marshall trained in London as a sculptor, working in his early days with the Martin Brothers before moving to Doulton Lambeth in the 1870s. His designs are prized for their sculptural form and contemporary appeal
A William Moorcroft Claremont pattern vase of baluster form, designed 1903, mottled green ground with blue and red decoration, painted signature and impressed marks, 12.5cm high Note: this design formed part of the range of Moorcroft pottery sold by Liberty and Co.
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653685 item(s)/page