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Four pieces of early 20th Century blue and white transfer printed wares designed by Frederick Rhead comprising a Bursley Ware Chung candlestick, S/D, a Woods & Sons Ganges flared vase, a Woods & Sons Chung octagonal bowl and a Woods & Sons Kang-hi bowl, all with printed marks (4)
A collection of assorted 19th Century plates to include two transfer decorated with two ladies playing chess, a small plate with the alphabet moulded into the rim and various motto plates to include 'Frolic's of youth, the downfall of china' [sic] with two boys playing and in so knocking a vase over, damages (qty)
A later 20th Century Webb Corbett clear crystal vase of swollen cylindrical form later engraved by David Williams with eagles in flight over a mountain range, engraved signature to the base, height 25cm, together with a similar smaller cylindrical example engraved with a Rhinoceros, height 11.5cm. (2)
Amendment estimate - A late 19th Century Bohemian glass vase in the manner of Moser the square foot below the compressed ovoid body rising to flared neck and petal edge rim cased in opal over clear crystal flash cut with printie panels, enamelled with floral swags and ribbons with gilt detailing, unmarked, height 16cm.
A late 19th Century Loetz Onyx glass vase of conical form below a slender conical neck with a swollen medial band enamelled and gilt with scrolls amongst diamonds in blue and red over the marbled cinnamon and opal ground, together with a similar Carneol vase of dimpled square sleeve with gilt rococo scrolls to the shoulder, tallest 24cm. (2).
A late 19th Century Loetz glass posy jug the foot below the ovoid body and flared trefoil neck with an applied rustic amber handle on the graduated magenta ground over the opal interior, together with a Continental air trap vase in graduated amber and a shouldered vase in the manner of Kralik with whiplash iridescent rails, tallest 14cm. (3).
A 1930s Monart glass vase of shouldered form to an everted neck decorated with a black and aventurine mottling over the red mottled ground, original label, height 14cm, together with another example of shouldered angular form with red, yellow blue mottling over the opal ground, unmarked, height 8.5cm. S/D. (2).
A late 19th Century John Walsh Walsh satin air trap vase of shouldered form below a narrow neck and folded rim with vertical air bands between the magenta ground and opal interior, a scent bottle in the manner of Stevens & Williams with opal pulled loop decoration over the citron ground with hallmarked silver mounts and a cranberry threaded toddy jug, tallest 13cm. (3).
A late 19th Century Moser glass vase of footed flared form with acorn prunts in relief surrounding the gilt decoration of trailing foliage and a butterfly on the pale green ground, together with a similar example in graduated clear to red with gilt rococo scrolls and a miniature jug with gilt and enamel foliage with an acorn in relief, tallest 20cm. (3).
A pair of late 19th Century Japanese Kutani vases each decorated with panels of birds and foliage against a burnt red ground with a gilt pattern overlay and flower heads, nine character mark to the base, height 37cm, one S/D, together with a Kutani bottle vase with a scene of a girl carrying water pails, height 33cm, restored (3)
An early 20th Century Poschinger glass vase shouldered ovoid form below a narrow collar neck enamelled with lilac geraniums over the deep green aventurine ground, together with a similar style globular scent bottle with slice cutting and enamelling and clear crystal cut glass scent bottle, vase height 9cm. (3).
A large 20th Century Skrdlovice glass vase by Petr Hora of square sleeve form rising to the hot worked rim decorated with a black streak between yellow and blue spotting on the mottled green ground below the applied clear crystal block foot with self colour strapping, unmarked, height 30cm.
A large later 20th Century Japanese Imari baluster vase decorated with stylised fancy birds over a stylised floral ground flanked by panels with a dragon in a cloud with repeat panels, painted mark to the base, height 55cm, together with a later 20th Century ginger jar with enamel decoration, height 27cm. (2)
A 19th Century mahogany longcase clock with eight day movement, the painted broken arch dial with subsidiary seconds and date dials, signed Jas. Breakenrig, Edinburgh, the case with a long trunk door inlaid with an oval paterae panel of a vase and flowers flanked by reeded pilasters above a canted base, height 212cm
Three assorted Carter Stabler and Adams vases comprising a shape 210 vase painted by Majorie Batt in the TR pattern, a 352 vase painted by Lily Pedley in the BF pattern and a vase with purple and blue painted discs against a mottled grey ground together with two Poole Pottery vases, one shape 361 painted by Iris Skinner in the WW pattern and a shape 439 painted by Gwen Haskins in the BL pattern, all with impressed marks (5)
A collection of assorted 1930s and later Charlotte Rhead wares to include a Crown Ducal 5383 vase, a Bursley Ware TL14 twin handed dish, a Crown Ducal 5982 vase, a Bursley Ware TL3 twin handled dish and a Burleigh Ware twin section tray, all with printed marks, all with damages (qty)
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653833 item(s)/page