Ochsenblutvase, China, späte Qing-Dynastie, um 1900 Formschöne Ochsenblutvase mit festem Standring. Scharfer Knick beim Übergang vom Bauch zum einziehenden Hals. Langer zylindrischer Hals mit weiß-rötlicher Kante an der Öffnung. Grünlich krakeliertes Muster auf der Unterseite des Bodens. An der Kante des Standrings alte Absplitterung, sonst intakt. Gewicht 2,9 kg. Maximaler Durchmesser 23 cm. Höhe 31 cm. Provenienz: Aus süddeutscher Sammlung. Zustand: II + A Chinese ox-blood vase, late Qing dynasty, circa 1900 Beautifully shaped ox blood vase. Sharp twist at the transition from the belly to the retracting neck. Long cylindrical neck with white-reddish edge at the opening. Greenish crackled pattern on the underside of the base. At the edge of the foot ring an old chip, otherwise intact. Weight 2.9 kg. Maximum diameter 23 cm. Height 31 cm. Provenance: From a South German collection. Condition: II +
We found 653685 price guide item(s) matching your search
There are 653685 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653685 item(s)/page
Kleine Longquan-glasierte Kinuta-Vase, Mitte 20. Jhdt. Formschöne Vase mit deutlich abgesetztem zylindrischen Hals und tellerförmig ausladendem Rand. Seitlich am Hals zwei Henkel in Form stilisierter Wesen. Grünlich glasiert. Intakt. Höhe 19 cm. Provenienz: Aus süddeutscher Privatsammlung. Zustand: II + A small Longquan glazed kinuta vase, mid-20th century Beautifully shaped vase with a clearly set-off cylindrical neck and plate-shaped projecting rim. Two handles at the sides of the neck in the shape of stylized creatures. Greenish glaze. Intact. Height 19 cm. Provenance: From a South German private collection. Condition: II +
Kanne und Vase, Porzellanmanufaktur Limoges, 20. Jhdt. Kakaokanne im Stil des 18. Jhdts. aus glasiertem Porzellan, farbig und golden bemalt, im Deckel ein hölzerner Rührstab. Dazu eine handbemalte Vase mit feiner Vergoldung und farbigem Blütendekor. Im Boden jeweils die Manufakturmarke. Höhe 32 und 21 cm. Zustand: I - A jug and vase from the Limoges porcelain factory, 20th century Kakaokanne im Stil des 18. Jhdts. aus glasiertem Porzellan, farbig und golden bemalt, im Deckel ein hölzerner Rührstab. Dazu eine handbemalte Vase mit feiner Vergoldung und farbigem Blütendekor. Im Boden jeweils die Manufakturmarke. Höhe 32 und 21 cm. Condition: I -
Kleine Gu-Vase mit Landschaftsszene blau auf weiß, China, späte Qing-Zeit Schöne Gu-Vase. Über der geometrisch verzierten Fußzone erhebt sich der zylindrische, sich oben trichterförmig öffnende Körper. Darauf eine idealtypische Landschaftsszene. Intakt. Durchmesser 15,5 cm. Höhe 15,2 cm. Provenienz: Süddeutsche Privatsammlung. Zustand: II + A Chinese blue-white Gu-vase with landscape scene, late Qing era Beautiful Gu-vase. Geometrically decorated foot zone. The body shows an ideal-typical landscape scene in blue and white technique. Intact. Diameter 15.5 cm. Height 15.2 cm. Provenance: From a South German private collection. Condition: II +
Porzellanvase, Korea, 20. Jhdt. Bauchige Vase aus weißem Porzellan mit abgesetzter, leicht ausgestellter Lippe. Handgemalter, blauer Dekor mit Hirschen, Kranichen und Schildkröten in Landschaft mit Schilf und Kiefern. Auf dem Boden zwei Schriftzeichen. Dazu ein aus Hartholz geschnitzter Drache, China, um 1900. Höhe der Vase 28,5 cm, Maße des Drachens 48 x 50 cm. Zustand: I - II A Korean porcelain vase, 20th century Bauchige Vase aus weißem Porzellan mit abgesetzter, leicht ausgestellter Lippe. Handgemalter, blauer Dekor mit Hirschen, Kranichen und Schildkröten in Landschaft mit Schilf und Kiefern. Auf dem Boden zwei Schriftzeichen. Dazu ein aus Hartholz geschnitzter Drache, China, um 1900. Höhe der Vase 28,5 cm, Maße des Drachens 48 x 50 cm. Condition: I - II
Drei Jugendstilvasen, Frankreich, 2. Hälfte 20. Jhdt. Drei Glasvasen mit feinem floralen bzw. Landschaftsdarstellungen, eine kelchförmige Vase mit Dekor in Form einer Seelandschaft, bezeichnet "Daum Nancy". Eine weitere gebauchte Vase mit langem Hals, bezeichnet "Gallé", sowie eine weitere am Rand oktagonale Vase mit Darstellung einer Winterlandschaft, unbezeichnet. Höhe 28,5, 35 und 45 cm. Zustand: II Three French Art Nouveau vases, 2nd half of the 20th century Drei Glasvasen mit feinem floralen bzw. Landschaftsdarstellungen, eine kelchförmige Vase mit Dekor in Form einer Seelandschaft, bezeichnet "Daum Nancy". Eine weitere gebauchte Vase mit langem Hals, bezeichnet "Gallé", sowie eine weitere am Rand oktagonale Vase mit Darstellung einer Winterlandschaft, unbezeichnet. Höhe 28,5, 35 und 45 cm. Condition: II
A CHINESE BLUE AND WHITE 'PHEASANTS' BALUSTER VASE AND COVER KANGXI 1662-1722 Painted with a pair of pheasants perching on rockwork as blossoming peony, magnolia and hydrangea grow around them, the cover similarly decorated with floral sprays and with a continuous scrolling band to the underside, the cover with paper labels for Dickinson and Richard Pirie T Copeland, no.51, 43.5cm. (2) Provenance: from the collection of Gresham Copeland (d.1960s), a former partner of the Copeland manufactory, and thence by descent. Cf. Bonhams, The Contents of Trelissick House including The Copeland China Collection, 23rd-24th July 2013, lot 52 for the pair to this vase; see also J P Stamen & C Volk, A Culture Revealed: Kangxi-Era Chinese Porcelain from the Jie Rui Tang Collection, pp.168-169, no.66 for a rouleau vase with similar decoration.清康熙 青花錦上添花紋將軍罐來源：Gresham Copeland（逝於1960年代）收藏，之後由其家族繼承。
A CHINESE LANGYAO BOTTLE VASE, CHANGJINGPING KANGXI 1662-1722 The bulbous pear-shaped body supported on a short slightly tapering foot, surmounted by a tall slender cylindrical neck, the exterior decorated with a rich red crackled flambé glaze scattered with pale specks, the glaze draining from the rim leaving it white and pooling to a deep burgundy at the foot, with a pale mint green glaze to the base, 40.6cm. The term langyao used to describe this type of glaze derives its name from Lang Tingji, who was the director of the official kilns at Jingdezhen from 1705 to 1712. It is believed that he was responsible for the revival of monochrome glazes and that the langyao glaze developed under his supervision. Cf. J Ayers, The Baur Collection, Chinese Ceramics, vol.3, Monochrome-Glazed Porcelains of the Ch'ing Dynasty, pl.A277 for a related vase; see also Christie's New York, 22nd-23rd March 2018, lot 767 for another comparable vase.清康熙 郎窯紅釉長頸瓶
A CHINESE BLUE AND WHITE 'BAXIAN' YEN YEN VASE KANGXI 1662-1722 Painted to the exterior in underglaze blue with eight large cartouches, each enclosing one of the Eight Immortals standing in a fenced garden holding their attributes, the panels reserved on a carved ground of peony flowerheads blooming amidst scrolling foliage, with geometric bands encircling the rim, shoulder and foot, together with a reticulated wood stand, 43.8cm. (2) Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s, purchased from the Reverend G E Grime. Cf. Oriental Ceramics: The World's Great Collections, vol.7, Musée Guimet, Paris, pl.114 for a comparable Kangxi yen yen vase similarly painted with large cartouches enclosing the Eight Immortals on a diaper ground from the Grandidier Collection; see also R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), pp.478-479, no.309 for another similar example also with the panels reserved on diaper in the collection of the Palace Museum.清康熙 青花開光八仙紋鳳尾尊來源：英國西約克郡私人收藏（1970-80年代），購於Reverend G E Grime。
A CHINESE FAMILLE ROSE CYLINDRICAL BRUSHPOT, BITONG YONGZHENG OR LATERPainted to the exterior with a beauty holding a small flower in her left hand, with lotus blooms contained in a vase on a table behind her, she gazes at two boys standing by a large pile of books, one child holds a lotus leaf and a halberd, the other clutches a sceptre, with rockwork to the reverse, together with an openwork wood stand, 12.5cm. Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.清雍正或更晚 粉彩人物故事紋筆筒來源：英國西約克郡私人收藏，購於1970-1980年代。
A CHINESE BLUE AND WHITE 'MYTHICAL BEASTS' BALUSTER VASE SHUNZHI 1644-61 Painted with a qilin, lion dog and third creature, possibly a xiezhi, they sit in a landscape amidst rocks and plantain, with mountainous peaks rising from a river in the distance, the short neck decorated with a band of leaves, 27.5cm. Provenance: acquired in the 1980s.明順治 青花麒麟紋將軍罐來源：購於1980年代。
A CHINESE GOLD-SPLASHED BRONZE 'TWIN-FISH' VASE 18TH/19TH CENTURY Formed as two carp supported on their tail fins, their bellies touching, with details of their scales and fins engraved to their bodies, their agape mouths forming two openings, 32cm, 2.7kg. The image of two conjoined fish is one of the Eight Auspicious Buddhist Emblems, or Bajixiang. Cf. Sotheby's Hong Kong, 31st May 2018, lot 45 for a related bronze vase.十八/十九世紀 銅灑金雙魚合巹瓶
A CHINESE BLUE AND WHITE 'QILIN' SLEEVE VASE SHUNZHI 1644-61 The tall cylindrical body flaring at the rim, painted with a qilin seated in a landscape amidst rockwork and plantain, with pendant leaves and sprays of pomegranate and magnolia below, 40.6cm. Provenance: acquired in the 1980s. Cf. J Ayers, Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen, vol.1, p.128, nos.247 and 248 for two vases with similar decoration; see also R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), pp.100-101, no.53 for a related blue and white Shunzhi period sleeve vase decorated with a qilin and phoenix in a rocky landscape above scrolling lingzhi and pendant leaves.明順治 青花麒麟送子紋花觚來源：購於1980年代。
A SMALL CHINESE TURQUOISE GLAZED 'CHILONG' VASE YONGZHENG 1723-35 Raised on a spread foot and surmounted by a tall flaring neck, decorated with a crackled pale blue glaze, the shoulder applied with a chilong picked out in aubergine, the mythical beast with its mouth agape revealing its tongue and fangs, all above a band of moulded narrow lappets, the base left unglazed, together with a Japanese box and cover, 13.9cm. Provenance: formerly a Japanese private collection.清雍正 孔雀綠螭龍紋瓶來源：日本私人收藏。
A RARE AND MASSIVE CHINESE GE-TYPE MOONFLASK, BAOYUEPING YONGZHENG 1723-35 The flattened body moulded to each side with a large circular central boss surrounded by nine ruyi-heads, decorated all over with a pale greenish-grey glaze suffused with dark crackles, the short cylindrical neck flanked by two applied scroll handles, all raised on a short gently flared foot, 50cm. Provenance: from the estate of Dikran Ouzounian (d.8th November 2011) and Seta Ouzounian (deceased), 79 Cadogan Square, London, and thence by descent. The glaze on this imposing moonflask is an active tribute to earlier Chinese Ge wares, which were notable for their deliberate irregular crackle. Whilst the exact location of the site remains unknown, the Ge kiln is regarded as one of the Five Great Kilns (Wu Da Ming Yao) of the Song dynasty, along with Ru, Jun, Guan and Ding wares. It is, however, interesting to note that no examples of Ge pieces have been discovered in Song dynasty tombs, and so their dating is still contentious amongst modern scholars. It is in fact possible that Ge pieces were not produced until the Yuan dynasty, perhaps as a copy of Song Imperial Guan wares. Imitations of Ge glazes applied to porcelain bodies first appeared during the Ming dynasty, and Imperial pieces of this type were produced during the reigns of the Xuande (r.1426-35) and Chenghua (r.1465-1487) Emperors. The later Ming saw the creation of only a few exceptional pieces of this type, and it was not until the reign of the Qing dynasty emperor Yongzheng (r.1723-35) that the imitation of Ge pieces was reinvigorated and reached new levels of sophistication. The Yongzheng Emperor is known to have been fascinated with the past and is remembered as a passionate collector of antiques. Under such a keen patron with great enthusiasm for works of art made for the Imperial Court, the potters at the Imperial Kilns in Jingdezhen carried out much research and experimentation during this period. The workers developed an extensive range of fine monochromes including reinventions of early wares, which reflected the Yongzheng Emperor's admiration of antiquity. Tang Ying (1682-1756), one of the most renowned supervisors of the Imperial Kilns, is particularly associated with the production of pieces imitating early wares during this period, and he writes about the production of imitation Ru, Guan and Ge wares in his Records of Ceramic Production (Taocheng jishi). For a more in-depth discussion on Yongzheng period copies of earlier Chinese wares, see Wang Qingzheng, Yongzheng Imitations of Guan, Ge, Ru and Jun Wares, Chinese Ceramics: Selected Articles from Orientations 1982-1998, pp.265-270. Cf. Bonhams Hong Kong, 26th May 2007, lot 220 for a similar vase; see also Sotheby's London, 8th November 2006, lot 173 for a comparable piece moulded with the Eight Trigrams; see also Sotheby's Hong Kong, 28th November 1978, lot 207 for a related Guan-type moonflask with the Eight Trigrams design.清雍正 仿哥窯抱月瓶來源：Dikran Ouzounian（逝於2011年11月8日）及Seta Ouzounian遺產，之後由其家族繼承。哥窯為宋朝五大名窯之一，其主要特征是釉面有大小不同的開裂紋片，是為南宋時期修內司官窯燒製的。早在宣德及成化年間的官窯已經開始在模仿宋代哥窯開片釉，這種技術發展到清代雍正時期可謂攀上新的高峰。這不僅是雍正皇帝憶古之情的體現，更要歸功於兩位著名督窯官年希堯與唐英。此種樣式源於波斯的金屬工藝品形狀，經改造以迎合漢人的審美。創燒於明永樂官窯，因成型時必須分別製作再粘合成器，故成品難度極大。由此件拍品可看出當時以異材器型和古代瓷釉所重新組合而成的仿古創新之作。
A LARGE CHINESE CIZHOU-TYPE VASE YUAN DYNASTY The ovoid body tapering towards the foot, painted in brown slip with floral and foliate sprays against a cream ground, all contained between stylised continuous bands, the short gently tapering neck rising to an everted rim, 38cm dia. Provenance: formerly The Mount Trust; and then an English private collection, West Yorkshire, purchased from Christie's London on 7th December 1992, lot 33.元 磁州窯折枝花卉紋大罐來源：Mount基金會舊藏，之後由英國西約克郡私人收藏，購於倫敦佳士得1992年12月7日·編號33。
A CHINESE FAMILLE VERTE 'BIRDS AND FLOWERS' ROULEAU VASE KANGXI 1662-1722 Painted with a pheasant standing on rockwork amidst peony, prunus and other blossoming flowers, with six smaller birds in flight and perched amidst the blooms, the cylindrical neck decorated with sprays of leafy branches, 48cm. Cf. M A Pinto de Matos, Chinese Porcelain in the Calouste Gulbenkian Collection, pp.88-91, no.17 for a comparable vase; see also Kangxi Porcelain Wares from the Shanghai Museum Collection, pp.88-89, no.57 for a blue and white rouleau vase decorated with a similar scene.清康熙 五彩花鳥紋棒槌瓶
A CHINESE FAMILLE VERTE BALUSTER VASE KANGXI 1662-1722 Painted with scholar-officials and their attendants in a pavilion, with two further figures conversing outside in a garden, the scene divided by leafy trees and swirling iron-red clouds, with panels enclosing fish reserved on a dense band of floral designs to the shoulder, the short neck decorated with precious objects, together with a reticulated wood cover and stand, 34.1cm. (3) Provenance: from the collection of Wing Commander F W Hilton (d.1990s), and thence by descent.清康熙 五彩人物將軍罐來源：皇家空軍中校F W Hilton（逝於1990年代）收藏，之後由其家族繼承。
A CHINESE BLUE AND WHITE 'WATER MARGIN' ROULEAU VASE KANGXI 1662-1722 Painted with a scene from The Water Margin depicting a soldier lifting a bronze ding high above his head with one hand, with many further warriors and scholar-officials watching the spectacle, the three large windows behind looking out on to gusts of wind, a mountainous riverscape and a carp leaping from crashing waves, the scene divided by leafy trees growing amidst rocks and swirling clouds, the base with an artemisia leaf and a paper label reading 'Ex-collection Lord Chesterfield', 44.5cm. Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s, purchased from the Reverend G E Grime. It is believed that in ancient China, the act of lifting a bronze ding was a display of absolute strength and a demonstration of virility. 清康熙 青花水滸傳人物故事紋棒槌瓶來源：英國西約克郡私人收藏（1970-80年代），購於Reverend G E Grime。
A collection of European ceramics to include: part Sevres pattern no: 5360, some pieces marks, part breakfast set white ground decorated with floral sprigs,including 5 various cups, 2 jugs, sugar bowl and cover, plates and saucers together with a set of five Union R Czechoslavian cabinet plates, painted with flowers; a Limoges Haviland & Co., coffee pot and cover; Limoges egg shaped vase and Rosen Hale (German) large tureen and cover; Sevres style three tier cake stand (Q)
Ruskin Pottery: 3 Ruskin Pottery miniature bowls in orange, purple and pink lustre glazes plus a small blue/grey drip glaze vase. The miniature bowls diameter approx 6cm, the vase height approx 7.5cm. Impressed Ruskin mark to 2 bowls and impressed Ruskin, England, 1921 to other.Condition: No obvious signs of damage or restoration.
A group of 19th Century blue and white transfer printed earthenware to include: 1. Foley meat platter - Manilla pattern2. W & H Burslem oval meat platter - Chatsworth pattern3. Canton style tureen and cover4. conical shaped large wall mount / vase decorated in the Chinoiserie manner with figures within river landscape looking to village and pagoda in beyond mountain scape (4)
A collection of Royal Worcester blush ivory to include: raised tazze pattern no: 1427, Reg no: 142784 with Osler Importers Calcutta and puce Worcester stamp; two small globular vases, one painted with blue tits, the other flowers pattern no: 162, with black Grainger & Co Royal China Works stamps; a basket shaped tapering vase, pattern G 857, Green mark and a Locke & Co tapering acanthus vase with silver colour, the silver hallmarked by William Briggs & Co, Birmingham, 1901, the vase pattern no: 720 (5)
A Chinese Qing dynasty, Kangxi period (1662-1722) blue and white rouleau vase, painted with officials on a verandah above other figures on horseback 47.5cm high (two hairline cracks to the foot)Condition report: rim of vase has tiny inside rim chip 0.5cm, body of vase ok, minor friting from kiln, footrim in good condition, minor superficial wear, ribbed neck small glaze fracture, minor glaze wear otherwise good, tiny hairline to inside of footrim
A Chinese famille verte bottle vase, Qing dynasty, 19th century, the rounded body painted with a group of female musicians playing to an official and attendants, the other side painted with two pheasants on branches of magnolia above chrysanthemum 44cm high (damage to the neck and rim) Condition report: old crude restoration, cracked neck restuck, old white painted redecoration, main body of vase good, enamel nice, some minor wear to iron red detail, foot rim ok, no sign of cracks or hairlines but significant damage as noted to neck
A collection of assorted Chinese hardwood stands, comprising a pair of vase stands with fretwork pierced undersides, each measuring 21cm in diameter, a naturalistic hardwood vase stand, a vase lid, plus various other stands, etc mainly 19th Century (8)One stand considerably AFCondition report: generally ok, minor wear and tear,
Loading...-
653685 item(s)/page