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A pair of late 19th/early 20th century Mary Gregory style 'Bristol' blue enamelled vases, together with an enamelled Gregory style green glass jug and a small enamelled trinket pot in ruby glass. (4) Condition: one vase has an impact crack from the top rim, wear, marks etc to all.
A collection of mixed ceramics to include; a stylish Poole Pottery lava red glazed baluster vase, a Meir & Sons Ironstone water jug with classical design, two blue and white Fenton vases, a Widdicombe fair mug, Honiton pieces, two Canadian pottery pieces with stylish green glaze, children's pottery to include; twin handled cup, egg cup, a Shelley 'Cowboy James' cup by Mabel Lucie Attwell, a Sooty in the wash-tub child's bowl and others. (1 box) some with minor chipping & wear
A Staffordshire black basalt coffee pot and metal cover, 19th century, unmarked, size 24cm high. Condition: handle broken and reattached, spout nibbled, replacement metal cover together with a black glazed vase, pot and cover and a teapot and cover, decorated with enamel and gilding, 19th century, size: vase - 28cm; pot - 22cm; teapot - 16cm high. Condition: some scuffs, scratches, chips to both covers, wear to gilding (4)
A 1970's Moorcroft Clematis design Lamp Base , usual Factory marks to base , untested , together with a 1950's Moorcroft Clematis vase AF with damaged rim usual factory mark to base , and a 1940's Moorcroft Clematis vase with minor chip to foot , impressed signature mark to base , (3)
A 20th Century Michael Harris for Isle of Wight studio glass vase, of cylinder form, decorated with internal graduated aurene to mottled blue and cased in clear, flame mark to the base, height 25.5cm, together with a Michael Harris for Mdina cylinder tortoiseshell vase, signed, height 20cm. (2)
A later 20th Century Kosta Boda glass vase designed by Goran Warff of footed and fluted sleeve form, internally decorated with a blue and yellow spiral design, engraved signature, together with a clear crystal glass vase of ovoid form decorated with repeat square panels, unmarked, tallest 17.5cm. (2)
A Royal Worcester twin handled Persian style vase, dated 1883, by Charles Baldwyn, painted with birds perched in trees, before a moonlight sky, and reserved against a dusty ivory ground, with twin solid gilt scroll handles, green printed marks, impressed 871, height 29cm.
A contemporary Jonathan Harris studio glass cameo vase, of footed ovoid form with flared neck, cased in iridescent silver and cut to reveal floral sprays over an amethyst ground with internal multicoloured streaking, all raised to a clear crystal block foot, engraved signature and dated 2009, height 11.5cm.
A large late 19th Century Stourbridge glass Jack in the Pulpit vase, the drawn trumpet with tight frill rim, internally decorated with citron and pink candy stripe with white mottled finish, raised to a clear crystal crimped foot, height 45cm, together with two similar period straw opal examples. (3)
A Michael, Elizabeth and Timothy Harris for Isle of Wight studio glass bowl, of high sided circular form, decorated in the New Bon Bon Allsorts pattern, with blue iridescent spots over an petrol iridescent black ground, retains original paper label, together with a similar cylinder vase with mottled spots of blue decoration, boxed, and a smaller cylinder vase with amethyst trailing over a mottled opal ground, both retain original paper labels, tallest 16.5cm. (3)
A contemporary Jonathan Harris studio glass vase, of footed conical form with flared rim, decorated with stylised flower heads over a multicoloured streaked ground with gold aventurine all over a translucent blue ground, raised to a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 16cm.
A large 19th Century opal glass vase in the manner of Richardsons, the footed slender shouldered ovoid body with a flared collar neck, heavily hand enamelled with panels of flowers and foliage within gilded scroll work borders over the white ground, unmarked, height 45cm.
A contemporary Jonathan Harris studio glass pedestal vase, in the Horizon pattern, the ovoid bowl decorated with multicoloured trails over a pink graduated ground before a clear crystal knopped stem and circular spread foot, engraved signature and dated 2002, height 14cm.
A Richard P. Golding for Station Glass contemporary limited edition glass vase made for the Diamond Jubilee, the footed flared conical body decorated with stylised flowers and foliage over a mottled petrol iridescent red to blue ground, engraved signature, numbered 3 of 10, height 31cm.
A large collection of assorted 20th Century decorative art glass, to include an amber vase hand enamelled in the Mary Gregory style with a girl with flowers, an amber soda glass vase with applies trailing, Murano ovoid sommerso vases, various pressed glass vases, a pair of Bohemian tango style vases with black enamel decoration, carnival glass and more, damage. (19)
A late 19th to early 20th Century Stourbridge glass vase, possibly Stevens & Williams, the shouldered swollen barrel form with shallow collar neck, cased in a deep magenta over an opal interior and acid cut with classical panels depicting Greek soldiers and figures in classical dress below arches, unmarked, height 24cm.
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653685 item(s)/page