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LATE 19TH/EARLY 20TH CENTURY GLASGOW NAUTILUS PORCELAIN FIGURAL SPILL VASE,modelled as a maiden beneath a bower, marked to base, 31cm highChips to the exposed rims of the spill sections, some of which have been gilded and restored, others unrestored; some rubbing as well as dust and dirt, firing cracks and other manufacturing imperfections, additional images available
CHINESE BLUE AND WHITE LIDDED JAR,23cm high, along with other Chinese vases and dishesThe large sleve vase has a chip to the rim as well as a small hairline crack.The blue and white vase with lid is in good condition. The lid has a chip to the inside. There are some very small chips to the Foo Dog. The tea pot has a slight stain to the handle and spout. The accompanying lid has a couple of very small flea bites. The pair of pierced pots/vases have some scratching to the top. One base has some cracks. There are some very small chips to the sections of both pieces between the panels. Both ginger jars are in good condition overall. The larger of the two has a section which is cracked and has possibly been reglued. The collection of plates are in good condition. The larger of the four has some flea bites/chips around the rim as well as on the main scene.
CHINESE BALUSTER VASE,24cm high, along with other ceramicsThe tallest Cantonese vase is in fair condition. There is one chip to the rim and another which starts at the rim and finishes at one of the Rose Mandarin scenes. There is some minor paint loss and loss of gilding to the vase and lion mask handles. Overall the vase is vibrant and has a good amount of gilding to the hair of the figures.The cylindrical Cantonese jar and cover are in overall good condition. The jar has some chips to the rim. The cover has been broken in several places, has several cracks and has been glued back together.The medium sized Cantonese vase has a lot of fading to the Rose Mandarin scenes. One of the lizards around the neck of the vase has a chip. The smallest Cantonese vase is in overall good condition, with some loss of gilding to the rim as well as on the main body of the piece. On the cloisonné jar and cover, there is a chip to the lid and some dents as well as some scratching to the base. The other cloisonné pieces are in good condition, with only a couple of chips to the small pin dish.
19th century table clock.Bronze, ebonised wood and porcelain dial.Measurements: 66 x 34 cm.Table clock made for the Turkish market, with ebonised wood structure, applied bronze decorations and porcelain dial, with Turkish numerals for hours and minutes in black and openwork hands. The design is historicist in style, inspired by pieces from the Baroque period, hence the combination of an architectural structure of mixtilinear forms and emphatic volumes with the application of bronze. Also typical of the decorative arts of the Baroque period was a taste for contrasting qualities, colours and textures, hence the use of contrasting materials such as ebony, bronze, tortoiseshell and ivory. The clock stands on a stepped base, supported on cut-out legs (the bronze front legs) and decorated with classical relief mouldings in bronze and, on the front, with a chiselled, openwork and cut-out plaque with a composition of sinuous stems, leaves and bunches of grapes. The body of the clock rises above this base, open at the bottom to form a curved-sided recess, flanked by openwork bronze plaques similar to the base. The dial is set in a frame formed by sunbursts, directly inspired by French models from the time of Louis XIV, the Sun King. On both sides of the case are vertical bodies that stand out in plan and are decorated with openwork plaques, mouldings with reliefs, pinjantes, classical vase-shaped finials and openwork side rosettes as handles, all in bronze with Baroque vegetal motifs. Finally, the piece is crowned by a cup-shaped body also decorated with bronze appliqués, which stand out against the black background of the ebonised wood, and culminates in a large classical vase with relief decorations.
Art Nouveau vase, possibly CAMILLE FAURÉ (Perigueux, 1874 - Limoges?, 1956).Soliflower vase.Enamelled copper.Unsigned.Measurements: 30 cm (height) x 14 cm (diameter).Modernist style vase with a copper structure entirely covered with enamel, except for the base, which remains with the metal exposed. The decorative motifs are the large, naturalistic but somewhat schematised flowers typical of French Art Nouveau.Camille Fauré was a French artist best known for his designs for Limoges, internationally renowned for his enamels. After a long apprenticeship, he established his own workshop in Limoges, France, where he worked for about fifty years, becoming the most famous and talented enamel artist in Limoges. He took part in the Paris International Exhibition of 1925, where Art Dèco was given the name by which the art movement is known. His early works, as well as those he would produce after the Second World War (more or less), are notable for floral and figurative patterns of a respectable size, often using bright colours. He made vases, cups, ashtrays, boxes, etc.; the vases in a wide variety of shapes and decorations. And it was his geometric decorations that led him to be considered the "enameller" of Art Deco. His delicate creations, of extraordinary quality, are preserved in important private collections all over the world, as well as in institutions such as the Musée des Beaux-Arts in Limoges, the French National Heritage collection, the Royal Ontario Museum in Canada, etc.
Table; Italy, late 18th century.Walnut wood. Ebonised wood, boxwood marquetry, and caywood appliqué.Presents adaptation of the legs from a later period.Measurements: 70 x 82 x 52,5 cm.Italian lyre-leg table from the 18th century, made of walnut, with a single-piece top, legs trimmed and decorated with simple carved details on the fronts and curved iron fasteners. The lyre-leg table originated in Italy in the 16th century as a table, often for representation rather than use. Inspired by the tables of classical antiquity (made of marble and with cross supports), they have two lateral supports which can be removed for transporting the piece of furniture, and which may have a lyre or vase profile. In some cases, these cross supports are decorated with classical Renaissance motifs. In the centre of these supports is an 'H' shaped foot.
A GEORGE III TEA CADDYBy William & Patrick Cunningham, Edinburgh, 1797 Of oval section and slightly bulbous form and with reeded borders, the hinged cover with vase-shaped finial, engraved with crest and motto, height 16.5cm, weight 12oz.Footnotes:The crest and motto are those used by various branches of the MAITLAND family but the date of production indicates either MAITLAND the Earl of Lauderdale and RAMSAY-GIBSON-MAITLAND BT of Clifton Hall, Mid-Lothian.For further information on this lot please visit Bonhams.com
A DERBY VASE, CIRCA 1815Of slender campana form, painted with reserve titled 'On the Clyde' and the opposing reserve with roses, on a salmon gilt floral ground, the circular foot with crown and crossed batons mark in red and numbered 42 on the underside, 22.5cm high, 15.5cm wideFor further information on this lot please visit Bonhams.com
A Chinese silver vase,unmarked, 20th century Of baluster form, the neck flaring outwards towards the rim, embossed traditional Chinese motifs of dragons and phoenix against strapwork, diaper work and repetitive borders, featuring flowers, geometric shapes and leaves, alternating between a matt and a polished ground creating texture, all on a circular spreading pedestal base, height 31cm, weight 18oz.For further information on this lot please visit Bonhams.com
A Dutch silver tobacco boxRoelof Helweg, Amsterdam, 1793 Rectangular form, the hinged cover engraved with three figures drinking in a tavern, with a sailing vessel partially visible to the ground, flanked either side with scroll cartouches with inscription 'Den Schippei Vaart de See De Koopman hout het Lant Soo Gaet de Koopman Schap te Wa ter en te Lande, the base engraved with a two-handled vase of flowers, length 13.5cm, weight 8.2oz.For further information on this lot please visit Bonhams.com
A German silver standing cup and coverHanau, circa 1890, spurious hallmarks of Augsburg and master Johann Conrad Treffler (1682-1716) Cylindrical form, a pull-off stepped and domed cover surmounted by a cast soldier finial on horseback, the borders decorated with classical acanthus and laurel leaves, the rim lobed, opening to reveal a gilt interior, the cup body embossed with Bacchanalian scenes, supported by a realistically cast male figure with grapes in one hand chalice the other, standing louchely on a circular stepped pedestal base, featuring embossed winged cherubs, height 38cm; together with a Russian silver vase, stamped 84 zolotnik, bottle form, long knopped neck and bulbous base, embossed with animal figures and birds, and two wise old man playing instruments within a woodland vista, an inscription around the base 'Mr David Popper ... de admirateurs de Tiflis 8 Janvier 1885', height 26cm, weight total oz, weight 40gms. (2)For further information on this lot please visit Bonhams.com
An Edwardian silver salverMappin & Webb, Sheffield 1904Circular, the gadroon rim embellished with acanthus leaves and shells, foliate engraved band to the centre, diameter 27cm, together other items, including a flower vase, Walker & Hall, Sheffield, circa 1925, loaded base, height 26.5cm, two tea strainers on stands, two salt spoons, weight 25oz. (6)For further information on this lot please visit Bonhams.com
A collection of five silver castersvarious maker's and dates Comprising: a large George III caster by John Delmester, London 1762, conventional baluster form, pierced pull-off cover with wrythen finial, on a spreading circular foot, height 15.5cm, another smaller caster by John Delmester, London 1761, also of conventional baluster form and a similar style George II caster, Jabez Daniell & James Mince, London 1759; in addition a small Victorian caster, John James Keith, London 1842, lobed ovoid form, embossed foliage, pull-off pierced cover with bud finial, on a shaped circular pedestal base and finally a large Victorian sugar sifter, Mappin & Webb, London 1887, tapering vase shape, polished body with applied classical motifs, pull-off pierced circular cover, all on a spreading domed foot, height 17.5cm, weight 18.5oz. (5)Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com
Herbert Davis Richter R.I., R.S.W., R.O.I. (British 1874-1955) Floral still life with a vase of carnations and a small figurine Signed, oil on canvas.59.5cm x 49cm (23.25in x 19.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, restored condition. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.
Clement (20th century) Still life study of flowers in a vase on a marble ledge Signed, oil on canvas.99cm x 74cm (39in x 29.25in)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age and has a picture light still attached although the lead has been cut.
A large mixed group of mostly British art and decorative pottery, late 19th and 20th century, including a pair of Chameleon Ware vases, height 27.3cm, a Royal Cauldon two-handled tubelined vase, a Danesby Ware two-handled vase, a Wardle planter, an Eichwald plate (restored), Brannam and Beswick.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A limited edition Moorcroft Swan pattern vase, circa 1992, designed by Sally Tuffin, painted and impressed marks, including '253/350' to base, height 16.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Royal Doulton stoneware vase, early 20th century, with satyr masks hung from beaded garlands with pendant stylized foliage, impressed and incised marks to base, height 17.5cm, together with a pair of Slaters Patent stoneware vases.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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653685 item(s)/page