A Lowestoft plate and a teabowl and saucer, circa 1765-70The plate painted in blue with a Chinese figure holding a parasol, standing by a huge twin-handled vase, hollow rocks and a zig-zag fence, the diaper border with panels of flowers and riverscapes, 22.2cm diam, painter's numeral 3 inside footrim, the teabowl and saucer with panels of flowers, birds, insects and a strolling figure in a landscape carrying a bundle, reserved on a deep powder blue ground, saucer 12.4cm diam (3)Footnotes:ProvenancePaul Zeisler Collection, Albert Amor exhibition, 1986 (plate)Bonhams, 2 December 2009, lot 166 (plate)Robyn Robb CollectionFor further information on this lot please visit Bonhams.com
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A pair of Worcester sauceboats, circa 1754Crisply moulded with two shell shaped lips and double rococo scroll handles with flattened thumbrests, the sides embossed with leaf chain garlands forming small panels of enamelled flowers, the interiors both painted with a Chinoiserie scene of a man holding a vase standing by a fence while a young boy runs away in surprise, 18.5cm and 19cm long (2)Footnotes:ProvenanceMoult CollectionBrenda Dunning CollectionExhibitedWorcester Porcelain 1751-1900, Dyson Perrins Museum loan exhibition, 1995, fig.16This exceptional pair appears to pre-date any other recorded example of the shape with enamelled decoration. The rarity of such pieces is surprising in view of the popularity of blue and white two-handled sauceboats, but may be explained by the placing of the principal decoration inside the base of the sauceboat, where it would have been vulnerable to wear during use with rich sauces.For further information on this lot please visit Bonhams.com
A Derby vase, circa 1797-1800Probably painted by George Robertson, thinly potted and of goblet form with tall gilded handles, painted with a view of 'Upton Cottage, Isle of Thanet', a fine cottage orné set within a manicured garden, the reverse with a more distant view of the house, the sea visible in the distance, a gilded leaf border below, 12.8cm high, crown, crossed batons, D marks and titles in blueFootnotes:ProvenancePhillips, 8 June 1994, lot 546G C Bond CollectionNow known as Upton Lodge, this building in Broadstairs, Kent, is still standing.For further information on this lot please visit Bonhams.com
A group of Chamberlain, Worcester porcelains, circa 1800-35Comprising a beaker vase and pierced cover painted with 'Contemplation', reserved on a red and gold striped ground, 13.5cm high, script mark and title in gold, a model of a pug dog seated on a green base, 7cm high, red script mark, a figure of the Broom Girl, 13cm high, red script mark, and a biscuit model of a poodle on a tasselled cushion, 10.2cm long, incised mark (5)For further information on this lot please visit Bonhams.com
A Copeland vase by C F Hürten, circa 1885Of slightly compressed pear shape, on a circular foot, the high scrolling handles entirely gilt, painted on both sides with colourful roses and chrysanthemums, butterflies and a dragonfly above, the 'jewelled' borders reserved on a delicate pink, stylised garlands of leaves in emerald-green between each panel, signed 'C F Hürten', 18.6cm high, printed mark in greenFor further information on this lot please visit Bonhams.com
A Royal Worcester vase by John Stinton, dated 1907Of slender ovoid form, painted with two highland cattle standing on a grassy mountainside, the mist rolling down from the peaks in the distance, a rocky outcrop to the reverse, signed 'John Stinton', 21.2cm high, green printed mark, shape number 962For further information on this lot please visit Bonhams.com
A Royal Worcester vase by Harry Stinton, dated 1919The compressed ovoid body painted with two Highland cattle standing amongst long grass and heather, misty mountains behind, the reverse with a rocky outcrop, the flared rim and twin handles with foliate ornament picked out in green and gold, signed 'H Stinton', 23.2cm high, puce printed mark, shape number 2249For further information on this lot please visit Bonhams.com
A Royal Worcester pâte-sur-pâte vase by William Pointon, circa 1875-80Ovoid with gilded false-ring handles on the shoulders, decorated in white relief on a celadon green ground with a heron by a pool edged with aquatic plants, signed with initials 'WP', the reverse with bulrushes, 25.5cm high, embossed factory markFootnotes:Royal Worcester pâte-sur-pâte by William Pointon is discussed by Bernard Bumpus, Pâte-sur-Pâte (1992), p167. Pointon probably taught the technique to Charles Noke who later went to Doulton.For further information on this lot please visit Bonhams.com
A Royal Worcester reticulated vase by George Owen, dated 1910The ovoid body intricately pierced with bands of honeycomb and geometric design, further piercing to the slender neck just below the flared rim and to the handles, 16.2cm high, incised signature 'G Owen', printed factory mark and shape number 850 in goldFootnotes:ProvenanceSotheby's, 14 March 1991, lot 2644The intricacy of George Owen's piercing on porcelain is frankly astonishing and the aesthetic appeal is matched by the joy in handling something so feather-light.For further information on this lot please visit Bonhams.com
A large Royal Worcester 'Painted Fruit' pot pourri vase and two covers by Harry Ayrton, circa 1960Of ovoid from, the moulded shoulder and circular foot richly gilded, the crown-shaped outer cover pierced and also picked out in gold, the body fully painted with autumn fruits including peaches, pears, grapes and berries amongst leaves on a mossy ground, signed 'H. Ayrton', 34cm high, black printed mark, shape number 2048 (3)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' vase and cover by Terry Nutt, circa 1975, and a Wedgwood vase and cover, circa 1910Of ovoid form, moulded with four classical arches, painted with autumn fruits, the pierced gilt cover with pointed finial, signed 'T Nutt', 15.8cm high, black printed mark, shape number H 169, the Wedgwood porcelain pot pourri of compressed oval form with a pierced cover, on a gilt scrolled-edge foot, two ornate gilt scrolled handles, painted with garlands of pink roses, signed 'G Bond', 30cm long, printed mark (4)For further information on this lot please visit Bonhams.com
A Society of Arts Instituted 1753 Mercury and Minerva Medal, bronze, by W Wyon, obv. conjoined busts of Mercury and Minerva 'Arts And Commerce Promoted', rev. wreath border with no inscription, a bronze 'The Thomasson Metallic Vase' medallion, a bronze 'The British and Foreign Bible Society Medal' and a Plymouth Competitive Musical Festival medal, (4).
A Collection of Various 19th Century and Later Glassware to Comprise Two Vaseline Glass Epergne Flutes (AF), Thomas Webb Type Plain Glass Thorn Vase, Two Commemorative Glasses for Cardiff 1896 Fine Art Industrial Maritime Exhibition, Plain and Vaseline Glass Match Striker of Barrel Form with Ribbed Trim and Applied Handles and Inscribed Mrs&Mr, Ruby Glass Lidded Mustard Pot with Gilt Metal Acorn Finial (AF)
A Collection of Mid 20th Century and Later Coloured Glassware to Comprise Murano, Jack in the Pulpit Vase, Yellow and White Mottled Vase of Gourd Form, Bunch of Grape Ornaments etc Together with a Hand Blown Pink Mottled Glass of Baluster Form with Metal Mount Top, Possibly Forsley an Oil Lamp base
A Collection of Various 19th Century and Later Glassware to Comprise Continental Cranberry Glass Pedestal Vase with Applied Porcelain Oval Having Full Length Portrait of Young Girl (Chip to Rim), Fenton Type Cranberry and Opalescent Jug with Foliate Design (Chip to Rim), Bristol Blue Type Bowl and Small Bottle Vase
A collection of Royal Crown Derby 'Imari' pattern porcelain,comprising a pair of twin handled vases, 22.5cm high, a smaller twin handled vase, 7.5cm high, a lidded pot and cover, 7cm diameter, and a side plate, 16cm diameter (5)Condition ReportVases) One with a repaired crack to the foot.Small vase) Restoration to the rim.General) Wear and rubbing to the gilding and decoration throughout.
An Edwardian stained beech ship's swivel open armchair by A Blain & Son, Liverpool,: the bow back over a vase shaped splat and ring turned supports over a stuff over seat, stamped as per title to underneath, raised on a cast iron dolphin tripod support stamped en suite and mounted on a wooden base. 82cm high
A 20th century Royal Doulton stoneware vase and jug together with a Japanese plate. The vase decorated with flowers and vines and signed by Margaret E Thompson and Bessie Newbery, H14.5cm, the blue glazed jug by Lily Partington and marked '7423', H20cm, the Imari plate with a fluted edge and floral decoration, diam 36.5cm
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653833 item(s)/page