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A mixed lot comprising: A 19th Century Staffordshire Figure Group of a Scotsman with horse, dog and deer, decorated throughout in colours, raised on a plinth base together with a 19th Century Staffordshire Spill Vase modelled as a Scots Couple astride a Tree stump, decorated throughout in colours, largest piece 8 ½? high, (2)
A Clarice Cliff Bizarre Secrets pattern large tapering three footed Vase, (extensively damaged and crudely repaired), 8 ¼" high Condition:Poor condition, much repair (see catalogue description).Please note: Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
A collection of Mexican metalwares, by Tane of Mexico City,comprising: a beaker, by Jos? Marmolejo for Tane,of circular spiral fluted, tapering cylindrical form with engraved foliate decoration, on collet foot, gilt interior, 10.5cm high, a pair of plain beakers, 12.5cm high, and a vase,of plain form18.5cm high (4)
A Delft (Lambertus Van Eenhoorn) tulip vase c.1700, formed in two sections, modelled in typical pyramid shape with eight flower holders on the top above protruding mask heads, ten holders on the shoulders of the base, the base applied with kylin handles, all decorated with blue flower sprays and baskets of further flowers, blue LVE monogram, some damages and losses, 32.5cm. (2)
A Royal Worcester vase in the form of an elephant c.1880, naturalistically modelled by James Hadley, wearing a large caparison with gilt detailing, impressed mark and moulded registration diamond, together with a large rectangular Austrian porcelain base moulded with fruiting grapevine and satyr masks, chips to the tusks, 28cm across. (2)
Five Royal Crown Derby spill vases early 20th century, one painted with a panel of flowers by George Jessop, reserved on a pale green ground, one with a landscape panel by W E J Dean, on a striped blue and white ground, both raised on paw feet, a cylindrical vase also by Dean of a sailing boat at sea, the last two of narrow campana shape, one in Imari pattern 1128, the other with a panel of flowers, printed marks and date codes, 10.6cm max. (5)
A Barr Flight and Barr Worcester spill vase c.1810, the cylindrical body with a flared neck and applied with two bird head handles holding rings, finely painted with stylized urns of flowers, the neck with a band of white beading, all raised on a square foot, impressed crowned BFB mark, 9cm.
A Spode muffin dish and cover and eight plates c.1810, bat-printed in pattern 557 with village landscapes and small figures travelling before streams, ruins and castles, and a flared spill vase in the same pattern, some wear, 20cm max. (11) Provenance: the Brian Gill Collection of Bat-Printed Spode.
A rare Samuel Alcock two-handled vase and cover c.1828, painted with a shaped panel of flowers including rose, tulip, poppy and forget-me-not, reserved on a delicate ground of lilac-blue, the flat cover with a low circular knop, marked with pattern number 940 to the base, some good restoration to one handle, 26.5cm. (2)
A Kerr & Binns Worcester `Limoges Enamel` vase by Thomas Bott late 19th century, of flattened Moonflask shape, decorated in white enamel on a cobalt blue ground with a portrait of Joan of Arc, titled in gilt beneath the panel, TB monogram to the base, and another two-handled vase probably by the same artist, painted with Salomé dancing, printed red marks, damages, 33cm. (2)
A Dresden porcelain three vase garniture late 19th/early 20th century, all of ovoid form with domed covers, painted with pastoral scenes of courting couples in garden landscapes, reserved between floral panels on a turquoise ground, blue AR mark, some restoration, 42.5cm max. (6)
A tall Meissen flagon or bottle vase and cover 19th century, the flattened globular body painted with a continuous scene of figures walking beneath trees, alighting from a boat and seated beside statuary, the foot and tall cylindrical neck gilded with formal borders and flower sprays on a cobalt blue ground, the neck well restored, 44cm. (2)
A Meissen pickle leaf dish c.1800, painted with a hunter and his dog, a tea cup painted with fruit and flowers, and a miniature vase painted with birds, all with pink scale borders, and a miniature scent bottle applied with flowers and painted with insects, blue crossed swords marks, 12cm max. (4)
A Meissen double gourd vase and cover early 19th century, decorated perhaps later with scenes of carousing lovers within foliate panels reserved on a puce scale ground, the cover with a floral knop, blue crossed swords mark, incised 3, some restoration to the neck, 19.5cm. (2)
Three Continental porcelain figures 19th century, a Meissen figure of a shepherd boy standing before a tree stump with a lamb by his feet, a Berlin figure of Harlequin holding goat bellows and pan pipes, and a Samson spill vase figure of Mercury and Cupid with a large cockerel, damages, 26cm max. (3)
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653833 item(s)/page