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Click here to subscribePAULINE SOLVEN (BRITISH 1943) A CONICAL GLASS VASE OF COMPRESSED FORM, the exterior having alternating bands of frosted and clear glass stripes, signed and dated 1988 around the bottom edge, maximum approximate height 15cm, together with a Pauline Solven for Cowdy Glass decanter, mottled green over a clear base, signed Cowdy to the base, approximate height 29cm (2) (Condition report: no obvious damage to either piece)
GEORGE ELLIOT (BRITISH CONTEMPORARY) A STUDIO GLASS VASE WITH A PULLED FEATHER DESIGN, signed to the base, also inscribed Bewdley with an anchor, approximate height 19cm together with a vase with a square base rising to a circular rim by the same hand, mottled green spots, approximate hight 10cm, fully marked to the base (2) (Condition report: no obvious damage)
THREE 20TH CENTURY STUDIO GLASS VASES, comprising a William Walker handkerchief vase, signed and dated (19)90 to the base, maximum approximate height 12cm, a William Walker cylinder vase with flared rim, signed to the bottom edge, approximate height 21cm, and an unsigned Nick Orsler vase with green and white trail decoration to the body, approximate height 13cm (3) (Condition report: no obvious damage)
THREE PIECES OF LATE 20TH CENTURY BRITISH STUDIO GLASS, comprising a Rebecca Newnham bowl with a sgraffito dragon design, initialled to the base, approximate height 8.5cm, Gaynor Ringland rocking bowl with sgraffito decoration to the orange, green and yellow ground, signed to the rim, approximate diameter 28cm and a Patrick Stern compressed ovoid vase with abstract decoration, signed to the bottom edge, approximate height 19cm (3) (Condition report: the Patrick Stern vase has some scuffs to the frosted finish)
TWO PIECES OF LATER 20TH CENTURY STUDIO GLASS, comprising a Deborah Fladgate frosted swirl decorated vase, signed to the base, approximate hight 13cm and a Karlin Rushbrooke footed bowl, white with orange and yellow decoration, signed to the base, approximate hight 12cm (2) (Condition report: small marks to the frosted finish of the Fladgate vase)
THREE LATER 20TH CENTURY STUDIO GLASS VASES, comprising a Barry Cullen ovoid vase with frosted finish abstract swirled pattern vase, signed to the base, approximate size 18cm, Sally Penn Smith random bubble vase with gold leaf inclusions, initialled and dated 1989 to the base, approximate height 17cm and a landscape design vase signed Sarn?? Glass to the base, approximate height 22cm (3) (Condition report: Cullen vase has an inclusion to the side, no other obvious damage)
FLEUR TOOKEY (BRITISH CONTEMPORARY) STUDIO GLASS BOWLS AND VASE, comprising a bowl having mottled green and red bands over a swirled blue stripe, signed along with pattern number 2582, approximate height 10cm, a Daisy Pattern bowl 3796, signed to the base, approximate height 8cm and a helix vase 3316, signed to the side, approximate height 19cm (3) (Condition report: no obvious damage)
TWO PIECES OF STRATHEARN STUDIO GLASS, comprising a graduated yellow baluster shaped vase with a band of swirl decoration, impressed mark to the pontil, approximate height 26cm together with a green shallow bowl, impressed mark to pontil, approximate diameter 18cm (2) (Condition report: paint splatters to green bowl, no other obvious damage)
TWO PIECES OF LATE 20TH CENTURY STUDIO GLASS, comprising a Carin Von Drehle (American contemporary) ovoid case with streaky decoration, signed to the bottom edge, approximate height 19cm and a William Walker Graal vase with a wild flower decoration, signed and dated '89, approximate height 11cm (Condition report: no obvious damage)
TWO PIECES OF LATE 20TH CENTURY STUDIO GLASS, comprising an Annette Meech blue striped gourd vase, signed and numbered 1073 to the base, approximate height 38cm and a Charlie Meaker vase with blue and white stripes, signed and dated 1983 to the base, approximate height 21cm (2) (Condition report: no obvious damage)
THREE LATER 20TH CENTURY STUDIO GLASS VASES, comprising a blue Iestyn Davies 'Osiris' vase, gold foil detail to the front, signed to the base, approximate height 18cm, together with two George Elliot bottle vases, both signed to the base, tallest approximate height 24cm (3) (Condition report: Davies vase has a rough band where the neck meets the body, it appears to have been made that way, no other issues noted)
TWO PIECES OF MOSER GLASS WARE, comprising an clear glass octagonal faceted vase with gold coloured band of figures holding spears and shields, etched mark and label to the side, approximate height 14cm, together with an amber coloured bowl with gold coloured rim depicting a repeat pattern of fish and sea horses, approximate diameter 32cm (2) (Condition report: vase is in good condition, bowl has obvious light scratches to the surface, base heavily scratched)
THREE PIECES OF ORREFORS GLASS, comprising a Corona bowl, the castellated panels are alternately etched with flowers and foliage, inscribed Orrefores marks and signed Marilyn Saville to the base, approximate height 10cm, a square tapering vase etched with a female figure holding flowers, inscribed to the base P3317?, approximate height 15cm and a compressed octagonal vase etched with a female figure and flowers, inscribed F2956 to the base, approximate height 15cm (3) (Condition report: octagonal vase has a chip to the rim, no other obvious damage noted)
A STROMBERGSHYTTAN WHEEL ENGRAVED VASE OF A FISHERMAN LANDING HIS CATCH, the vase design by Asta Stromberg, the design's engraving is by Rune Strand and the engraver was L Borneson, fully signed with all three names and pattern number B1006/C991, approximate height 36cm, illustrated on page 148 of Ronald Stennett Wilsons Book 'Modern Glass' (Condition report: light scratches in places)
THREE SMALL PIECES OF FRUIT STUDY PAINTED ROYAL WORCESTER AND A ROYAL WORCESTER VASE, comprising a tea plate painted with peaches and cherries, signed H. Ayrton, puce factory marks and date cypher for 1937, diameter 16cm, a circular miniature plate painted with peaches and raspberries, signed H. Aryton, blue factory marks, date cypher for 1939, diameter 10.7cm, a shaped rectangular pin dish painted with peaches and green grapes, signed Moseley, puce factory marks and date cypher for 1934, width 10.5cm and a baluster vase painted with pink and red roses on an ivory ground, signed M. Hunt, shape G461, green factory marks, date cypher for 1925, height 10cm (4) (Condition report: all four pieces in good condition)
A BOXED WEDGWOOD MASTERPIECE COLLECTION LIMITED EDITION BLACK BASALT AND GILT PEGASUS VASE AND COVER, no.15/50, gilt printed and impressed marks, height 32cm (1 + box and certificate) (Condition report: vase and cover are in good condition, the box and outer protective sleeve are a bit grubby)
A LATE 20TH CENTURY WEDGWOOD BLACK JASPER DIP DANCING HOURS VASE AND COVER AND THREE SMALL PIECES OF WEDGWOOD BLACK BASALT, the vase and cover with acorn finial and circular base, impressed marks, height 26cm, together with a smaller circular ashtray, a conical vase, height 8.5cm and a circular plaque mounted on and framed (4) (Condition report: Dancing Hours vase has some discolouration to the white areas, all pieces in good condition)
A CHINESE PORCELAIN BLUE AND WHITE MEIPING VASE, decorated with female figures and children between borders, six character mark to the base, height 22cm, a Chinese porcelain ginger jar decorated with prunus blossom, lacks cover, height 12cm and a late 19th century Japanese bronzed spelter twin handled vase, relief decorated with birds in flight, height 30.5cm (3) (Condition report: the vase has an extensive 12cm approx. crack running through the body in a downward direction, the ginger jar lacks the cover but is in good condition, the bronzed vase is split and loose where the neck joins the body)
A PILKINGTON ROYAL LANCASTRIAN ONION SHAPED LUSTRE VASE BY RICHARD JOYCE, shape no. 2522, the plain neck over a body decorated with four circular panels with coats of arms surrounded by foliate scrolls between bands of trefoil motifs and geometric designs, bears lustre monogram and impressed marks to the base, height 19cm (Condition report: the inside of the foot rim has some over glazed firing faults / chips, otherwise in good condition overall)
TWO PIECES OF LATE 18TH CENTURY CHINESE PORCELAIN AND A LATER IMARI TWIN HANDLED VASE, comprising a Famille Verte saucer dish with foliate decoration, s.d., diameter 21.7cm, an Imari palette plate painted with flowers and foliage, gilt highlights, diameter 27.5cm and a twin handled Imari vase with shaped square rim over a gourd shaped body, decorated with flowers and birds, height 19.5cm (3) (Condition report: the saucer dish has a repaired hole to the centre with some chips still visible to the area on the top side and restoration to the underside, approximately twenty rim chips, the other two pieces are in good condition)
A GROUP LOT OF SILVER, including a silver chain mail purse, curb link chain handle, kissing clasp, bears import marks for Birmingham 1922, 6.94ozt, 216 grams, a card trumps marker, four celluloid cards suspended on a silver frame mounted on an oak base, maker Boots Pure Drug Company, Chester, date letter rubbed, height 8cm, an Edwardian pin dish set with a 1902 penny, a twin handled posy vase on a loaded base, two silver topped glass toilet jars, etc (8) (Condition report: purse has one loose sharp piece of wire near the hinge but is in fair condition, the open top glass jar has been polished through on the mount, the hinge is broken on the toilet bottle lid, most items in worn condition)
AN EDWARDIAN SILVER OVAL TRINKET BOX WITH HINGED COVER AND A LATE VICTORIAN SILVER VASE, the trinket box repousse decorated with foliate scrolls, on four cabriole legs with pad feet, gilt to inside of cover, pale blue silk lined base (stained), maker A E Goodby & Son, Birmingham 1906, length of oval 10cm, the vase of shaped oval form, cast with two vignettes of cherubs surrounded by foliate scrolls, gilt interior, bears import marks for Theodor Hartmann, London 1897, height 11cm, 3.79ozt, 117.8 grams (2) (Condition report: both pieces have dried silver polish in the recesses, both pieces don't sit level on a flat surface)
A BOX OF ASSORTED SILVER AND SILVER PLATED ITEMS, the silver comprising a set of three George V Asprey nut dishes of circular form, Birmingham 1928, an Edwardian silver urn shaped vase, London 1905, a pair of conical posy vases on loaded bases, height 11cm, a dwarf candlestick with loaded base, a cased set of six cocktail sticks with cockerel finials, maker Adolph Scott, Birmingham 1927, a pair of George III bead pattern sugar tongs, maker George Wintle, London 1813 and a set of four Old English pattern coffee spoons, makers Arthur Price & Co, Birmingham 1928, three silver handled dressing table requisites and a badly worn silver backed hand mirror, the silver plate to include an entree dish and cover, knife rests, sugar tongs, cake knife, etc, gross weight of weighable silver 7.25ozt, 225.5 grams (Qty) (Condition report: the silver is in mixed condition, most pieces are useable, the posy vases have creases to the rims, the urn shaped vase is very thin, the hand mirror is polished through in a large number of places and missing in others, overall marks are generally slightly rubbed)
A PARCEL OF SILVER AND SILVER MOUNTED ITEMS, comprising a George V sauce boat, on three cabriole legs, makers Walker & Hall, Sheffield 1928, an Edwardian conical posy vase with stepped circular loaded foot, maker's mark rubbed, Birmingham 1906, height 18cm, a Royal Brierley Crystal sugar sifter with silver pull off cover and collar mount, maker Francis Howard Ltd, Sheffield 1994, an Elizabeth II butter dish and knife, the frosted glass dish in a pierced frame with three cabriole legs, makers Mappin & Webb, Birmingham 1984/85 and a shaped rectangular glass dressing table tray with silver rim, star cut base, maker William Henry Sparrow, London 1912, width 25cm, gross weight of weighable silver 7.54ozt , 235 grams (6) (Condition report: posy vase has a few dints, frosted glass butter dish has a small rim chip, rim on tray is loose in a few places, otherwise in generally good condition with slight rubbing to hallmarks)
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