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Lot 268
Linthorpe pottery Christopher Dresser design vase, brown, blue, green with floral motifs. 23.5cms h, impressed stamp to the base. Light glaze crackle to body side, otherwise very good condition. Condition ReportGood condition, no cracks or chips. Some areas with glaze crackles and smallest of chip to base.
Lot 328
Collection of modern good quality glassware including studio vase with tree design, 14cms, John Lewis handmade tall black handkerchief vase, 31cms h, heavy glass fruit bowl 27cms w, a LSA International clear glass vase, 28cms, leaded glass framed mirror 31cms w x 40cms h and a green carnival glass dish, 17cms w.
Lot 1938
Four pieces of blue flashed glass, 20th century, comprising; a large bowl raised on a facet cut knop and stepped square base, 24cm. high; a matching tall waisted vase, 43.5cm. high; a jug, 35cm. high, and a bowl, 12cm. high, (4). Condition Report Large bowl- good condition.Tall vase- good condition.Jug- internal fracture to upper handle where it joins body. Some small chips around footrim.Smaller bowl- good condtion,
Lot 1951
A small William Ridgway blue earthenware two-handled baluster vase, circa 1835, brightly enamelled with a chinoiserie scene of figures, birds and flowers, painted pattern 206, 15.5cm. high; and a Ridgway earthenware sauce tureen, cover and fixed stand, circa 1815, printed and coloured with flowers, pattern 831, stand 21cm. wide, (3). Condition Report Vase- Some typical wear to gilding, particularly to rims and handles.Tureen with extensive restoration to the body and crack to the rim.
Lot 3027
A group of Asian works of art, comprising; a Japanese Imari bottle vase, an Arita blue and white dish; a Chinese famille verte vase with fixed wood stand; two Japanese lacquer vases, ( 5). Condition Report The two lacquer vases have small chips to the lacquer, the Chinese famille verte vase with fixed wood stand is in good condition.
Lot 1907
A pair of Berlin porcelain cobalt blue and apricot ground two- handled vases and covers, late 19th century, each painted each side after Philips Wouverman with equestrian panels inside gilt frames, blue sceptre marks, 35cm. high, (4). Condition Report One cover broken into four pieces and glued with some chips to the inner flange and small chips around the rim. The other cover with a glued knop. One vase with a crack and small chip across one handle where it joins the body. Possibly some regilding to the rims which covers rest on.
Lot 1918
A Royal Worcester vase, circa 1892, of gently waisted form, painted with flowers and set with gilt elephant head handles, puce printed marks, shape 636, 22.5cm. high; also a Royal Worcester globular caddy decorated with flowers, circa 1889, 10.5cm. high; and a small Royal Worcester vase painted with roses by Spilsbury, (a.f), puce printed marks, 10cm. high, (3). Condition Report First vase- good condition.Caddy- lacking cover. Small vase- restored
Lot 1902
A pair of Italian Capodimonte style campana shaped two-handled urns, late 19th century, each moulded in relief and coloured with bacchanalian scenes of revelry, blue crowned N mark, 22cm. high, (2). Condition Report A handle on one vase has been restored and broken off but is available. A handle on the other vase has been restored and subsequently cracked. Some wear to gilding.
Lot 1957
A Muller Croismare `fluogravure' cameo cylindrical glass vase, early 20th century, acid etched in relief with a shepherdess with two sheep standing beside a tree, painted in colours and with a slight iridescent sheen to the background, ( restoration to foot), painted signature `Muller Croismare', 29.2 cm. high. Condition Report Area of restoration to footrim, approx. 4cm. by 1.5cm. Minor wear.
Lot 72
A group of George V and later silver wares, comprising a George V bon bon dish of dodecagon form with pierced decoration and outswept tripod base, Synyer & Beddoes, Chester 1924, 13 by 4.3cm high, another bon bon dish of circular form with pierced decoration and a flat base, Joseph Gloster Ltd., Birmingham 1911, 12 by 3.5cm high, a ERII small spill vase with square pedestal base, Viner's Ltd., Sheffield 1956, 3.5 by 3.5 by 7cm high, a candlestick, Francis Howard Ltd., Birmingham 1972, 6.7 by 15.5cm high and a pair of late Victorian silver rimmed cut glass salts, Sanders & Aquilar, London 1900, 5 by 2.8cm high, 5.70toz total weighable silver. (1 bag)
Lot 5010
A Good 18th Century Ivory Fan with detailed and complex carving to the monture. Slender, the head carved as a shell, the shoulder to head section merits attention when closed as well as open. The upper guards are carved with meandering foliage, ivy leaves and berries. The double paper leaf is silvered, the upper border découpé, with further panels of this work appearing on most folds. The Chinoiserie design shows a lady seated under the shade of a parasol, scrolls, a traditional vase and sprays of flowers completing the scene. The verso is painted with a simple floral spray. Contained in the bottom half of a period card fan tube covered in muted green paper. Guard length 10.25 inches or 26cm.. Both guards have tiny nails at the shoulder, but if these were repairs, they are strong and done long ago. One sliver of ivory missing in the central gorge, one of the half circles that protrude from the side. Tube lid lacking.
Lot 5011
An 18th Century Ivory Fan, the vellum leaf mounted à L'Anglaise, the upper guards carved with a profile of a lady to the recto and a gentleman to the verso, and a stylised vase. The gorge sticks are pierced with a regular design. The leaf features a lady seated at the roadside near to a church with steeple, engaged in conversation with a traveller who has doffed his cap in her presence. To the right, a vignette showing a gentleman in front of a rural dwelling, a lady on a riverbank to the right. The three scenes are bordered in gold and the reserves feature cornflowers, red roses and violets. The verso is plain. Guard length approx. 10 and 5/8 inches or 27cm. Together with Another 18th Century Fan in similar vein, the upper guards carved with Chinoiserie, the gorge pierced with two main circular panels. The double paper leaf features a real menagerie of animals. Centrally, a courting couple, seated outside a barn, surrounded by sheep, a dog sleeping at their feet, a farmer seemingly eavesdropping behind a bull, and the side vignettes well painted with colourful birds, themselves perhaps indulging in the courting ritual. The reserves are painted with colourful flowers. The verso features a simple but colourful floral spray. Guard length approx. 11.25 inches or 28.5cm (2). The first fan has some nibbles to the central folds seen when held to the light. The leaf has been cut down on the second fan, and each first stick in from the guards is stuck to a guard.
Lot 5014
Three 18th Century Ivory Fans, to include an unusual example with recto/verso painted on vellum en grisaille with a depiction of rolling English fields and copses stretching well into the distance under a cloudy sky. The more focused scene on the verso shows perhaps a tombstone or animal grave marked with a cross, close to a stone cottage (or is it simply a well?). The monture is well carved and the guards both feature a seated lady, and flowers. The gorge centre is elaborately pierced, the focus being on a shepherdess and her suitor in a shaped oval cartouche. Small square side vignettes are carved with flowers in containers, and all other sticks feature scrolling and flowers, the lower gorge particularly attractive with overlapping design. Guard length approx. 11 inches or 28cm. Together with Joseph: A Mid-18th Century Ivory Fan, probably Dutch, the vellum leaf mounted à l'Anglaise, the upper guards carved with the profile of a man to the upper guard and a lady to the lower, together with a vase and perched bird. The gorge is carved with three ovals, containing chinoiserie figures. The leaf features Joseph in the centre, and money changing hands. A camel is tethered in the bushes to the right. Side vignettes feature fruit. The verso is plain. Guard length approx. 11 inches or 28cm; and A Circa 1760's Découpé Fan, the monture of ivory, the upper guards carved and pierced and painted with flowers and bands of turquoise, complementing the painted gorge. The leaf features a distinctive bird, perched on a branch of blossom. To the left, a stylised vase, an open fan with floral leaf placed on the top. The decoupage is worked along the top border and in several sections in the body of the fan Guard length approx. 11 inches or 28cm (3). The scenic fan has subtle leaf repairs to either side, a nailed ivory repair to the lower section of the upper guard and another ivory repair to the first stick in adjacent. Repair near the lady on the upper guard. No signature noted. Joseph: the leaf is slightly tired and several folds are taped from the verso to prevent small splits enlarging. Lacking some sections to some ribs. A little grubby. The découpé fan lacks a rivet, and some parts of the leaf to the upper right. The tip of the lower guard has damage but is present, and some tape has been applied onto the verso over some of the leaf.
Lot 5236
A Mid-18th Century Chinese Fan with Carved Export Monture, Qing Dynasty, the guards carved in sections on a minute scale, mainly with flowers. The gorge is carved in bands of different designs in geometric fashion. The double paper leaf, découpé, is painted with very naturalistic flowers in good colour, to include sunflowers, pansies, roses and daisies, poppies, ranunculi, and a passionflower, with butterflies arriving from the left. The verso is painted in a similar fashion with moths, heartsease, honeysuckle and soft fruits. Bears a previous auction label dated 21st October 1970. Guard length approx. 10.5 inches or 26.5cm. Together with Another Ivory Fan With Chinese Export Monture, Qing Dynasty, figures and buildings on the guards and a very stylised and geometric design in bands and columns, a central oval with entwined initials. The light cream leaf is painted with pink roses, grapevines with fruit, and swags of flowers of the hedgerow. The upper leaf sections are embroidered with tiny silver sequins. The verso is plain. Guard length approx. 11 inches or 28cm; and A Third 18th Century Ivory Fan, with birds and flowers carved to the upper guards, the gorge with regular carved and pierced design formed by seven shaped and pierced bands. The double leaf features an outdoor gathering in Chinoiserie style, a meeting of generations, with an elderly man at rest, holding a large fixed fan and perhaps a scroll, watching a younger man contemplating a board game, seated at a low table with stylised porcelain flower vase. To the right, perhaps his wife, with two young children, the lady with fixed fan in hand. To the far right, a crane partaking of the orange fruits of a bush on rocky outcrop. The verso is painted with a simple gnarled tree with several colourful blooms. Guard length approx. 11.25 inches or 28.5cm (3) . The first fan upper guard is slightly warped. Losses and tears to some of the découpage. The second fan has 4 major splits to the leaf, all holding, some by virtue of some restoration seen on the verso. The third fan lacks the tip of the upper guard. Fan three has a crisp leaf but some repairs to the bottom left corner. The upper guard is fitted with an old white metal repair plate at the shoulder. Above that, another break is holding with glue. The upper section of the lower guard has an un-repaired break.
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653685 item(s)/page