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A Bohemian Emerald Green Overlay Glass Pedestal Beaker Vase, circa 1870, the frieze applied with four oval panels, one painted with a medieval maiden, another with a spray of flowers, the remaining two with raised gilt foliate patterns, against a dense gilt scroll ground, within cusped and teardrop window cut bandings, on a swept foot, 20.5cm high
A Copeland Spode Porcelain Jewelled Vase, circa 1900, of inverted pear pedestal shape, solid gilded leaf scroll neck, decorated with star form medallions and foliage with turquoise and red jewelling on gilt, printed mark in blue, 18cm high; and A Similarly Decorated Ovoid Vase, with solid gilded angular shoulder handles, printed mark in brown, 13cm high (2)
A Pair of Cut Glass, Blue Jasper and Ormolu Mounted Table Lustres, late 19th century, each with petalled campana nozzles and star cut pans supporting facet cut circular and almondine beads (some lacking or detached), on hollow slice cut vase stems from cylinder bases, decorated with a continuous classical frieze of figures making offerings at altars, circular bases with beaded rims, sphere feet, 35cm high (unmarked)
A Worcester Porcelain Japonaiserie Vase, 1882, of compressed conical form, flared trilobed neck, painted with flowering fuchsias in colours and gilt, alternating with diaper moulded gilded panels, on inswept solid gilded feet, puce printed crown and wheel mark, date letter, impressed marks, gilder`s initials Br, 15cm high
A Royal Crown Derby Porcelain Flower Painted Two-Handled Vase and Cover, Albert Gregory, 1901, of boat shape pedestal form with scrolling pierced handles, with upswept domed cover with pointed finial, the main frieze with a continuous band of diverse flowers including roses, tulips, grape hyacinths, and daffodils, signed, on a quatrelobed foot, the whole piece enriched in gilt throughout, red printed crown and interlaced D mark, year cypher, 11cm high
A Royal Worcester Fruit Painted Porcelain Quatrelobed Vase, Edward Townsend, 1937, painted with two apples and green grapes against a mossy bank, two grapes as a vignette to the reverse, signed, puce printed crown and wheel mark, date mark and shape 158, 8.1cm high See illustration
A Locke Worcester Porcelain Topographical Vase, circa 1900, of shaft and globe form, the neck pierced with scrollwork and with blush ivory ground, painted with an extensive mountainous lakeland scene, named on the base Loch Vennachar, turquoise printed globe mark and shape 345, 17.5cm high; and A Locke Worcester Porcelain Topographical Ewer, circa 1900, the slender body painted with a named view Path by Lake-Loch Katrine, blush ivory ground, printed globe mark in black, shape 128, 22.8cm high (2)
A Royal Worcester Porcelain Pot Pourri Vase and Cover, 1908, ovoid shape, printed and painted with sprays of flowers against a blush ivory ground, pierced domed cover with pointed bud finial, inner dished lid, puce printed crown and wheel mark, year mark and shape 2048, 24cm high
A Royal Worcester Porcelain Floral Vase, 1900, with shell form cupped neck and coral shoulder handles, printed and painted with sprays of flowers on a quatrelobed body with blush ivory ground, green printed crown and wheel mark, year mark and shape 1663, 20.5cm high; Another, 1908, of semi-ovoid form, on bird foot claw stem, puce printed mark and shape 2314, 19.7cm high; and A Blush Ivory Bowl, 1891, of scroll edged semi-ovoid shape, pierced with trellis work and decorated with flowers, puce printed mark and shape 1471, 16cm diameter (3)
A Royal Worcester Porcelain Pheasant Painted Trumpet Vase, James Stinton, 1909, painted with a cock pheasant at the edge of a copse, a hen pheasant in flight, signed, with fern vignette, on blush ivory stepped and scroll edged spreading foot, puce printed crown and wheel mark, year mark and shape G706, 16cm high
A Royal Worcester Porcelain Sheep Painted Trumpet Vase, Harry Davis, 1934, painted with two sheep and a lamb near a flowering hawthorn and yellow gorse, signed, within misted solid gilded borders, puce printed crown and wheel mark, year mark and shape G923, 19.4cm high (restored)
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1919, of squat quatrelobed form, the lightly domed cover pierced with four foliate oval medallions to a pointed finial, with solid gilded arched shoulder brackets, painted with two highland cattle in a misty glen, signed, the reverse with heather clad rock loch promontory, puce printed crown and wheel mark, year mark and shaped H175, 11cm high See illustration
A Royal Worcester Porcelain Flower Painted Pedestal Vase, Richard Sebright, 1906, of ovoid form with leaf tip moulded everted rim, the tightly arched shoulder handles with maiden mask terminals, painted on one side with a sprays of michelmas daisy type flowers in red and blue, signed, on the reverse with a sprig with three blossoms, on a blush ivory short foot and square plinth, puce printed crown and wheel mark, year mark, shape 2363 and impressed D7, 16cm high See illustration
A Royal Worcester Porcelain Sheep Painted Spill Vase, Harry Davis, 1925, the cylindrical body with narrow gilded rim band, painted with two sheep grazing on the banks of a river in autumn, signed, with misted foliage vignette to the reverse, on a scroll pierced solid gilded foot, puce printed crown and wheel mark, year mark, and shape 6/161, 16cm high; and A Quatrelobed Small Pot Pourri Vase, Harry Davis, 1926, decorated with two sheep and a lamp in a woodland glade with a carpet of bluebells, signed, cover lacking, shape 175/H, 8.2cm high (2) See illustration
A Royal Worcester Porcelain Fruit Painted Pot Pourri Vase and Cover, Harry Ayrton, mid 20th century, of compressed ovoid form with parcel gilt basket-weave moulded base, the main frieze painted with two peaches and cherries against a mossy bank, signed, two cherries as a vignette to the reverse, with dished inner cover and upswept pierced lid with pointed bud finial, black printed crown and wheel mark, and shape 1286 S/S, 19.5cm high See illustration
A Gubbio Style Neo-Renaissance Lustre Pottery Large Vase, 20th century, of compressed ovoid shape, the three main registers decorated with repeat fruiting swags, flowers and heraldic beasts, the frontal reserve with two classical figures by a sacrificial altar, inscribed Ubi Tu Ego Gaius Gaia, blue painted S and sun mark, 33.5cm high
A German "Vienna" Porcelain Pedestal Two-Handled Neo-Classical Vase and Cover, circa 1900, with bleu de roi ground, decorated on each side with a continuous frieze of classical mythological figures against a dotted solid gilt ground, downswept shoulder handles to a square integral socle, the upswept cover with bud finial, pseudo blue painted beehive and arrow mark, 36.5cm high See illustration
A French Porcelain "Vienna" Portrait Painted Cabinet Plate, Martial Redon, Limoges, circa 1880, titled Countess Grosvenor, the young black haired beauty wearing puff-sleeved yellow dress, indistinctly signed (possibly Wagner), within typical scroll and vase panelled border, richly gilded in relief, pseudo beehive mark in underglaze blue, titled (as above) and Depose, impressed M-R within a roundel and 94, 24.3cm diameter See illustration
A Chinese Porcelain Canton Vase, circa 1900, of baluster shape, with pine tree pierced and scroll shoulder handles, decorated with ruyi edged panels depicting groups of Manchu courtiers in a garden setting, against a ground with scattered fruits, flowers and auspicious objects, 59cm high
A Large Canton Decorated Porcelain Baluster Vase, circa 1880, the trumpet neck with everted and arcaded rim, the shoulders applied with two pairs of fo dogs and dragons, against a typical rich polychrome painted field of figures in pavilions against a floral and Buddhistic emblem ground, in typical colours and gilt, 64cm high See illustration
A Chinese Bronze Large Vase, Qing Dynasty, probably 18th century, with fo dog mask cast shoulder handles (rings lacking), thunder pattern banding to the rim, the shoulder with a continuous row of leaf tips below archaic characters, thunder pattern banded foot, twelve character cast mark within a square to the base Object treasured by Qianlong made in the year of Qianlong 1760, 62cm high See illustration
A large modern Satsuma baluster vase traditionally decorated with gilt heightened figures and landscape and having a sinuous dragon mounted in relief (approx 38cms) and a small Vienna two handled bottle vase of gilt heightened crimson ground within cream borders and decorated with Kaufmann style classical scene (22cms)
A Poole Contemporary pattern vase of tapering cylindrical form of stone ground with beige bands and repetitive blue rectangular design, marked PJB and another of tapering form, the stone ground decorated with slate grey vertical stripes, narrower red detail and stars, marked YMP (25cms and 19cms).
A late 19th/early 20th century silver plated centre piece with one principal and four subsidiary spiral fluted receptacles on a stand with spiral twist columns and outswept and animalier supports, the central socle supporting a small figure of a putti (32cms high) and a silver plated trumpet shaped specimen vase (as viewed).
A 19TH CENTURY FRENCH GILT SPELTER MANTEL CLOCK, the drum shaped body supported on four pillars and surmounted by a vase shaped pediment on a scrolled and acanthus leaf platfrom base. Painted porcelain face, pillars and panels. Brass drum movement striking on one bell. C1875. 16" High.
A GEORGIAN STYLE SILVER CREAM JUG, with beaded rim and shell mounted feet with scroll handle. London 1925. A small silver presentation baluster shaped cream jug, London 1926 a silver conical shaped flute vase, Birmingham 1907. 6.75" High and a silver presentation two handled trophy cup, Sheffield 1920. 6.5" High. (4).
A 19TH CENTURY ENGLISH PORCELAIN WHITE GROUND TABLE CENTRE VASE, the central vase supported by four putti divided by scrolled foliate panels, on a classical style base with portrait medallions swags and standing on claw feet. Probably Moore & Company. Second half 19th century. 12" High x 10" Wide.
A MOORCROFT POTTERY ANENOME DESIGN BALUSTER VASE, tube lined and coloured on a blue ground. Blue printed marks to base. 3" High. Together with a Moorcroft pottery Hibiscus pattern ovoid vase tube lined and coloured on cream ground. Impressed marks and number 9. 3.75" High. (2).
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650806 item(s)/page