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Mokkakanne, Sahnegießer u. Zuckerschale auf rundem Standfuß, godronnierte Wandung, Barockform. (Delle, Gebrauchsspuren). Dazu eine kl. Vase mit birnförmigem Korpus u. geschweiftem Mündungsrand sowie ein rechteckiges Tablett mit abgerundeten Ecken u. umlaufendem Eierstabfriesrelief. (Gebrauchsspuren). Feingehaltstempel 3 x 800 mit Reichsmarke u. Meistermarke Lutz & Weiss, 2 x 835 Meistermarke Gebrüder Deyhle bzw. Wilhelm T. Binder. Insg. 1178 g.
1941 Frankfurt am Main - 2005 Kandern. Vase. Heller Scherben. Zylindrischer Korpus, eingezogene, unregelmäßig geformte Schulter, geschwungener, ausgestellter Mündungsrand. Auf der Wandung Kerben und geritzte Linien mit Sockellinie. Holzofenglasur mit Ascheanflug. Unter dem Boden Ritzsignatur u. 1985 dat. H. 18 cm.
Jeweils auf rundem Stand, leicht konischer Korpus, ausschwingender Mündungsrand. Auf der Wandung Dekor 'Rote Rose', die kl. mit Veilchendekor, goldstaffierte Ränder. (Gr. Vase mit nachträglicher Goldbemalung). Unter dem Boden unterglasurblaue Schwertermarke Meissen, 20. Jh. H. 14 bzw. 16 cm.
A Shell-Work Sailor's Valentine, 'Vase of Flowers', Barbados, 19th century,the single octagonal mahogany case mounted with white, pink, orange, and lilac shells, arranged on paper base evoking a vase of flowers, additional motifs include a cross (left), a heart (right), and initials (bottom), with glazed top, noting slight veneer losses and loose joints to the case,the case 15 1/2in (39.5cm) wideFor further information on this lot please visit Bonhams.com
HENRI PICQ: ART DECO DIAMOND AND ENAMEL TREE BROOCH, CIRCA 1925The pierced vase pavé-set with single-cut diamonds, issuing a similarly-set tree with black enamel stems, maker's mark, French assay mark, diamonds approximately 1.40 carats total, length 3.4cmFor further information on this lot please visit Bonhams.com
A CHINESE BLUE AND WHITE BALUSTER VASE, KANGXI PERIOD (1662-1722) moulded around the exterior with lotus lappet panels alternately painted with flowers and landscapes, 24cm, high; together with a Chinese blue and white baluster vase, octagonally facetted, 18th Century, 20cm high (2)Provenance: Property of a European Collector (see lot 8 for further details); first vase Peter Kemp, London, 24 April 1997
A CHINESE BLUE AND WHITE ROULEAU VASE, KANGXI PERIOD (1662-1722) the cylindrical body rising from recessed base to a short waisted neck, the exterior painted in rich cobalt-blue tones with broad ruyi, chilong and chevron bands, the neck with stiff leaves, 27.5cm, high, damage to neckProvenance: Property of a European Collector (see lot 8 for further details)
A CHINESE BLUE AND WHITE BEAKER VASE, 'GU', 18TH CENTURY the central swelling section of the body rising from a tall spreading foot to a tall trumpet neck, painted with a broad ruyi head and diaper band with stiff leaves above and below, 18.5cm. highProvenance: Property of a European Collector (see lot 8 for further details); Sotheby’s, London, 31 July 1996, lot 413 (part)
A BOMBAY SCHOOL OF ART VASE ON STAND, INDIA, LATE 19TH CENTURY turquoise glazed earthenware, underglaze painted with stylised foliate designs in manganese, the shoulder with four loop handles surmounted by flared neck, the ring stand on four lion feet, the underside with devanagari and arabic initials, 50.5cm highProvenance: Collection of the late Peter Millett (1925-2016)
A SMALL CHINESE BLUE AND WHITE BEAKER VASE, 'GU', 18TH CENTURY the central swelling section of the body rising from a tall spreading foot to a tall trumpet neck, painted with a broad ruyi head and diaper band with stiff leaves above and below, 18.5cm highProvenance: Property of a European Collector (see lot 8 for further details); Sotheby’s, London, 31 July 1996, lot 413 (part)
AN UNUSUAL BOMBAY SCHOOL OF ART VASE, INDIA, CIRCA 1880-1890 slip painted and sgraffitoed earthenware, four leopard-spot painted loop handles linking shoulder and neck, the sides painted with stylised lotuses, the base inscribed 'Shri', 19.5cm highProvenance: Collection of the late Peter Millett (1925-2016)
A CHINESE BLUE AND WHITE BEAKER VASE, 'GU', 19TH CENTURY the central swelling section painted with a pair of taotie mask handles divided by ruyi pendants and all reserved on a dot diaper ground, the tall spreading foot and trumpet neck with stiff leaf bands, 26.5cm highProvenance: Property of a European Collector (see lot 8 for further details); Sotheby’s, London, 31 July 1996, lot 573
A CHINESE BLUE AND WHITE ‘KRAAK’ PORCELAIN VASE, WANLI PERIOD (1572-1620) the pear-shaped body rising from a short foot to a tall waisted neck, painted around the exterior with flower-filled moulded rectangular panels, the neck with ruyi bands, 29cm high, chip to rimProvenance: Peter Kemp, London, 12 November 1996Blue and White: Property of a European Collector (Lots 8-31)This collection was begun twenty-five years ago, to decorate the dining room of an 18th century house in Covent Garden (see additional image). A mix of Chinese, Japanese and Delft blue & white, it was arrayed on open shelves and coral brackets over black lacquer and dark grey panelling, designed to reflect and absorb candlelight. Additional purchases of Kangxi porcelain in Islamic style were made around 2010 for the owner’s apartment in Paris.Several of the pieces have historic provenance, notably from the Dukes of Westminster (England), the Earls of Gosford (Ireland), the Earls of Elgin and Kincardine (Scotland) and the Counts Raben (Denmark). A large set of Qianlong cups & saucers, part of the Nanking Cargo dispersed at Christie’s Amsterdam in 1986, later belonged to Jim Williams of ‘Midnight in the Garden of Good and Evil’ fame.Olympia Auctions sold a group of forty Islamic tiles from the same house on 18th November 2020; this sale comprises another part of the collection, including four tiles not previously presented (lots 74-77) and other pieces which were displayed around the collector’s house (lots 44, 52, 56, 58, 84, 104, 175, 233, 244, 246 &277). European works (to include the Delft blue and white) will be offered in these rooms on 24 May and pictures from the collection on 14 June 2023.
A Japanese silver photograph frame, of plain design with relief flowerhead to the top, containing a signed black and white photograph of Crown Prince Naruhito, stamped silver, 27 x 20cm overall, together with a Japanese silver baluster vase decorated with the same emblem, 19.5cm high, and one other silver photograph frame (3)This lot is from the estate of the late Baroness Howe of Idlicote CBE (1932-2022), life peer and crossbench member of the House of Lords (2001-2020), widow of Geoffrey Howe, Baron Howe of Aberavon CH, PC, QC.
A George V silver epergne, the central flared trumpet vase flanked by three scroll arms supporting three further small vases, on weighted shaped base, by William Henry Leather, Birmingham 1910, 34cm highOne of the three arms is bent and partly split through, though not detached but is not far off.
A pair of 18th century Irish silver circular salts, on pad feet, marks partly worn, an Irish silver snuffer's tray with pierced and engraved decoration (AF) by William Doyle, Dublin 1805, and other silver comprising a sauce boat, butter shell, dressing table tray, tea strainer, christening spoon etc, a silver mounted glass decanter and stopper, a silver overlaid glass spill vase, a cased set of silver handled tea knives, and other items, 30oz weighable (qty)
A George V silver rectangular cigarette box, with engine turned decoration, by S.M. Levi Ltd, Birmingham 1934, 16.5cm wide, together with a silver cigarette case, 5oz, a silver spill vase on weighted base, another vase, a pair of late Victorian silver mounted twin handled glass dishes, London 1899, a silver topped cut glass sugar castor, and a plated bread knife and fork (qty)
A mid 19th century Sevres style vaseof inverted ogee baluster twin scroll handled form moulded with leaves, on domed pedestal foot, the bleu celeste ground with a gilt leaf framed vignette recto painted with sheepdog and flock in a landscape with trees and a lake, the reverse with a floral bouquet, tooled gilt borders, overglaze blue painted interlaced L's enclosing letter S, incised 811height 21.5cm.Condition:No damage or losses but no cover. Two firing crack to necks.
A late 19th century Meissen porcelain vasepedestal urn form, with entwined snake handles and painted with floral bouquets, on a fluted circular foot, gilt decoration, incised E 153, underglaze blue blue crossed swords mark, painted number 53height 28cmCondition:The gilt is rubbed overall, particularly to the snake handles. One snake has wear and glaze loss to its back, handle height, see image.
Early 19th century Old Paris Empire style porcelain c.1830 and other ceramics comprising a pair of twin handled baluster vases, a blue ground baluster vase with swan handles, and two cups and saucers, together with an English campana urn shaped vase painted with flowers and insects, a pair of John Rose Coalport coffee cups and saucers and a Royal Worcester blush ivory vase painted with a bird on raised gilt branches, shape G161, black printed factory mark, (13)first height 16.5cm.Condition:All Paris porcelain with gilt rubbed in areas larger cup with more extensive rubbing. Campana vase with restoration to both handles, loss and damge to pedestal and later gilding. One coalport cup is hairlines as are both saucers
A pair of Sampson Hancock Derby pot pourri vases and other ceramicsthe pair with domed covers and flame finials, decorated with floral reserves and scrolling gilt decoration, S&H crossed swords mark painted in puce, a Sampson Hancock miniature Imari jug, a Royal Crown Derby' Old Imari' 1128 pattern pin dish, a Minton miniature pot and cover, a 19th century christening mug painted with floral bouquets and named Caroline Smith 1858 and a German Kaiser porcelain cobalt blue trumpet shaped vase, decorated with a floral reserve, (7)height 13cm.Condition:One cover has been repaired on one of the pot pourri vases. Mug has rubbing to gilt, inner gilt border has run hairline to handle.
A Giovanni Carlo Manzoni pottery vaseof tapered ovoid form, with incised repeat leaf pattern, underside with incised marks, 'Hand Drawn Painted No.39....' and monogram for Minerva Art Ware Manufacturers. height 19cmCondition:In good condition overall, minor areas of crazing to around the neck.
P.A Wranitsky pottery vase and five further pottery piecesthe first of squat twin handled form and with raised decoration in the Art Nouveau style, Bohemia, underside impressed, 'PAW 4 ', together with an Aller Vale Pottery vase, South Devon, of baluster form and with raised decoration of birds and foliage, underside indistinctly stamped, a small Rye pottery tankard, with trailing hop decoration, a tapered ovoid tapered baluster vase, unmarked, a small Fremington pottery candlestick, North Devon, signed, with couplet, 'A man of might should be most right', and a Barum cream glazed jug incised with a four line poem, underside initialled and stamped 'Barum',(6)largest, Aller Vale vase, 21cmCondition:Wranitsky vase in good condition without chips. Allerdale vase in good condition without chips. Rye pottery mug without chips but has a hairline travelling down side from rim. unmarked vase in good condition. . candlestick without damage or chips. Barum jug with chips to its rim.
A William Fishley Holland pottery jug and four further pottery piecesthe jug with a mottled pink glaze, base signed, together with a smaller William Fishley Holland green glazed jug, underside with incised initials, a small W F Holland matt green glazed vase, a small green and brown glazed Prinknash jug, and a small Lancastrian type vase, indistinctly stamped and with a central triangle, (5)Pink jug height 20cmCondition:
A near pair of Barum pottery vases by Alexander Lauderdark green and of conical form, with triform twisted handles the bodies decorated with birds and flowerheads, undersides impressed, 'LAUDER BARUM', (2)height 25cmCondition:There is a small repair to the top edge of one vase. One vase is a little lighter in colour than the other.
An Alexander Lauder of Barum pottery frog mug and two further Barum pottery piecesthe dark green ground with a cream panel incised with flowerheads and butterflies, underside stamped, 'LAUDER BARUM', together with a bottle form vase in dark blue glaze with birds in flowering branches, underside stamped, 'LAUDER BARUM', and a small pottery puzzle jug by Lauder of Barum, dark and pale blue glazed with a rhyme, 'From mother earth I took my birth Then formed a jug by man I now stand here full of good cheer Drink of me if you can', (3)frog mug height 11cmCondition:Small chip to glaze to top of handle of frog mug. Otherwise in good condition. Puzzle jug and vase without damage or other issues
A C.H. Brannam pottery vase and another Brannam exampleof bottle form and on a cream and pale blue ground with two panels with fish, underside incised, 'CHBrannam JD 1887', the other vase of conical form, incised on a cream and pale green ground with a bird on flowering branches, underside signed, 'CHBrannam Barum Ware, COR 1887', (2)height 20cmCondition: The blue vase is in good condition overall. The smaller vase has some crazing to the glaze, particularly the narrow foot. There is tiny nick to its rim. See image.
A Lowerdown Pottery tankard and an Amanda Brier Leach Pottery vasethe tankard of baluster form and with a glazed upper rim, bearing seal mark for Lowerdown Pottery, the urn form vase by Amanda Brier, dark brown glazed and with four lugs, bearing initial stamp and Leach Pottery stamp, (2)Vase height 14cmCondition:In good condition.Amanda Brier started working at The Leach Pottery in 2000.
Four pieces of Studio pottery by Alice Gaskell (1937- )all with matt finishes and maker's stamps to their undersides, to include a blue bowl, with green rim and white interior, a blue and green coloured baluster vase, similar pattern to the bowl, and two slender ovoid vases, all bearing paper retail labels (4)diam. bowl 18cm, large vase height 18.5cmCondition:The red vase has a hairline starting at its rim and its rim is uneven and worn. Otherwise the condition is good.
A Fulham Pottery glazed vase, designed by William John Marriner, (1881-1967) inspired by Constance Spryof shaped oval footed twin handled form, underside edge stamped, 'The Pottery Fulham London Made in England'height 19cm, width approx. 42cmCondition:Some minor marks to inside and some minor crazing to the oval foot.
Constance Spry (1886-1960) for Fulham Pottery, a 'Napoleon's Hat' vaseof lobed urn form with a spreading foot, interior glazed, underside stamped, 'Designed by Constance Fry', facsimile signature, and 'Made in England', and inscribed, '155'height 20.5cm, width approx.44cmCondition:The glazed interior with crazing and marks, see image.
Constance Spry (1886-1960) for Fulham Pottery, a large vaselobed, with loop handles and with a shaped domed foot, the interior glazed, underside stamped, 'Designed by Constance Spry Flower Decoration Ltd'height 20cm, width approx. 48cmCondition:Good condition overall, some minor spotting and marks to its inside.
A Fulham Pottery vase, designed by William John Marriner, (1881-1967) inspired by Constance Spryunglazed, of shaped twin handled form with footed base, interior glazed, underside stamped for Fulham Pottery, 'Made in England', model number 'FMA2'height 19.5cm, width approx. 44cmCondition:Some marks to the interior.
A Fulham Pottery vase, designed by William John Marriner, (1881-1967)inspired by Constance Spryunglazed, of lobed form, with loop handles and a spreading base, interior glazed, underside stamped for Fulham Pottery, 'Made in England', model stamp, 'FMC2', and a further letter, probably a 'G'height 14cm, width 44cmCondition:In overall good condition with small spotting and marks to its interior.
A Fulham Pottery vase designed by William John Marriner, (1881-1967)inspired by Constance Spryunglazed, of shaped form with loop handles and an oval spreading base, the interior glazed, underside with Fulham Pottery stamp, stamped, 'Made in England', model number stamp, 'FMA2' height 20cm, width 44cmCondition:Some crazing to the glazing of the interior.
A Fulham Pottery tulip vase, designed by Gerard de Witt (1884-1976)unglazed, interior glazed, of fan form and with six apertures, on a circular spreading base, underside stamped for Fulham Pottery, and with the number, '4'height 30cm, width at top 35cmCondition:There are small marks to the body of the piece on both sides.
Five Edwardian and George V silver pique work tortoiseshell trinket boxesthe first with ribbon tied fruit basket pique work, of square bombe form with bun feet, hallmarks indistinct, the second trinket box of cartouche outline, the lid with pique work the edge moulded, Birmingham, 1909, the circular box with ribbon tied decoration to the lid, the small circular box on tall cabriole legs, London, 1911, and an oval example, with vase and garlands, Birmingham, 1907, (5)widest box 11.5cmCondition:The square box has a dent to the front right corner of the lid and a soldered repair to the front right foot. Other minor small dents in places.
George V and later silver to include a pair of pedestal bonbon dishes, a porringer a christening mug and other silvervarious dates, makersfirst Birmingham, 1913, E S Barnsley & Co., of plain ogee form with three husk handles and beaded rim on a domed foot stamped RD 620724, a twin handled porringer with spoon and a christening mug both engraved with inscriptions dated 1927, a small sugar basin and matching electroplated milk jug, a large trumpet shaped spill vase and a a cased set of six fancy pattern coffee spoons, (qty)first height 7cm., weight approx. 19.63ozt.Condition:Knock to foot of one pedestal bonbon dish. Christenig mug with a knock. Spill vas epushing down on foot
An early Victorian silver melon shaped cream jug, a spill vase and other silverfirst London, 1843, William Moulson, baluster form with scroll rim and handle, acanthus scrolled feet, crested, second Birmingham, 1902, Selfridge & Co, of panelled tapering form on a weighted foot, together with a pair of Victorian fiddle pattern sugar tongs, a pierced napkin ring, an a/f early Victorian caddy spoon etc., (6)first height 13.5cm., weighable silver approx. 9.84oztCondition:Occasion knocks to cream jug. Spill vase with knocks. Af caddy spoon lacking handle temrinal, plain napkin ring misshapen and dented
A George V silver three handled vase, a pair of late Victorian spill vases, and other silverfirst Chester, 1912, Hirst Bros & Co., of waisted form and with three handles, weighted base, together with a pair of late Victorian Sheffield, 1901, by Walker & Hall, trumpet from with petal shaped rims, on spreading circular weighted bases, a pierced twin handled butter dish on legs with frosted glass liner, two foliate engraved vesta cases, a pepperette and cauldron salt and a silver mounted square hobnail moulded glass scent bottle and stopper, (9) tallest 19.5cm., weighable silver approx. 5.07oztCondition:The first tarnished with knocks and scratches. One spill vase has slight lean, one lacking weight to base. Salt with corrosion spotting to interior.
A Napoleon III ebony and gilt brass mounted pier cabinetmid 19th centurywith ebonised elements, the associated black marble top with canted corners above a gadrooned and acanthus cast frieze, the door with a central coloured stone oval flowering vase within a ribbon tied laurel mount, the corners with putti mounts, on a plinth base with a central Bacchus maskProvenance;This cabinet belonged to Heather Mary Harper CBE, (1930-2019) the Northern Irish operatic soprano.height 133cm, width 110cm, depth 47cmCondition:Three veneer splits to the door. Lower right mount to door is detached but present, the upper right hand mount is loose. There is loose brass stringing to the right hand side which needs attention. Some losses to the inlaid hardstones on the door, see image. There is a key.FURNITURE & LARGE ITEMS Must be collected from the Auction venue by 1pm Friday 28th. Please arrange transport before this deadline. Uncollected property will be transported to our offsite storage facility and collection can be arranged by appoiment only. Additional fees may apply
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653833 item(s)/page