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Harry Davis for Royal Worcester, a sheep painted vase, circa 1909, globular twin handled pedestal form, grey-green glazed foliate moulded trumpet form neck, angular moulded handles, on circular shot enamelled and ivory glazed foot, decorated with two Highland sheep and lamb in a mist shrouded mountainous landscape, with landscape vignette verso, signed, shape no.2440, puce printed mark, 20cm high
Josef Riedel, a Secessionist etched, frosted and enamelled glass vase, circa 1910, ogee rimmed navette section boat form, decorated with central panels of knotted tendril and Art Nouveau foliate motifs in gilt enamel, on a semi iridescent incuse carved rustic tiger stripe ground, 14cm long
A Coalport relief moulded and jewelled portrait painted bracket vase, bombe form on reticulated acanthus scroll cabriole legs, the central Reynolds type portrait of a girl with a rose, within a swagged curtain and foliate scroll cartouche, twin foliate and mask handles, encrusted with agate jewels, the reverse with tooled and raised gilt bi colour emblems of sport, 40.5cm high
Harry Stinton for Royal Worcester, a Highland cattle painted vase, ovoid circa 1920, ovoid twin handled form, trumpet form foliate moulded neck and gilded arcaded collar, on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape with landscape vignette verso, signed, shape No.1762, 20cm high
Gertrude Jekyll for James Powell and Sons, Whitefriars, an exceptionally large Arts and Crafts glass Munstead flower vase, circa 1884, waisted conical form with flared neck, large polished lens pontil, 51cm high Note: designed by the influential garden designer, author and horticulturist, for her Surrey estate Munstead Wood (recently acquired by the National Trust earlier this year), this is one of the largest known examples from the range. Jekyll commissioned Powell and Sons to manufacture a range of simple and utilitarian vases for arranging flowers from her newly acquired plot of land near Godalming. The house itself was remodelled by Sir Edwin Lutyens in 1896. An advert from The Garden journal, March 29th, 1884, shows the range of commercially produced vases of this design (cf. No.51) sold by James Green and Nephew. An optic ribbed example of the same size and design appeared at auction in Edinburgh in 2021, possibly the only other known vase.
Eliza Hubert and William Parker for Doulton Lambeth, a stoneware pate sur pate vase, circa 1880, baluster bottle form, relief moulded with Gothic tracery and central band of trefoil and ogee arched arcading, slip decorated with stylised fern and flower motifs, incised marks, 27.5cm high
Ethel Spilsbury for Royal Worcester, a handpainted pot pourri vase and cover, circa 1928, ovoid form, pierced crown cover with floral finial, with inner lid, and ropetwist and foliate moulded shoulders, on circular foliate and floral moulded foot, decorated with daffodils and blue geraniums on a mottled ground, signed, shape no.2048, 24cm high
William Hale for Royal Worcester, a blush ivory twin handled vase, circa 1905, tapered footed form with gilded acanthus moulded wing handles, on circular domed and flared foot, decorated with Begonia leaves and flowers with raised gilding, signed, shape no.2150, 29cm high
John Stinton for Royal Worcester, a Highland cattle painted vase, circa 1914, ovoid form, with gilded trumpet shaped neck on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape, with landscape vignette verso, shape no.H 302, 17cm high
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653833 item(s)/page