REBECCA JOSELYN (BRITISH, CONTEMPORARY)'BAG' VASE, SHEFFIELD 2017 silver and gilt15cm high, 12cm across (5.9in high, 4.7in across)Note:Rebecca Joselyn is based at Yorkshire Art Space in the heart of Sheffield City Centre. She has worked on a number of awards and commissions. This includes a large oil container which was on show in the Museum of Modern Art in Kuwait, and the packaging for the world's most expensive coffee. She has featured in articles in the Sunday Times 'Home' and Financial Times 'How to Spend It', and her work is now in a number of important collections including the Pearson Silver Collection and the collection of the Duke of Devonshire.
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A GROUP OF SILVER TO INCLUDE: a small dish with shaped border, by Deakin & Francis Ltd, Birmingham 1914, an egg cup, a small spill vase, five vesta cases, a caddy spoon, other spoons, a napkin ring, a watch holder, a Dutch tea strainer, other white metal pieces and three various watches, approximately 11 oz weighable (qty)
A COLLECTION OF INDIAN WHITE METAL CRUET ITEMS COMPRISING a vase shaped pepper, four further small peppers, five various salts, a cylindrical box with hinged cover, a rectangular box, and other small items including a belt buckle, napkin ring, filigree bead necklace, spoons etc (qty)
An early 19th century Meerschaum pipe bowl depicting a stallion in full gallop dated 1816; an unusual carved seed pod, central floral motif surrounded by deer and traditional Eastern village scenes; an early 20th century pewter vase; a set of Edwardian bowls in a leather Gladstone style case.
A Turner black basalt vase in the form of an amphora with a pair of shoulder handles, circa 1805, sprigged in red stoneware with classical figures, impressed TURNER, 26cm high See Diana Edwards, Black Basalt (1994) dust jack illustration verso for the actual vase.Provenance: The Oxborrow Collection and previously Grigsby and Rakow collections.
A pair of Dutch walnut, elm and marquetry side chairs, second half 18th century, decorated with floral marquetry throughout, each cartouche shaped back centred by a vase shaped splat decorated with a bird perched on a flowering urn, each serpentine fronted drop in seat above a shaped frieze, on tapering legs surmounted by foliate carved terminals, with carved hoof feet at the front Provenance: Private Collection, London
A pair of Dutch walnut and marquetry chairs, mid 18th century, each pierced back with central vase shaped splat decorated with a flowering urn and bird motif, above the shaped tapering padded seat, on cabriole legs terminating in pad feet at the front, joined by an H-shaped stretcher, each 107cm high, 56cm wide, 53cm deep
A George III satinwood, tulipwood and marquetry serpentine commode, circa 1770, in the manner of John Cobb, the shaped top decorated with tied ribbon and floral marquetry, above a pair of doors each decorated with a flowing urn, one side panel deorated with a lute and sheet music, the other with a basket and scythe, on outswept bracket feet, 80cm high, 91cm wide, 47cm deep Provenance: Private Collection, Eaton Square, London since 1960 and thence by descent.For a related marquetry commode attributed to John Cobb, see Christie’s London, Important English Furniture, 27th November 2003, Lot 90. See also Christie’s London, 500 Years Decorative Arts Europe, 9th June 2011, Lot 339 (£18,750) for a further related example.This commode is conceived in the George III French/antique manner of the late 1760s. Its 'vase' ornament harmonised with the 'Etruscan' style that was introduced by architects such as Robert Adam (d. 1792) to the fashionable bedroom apartment of the period.
A set of four George I walnut chairs, circa 1720, each shaped rectangular back centred by a vase shaped splat and incorporating tapering terminals, each tapestry upholstered seat above tapering cabriole legs joined by an H-shaped stretcher and terminating in pad feet at the front
Lowestoft bottle vase or possibly oil bottle decorated in an inky tone of underglaze blue, circa 1763, the vase decorated with a fence and flowers with strutting bird to reverse, numeral 5 to foot rim, 15cm high, Note: See Christopher Spencer Early Lowestoft Porcelain for examples of motifs such as the strutting bird on early Lowestoft
Large Chinese Red Cliffs type square tapering vase, probably Kangxi period, decorated in blue and white with bamboo each side of the body with a panel of different flowering plants, prunus and lotus, with birds in branches, two of the panels with a poem with a six character reign mark to base, Note: The vase belongs to a group of related porcelains produced at the end of the 17th century commemorating the visit of the song poet Sushi to Cim Bi (Red Cliffs) in Hubai Province
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