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Two pieces of Victorian cranberry glass comprising an American Fenton `Thumbprint` basket with clear glass handle, crimped rim, moulded Fenton logo to base, 8in. (20cm.) high, together with a multilobed and ribbed vase gathered at the top in the form of a lady`s reticule with ruffled rim and a silk cord tied around the neck, 8½in. (22cm.) high. (2)
A graduated set of three silver specimen vases A. T. Cannon Ltd., Birmingham 1980 the plain, slender trumpet shaped vases with two engraved rings below the everted rims, on a basal knop and ogee foot with a circle of beaded decoration, the largest 8¼in. (21cm.) high, loaded, together with an Art Nouveau style specimen vase, Chester 1913, repaired. (4)
A late 19th Century gilt spelter mantel clock with eight day movement striking on a bell, the circular blue porcelain dial painted and gilded with flowers and Roman numerals, the drum case surmounted with a vase of flowers flanked by lion masks, above three oval porcelain panels painted with flowers, on an oval base and disc feet, height approx 30cm, with a pendulum and key (faults).
A small Wedgwood Fairyland Lustre York Cup shape bowl, designed by Daisy Makeig-Jones, gilt and enamelled to the exterior with Leapfrogging Elves, against a black ground, to the interior Elves on a Branch, against a mother-of-pearl ground, gilt printed Portland Vase mark to base with pattern No. `Z4968`, diameter approx 12cm.
A Wedgwood bone china part tea service, early 20th Century, gilt with bellflowers and stylized fans against a cream ground within mottled blue borders, comprising a two handled square plate, twelve teacups and saucers, twelve tea plates, milk jug and sugar bowl, brown printed Portland vase mark to bases, pattern No. `W1886`.
A large pair of Brannam pottery two handled vases, circa 1902, each pair shaped body decorated by James Dewdney, monogrammed, with incised stylized fish and weed against a textured ground, glazed in shades of green and flanked by dragon handles, incised factory marks to bases, height approx 42cm (one handle on each vase with glued repairs).
A Pratt & Co. pale blue terracotta bottle and cover, circa 1857, printed with classical figures between Greek key banding, together with a group of ceramics and glass including a Royal Doulton Slaters Patent stoneware vase, a Waterford stub candlestick and a small collection of commemorative china (faults).
A Clarice Cliff Bizarre Gayday pattern circular fruit bowl with plated rim, black printed and painted factory marks to base, diameter approx 18cm (splits to plated rim), together with an Autumn Crocus pattern circular fruit bowl (wear to interior) and a Clarice Cliff vase of bulbous ribbed shape painted with a branch of leaves against a mottled brown and green ground, black printed factory mark to base (starcrack to base).
A Spode Caramanian series Principal entrance of the Harbour of Cacamo blue printed oval shaped platter, early 19th Century, impressed factory mark to reverse, length approx 37.5cm (lightly stained), together with a small group of other blue printed wares, a delft jar labelled `Pil. Purgantes`, and other pottery, including a silver overlaid vase (faults and repairs).
A large English porcelain two handled vase, mid-19th Century, the green glazed baluster body painted to one side with a landscape view within gilt foliate scroll framing, opposing a gilt foliate scrollwork motif, flanked by pale yellow glazed branch handles between the scroll moulded pierced rim and circular foot, unmarked, height approx 48.5cm (handles riveted, faults and repairs).
A Royal Doulton stoneware jardinière in the form of a cauldron, the bulbous body with gilt whorl decoration, raised on tripod feet, impressed factory marks to base interior, together with a pair of Royal Doulton stoneware green glazed vases with foliate decoration within beaded framing, a small Doulton vase and a Doulton flambé dish (chipped).
A Wemyss pottery beaker vase, early 20th Century, of waisted cylindrical shape painted with daffodils beneath the green rim, yellow painted script mark to base, height approx 16cm (two minor nicks to rim), together with a similar slightly larger vase, yellow painted script mark to base, height approx 16.5cm (restored), and a beaker, impressed factory mark to base with `Goode` retailer`s stamp, height approx 11.5cm (fine hairline to rim).
A rare Wemyss pottery Japan vase, early 20th Century, painted by James Sharp, the shouldered cylindrical body with green dentil detail to the gently flared neck, decorated with pink and yellow tulips and green leaves with yellow detail, one open flower applied with three petals in relief, impressed factory marks to base and with yellow painted script mark, height approx 33cm (some restoration to applied relief detail). Provenance: lot 300, Sotheby`s Gleneagles, 30 August 2005; Rogers de Rin, London; The Iris Fox Collection, lot 283, Sotheby`s Edinburgh, 7 November 1994. Note: this vase is interesting due to the relief detail. It was exhibited at the Christie`s 1990 Glasgow Exhibition, `Wemyss Ware, Fife flowers, Fruits and Farmyards`, No. 42.
A pair of Belleek porcelain vases decorated with shamrocks, late 20th Century, another pair of Belleek porcelain vases of baluster shape with moulded detail, a second period Belleek trunk stump spill vase (minor fault), a Waterford cut glass bowl, a Mdina type vase and an Italian pottery vase printed with military emblems.
A Chinese bronze vase, probably 18th century, of tapered cylindrical form set with small ring handles beneath a band of taotie masks, 25cm.high; also a small bronze two-handled double gourd vase, a Japanese bronze figure of a man, and an archaistic inlaid model of a leopard, (4).
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653685 item(s)/page