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Lot 1338
Große Satsuma Vase mit Malerei in Reserven "Historische Szene“ und "Würdenträger“, umrahmt in üppiger Dekoration "Weiße Drachen und Peonien" auf elfenbeinfarbigem Fond, Meiji-Periode Japan um 1890, signiert, "Dai Nippon Yokohama..." Namenszeichen berieben, auf späterem Holzsockel, H. 31/35,5cm
Lot 202
Christiana Protto, Vase, Mischtechnik von 1998, Vase mit drei Blumen und Interieur, Aquarell/ Mischtechnik von 2004, alle gerahmtChristiana Protto, *1962 Sutton Coldfield, UK, Studium 1981-83 Istituto Statale d'Arte di Firenze, Florenz (Keramik), 1983-85 UP6, Paris (Architektur); 1985-91 Uni. Frankfurt (Kunstwissenschaften, Romanistik, M.A.) , 1992-1993 Hochschule für Gestaltung, Offenbach am Main (Freie Kunst), Zahlr. Ausst. im In- u. Ausland, Lehrtätigkeit, lebt und arbeitet in Frankfurt/M., hier: Vase, Mischtechnik/Papier, 59,5 x 41,5 cm, verso sign. u. dat. 1998; Vase mit drei Blumen, Aquarell, verso sign. u. dat., 2004, 21 x 29,5 cm und Interieur mit Stuhl, Mischtechnik/Papier, 15 x 21 cm, verso sign., alle mit P.p. hinter Glas gerahmt
Lot 238
Stefan Szczesny, Vase, zweifarbiges Glas, Murano, Unikat von 1998Stefan Szczesny, *1951 München, Maler, Bildhauer und Fotograf, Studium an der Akademie der Bildenden Künste München, wurde in den 1980er Jahren als Vertreter und Protagonist der Neuen Wilden international bekannt, zahlr. Ausst. im In- u. Ausland, lebt und arbeitet bei Saint-Tropez, hier: Glasvase in Form eines weiblichen Torso auf Tellerfuß, farbloses Glas mit blauen streifigen Einschmelzungen und schwarzen Fadenauflagen, H 65 cm, Dm ca. 27 cm, diamantgeritzte Signatur und Datum, s. beil. Katalog, Szczesny, Keramik und Glas, Keramikmuseum Mettlach, 1999, S. 57
Lot 251
Emil Wachter, "Mirjam", "Bileam", "Rodeo", und Blumenstillleben, vier Aquarelle, 1970-89Emil Wachter, 1921 Neuburgweier - 2012 Karlsruhe, Maler u. Bildhauer, studierte ab 1940 Theologie und Philosophie an der Universität Freiburg, dann Malerei und Bildhauerei an der Akademie Karlsruhe, ab 1954 als frei schaffender Künstler tätig und lehrte von 1958-1963 an der Staatlichen Akademie der Bildenden Künste Karlsruhe, hier: Halbfigurenbildnis "Mirjam", Aquarell, 51 x 34,5 cm, sign. u. dat. 2.1.70, verso bez.; Portrait "Bileam", Aquarell, 44 x 28 cm, sign. u. dat. 79, bez., "Rodeo", Aquarell, 31 x 18 cm, sign. u. dat. 76, bez.; Blumen in Vase auf Stuhl, Aquarell, 75 x 56 cm, sign. u. dat 89, alle o. Rahmen
Lot 265
Jörg F. Zimmermann, großes "Wabenobjekt" in KugelformJörg F. Zimmermann, *1940 Uhingen/Göppingen, deutscher Glaskünstler, lehrt seit 1983 an der Bildenden Akademie in Stuttgart, kugelige Vase/ Objekt aus der Serie "Wabenobjekte", farbloses Glas mit gitterartiger Struktur, farbloses Glas mit blauen und schwarzen Pulvereinschmelzungen, Hüttentechnik (sandgestrahlt), Metallgitter, H ca. 32 cm, signiert
Lot 31
Albert Borchardt, o.T., Acrylgemälde, gerahmt & Paulus Fugers, "Hans Booy", Acrylgemälde von 2004Albert Borchardt, *1961 Hitzhof/Siegkreis, 1983-89 Studium an der Fachhochschule Aachen, bei Christiane Maether und Ulf Hegewald, 1990 Villa Romana-Preis, Aufenthalt in Florenz, zahlr. Stipendien u. Preise sowie Ausst., hier: Vase, Acryl/Platte, verso sign., 18 x 24 cm, im Holzrahmen; Paulus Fugers, XX.-XXI., zeitgenöss. Künstler u. Kurator, Halbfigurenbildnis einer Frau vor gemustertem Hintergrund, 23 x 17,5 cm, verso sign., dat. u. bez., o. Rahmen
Lot 335
Porzellan-Kaffeeservice Gelbe Rose für 12 Personen mit neun weiteren Zierteilen, Kgl. Meißen, 1. & 2. Wahl37 Teile: 10 Kaffeetassen auf 12 Untertassen, 12 Kuchenteller, Kaffeekanne, Zuckerdose und Milchkännchen, Goldrand, polychrome Blumenmalerei, Schwertermarke, doppelt durchschliffen, dazu neun Tisch- u. Zierporzellane: runder Gebäckteller mit Handhaben, Dm 26 cm, zwei ovale Schalen, L 26, einmal mit Handhaben L 29 cm, Bonbonniere, eine Solifleur-Vase, H 18 cm, kleine Vase, Einzelleuchter, ovales Schälchen und kleiner Blumenübertopf, Dm 12 cm, Schwertermarke, 3x 1. Wahl, 6x doppelt durchschliffen
Lot 359
Jugendstil-Jardinière mit zwei Vasen-Beistellern, Fayence, Onnaing, Frankreich um 19003-tlg. Set des Art Nouveau, Majolika mit plastischem Gänseblümchen-Dekor (Barbotine), naturalistisch staffiert u. goldgehöht, H Jardinière 13,5 cm, B 31,5 cm, Vasenhöhe 20,5 cm, B 20,5 cm, am Boden Pressmarke Faïencerie Saint Onnaing No. 489, altersbedingt minimale Restaurierungen, eine Vase mit cachierter Fehlstelle am unteren Rand und kl. Randchip, nicht störend
Lot 365
Drei Kunstglasvasen von Kralik, WMF und Gral, um 1930-1978Balusterförmige Glasvase mit eingeschmolzenen und aufgewalzten Farbflecken, "Iris Decor" von Kralik, Böhmen, H 23 cm; Vase mit ovalem Querschnitt, bernsteinfarbenes Glas mit irisierter Oberfläche, Myra-Kristall von WMF, H 12,5 cm sowie Stangenvase aus dickwandigem Glas mit Oxidaufschmelzungen von Karl Wiedmann für Gralglas, Unikat-Serie, sign. & dat. 11/78, H 15,5 cm
Lot 731
Albert Wigand, "Tulpen", Stillleben, signierte Gouache von 1952Albert Wigand, 1890 Ziegenhain - 1978 Leipzig, Künstler der verschollenen Generation, 1912/13 Studium bei Lothar von Kunowski an der Kunst-Akademie Düsseldorf; 1912 und 1919-22 Kurse bei Otto Ubbelohde in Goßfelden; lebte und arbeitete viele Jahre in Dresden (ab 1925); ab 1956 Collagen. Hier: Stillleben, Tulpen in roter und violetter Vase, Gouache/Papier, 32 x 50 cm, sign., unter P.p. (Pachen Inv. Nr. 0950)
Lot 786
Elisabeth Ahnert, Tigerlilie und Petunie, signierte Gouache von 1954Elisabeth Ahnert, 1885 Chemnitz - 1966 Ehrenfriedersdorf, 1908-12 Studium an der Kunstgewerbeschule Dresden; In Dresden erlebte Ahnert das Aufbranden der Moderne und stand in Kontakt zu Künstlern wie Paula Lauenstein, Theodor Rosenhauer, Paul Wilhelm oder Karl Kröner; seit 1925 erhielt sie eine Förderung durch den Galeristen Heinrich Kühl in Dresden. Sie pflegte eine Freundschaft mit Albert Wigand. Sie gehört zu den wichtigsten deutschen Malerinnen des 20. Jhs. Hier: Vase mit Blumen, Tigerlilie und Petunie, Gouache/Papier, 31,5 x 24 cm, sign., Ecken mit kleinen Nadellöchern, unter P.p (Pachen Inv. Nr. 0168)
Lot 860
Hermann Teuber, Tiere & figürliche Kompositionen, 7 signierte Graphiken, 1950-1961Hermann Teuber, 1894 Dresden - 1985 München, 1922 Ausbildung an der Kunsthochschule Berlin-Charlottenburg; dort war er Schüler von Hans Meid (Radierung); 1924-26 besuchte er die Malklasse Karl Hofers. Einer seiner Mitschüler war Ernst Wilhelm Nay; ab 1950 Professor für Druckgraphik an der Kunsthochschule Berlin-Charlottenburg. Hier: Rosen in Vase, Lithographie von 1961, 14,5 x 11 cm, monogr., verso mit Widmung; Affenspiel, Farbradierung, 23 x 33,5 cm, sign., dat. 1959; Junges Modell, Radierung von 1954, 29,5 x 33,5 cm, sign.; Schmetterlingsflug, Farblithographie, 40 x 36 cm, sign., dat. 1960; Rangelei auf dem Schulhof, Radierung von 1950, 30 x 34 cm, sign.; Schafherde, um 1960, Lithographie, 30 x 46, sign.; Möwen am Watt, Lithographie, 36,5 x 47,5 cm, sign.; alle unter P.p. (Pachen Inv. Nr. 0929, 2169-2174)
Lot 262
Chinese famille rose porcelain lamp painted throughout with scenes of home life against a vibrant turquoise ground. Of a rectangular form and fitted with wooden vase mounts. With numerous inscriptions along the underside and marked "China" along the footrim. The vase has been drilled as a lamp.Body; height: 11 in x width: 6 1/2 in x depth: 5 1/4 in. Shade; height: 12 1/2 in x width: 16 in x depth: 12 in.
Lot 265
19th or 20th c. Chinese yellow-ground porcelain vase with two handles in the form of dogs. Decorated with famille rose floral decoration throughout the body, with two reserves with landscape scenes. The vase has been drilled for use as a lamp.Height: 6 in x width: 6 3/4 in x depth: 5 1/4 in.
Lot 293
A group of three Japanese studio ceramic pottery vessels including a lidded jar, a vase, and a faceted vessel. Glazed stoneware in red, green, and white with striped decoration. The faceted vessel signed either Kimos, Dimos, or Cimos and dated 1987-1988 to the underside. The Shigaraki style vase with drip glaze decoration has an impressed mark to its foot rim, likely 19th to early 20th century. The russet lidded vessel is unmarked.Height ranges from 7 in to 11 1/2 in; diameter ranges from 4 1/2 in to 10 in.
Lot 407
Russell Chatham (American, 1939-2019). Lithograph titled "Montana Suite: Boulder Valley Fall," depicting a grove of trees at the vase of a hill, 1991.Pencil signed, dated, and numbered 38/275 along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 33 3/4 in x width: 44 1/2 in. Framed; height: 41 in x width: 52 in.
Lot 106
PLAQUE RECTANGULAIRE EN PORCELAINE A DECOR D'UNE NATURE MORTE, MEISSEN, VERS 1760A MEISSEN RECTANGULAR PLAQUE, CIRCA 1760Painted with a still-life of a bird on a table with a flower vase and a bowl of fruit, within a moulded, gilt-edged frame, pierced for hanging at the top, 25.7cm by 33.5cm, crossed swords mark in underglaze-blue (minor wear to gilding)For further information on this lot please visit Bonhams.com
Lot 128
PAIRE DE TORCHERES LOUIS XVI EN BOIS SCULPTE ET DORE DANS LE GOUT DE GEORGES JACOB FIN XVIIIe - DEBUT XIXe SIECLEA PAIR OF LOUIS XVI CARVED AND GILTWOOD TORCHERES IN THE MANNER OF GEORGES JACOB LATE 18TH - EARLY 19TH CENTURY The stop-fluted baluster foliate shaft surmounted by a circular tray with beaded and lappeted border above water leaves and gadrooned support, on a hexagonal recessed panelled base with delicate scrolling foliate sprays, the lower section composed of three addorsed sirens holding the reeded vase shape apron, on a concave fronted triangular plinth centred by rosette and edged with tip-leaf moulding, on bun feet, partly regilt, differences to carving , 52cm wide, 161cm high (20in wide, 63in high). Footnotes:These finely carved torcheres, or tripods for vases reflect the late 1770's fashion for decorating the grand 'Salons' of the last quarter of the 18th century in Paris. They are related to four stands commissioned for every corner of the 'Salon de Musique' of Comtesse Marie-Léopoldine Pàlffy, Princesse Kinsky (d.1794) following the building of her hôtel in rue St-Dominique in Paris in 1770. The Kinsky torchères, slightly earlier in dating, were designed by the sculptor and designer Gilles-Paul Cauvet (1731-1788), carved by Pierre Gontier and gilt by F. Mathon. The commission included also a music stand carved in the same manner, so to have a coherent designed suite to the newly furbished room. The music stand is now conserved at the Château de Versailles, illustrated in Pierre Arizzoli-Clémentel, Le Mobilier de Versailles. XVIIE et XVIIIE Siècles, Tome 2, Dijon, 2002, p.237. A pair of Kinsky torchères were sold Christie's London, 22 November 2007, lot 100, from the Collection of the Marquis and Marquise de Ravenel, (sold GBP 558.100 inlcuding buyer's premium). The torcheres here offered are stylistically reminiscent to the designs brought in by ornemanistes such as François Joseph Bélanger (1744-1818), and by Jean-Demosthène Dugourc, his brother-in-law. Belanger was the first architect of Comte d'Artois as from 1777, while Dugourc was appointed in 1780 'dessinateur du Cabinet de Monsieur, frère du Roi' for who he looked after the remodeling and embellishments of the various interiors owned the Comte d'Artois.In 1782 Dugourc published an album of ornaments entitled 'Arabesques', which opened the door to a new fashionable taste of the early 1780's. A new taste composed of mainly delicate female figures ending in lavish acanthus motifs, reminiscent of the bases carved on our torchères. A design for a project of decoration of a 'cabinet à la française' for the Pardo, project which was never executed, shows in prominent position a pair of torchères of similar style with closely related tripod bases. The fashion for the 'turqueries' or 'goût turc' was initiated by the comte d'Artois in Paris during the mid-1770's with the creation of his boudoir turc in the Palais du Temple in 1776. Georges Jacob (1739-1814) was actively carving suites of seat furniture to the new exotic designs of Etienne-Louis Boullée, a stylistic revolution was taking place at the time in Paris, characterized by the celebrated console table for the second cabinet turc of comte d'Artois at Versailles, carved with addorsed sirens at the top of the supports by the talented Georges Jacob in 1781.For further information on this lot please visit Bonhams.com
Lot 152
PAIRE DE VASES EN MARBRE JAUNE VEINE ET ORNEMENTATION DE BRONZE DORE, BECKER, FONTE SUSSE FRERESFIN XIXe SIECLEPAIR OF FRENCH ORMOLU-MOUNTED GIALLO VEINED MARBLE VASES, BY BECKER, FOUNDRY SUSSE FRERES LATE 19TH CENTURY Each with domed lids, the bodies with satyre masks and scrolling acanthus clasps above a tip-leaf border and a waisted socle with down-swept water leaves, the underside of the lids marked 'SUSSE Fres' and numbered '38', each vase signed on the ormolu edge border: 'Becker Sclp' and 'Susse Fes Edt' 37cm wide, 65cm high (14 1/2in wide, 25 1/2in high) Footnotes:An identical pair of vases, bearing the same Becker and Susse Frères signatures, but with pink veined marble were sold Christie's King Street, 19th Century Furniture, Sculpture, Works of Art and Ceramics including a Property from the Palazzo of a Milanese Noble Family, 19 March 2009, lot 87, for GBP 22.500For further information on this lot please visit Bonhams.com
Lot 61
VASE EN PORCELAINE, MEISSEN, VERS 1740A VERY LARGE AND RARE MEISSEN VASE, CIRCA 1740With a moulded stiff-leaf border to shoulder and around the base, decorated in Kakiemon style with two standing bijin [beautiful ladies], each holding a sprig of prunus and chrysanthemum respectively, alternated by two large scenes of banded hedges with the same flowers, each surmounted by a bird, neck and base with scattered Kakiemon sprigs, standing on a heightened footrim, 22cm high, crossed swords in underglaze-blue, impressed 21 (rim slightly reduced)For further information on this lot please visit Bonhams.com
Lot 84
VASE COUVERT 'POT-POURRI', SAINT-CLOUD, VERS 1740A SAINT-CLOUD POT-POURRI VASE AND COVER, CIRCA 1740The baluster vase pierced and moulded with fluting, applied with flowering and leafy branches, on a rockwork base, the cover pierced and applied with similar flowering branches, 30cm high (haircrack to base and minor losses)For further information on this lot please visit Bonhams.com
Lot 85
MIROIR VENITIEN EN BOIS SCULPTE ET DORE MILIEU DU XVIIIe SIECLEA NORTH ITALIAN CARVED AND GILTWOOD MIRROR, VENICE MID-18TH CENTURYOf elaborate cartouche shape, with egg-and-dart moulded border and scrolling foliate surround with floral sprays, the upper section with dragons and centred by an architectural pediment with espagnolette mask framed by C-scrolls and surmounted by a foliate vase, 88cm wide, 133cm high (34 1/2in wide, 52in high). This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 272
Works of Art from the Schroder Collection (lots 152-178 (Silver) and 272-331) The Schroder family came to England from Hamburg in the late eighteenth century and became amongst the most successful of Europe’s merchant bankers. Johann Friedrich established a trading company in London around 1801 and was later joined by his brother, Johann Heinrich, who set up his own business in 1818, J. Henry Schroder & Co. He was succeeded by his son, Baron Sir John Henry (1825-1910), who acquired works of art on a grand scale. He displayed his extensive collection at The Dell, an old hunting lodge on the edge of Windsor Great Park. The works of art offered at Roseberys have passed down through the Schroder dynasty, mainly from Baron Bruno Schroder (1867-1940) (the nephew of Sir John Henry Schroder) and his grandson, the late Bruno Schroder (1933-2019).A Paris (Locre) two-handled baluster ‘Etruscan’ vase, c.1780-90, blue crossed torches mark, the waisted white-ground neck finely decorated with arabesques including flowers, vases, cornucopiae, husks and scrolls, below an apricot-ground border between moulded gilt bands, the apricot-ground central part painted with puce arabesques and centred by two moulded gilt paterae terminals issuing scrolling gilt foliage handles, the gold-ground lower part and socle with green-shaded simulated gadroons, the plinth foot painted to simulate marble, 39.9cm high Provenance: Works of Art from the Schroder Collection.Note: An ‘Etruscan’ vase of the same form and with very similar decoration is at Sevres - Cite de la ceramique, see Regine de Plinval de Gillebon, “Paris Porcelain 1770-1850”, London, 1972, p. 2, where she dates the Sevres example as circa 1780. A vase of a different form with related decoration is illustrated by Regine de Plinval de Gillebon, “Faience et Porcelaine de Paris, XVIIIe – XIXe Siecles”, Dijon, 1995, p. 169, no. 159, where it is dated circa 1785-90.Please refer to department for condition report
Lot 284
A Hochst porcelain group of Der Berkrantze Schlafer, c.1770, blue wheel mark, modelled by J.P. Melchior, with a sleeping farm boy, a dog beside him and a shepherdess leaning over him to garland his head with flowers, her hoe and satchel nearby, a plinth with an urn behind them, on a rocky grassy mound base, 17cm highProvenance: Works of Art from the Schroder Collection.Note: Another example is illustrated by Horst Reber, “Hochster Porzellan des 18. Jahrhunderts aus Privatbesitz”, Jahrhunderthalle Hoechst December 1984 – January 1985 Exhibition Catalogue, Frankfurt, 1984, p. 116.Overall, the condition for this lot is good. The principal condition issue is a chip to the footrim on the right-hand side of the group – this is relatively small (approximately 4mm. x 14mm). All the remaining issues are very small and minor. There are further very slight and very minor chips to the edge of the footrim. There is a minute chip to the corner of the plinth at the reverse, and another to the reverse edge of the plinth – these are both very small (the largest is 2mm x 2mm). On the garland there are small losses to a flower and the foliage – these are extremely slight and difficult to see. There are small losses to the ribbons and to foliage of the vase (on top of the plinth) – all these are to be expected.
Lot 170
A SMALL GROUP OF JAPANESE CERAMICS including a satsuma vase, late 19th century, of baluster form, decorated with figures amongst foliage, 30cm high, together with a satsuma charger, decorated with a bird of prey, 36cm diameter; a Japanese imari dish in the form of a fan and an Arita bowl (4)
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