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Lot 74

§ William (Bill) Marshall, (British, 1923-2007), a rare salt glaze stoneware bottle vase, with mottled brown glaze, impressed seal mark 22cm (9in)

Lot 43

A German Vor Dam vase, the narrow neck spreading to a bulbous fluted body with alternating vertical bands of black and yellow glaze, together with a Vor Dam black and white box and cover and a pair of Royal Vienna ceramic vases, the floral decoration in the style of Olbrich (4)

Lot 37

A large Mdina glass vase, of cylindrical form, together with a Mdina glass 'Air Malta Trophy' and a Mdina pink glass scent bottle and stopper (3) 27½cm (11in)

Lot 1

An Art Nouveau glass vase, probably German, circa 1900, the amethyst glass body with pewter overlay and glass cabochon decoration 28cm (11in)

Lot 75

§ Joanna Constantinidis (British, 1927-2000), a flattened bottle vase, with iron glaze, impressed seal mark 22 x 16cm (9 x 6in)

Lot 155

A small collection of Liberty & Co. Tudric pewter wares, comprising; teapot, no. 0231, cream jug, no. 025, a crumb scoop, no. 0509, a spill vase, no. 01184 and a jardiniere, no. 0318 (5)

Lot 17

Oran', a large and impressive René Lalique opalescent glass vase, designed 1927, model No. 999, decorated with large dahlias and foliage, signed and numbered to base 26½ x 27cm (10 x 11in) There is a large chip to the rim (long, not deep) and a number of further small nicks, as well as a bruise that has not chipped away yet.

Lot 353

§ Rolf Regele (German, 1899-1987) Still life of Gladioli, Carnations and Sunflowers in a vase signed lower right "Rolf Regele" oil on board 62 x 75cm (24 x 29in) Condition report: Few scuff marks along the lower edge. A four-inch scratch half way up on the right. Slightly yellowed. Corners of the frame splitting. Lower left corner of the frame chipped.  

Lot 22

Bengt Edenfalk for Skruf Sweden, a tall blue 'Spun' glass vase, etched marks, together with an Orrefors glass bowl by Simon Gate and another by Edstrom (3) 33cm (13in)

Lot 146

An Osiris Art Nouveau pewter vase, the circular rim set with red stone cabochons to a hexagonal body and base, stamped mark, together with another pewter twin handled vase, makers mark LL (2) 26cm (10in)

Lot 46

A Belgian Art Deco Keramis vase, decorated with stylised birds, together with a pottery bowl, possibly by André Metthey, a Belgian Art Deco pottery lamp base and a Lachanel style turquoise glaze vase (4)

Lot 5

A cameo glass vase by Georges Raspiller, decorated with a lakeside landscape over a reddish orange ground, cameo signature 21½cm (8in)

Lot 58

Jean Marais (French, 1913-1998), a large trumpet form vase, the terracotta body with a black lustre glaze, incised signature 39cm (15in)

Lot 95

Attributed to Jean Dunand, (French, 1877-1942), an Art Deco lacquered vase, the copper body with black lacquer and overlayed sand textured red lacquer 17cm (7in)

Lot 41

A large Art Nouveau Clement Massier vase, the amphora form decorated in relief with foliage to a red ground, Golfe Juan painted mark, together with an Italian Vibi Torino vase (2) 50cm (20in)

Lot 76

§ John Ward, (British, b.1938), a square form stoneware vase, to a tapering base, impressed seal mark and Peter Dingley paper gallery label to underside 16½ x 15 x 15cm (6 x 6 x 6in) Provenance: Peter Dingley Gallery, Stratford-upon-Avon Other Notes: John Ward studied at Camberwell School of Art and moved to Dyfed in Wales in 1979. Ward coil-builds his pots, and then cuts and rejoins the curved surfaces to create more angular shapes. He only uses matt glazes. He has been influence by ancient pre-glaze pottery and the legendary potters Hans Coper for form, Lucie Rie for light and colour and Ian Godfrey for texture. He describes his work as "Form above all, but expressed through light and colour". His work is in public collections including the Fitzwilliam Museum Cambridge, the Victoria and Albert Museum and MOMA New York.

Lot 72

§ Lucie Rie, (Austrian/British, 1902-1995), a fine porcelain vase with flared rim, with manganese glaze and sgraffito decoration, seal mark to base 19cm (7in) Provenance: Purchased by the vendor's mother directly from Lucie Rie at Albion Mews in the early 1980's Literature: British Studio Ceramics, Paul Rice, The Crowood Press, 2002 Illustration of Vase, Plate 88, page 91 Other Notes: Lucie Rie (1902-1995) was undoubtedly one of the leading ceramists of the 20th Century. She trained in Vienna and moved to London before the outbreak of the second world war. Initially her work was poorly received, Bernard Leach criticised her work as weak and "feminine" and the potter Michael Cardew once asked her whether "it was possible to like someone if you hated their pots". Gradually after the war she achieved recognition. Her tableware was the first of her work to be well received, seen as a product of a distinctively European aesthetic, and quite unlike the prevailing fashion of Oriental ceramics in Britain. Her training and roots in Modernism born in Austria and Germany profoundly reflected her design. She was never interested in mere ornamentation but in the balance and synthesis of the form. Her vases and bowls reflects this economy of form with flaring shapes and large recessed feet. She started to use sgraffito from the late 1940s apparently after looking at Neolithic and Bronze Age pottery in a museum in Averbury Wiltshire. Sgraffito is a form of decoration made by scratching through a surface to reveal a lower layer of contrasting colour; here achieved by scratching through the dark glaze with a needle to the underlying white glaze. Sgraffito allowed Rie to articulate points of transition in the form; the shoulder and necks of jars, or the springing point of a bowl. In the 1980s she introduced a new palette of brighter glazes, peacock blue, magenta and sage green. She continued to make pots in her favourite forms as well as some new shapes until a stroke in 1990 prevented her from working any more. Rie was awarded a CBE in 1981 and was created a Dame in 1990. Her impact on British, and world ceramics, is immeasurable. Ask any collector of ceramics why they should own a Rie and the answer will be because her work marks the cornerstone of modern contemporary ceramics. Condition: Appears to be in very good condition, however, upon inspection under UV light, there has been some restoration to the rim.  To the best of the vendor's knowledge, this was not restored by his mother, and may, therefore, have been repaired by Lucie herself, as the vase was purchased from her directly.  PLEASE NOTE, THE ESTIMATE HAS BEEN REVISED ACCORDINGLY.

Lot 19

Attributed to Kralik, a 'marquetry' glass vase, decorated with flowers and foliage, etched 'Flowerall' to base 24cm (9in)

Lot 25

Timo Sarpeneva for Iittala, a clear glass Orkidea or Orchid vase, originally designed 1954, etched signature 28cm (11in)

Lot 57

Jean Picart-le-Doux (French, 1902-1982), a large earthenware 'Diabolo' vase, decorated with stylised foliage, painted mark to underside 33½cm (13in)

Lot 4

A Désiré Christian (French, 1846-1907), a Meisenthal cameo glass vase, the brown overlay foliate motifs on green body, etched marks to base 19½cm (7in)

Lot 32

A Venini blue glass vase, the inverted baluster form with acid etched signature, together with another simlar vase in green, a Murano latticino glass vase with indented sides, a cased glass pezzato vase and four others (8)

Lot 152

Archibald Knox for Liberty & Co., a Tudric pewter and enamel circular box and cover, no. 0193, together with a Tudric pewter and enamel vase, no. 0226 and a beaker, no. 0334 (3) All have damages to the enamelling.

Lot 31

A collection of MVM Cappellin and other Murano glass vases, comprising a large smoke glass trumpet vase, etched mark, an amber glass vase with knopped neck and five other unsigned vases (7)

Lot 357

§ Basil Jonzen (British, 1913-1967) Still life of flowers in a vase signed lower right "B Jonzen" oil on canvas, in a white painted frame 64 x 49cm (25 x 19in) Other Notes: The artist and art dealer Basil Jonzen studied alongside Bernard Meninsky at the Central School of Arts and Crafts before finding great success with the Redfern Gallery which led his practice to France, Spain and the Canary Islands. During his career, Jonzen exhibited works at the New English Art Club, Tooth and the Royal Society of British Artists. Jonzen lectured in Edinburgh on his involvement with camouflage during the Second World War in Norway and Nigeria. With his wife the sculptor and teacher Karin Jonzen (1913-1967) he renovated Sir Hugh Lane's studio house in London, and together they held a Weekend Art Gallery. Later in life Jonzen worked with St George's Gallery, and his son Martin Jonzen also became a respected artist. The Arts Council holds a number of Jonzen's works. Under glass which is dirty. Dirty and with craquelure overall.

Lot 3

A Gallé cameo glass vase, the tapering cylindrical body decorated with a lakeside landscape, signed 17½cm (7in)

Lot 208

*Mirror. A late 18th-century walnut dressing table mirror with brass vase finial, the rectangular glass on a single drawer base, 57cm high together with an Edwardian pottery mantel clock, with circular white enamel dial, black roman numerals steel hands, 26cm high (2)

Lot 18

*Studio Pottery. A pair of Winchcombe pottery lidded jars by Ray Finch (1914-2012), each with domed lid, and two handles, impressed seal mark to base, 14cm high, together with a two bowls, two vases and a pair of small plant pots all in the Winchcombe style, plus an Ashby Guild pottery vase with a light brown glaze and streaks of darker brown, the base incised 'Ashby', 20cm high plus a twin division slipware dish with white scroll decoration on a brown ground (9)

Lot 303

A quantity of pictures including an R. Robinson botanical study of yellow flowers in a vase together with a hologram print of Micheal Jackson and an oil portrait of a lady with a red dress

Lot 127

Two Poole Pottery Stoneware Barbara Linley Adams Mini Plates Wren & Rabbits, a milk jug, a small ceramic bowl of white ground with green leafs and bird, a japanese wooden box, two enamel vase of grey ground with flowers and birds, two glass reservoir oil lamps and a mushroome shap vwhite vase decorated with two roses

Lot 339

A Victorian charcoal drawing of a lady in profile, signed indistinctly lower right, framed, together with a botanical painting of magnolia blossom in a sliver vase and three loose signed Maxine Cow equestrian prints

Lot 249

A selection of decoratif ornaments mostly in Brass (14) including animals, plates bonbon dish, candelstick, ashtrays together with a shell , green glass vase 17 cm , three canadian coins set, six tumbes glasses and an antique cast iron cobbler shoe last

Lot 72

A quantity of oriental ceramics including plates, a large blue and white server decoarted with foliage and grapes, 35cmD together with a Minton vase of floral design

Lot 18

A repousse silver picture frame by Henry Matthews, Birmingham 1900 hallmark inside frame 13.8 x 9.5cm , a white metal picture frame with Acanthus decoration, inside frame 13 x 8.5cm together with an engraved brass vase H 21cm and a silver and porcupine quill cigarette holder from Henry Perkins & Sons London

Lot 250

An Edwardian style glass beads flush ceiling lamp 25cm drop and 35cm diameter together with a table lamp with shade made of a porcelain vase with golden floral loop handle

Lot 186

*Sampler. A sampler by Ann Payne, early 19th century, worked in red cotton cross-stitch on linen, with alphabets and numerals in various scripts, incorporating patterns (flowers, stars, Greek key border, volute cornerpieces, etc.) and a coronet at foot, some very faint toning, 31 x 25cm (12 x 10ins), framed and glazed, together with four other framed needlework pictures, including a Victorian embroidered felt collage of a wreath of flowers, and a large embroidery on canvas of two parrots amongst volutes and floral sprays, plus an unworked printed canvas in a gilt moulded frame depicting 'Flowers in a Vase' by Van Huysum, plus a watercolour of an elderly lady in a gilt moulded frame, and five other framed items Most probably a Bristol Orphanage sampler, which were typically worked in red and with many of the decorative motifs seen here; all such samplers worked by children at George Mller's Bristol orphan houses have a similar format and style, indicating that the teachers had templates and standard patterns which the girls could copy, although the variation amongst samplers shows that pupils had an element of choice in what to include on their samplers. (12)

Lot 76

An English pearlware two-handled vase and cover, circa 1820, possibly Spode, decorated with a pale-blue and gilt cailloute ground, 39cm high

Lot 53

A quantity of 20th Century glassware to include a Caithness vase, a Dartington vase etc

Lot 55

A collection of Oriental items to include a painting on rice paper, a cloisonné vase etc

Lot 253

A ROYAL WORCESTER SPILL VASE/POSY VASE with painted floral sprays, gilt and jewelled decoration on a white ground, green printed mark and date code for 1884 to base, 13cm high

Lot 180

A GEORGE III SILVER SUGAR BASKET possibly by Ann Chesterman, mark pierced, partial and rubbed, London 1776, of vase shape with garlands and festoons, on a spredaing foot, swing handle, no liner, 14.5cm high to top of handle, 93g (3 troy ozs) gross

Lot 153

A SILVER BUD VASE by Deakin & Francis, Birmingham 1972, with a bulbous textured weighted base, 13.7cm long

Lot 298

CHARLES BUCHEL (GERMANO-BRITISH, 1872-1950) Still Life of Flowers in a Vase, oil on board, signed and dated '1942' lower right, 59.5cm x 47cm.

Lot 164

A PAIR OF LOADED SILVER DESK CANDLESTICKS a single example; a silver cigarette box; two silver napkin rings; a silver ring tree with tray base; a silver bud vase; and a Celtic style silver brooch; all a/f

Lot 301

DUTCH SCHOOL (19TH CENTURY) Still Life of Flowes in a Vase, oil on canvas, unsigned, 49cm x 38cm, in a decorative carved wood frame.

Lot 17

A collection of ceramics to include a Susie Cooper fruit bowl, 19th century terracotta and pewter pouring jug, studio pottery bark vase and studio pottery green glazed tall chamberstick and an Ivora Gouda bowl no 359. Tallest measures 28cms high.

Lot 32

A late 19th century Japanese Satsuma vase, decorated in slight relief with family scene panels along with another Japanese 19th century vase of squat form. marks to base. Tallest measures 29cms high.

Lot 89

A late 19th century / 20th century hand blown green glass lidded urn shaped vase / sweet bon bon jar being raised on a terraced base. Measures 35cm high.

Lot 125

2 Venetian glass gondolas , probably Murano , along with a Medina Angel fish glass single stem vase of small proportion together with Clarice Cliff transfer patterned plate depicting Westminster Bridge ' There'll always be an England ' Newport Pottery, printed to underside .Plate W28cm

Lot 145

A 19th century Victorian Doulton Lambeth Faience Ware vase. Of baluster form being decorated in the Persian taste with flowers against a yellow ground bearing faint circular impressed factory marks, dated 1875 letter W and decorator's signature for Minna L Crawley. Measures 28cms high

Lot 111

A good selection of studio pottery by various different makers to include bowls, vase, paperweight etc please see images Largest W34cm

Lot 8

A 1930's Art Deco vase by Myott & Sons 9185 together with a 3 handled ribbed vase by Crown Ducal in the manner of Charlotte Rhead, a New Devon pottery egg cup set and a Habitant 1950's jug by JG Meakin. Tallest measures 20cms high.

Lot 69

A Danish Bornholm Studio pottery vase believe to be by Marianne Starck for Michael Anderson. The figurine of an inuit boy with impressed no's and markings No 3789 ( see illustrations ) Measures 12cms high.

Lot 83

A vintage 20th century studio pottery salt drip glaze vase along with an early hand pained 20th century Art Deco bowl by Grays Pottery. The tallest measures 42cm high.

Lot 28

A 20th century art deco / secessionist atomic shaped vase stamped to base. Please see images. Measures 28cms high.

Lot 98

A Victorian Royal Doulton Lambeth 1890's Art Nouveau vase being stamped to the base with the 3670A impressed no. Artists mark for Lily Partington. Measures 18cm high.

Lot 312

A group of items to include an antique clay oil lamp, a small bronze censor / vase with lizard adornment etc please see images.

Lot 78

A mid century studio art glass handkerchief vase by Mdina together with another similar unmarked and a Mdina coloured glass paperweight. The biggest measuring 20cm wide.

Lot 71

A Clarice Cliff Bizarre ' My Garden ' twin handled vase complete with the frog insert. Stamped to the undersize with black glaze body with embellished handles. Measures 12cms high

Lot 806

A silver hallmarked trumpet solifleur vase having engine turned rim by Broadway and Co, Birmingham 1981. Weight 68.5g. Measures 15.5cms

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