A slightly compressed globular vase set on a spreading foot and with an elegant tall gently-flaring neck, the entire piece (with the exception of the underside of the foot) decorated with a pleasing, pale blue Guan-type glaze, with an underglaze blue six-character Qianlong seal mark on the base. From late in the Kangxi period, through their development during the Yongzheng reign, pieces produced in tribute to the Song Dynasty Imperial wares became increasing popular amongst Qing Dynasty collectors. Evidence of this can be seen in a Yongzheng period painting by Giuseppe Castiglione (Lang Shining) depicting a flower arrangement set in a similar Guan-type vase.PROVENANCE: The descendants of Dudley L. Pickman (1779-1846), founding member of the East India Marine Society and CharlesG. Loring (1828-1902), the first director of the Museum of Fine Arts, Boston. See Skinner'sSpring Auction, Boston, 19 March 2016, lot 201.
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The vase of square section, tapering towards the quatrefoil rim, and with double pierced rectangular handles, moulded to each side with a peach-form cartouche,covered overall in a streaky deep red glaze with shades of dark purple, suffused with a subtle network of crackle, thinning to a cream tone at the edges.PROVENANCE:Chak's , Hong Kong
Qing dynasty, Qianlong period(1736-1795). The original copy of “Painted enamel Chinese peony and pheasant design pear-shaped vase with Qianlong mark”, which is the key highlights of the collections of Tianjin Museum. In 2005, at the invitation of the Tianjin Museum, it was produced by Wang Hui. After expert evaluation and comparison with the original vase seven times, the craft level has reached the standard of porcelain manufacturing in the Qing Dynasty. Only a batch of 5 successful firings, one of which was permanently collected by the Tianjin Museum, and replaced the authentic daily display. This item is the second one.The vase is small and exquisite, elegant and dignified. The body is light and thin, with painted enamels on the glaze. The top and the bottom of the neck have been decorated with blue plantain leaf designs and the body is decorated in painted enamels, depicting pheasants and peonies, gorgeous color and vivid. The empty white area features a poem in black script. This vase combines the arts of poetry, calligraphy, painting and seals.Height 16.3cm, Diameter of rim 4cm, Diameter of foot 5cm
A mid 20th Century mahogany lamp standardHaving a vase shaped upright supported on a tapering hexagonal shaft with a circular plinth base along with a pair of 1960's retro chairs each with a tapering back above a circular seat raised upon ebonised tapering legs. Lamp standard 157cm high and chair 98cm high.
A mixed group of Aynsley 'Cottage Garden' ceramicsTo include two candlestick holders (6cm high), a bulbous stem vase (16cm high), two Jardinere stands (1st is 13cm and 2nd 16cm), a jug (14.5cm high) and a lobed design bowl; together with a pair of studio pottery Greek vases. (11)
A collection of decorative ceramicsTo include a Cauldon pedestal bowl with gilt handles, a German blue and white lidded stein, a Japanese oval Imari bowl with scalloped border, a pair of early 20th Century English porcelain cabinet plates each centred with a landscape, a Royal Albert "Old Country Roses" lidded vase and a trinket pot. (7)
A mixed group of metal waresto include two hot water pots, teapot, pedestal dish, various spoons, sauce boats, milk jug, openwork vase, two candlesticks converted to lamp bases (sold electrically untested), butter dish, three chamber candlestick stands together with a small group of silver dressing table items. (qty)
A Zsolnay Pecs centre piece vase, circa 1890 The triform vase extending to scroll upper sections with pierced reticulated panels detailed to the inner well body with pink, blue and ochre enamels, depicting lotus flowers on meandering tendrils picked out with gilt highlights, under glazed blue mark to base and number seventeen, 15cm high.
Two ornate gilt metal continental table lampsThe first of urn form applied with loop handles upon a plinth base inset with ceramic panels, mounted on a marble plinth base with scroll feet along with a second lamp having a ceramic vase shaped stem mounted upon a gilt metal circular plinth base, the tallest 55cm.
An impressive pair of Chinese Famille noire vases, late Qing (1644-1912) DynastyEach of the wide dish mouth extending to a splayed cylindrical neck carved in high relief with two white glazed dragons extending to the entire body of the bulbous vase and further flanked by red glazed fire scrolls, the black ground with painted linear red iron foliate designs before cut out white glazed fan shaped panels detailed with birds, chrysanthemums, warriors, peony and further foliage, six character mark to base each raised on an ebonised high plinth base, 60cm high (2)
A mixed group of glassware and ceramicsTo include a studio pottery vase, a stainless steel hip flask, a riding cup, two blue and white platters, together with a quantity of glass comprising cut glass tumblers, cut glass tankards, jugs and a boxed set of Krug champagne flutes (qty)
A collection of various ceramicsTo include a Herend Gary openwork weave ceramic basket, a Villeroy & Boch Botanica lidded bowl, a Staffordshire dog (height 24cm), Aynsley floral hexagonal lidded vase, a Chinese style bowl, a Chinese style figure of a barn owl and a German lidded pot and two classical figures (qty)
A large and impressive Regency mahogany breakfront linen press, possibly Scottish Having a moulded top above a beaded frieze over a pair of central panelled and inlaid cupboard doors enclosing an arrangement of sliding trays, flanked by five short drawers either side, each applied with ornate gilt brass ring handles, raised upon turned vase shaped legs with knopped feet, 240x139x63cm.ConditionOverall restorationRepairs to feet, doors and drawers - all good and sturdyAll doors and drawers openPlain sides2 splits to topEach side approx 20" longUsual wear/scratches
A 1930s Crown Devon Fieldings ginger jar and cover on a black ground with applied floral decoration, heightened in gilt, printed mark verso, height 18cm, together with one other Gibsons & Son jardiniere, and a Wedgwood boat shaped vase (3)Condition Report: The Crown Devon Jar displays very well, no sign of restoration, very minor paint fleck to side approx 1mm x 1mm (Doesn't Detract)
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