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Lot 10

A Qianlong-marked Cloisonne Vase, Qing Dynasty, China W:49cmH:39cm

Lot 13

Yongzheng blue and white underglaze red dragon vase, Qing Dynasty, China Diameter:13cmH:51cm

Lot 213

A Qianlong-marked Doucai Vase, Qing Dynasty) W:7.5cmH:24cm

Lot 45

An Enamel and Pastel Garlic Vase, Qing Dynasty) W:24cmH:44cm

Lot 77

12 BOTTLES FRENCH RED WINE (RHÔNE)Château Fortia Tradition 2019; Bouachon La Tiare du Pape 2019; Tikvis Winery Château de Gourdon Vase de Pierre 2018 and Château de Gourdon Terrase a l'ombre 2018; Tesco Finest 2018; Gabriel Meffre Terres des Pontifes 2019 and Terres de Galets 2020; Domaines Vincent Moreau Earl Château de Ruth 2019; Château Fortia Reserve 2019; Château Gigognan 2019; Aldi Specially Selected 2019; Morrisons The Best 2019

Lot 112

LLADRO VASE - 28 CMS (H) APPROX

Lot 116

RED WHITE FRIARS VASE - 19 CMS (H) APPROX

Lot 136

SYLVAC MODEL OF A WATER BUFFALO TOGETHER WITH A KIWI FORMED VASE

Lot 155

WEST GERMAN POTTERY VASE

Lot 157

REPRODUCTION CHINESE VASE AND ACCOMPANYING HARDWOOD STAND

Lot 158

LARGE 20TH CENTURY BLUE AND WHITE COVERED FLOOR VASE

Lot 16

ROYAL STANLEY VASE TOGETHER WITH TWO DECORATE TILES

Lot 164

IMARI VASE TOGETHER WITH A SMALL COPPER COFFEE OR CHOCOLATE POT

Lot 198

TWO CONTEMPORARY OIL STUDIES ORCHIDS AND A SPRAY OF FLOWERS IN A VASE TOGETHER WITH A FURTHER COLOURED FLORAL PRINT (3)

Lot 277

WEST GERMAN POTTERY VASE AND A RIDING CROP

Lot 101

A BERLIN PUCE-GROUND AND GILT TWO-HANDLED URN AND PIERCED COVERLATE 19TH CENTURYpainted with figures in European landscapes, blue sceptre mark, 35cm highAnd a pair of modern Royal Copenhagen white porcelain baskets, blue factory mark30cm wideProvenance:Supplied by Oliver Messel from Holmstead Manor Condition Report: Berlin vase, stem and cover restored. Ditto goat horns. Firing fault to one basket. Rubbing to gilding. Photos of damage and restoration available upon request.Condition Report Disclaimer

Lot 120

A GEORGE III MAHOGANY AND NEEDLEWORK POLE SCREENCIRCA 1810the banner above pole support, wrythen vase and tripod base135cm highProvenance: Supplied by Oliver Messel Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses, observations and restorations including: finial missing with a possible replacement section; cracks and filled repair to the frame, gaps to some mitred corners; the red fabric to the back of the banner is marked, faded and loose on the frame; bruising to the pole from the movement of the fittings of the banner; an old repair where the pole meets the base, with later cracks and probably needing a new repair; cracks to the turned base above the vase; the crewel work fabric not original to the pole screen; the crewel work dated 1709 and a fragment from a larger piece, with tears, holes, darning, discolouration, marks and stains etc; some fine cracks along the grain of the timber to the legs.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 127

A GEORGE III MAHOGANY OVAL CENTRE TABLECIRCA 1800The oval top above a gun-barrel turned stem and on down swept tripod support ending in brass caps and castors70cm high, the top 80 x 118cmProvenance: The Music Room at Holmstead Manor and thence by descent to Oliver MesselPurchased from Oliver Messel by Frederick and Phyllis Baden Watkins for Flaxley Abbey  Condition Report: Overall scratches, knocks and abrasions consistent with age and use.There are losses, observations and restorations including: the top with marks, fading, a water mark to the centre of the table probably from a vase, some patches of filler; the base of the pedestal with two cracks adjacent to the leg joints; the feet variously later dowelled, spliced, cracked where the foot meets the brass capping.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 160

A FAIENCE OVOID VASE, PROBABLY FRENCH OR NORTHERN ITALIANCIRCA 1800Painted in shades of blue and ochre with a swag band, 21.5cm highProvenance:Supplied by Oliver Messel from 104 Lancaster Gate Condition Report: RestoredCondition Report Disclaimer

Lot 224

A SET OF FOUR GEORGE II WALNUT DINING CHAIRSCIRCA 1730with shaped top-rails vase splats, the moulded cabriole legs and pad feet joined by turned and waved stretchers103cm high, 54cm wide, 53cm deepProvenance: Supplied by Oliver Messel Condition Report: There are losses, restorations and observations including; the silk damask worn and torn to some drop in seats; overall there are knocks, scuffing, scratches and abrasions; repairs to some crest rails and one in need of repair; there is evidence of worm; repairs incorporating some later timber and metal braces; cracks including so some crest rails, stretchers and elsewhere; some feet spliced; missing some sections including the ear to one leg.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer

Lot 243

A BLACK AND GILT CHINOISERIE DECOUPAGE DECORATED TERRACOTTA VASE19TH CENTURYWith carved and decorated flame finial lid and twin handles above liner with metal sleeve 81cm high, 56.5cm wide across the handlesProvenance:Supplied by Oliver Messel from the Old Serving Room at Nymans Condition Report: Overall scratches, knocks and abrasions consistent with age and use.There are losses, observations and restorations including: overall there is a craquelure, almost like bitumisation; the paintwork and gilding worn and aged; the gilding is of bronze hue with knocks revealing the underlying gesso and terracotta in places; the decoration is similar to decoupage, with chinoiserie flowers, insects, buildings, and figures cut from printed fabric or card and applied - some of these cut out sections torn or now lost from the vase but with the silhouette outlines remaining; the handles are applied, one is not flush and has some movement; there is a metal liner.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 25

A PAIR OF GILTWOOD AND COMPOSITION TWIN ARM WALL APPLIQUES IN GEORGE III STYLE 19TH CENTURY The pierced shaped backplates carved with oval paterae husks and flaming urns and with scrolling foliate branches67cm high, 37cm wide, 16cm protuberanceProvenance: In the Music Room at Holmstead Manor and thence by descent to Oliver MesselPurchased from Oliver Messel by Frederick and Phyllis Watkins for Flaxley Abbey Condition Report: wear, marks, knocks and scratches as per age, handling, use, and cleaning. The surface generally quite grimy- dry to the touch and with some flaking to gilding. There is cracking to composition and some areas of knocks and losses.Both with two large screw holes to back plates- and signs of brown coloured remedial restoration to all arms and other sections such as terminal drop. Section of 'veneer' to one drop detached but present- revealing plaster and iron armature. Subsequent to main catalogue image- one section of surface moulding is now missing to base of one vase finial. Reverse showing indications that these may have been wired at some point- now no longer present.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Lot 289

A VICTORIAN MAHOGANSY SPOON BACK CHAIRCIRCA 1860With vase shaped back and upholstered drop in seat above cabriole legs 80cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The drop in seat with wear and marks to the upholsteryOverall the frame solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer

Lot 7

A SET OF EIGHT GEORGE II WALNUT AND PARCEL GILT DINING CHAIRSCIRCA 1730With repeating eagle motifs, each vertical splat with the Altieri crest, the six stars surmounted by a galero, mantle and tassels, each with drop in seats and cabriole legs terminating in claw and ball feeteach 104cm high, 53cm wide, 49cm deep; together with a pair of later chairs to match, 19th century(10) Provenance:Possibly commissioned by Vincenzo Maria Altieri for Palazzo Altieri, Rome Formerly the Messel family collection in the Dining Room at their 104 Lancaster Gate residenceThence by descent to Oliver Messel Purchased from Oliver Messel by Frederick and Phyllis Baden Watkins for Flaxley AbbeyLiterature: J. Lees-Milne, 'Flaxley Abbey, Gloucestershire - III: The Home of Mr. and Mrs. F.B. Watkins', Country Life, 12 April 1973, p. 980, fig. 2, The Entrance Hall. Sale Room notice: One of the drop in seats are missing from the chair   J. Musson, 'Bradley Court, Gloucestershire', Country Life, 15 September 2005, pp. 133-134 and fig. 5. T. Messel, Oliver Messel: in the theatre of design, New York, 2011, pp. 122-123, 'the entrance hall'. This set of ten walnut and parcel-gilt dining chairs together with two mahogany examples en suite bear the arms of the Altieri family from Rome. They were originally at 104 Lancaster Gate, the London family of Britain's greatest stage director and artist, Oliver Messel (1904-78). When Nymans burnt down in 1947, Oliver and his two siblings received some of the remaining contents, and after the death of their mother, Maud (née Sambourne), in 1960, Oliver inherited more of the furniture from Lancaster Gate and Holmstead Manor. The chairs were subsequently sold by Oliver to his clients, Frederick and Phyllis Watkins, for Flaxley Abbey, Gloucestershire, almost certainly around 1960 when he was assisting them with the renovation and refurbishment of the abbey; a project that he worked on sporadically until 1973. Frederick Baden Watkins wrote how very gifted Oliver was: 'Once he had an inspiration, he'd get a piece of paper and sketch it out. What could have taken me five years, would take him five minutes' (C. Castle, Oliver Messel: A Biography, London, 1986, p. 216). When a room was completed, Oliver would look to his own collection for furniture: 'I've got a pair of mirrors at Nymans that would look right there', and Watkins would buy them (ibid., p. 217). Furniture probably also came from Oliver's London house, Pelham Place, as he wrote: 'Poor Pelham Place, I gather, is now striped to the bone. George has gone down to Flaxley with another load' (ibid., p. 226). Two of these chairs were photographed in the Entrance Hall at Flaxley in 1973 (J. Lees-Milne, 'Flaxley Abbey, Gloucestershire - III: The Home of Mr. and Mrs. F.B. Watkins', Country Life, 12 April 1973, p. 980, fig. 2). The chairs with their Italian Altieri coat-of-arms complimented Oliver's large mural painting of an Italianate urn. A central arcaded recess with a Robert Adam-style doorway led from the entrance hall to the dining room where presumably the remainder of the suite was situated. Oliver's nephew Thomas Messel made a contemporary set of chairs modelled on the Altieri set for his own home at Bradley Court, Gloucestershire (J. Musson, 'Bradley Court, Gloucestershire', Country Life, 15 September 2005, pp. 133-134, fig. 5). In 1986, Thomas included this model of chair, both side and armchairs, in his firm's furniture range, which he named the 'Venetian' Cardinal Chair' (National Art Library, TL.Thom 1.1). The papal family of Altieri became extinct in 1955, with the death of the last prince, Prince Ludovico Altieri (1878-1955). It is not known how this set became part of the Messel collection but it is possible that they were collected by either Ludowig Messel or Leonard Messel- both enthusiastic collectors- in the early 20th century. The broad proportions of these chairs with their waisted upright back posts, solid shaped baluster splat, compass seat and cabriole legs are typical of high quality 'banister back' chairs of the 1730s. The arched crest rail has evolved from the milkmaid's yoke found in Chinese prototypes. The chair-back is slightly bent to ergonomically fit the back of the sitter. The introduction of the 'India back' - India or Indian being used to denote all of South and South East Asia - also sometimes called a 'bended', 'crook'd' or 'sweep' back chair is considered 'the most radical and far-reaching design innovation of the eighteenth century' (A. Bowett, Early Georgian Furniture 1715-1740, Woodbridge, 2009, p. 156). Related crest rails and splats can be found on a set of walnut chairs, 1734, supplied by Daniel How and Thomas Moore in the Lady Lever Art Gallery, Port Sunlight (ibid., p. 180, plate 4:73). Another example made in giltwood, 1730-40, was probably made for Richard Temple, 1st Viscount Cobham, for Stowe House, Buckinghamshire (ibid., p. 181, plate 4:75). The back of the splats of the present chairs have been chamfered to 'lighten' their appearance. These chairs are highly unusual for the carved decoration on the 'shoe' (where the splat joins the back of the drop-in seat) and the stylised claw and ball feet. Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: missing one of the drop in seats; one of the drop in seats with a hand written label in ink 'Col. Messel'; there is evidence of worm; the parcel gilt rubbed and knocked revealing in some places the underlying washes, gesso or wood; some damage and restorations including split vase shaped splats, leg and seat rail joints, dowelling repairs, metal braces, inset wood repairs, repairs with screws. The red silk damask worn, marked and some torn, the hessian webbing visible to the undersides.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 8

FIVE VARIOUS VENETIAN GLASS HEXAGONAL SECTION BOTTLES/FLASKSLATE 17TH/EARLY 18TH CENTURYEach with blue trailed ornament and one with traces of enamel decoration, 27.5cm high and smaller; and a similar two-handled vase, 11cm highProvenance: Supplied by Oliver Messel from 104 Lancaster Gate  Condition Report: The tallest cracked, chipped ornament to the others.Condition Report Disclaimer

Lot 80

A SELECTION OF CONTINENTAL PALE GREEN AND YELLOW GLASSVARIOUS DATES Including a leach jar30cm highProvenance: Supplied by Oliver Messel from 104 Lancaster Gate   Condition Report: Green two handled flask has a body crack; one pipe is chipped to the spout, the ribbed pale-green pear-shaped vase with pincered ornament has a possible small crack to the base of one section of ornament.Images available upon request.Condition Report Disclaimer

Lot 97

A GEORGE III MAHOGANY AND NEEDLEWORK POLE SCREENCIRCA 1780the banner above pole support, wrythen vase and tripod base135cm highProvenance: Supplied by Oliver Messel from Holmstead Manor Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses, observations and restorations including: the turned vase finial slots into the pole and is not fixed; some possible later dowels and screws to the outer edges of the frame; the needlework banner not original as the top leaves and lower stalks extend beyond the frame; the needlework is later darned, probably faded and with other marks and aging; some bruising to the pole from the movement of the banner fittings; two legs repaired and with visible cracks.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer

Lot 119

Collection of ceramics / pottery /artefacts of varying ages and origins to include a Genucilia type plate (reconstructed), a Greek pottery Kylix with remains of black glaze, grey pottery early cheese or wine strainer, pierced holes to base, a small Greek aryballos jar decorated with a frieze, a large pottery chalice / cup on single footed base, a small votive vase possibly Egyptian in origin etc (12)

Lot 127

Large collection of Chinese ceramics to include six sided vase with tapering fluted neck, various brush pots, artists palette and red ink pot, a taller blue and white vase, a punch bowl, a collection of cloisonné items etc, circa 20 items

Lot 400

Two vases one Chinese style with dragons the other a Bretby Clanta vase 22352

Lot 47

Chinese Caledon double gourd vase with six figure character mark to base approx 22cm tall

Lot 86

MOORCROFT squat baluster pink magnolia pattern vase, height approx 10cm, and a boxed circular pink magnolia pattern pin dish approx 12cm in diameter, both with impressed marks and signatures to base (2)

Lot 87

Middle Eastern large copper repousse vase approx 29cm in height

Lot 382

A mid-twentieth century Moorcroft 'Pomegranate' vase, decorated with pomegranates, grapes and leaves against a dark blue background. Signed and impressed to the base. 15.5cm high.

Lot 383

A silver trumpet posy vase, with filled stepped base. Assayed for Birmingham, 1917 by A & J Zimmerman. Total weight: 87g

Lot 403

A Geoffery Baxter for Whitefriars narrow neck 'Pineapple' vase in Kingfisher Blue. 18cm high. Generally good condition. Scratches to base.

Lot 404

Geoffery Baxter for Whitefriars coffin vase in grey. Sticker to the top, 13cm high.

Lot 94

A collection of oriental ceramics, to include examples depicting figures and lidded topped with dogs. Marks to base. Rim of one vase chipped.

Lot 95

A large West German handled lava vase, shape 484-21, in brown and orange/red. Height: 22cm, Width: 20cm.

Lot 118

An assortment of wooden treen on an Egyptian tray. To include a Sycamore turned bowl, an Ash cup and apple, and Coconut vase etc.

Lot 230

Two boxes containing a large collection of miscellaneous items, to include vintage ephemera and comics, dressing table mirror, Whitefriars style vase, fishing reels and accessories etc.

Lot 154

Lorna Bailey large oval vase deco house

Lot 159

Anita Harris deco tree vase

Lot 161

Anita Harris morning glory vase

Lot 219

Large crystal vase Height 39 cm

Lot 286

Edinburgh crystal vase & bowl

Lot 31

Collection of 6 Money boxes & stoneware vase

Lot 315

Moser glass vase signed to base with original label

Lot 460

THREE BOXES OF CERAMICS AND PICTURES, to include a Beswick Mare (Facing Left) model no 976, brown gloss (one ear repaired, chips to hooves), a Crown Devon Eva blush ivory, three footed planter, height 16cm x diameter 16cm, a dark blue Wedgwood Jasperware bud vase, a framed James Marshall Heseldin (1887-1969) watercolour view of Newlyn (no visible signature), frame size 27cm x 34.5cm, image size 15cm x 21.5cm, naval themed prints, etc (3 boxes) (sd)

Lot 486

A BOX AND A BASKET OF CERAMICS, GLASS AND SUNDRY ITEMS, to include a Sadler style cream and silver racing car teapot, marked Made in England Registered No 820236, a Cats by Nina vase in the form of a black cat height 28.5cm, a large harvest ware loving cup with three handles in the form of dogs, height 16cm x diameter excluding handles 16cm, a similar tankard (both have sd), a Gabriella Shaw jug painted with a cockerel height 24cm, a Portmeirion Botanic Garden cylindrical vase, a Carlton Ware lobster sauce boat, a large Stuart crystal Cascade vase height 25cm, assorted Pall Mall drinking glasses, etc (1 box + 1 basket) (sd)

Lot 560

A SELECTION OF LIGHTING, LAMPSHADES AND DECORATIVE ITEMS ETC, to include boxed ceiling lights and shades, unboxed table lamps, Poole Pottery Delphis? vase with some crazing to the inside surface, a bronzed sculpture of seated two figures, hand painted floor standing vase with chip to the rim, most appear to be in unused condition

Lot 329

FIVE BOXES AND LOOSE CERAMICS, GLASS WARES, BOOKS AND SUNDRY ITEMS, to include two Casades figures of herons on wooden plinths total height approximately 35cm, crystal dolphin and eagle figures, a tall slim glass vase height 60cm, two framed oils on canvas and a framed print, largest frame 62cm x 82.5cm, ten fiction, biography and reference books, an electronic blood pressure monitor, etc (5 boxes + loose) (sd)

Lot 438

FIVE BOXES OF CERAMICS AND ASSORTED ORNAMENTS, to include a Japanese Mitsu Boshi vase decorated with cherry blossom on an orange ground, height 21cm, a Royal Doulton - Bruce Oldfield part tea set, a Royal Cauldon 'Victoria' tea set with teapot and coffee pot, seven pieces of studio pottery marked P.D on base dated 1989-1990, a small collection of vintage cufflinks, a large ceramic piggy bank money box decorated with a floral design (crazing to body), three steins, a Wade Bell's scotch whisky decanter, height 16cm, three Leonardo Collection traditional Dutch figurines, a Wade Vintage Sports Car Club tankard, height 12cm, two 1970s Palissy 'Sierra' coffee pots, assorted owl ornaments, etc (s.d) ( 5 boxes)

Lot 459

A GROUP OF ART POTTERY AND OTHER CERAMICS, most pieces unsigned, some student pottery, pieces to include a Louis Mulcahy cylindrical bud vase height 16.5cm, a large green and blue vase with foliate motifs height 49.5cm, a cream jug loosely painted with flowers, a figure of Mr Punch, bowls, plates and vases in a range of glazes and styles, etc (Qty) (Condition report: condition varies, generally good, sd)

Lot 478

ONE BOX OF HOUSEHOLD SUNDRIES, to include a large cut crystal trumpet shaped vase, height 31cm, two TY Beanies with tags and labels a Congratulations July 2001 bear together with Honors Class of 2006 bear, a boxed Edinburgh Crystal mantel clock engraved with Avon in recognition of 20 years of service, a pair of Wedgwood lilac Jasperware candle holders, a Sandler 1940s gold, pink and green coffee pot, teapot, milk jug and sugar bowl, a Grimwades 'Ye Olde Mill', two pots of china flowers, a 1981 commemorative mug, a 1960s Highway Code hand book, a boxed P.G Tips Gromit Thermo-nose mug, a musical souvenir mandolin (plays Santa Lucia), two WW2 embroidered Royal Armoured Corps handkerchiefs still in original packets one yellow, the other blue (s.d) (1 box)

Lot 319

A QUANTITY OF CUT CRYSTAL AND OTHER GLASS WARES, approximately eighty pieces, to include a Royal Brierly globe vase height approximately 15cm, a Matisse Jaffe Rose square decanter, a sugar sifter with plated lid and rim, a vase with flared rim height 15cm, a covered jar, eleven sets of drinking glasses with some singles and pairs, etc (Qty) (Condition report: most pieces appear in good condition, occasional chips/fleabites)

Lot 458

A GROUP OF COLOURED GLASS WARES, fifteen pieces to include a Phoenician Glass, Malta yellow, blue and brown glass sculpture height 16cm, a Mdina turquoise, brown and white baluster vase height 11.5cm, a Zorza art glass green and white bowl, a small black Phoenician Glass vase with silver inclusions height 15cm x diameter 3.5cm, a paperweight in the form of the globe, assorted vases tallest 50.5cm, etc (15) (Condition report: most pieces appear in good condition, some damage)

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