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A collection of five items of Moorcroft pottery to include an orchid lidded bowl 16cm diameter, a small orchid vase 9cm high, a leaf and berry vase 13cm high, a small columbin vase 9cm high and an orchid vase on blue ground 18cm high. All items have condition issues (cracks, chips etc photographed)Qty: 5
A pair of Chinese cloisonné vases, late 19th-early 20th century, decorated to the globular body with birds perched on peony branches, the neck applied with lotus foliage, 27cm high 晚清-民国 掐丝珐琅花鸟图瓶一对Condition Report: some minor flaking to the enamel and one vase with minor loss of enamel and refilledCondition Report Disclaimer
A pair of Chinese red overlay white Peking glass 'Bird and Peach Tree' vases, Qing Dynasty, of inverted baluster shape, the vases 13cm high wood stands (2)Provenance: From a Noble English family, prior to 1921 清 套玻璃蟠桃图瓶一对拍品来源:英国显赫贵族私人收藏,购自1921年前Condition Report: generally good but some of the very tips of the foliage tips on the shoulder of the vase are sharp to the touch suggesting small chipsCondition Report Disclaimer
Y A well carved Chinese ivory censer cover and stand, Qing Dynasty, 19th century, the ovoid body carved with a continuous scene of figures and all supported on lion mask and paw feet, mask and ring handles, the oval fitted base with key fret piecing and with Budai cover, base with carved square four character seal mark, overall height 22.5cm Provenance: From a private Collection by family descent Condition Report: the base has been in half and glued back together the cover has been in half and the ring support to the Budai has been glued together and the Budai has been roughly glued back on the ring support long cracking running down one side of the vase from the rim to the base and running through base with a approximate total length of 21cm in totalCondition Report Disclaimer
Two Chinese soapstone seals, comprising: one seal carved with a archaic hu vase finial, signed Wu Putang (1922-1966), 14.5cm high; and one seal with arched finial, signed Luo Fuyi (1905-1981), 5.1cm high x 7cm wide吴朴堂(1922-1966)及罗福颐(1905-1981)款 寿山石印两枚吴朴堂(1922-1966):原名朴,字朴堂,号厚庵。浙江绍兴人。篆刻师从王福庵。1947年时二十五岁加入西泠印社,曾任南京总统府印铸局技正,专门负责宫印之篆稿。如"总统之印"等皆出彼手下。建国后,入上海博物馆工作。辑《小玺汇存》四卷。罗福颐 (1905年-1981年),古文字学家。字子期,笔名梓溪、紫溪,七十后自号偻翁。罗振玉之子。祖籍浙江上虞,出生于江苏淮安。历任北京大学文科研究所讲师、文化部副研究员和业务秘书、文化部国家文物局咨议委员会委员 、中国考古学会理事、中国古文字学会理事、杭州西泠印社理事等。Condition Report: Scratches and wear to the surfaceCondition Report Disclaimer
A Chinese russet splashed black glazed bottle vase, yuhuchun, covered with a lustrous russet-splashed blackish-brown glaze, stopping above the foot ring to reveal the fine-grained stoneware body, 25.3cm high黑釉铁锈斑玉壶春瓶Condition Report: Wear and scratches to the glazeCondition Report Disclaimer
A group of Chinese black glazed wares, including: a small vase, 7.5cm high; one yuhuchun vase, covered with black glaze with purple splashes, 15.4cm high; a twin-handled jar, the rounded ovoid body applied with vertical slip ribs, 11cm high; and a 'hare's fur' jar, 14.8cm high (4)褐釉器四件Condition Report: The yuhuchun vase with one chip to the base and the hare's fur jar with several firing cracks to he lower bodyCondition Report Disclaimer
Two similar Chinese small blue and white 'Long Eliza' vases, Kangxi, each of slender baluster shape, painted with 'Long Elizas' and floral jardinières on stands and plantain tree, one with leaf mark, each approximately 11.5cm high; a Chinese small saucer dish, Kangxi mark and period, painted with peony surrounding a chrysanthemum head, the bases with Kangxi six-character mark within double circle, 9.8cm diameter and a Chinese small sleeve vase, second half of 17th century, 10.8cm high (4) Provenance: The late J.B. da Silva (1918-2003) and then by family descent.清康熙 青花仕女人物图瓶两件、"大清康熙年制"盘一件等4件拍品来源:前英国外务部官员J.B. da Silva (1918-2003) 私人收藏Condition Report: one vase with restoration to rim approximately 2cm long x 3mm wide and with hair crack running from rim 2cm into vasethe other vase with neck rim missing and restored the saucer dish two x 1.5cm hair cracksthe 17th c vase with 2cm x 5mm area with chip and filed and restored, foot rim possibly ground and chips and frits to rim and two rim chips filledCondition Report Disclaimer
A Chinese blue and white baluster vase, Kangxi, decorated with branches of prunus blossom against a 'cracked-ice' ground, 32cm high and a Chinese blue and white jar, Kangxi, painted with a continuous scene below mountains with a pavilion between tall trees, the vase 23cm high, not with metal mount adapted as a lamp (2) Provenance: Form the deceased estate of a Lady of Title 清康熙 青花冰梅纹瓶及青花山水图姜罐拍品来源:英国私人贵族女士收藏Condition Report: The baluster vase in good condition other than three glaze frits around foot rim and some light surface scratching The jar with neck reduced and with three chips around foot rim Condition Report Disclaimer
A group of Chinese blue and white wares, 18th century, Qing Dynasty, including: one mini vase painted with birds and butterfly amidst flowers, 7.6cm high; one mini vase decorated with grape vines, 8.3cm high; one octagonal wine cup, 3.6cm high; and three octagonal saucers painted with lotus sprays, 10.3cm diameter (6)Provenance: Private Hampshire collection清18世纪 青花莲花八方碟等一组六件拍品来源:汉普郡私人收藏Condition Report: The cup with a crack, one mini vase with a firing fault to the rimCondition Report Disclaimer
A Chinese blue and white brush vase, in Kangxi style, painted with two large landscape panels, probably 20th century, 16.5cm high青花山水图笔筒Condition Report: broken into three pieces and roughly glued back together and 'v' shaped section missing to rim approximately 6cm wide x 2.5cm high Condition Report Disclaimer
A pair of Chinese blue and white vases, Kangxi, of slender lobed shape, 13cm high and a smaller pair similar, 10cm high (4) Provenance: The property of a private collector清康熙 青花小瓶两对拍品来源:英国私人收藏Condition Report: one of the larger vases with apprximately 4mm x 3m rim chip and the other with small glaze frit to rim one of the smaller vases broken into several pieces and glued back together and piece missing to body about 6mm x 5mm and the other smaller vase with rim chip to foot approximately 8mm x 5mm and both with minor fitting to rims Condition Report Disclaimer
A Chinese blue and white Hookah or Huqa vase, Kangxi, decorated in bright blue and well potted, painted with scrolling foliage, 15.5cm high and a small Chinese blue and white trumpet vase, Kangxi, painted on one side with a tulip, 13cm high (2)Provenance: The property of a private collector清康熙 青花瓶两件拍品来源:英国私人收藏Condition Report: rim chips and fritting to Hookah and horizontal hair crack running down from rim about 2cm long The trumpet vase with several rim chips Condition Report Disclaimer
A Chinese coral-ground Famille Rose ginger jar, late 18th /19th century, painted with two panels, each with a figure riding on a mythical beast with walking attendant, 18.5cm high, with wood stand and cover Provenance: From a private Collection by family descent Condition Report: some wear throughout to surface one minor star cracks visible on inside of vase about 1.5cm x 1cm but it does not appear to come through to exteriorfiring blemishes wood stand and wood cover goodCondition Report Disclaimer
A Cantonese famille rose vase, Qing dynasty, 19th century, painted with a continuous scene of procession of dignitaries, with facing Buddhist lion handles, the interior with turquoise glaze, 45.5cm high Provenance: The property of a Lady.清19世纪 粉彩人物故事图瓶拍品来源:英国私人女士珍藏Condition Report: 1cm x 4mm very shallow glaze chip on rim the vase slight kiln warp to underside of base and vase rocks on it base some firing blemishes throughout Condition Report Disclaimer
A Chinese Famille Rose bottle vase, 20th century, decorated with bats and iron-red shou roundels below a foliate band and further peach branch and bat motifs, iron-red apocryphal six-character Guangxu mark to base, 39cm high "大清光绪年制"款粉彩福寿连绵图赏瓶Condition Report: some surface wear and firing blemishes Condition Report Disclaimer
A large pair of Chinese celadon ground vases, Qing Dynasty, 19th century, painted with scenes of warriors from The Romance of the Three Kingdoms, the necks with Buddhist lion handles, 86cm high (2) Provenance: Berwick House, Shropshire清19世纪 豆青地三国人物图大瓶一对拍品来源:英国Shropshire地区Berwick大宅私人收藏Condition Report: the neck of one vase badly cracked and glued and with other minor blemishesthe other vase with long crack to body approximately 39cm long and minor glaze blemishes Condition Report Disclaimer
A Chinese qianjiang-style cylindrical vase, late 19th century, finely painted with a woodcutter and fisherman in conversation on one side and signed Ren Huan Zhang on the reverse, mounted as a table lamp and shade, 27cm high excluding fittings and shadeProvenance: From the collection of Sir David and Lady Scholey. 晚清 任焕章作《桃源问答》图浅绛彩帽筒拍品来源:英国Scholey爵士及女爵伉俪私人收藏,David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。Condition Report: Cracked and glued Condition Report Disclaimer
A Chinese crackle glazed blue and white Buddhist lion vase, Qing Dynasty, 19th century, painted with the lion and pups playing with brocade balls between ribbons and clouds, bronzed bands to neck and shoulder and the base with light brown glazed band, the base with incised four character apocryphal Chenghua mark, 60.5cm high 清19世纪 青花哥釉狮子戏球图大瓶Condition Report: no damage but with some firing faults Condition Report Disclaimer
A pair of Chinese Famille Rose 'Cockerel' tea bowls and saucers, Yongzheng, each painted with three leaf-shaped panels enclosing a cockerel, around a central circular medallion with a vase of flowers, each piece with Sotheby's lot tickets for 16th November 1999, lot 79, the saucers 10.5cm diameter and Two Chinese Famille Rose teabowls and one saucer, Yongzheng, decorated with a figure reclining in a fenced garden watching a horse beside flowers and rockwork, the saucers 10.5cm diameter and a Hatcher Cargo blue and white wine cup, mid 17th century, painted with a dragon chasing the flaming pearl, with Christie's paper orange sale label, 4.5cm high Provenance: From the collection of Sir David and Lady Scholey.清雍正 粉彩公鸡图杯及盏托一对、粉彩小杯两件及小碟一件拍品来源:英国Scholey爵士及女爵伉俪私人收藏,David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。Condition Report: The cockerel teabowls and saucers in good condition other than minor wear to gilding one of the horse tea bowls with a minor shallow rim glaze frit and a very tiny glaze frit to saucer The Hatcher wine cup with firing crack to rim Condition Report Disclaimer
A Chinese blue and white vase, Qing Dynasty, 19th century, painted with four ladies in a garden with a table, a large mirror and precious objects, seats and flowers, with apocryphal six character Kangxi mark in underglaze blue, 20.5cm high Provenance: From the collection of Sir David and Lady Scholey.清19世纪 "大清康熙年制"款青花仕女图瓶拍品来源:英国Scholey爵士及女爵伉俪私人收藏,David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。Condition Report: in good condition other than firing blemishes Condition Report Disclaimer
A pair of Dehua figures of deer, Republic, 29cm high; a pair of Chinese glass wire and silk covered trees, Republic, the clear glass bases designed to simulate rock crystal, approximately 23cm high and a Florite carving if a Phoenix, Republic, and a Beryl carving of a lady, Republic, flanked by a child on each side, 15.5cm high (4)Provenance: Private English County House Collection 德化鹿一对等四件拍品来源:英国私人乡村大宅收藏 Condition Report: One dehua deer with one with vases broken off and in several pieces and the other with vase off and restored and further loses to ribbons on both and one deer with both ears missing and one with one ear restored replacement the glass bases of the trees with cracks simulating rock crystal the florite bird with chips and has been in half the Beryl figure with chipsCondition Report Disclaimer
A Contemporary Persian watercolour of lilies in a vase, signed Nahid and dated 2001, overall size to mount, 59cm x 35cm, framedProvenance: Private collection recently removed from Knightsbridge, London and by family descent. Condition Report: minor warping to paper Condition Report Disclaimer
A Korean Pottery Punch'ong Vase, of globular form raised on a thick, slightly splayed foot rim, heavily carved and incised with a scrolling lotus flower and foliate band beneath a band of lappets around the shoulder, in white slip on a light grey-green ground, the rim later mounted in silvered metal, diameter 20cms, height 18cms, Joseon Dynasty (15th Century)Formerly in the Collection of Lieutenant Colonel Kenneth Dingwall D.S.O.Dingwall was an active collector of Asian ceramics, donating large gifts to the Victoria and Albert Museum, London in 1910 and 1937. He was one of the founding members of the Oriental Ceramic Society when it was formed in London in 1921.Condition Report: Some scratching around the "waist" of the vase.Condition Report Disclaimer
A Japanese Cast Bronze Mizuire (water-dropper) in the form of a rat, seated with its tail coiled around, gilt eyes, length 7.8cms, Edo Period; another Bronze Mizuire, cast as a bird perched on the top of a lotus leaf, width 8.2cms, Late Edo Period; a Japanese Iron Vase of simple tapered square-section, height 8.2cms, Late Edo Period and the base of a Natsume, the wood body decorated with flowers inlaid in lacquer, pewter, abalone etc, height 6.4cms, 19th Century (4)Condition Report: Rat water dropper has lost toes from one foot.Wood Natsume has lost its coverCondition Report Disclaimer
Y A Japanese Cast Bronze Hanaike (or wall vase) in the form of a leaping carp, the well rendered body gilded all over, length 23.5cms, 18th-19th Century; a Cast Bronze Model of a Toad squatting with front feet in-turned, the body with glossy patina, length 13cms, unsigned, Late Edo Period; a Japanese Lacquered Turtleshell Cheroot Case, decorated with birds in a landscape, 11.5cms; a Square Japanese Wood Box, lacquered to the cover with Cranes amid grasses, 5cms square, 19th Century; and a Japanese Iron and Bronze Model of a Jizai Kagi (hook for a kettle) modelled as though made of bamboo, 17.5cms, 19th Century (5)Condition Report: The Hanaike has lost much gilding, its whiskers are lacking and there appears to be an old restoration to the head.The toad may have been a water dropper but has lost its base plate.The lacquer pieces have wear commensurate with age.Condition Report Disclaimer
A Japanese Bronze Vase, the bulbous body rising to a slender cylindrical neck with everted mouth, cast to one side with a toad in high relief, the body with a mottled patina, incised two character signature to base, height 24.6cms, Meiji PeriodCondition Report: Wear to footrim and small dent to frontCondition Report Disclaimer
A Japanese Arita blue and white bottle vase, late 17th century, the generous well potted ovoid body painted with two figures in conversation on a bridge, with flowers and trees around them, 29cm high, later Chinese wood standProvenance: From a private Collection by family descent Condition Report: 1cm x 5mm rim chip and also two small areas of glaze loss on rim measuring approximately 6mm x 2mm and 4mm x 3mm the body of the vase with strange area of repainting in the shape of a flower head possibly covering up a glaze loss or a firing fault approximately 1cm x 8mmthe surface with scratching throughout Condition Report Disclaimer
Kent 17th Century Trade Tokens. Canterbury (5). Tho Baker, Scales. His Double Token. 1.76g. W42. Francis Banick, Wheatsheaf. Farthing. 1.37g. W43. Tho Bullock, A bull. Farthing. 1.08g. W45. Thomas Burden, Vase of Flowers. Halfpenny 1667. 0.72g. W46. John Cardon, Roll of bread. Farthing. 0.99g. W47. From the collection of Kent trade tokens formed by Mr Roger Green.
Roman Bronze Statuette. Circa 1st - 2nd century AD. Bronze, 78.18 grams. Size: 68.14 mm. A rare statuette depicting Zeus in the form of an eagle grasping Ganymede. The statue represents a Greek legend that was adopted by the Romans: A rare UK find from Essex.GANYMEDES (Ganymede) was a handsome Trojan prince who was carried off to heaven by Zeus in the shape of an eagle where he was appointed as cup-bearer of the gods. Ganymedes was also placed amongst the stars as the constellation Aquarius, his ambrosial mixing cup as Crater, and the eagle as Aquila. Ganymedes was often portrayed as the god of homosexual love and as such appears as a playmate of the love-gods Eros (Love) and Hymenaios (Marital Love).Ganymedes was depicted in Greek vase painting as a handsome youth. In some scenes of his abduction he holds a rooster (a lover's gift), hoop (a boy's toy), or lyre. When portrayed as the cup-bearer of the gods he pours nectar from a jug. In sculpture and mosaic art Ganymedes usually appears with shepherd's crock and a Phrygian cap.The boy's name was derived from the Greek words ganumai "gladdening" and mêdon or medeôn, "prince" or "genitals." The name may have been formed to contain a deliberate double-meaning.
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653833 item(s)/page