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A MID 19TH CENTURY CHINESE HORSE-RACING TROPHY CUP in the form of a vase with two dragon handles and a square pedestal base, the body and neck profusely chased with flowers & foliage on a matt ground, interspersed with ho-ho birds and banded by formal borders of vitruvian scrolls, gadrooning & Greek-key motifs, the front with an applied shield, inscribed "HONG KONG RACES 1850 CELESTIAL CUP Presented by D. JARDINE Esq., won by MR DUDGEON'S g.a.h. GREAT WESTERN, Ridden by J. King Esq., HM. 59th REGT.", struck underneath with pseudo marks and the maker's mark "KHC", by Khecheong of Canton c.1850; 15.9" (40.5 cms) high, 83.45oz *Provenance: To the original recipient and thence by family descent to the vendor. **Shown at The Great Exhibition of 1851.
An Edward VII silver vase, maker Goldsmiths & Silversmiths Co Ltd, London, 1901: of ovoid outline with wavy edge, flared rim and embossed foliate, scroll and shell decoration, raised on three swept legs with foliate pad feet, 13cm high, together with a silver cream jug, silver sugar caster, silver lidded sugar basin, various makers and dates and a plated sauce boat, weighable silver, 570gms, 18.32ozs
Robert Bullock, Halesworth, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch arched brass dial, possibly a later addition, having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings and fleur-de-lys half-hour markings, the dial centre engraved with floral scroll decoration, a subsidiary seconds dial, date aperture and maker's name Rob. Bullock, Halesworth, with cast-brass cherub-head spandrels to the four corners and decorative brass hands, the arch having a round silvered boss engraved with an eagle, with cast-brass dolphin spandrels to either side, the rear of the dial having a falseplate embossed with the name of the dialmaker Wilson of Birmingham, the mahogany case with satinwood stringing and inlay to the trunk, base and hood, with a gothic-shaped moulding to the door and inlaid floral and vase decoration to the lower trunk, the hood with a high swan-neck pediment with further satinwood stringing and surmounted by three brass eagle-and-ball finials, the base with canted corners and further inlaid decoration, all standing on bracket feet, height 250cm inc. finial.* Biography Robert Bullock is recorded as working in Halesworth, Suffolk in 1823 and may well be the same maker then recorded as working in Lower Olland Street, Bungay from circa 1830 until circa 1855.
A fine late George II or early George III walnut side chair,: circa 1760, in Chippendale style, the back with serpentine toprail with scrolling foliate carved corners, the pierced vase splat with scrolling foliate and ribbon carved detail, the later upholstered seat studded along the rails, on straight front legs and splayed back legs united by 'H' form stretchers; 93cm high, 56cm wide
A set of eight 19th Century carved mahogany dining chairs in the Chippendale taste - including an elbow chair:, the backs with serpentine top rails decorated with acanthus and with pierced interlaced vase-shaped splats with flowerhead ornament, the upholstered slip in floral tapestry seats on cabriole legs, headed with acanthus, terminating in claw and ball feet (8).*Notes Provenance. Leighon House, Manaton, Devon.
A Venetian carved and painted wood elbow chair, third quarter 18th century,: decorated overall with figures, trees and insects in the Chinoiserie taste, on a teal ground, the arched backrest with pierced vase splat, the serpentine arms and supports above a later upholstered seat, with serpentine front rail and tapered legs, 89cm high, 57cm wide
A mahogany D-end three pillar dining table:, the top with a rounded edge, on turned vase-knopped columns, the rectangular centre section on quadruped reeded splayed legs, the D-end sections on tripod splayed legs, terminating in brass cappings and castors, including two additional centre leaves, the top 110.5cm (3ft 7 1/2in) x 207cm ((6ft 9 1/2in) and with two extra leaves extending to 308cm (10ft 1 1/4in).
A set of six carved mahogany dining chairs in George III Chippendale style, 19th century,: including two elbow chairs, the backrests with serpentine toprails to foliate carved corners, the openwork vase form splats with foliate and rocaille carving, above drop in leather seats, on cabriole front legs with ball-and-claw feet, with splayed back legs; the elbow chairs 97cm high, 62cm wide
A set of six 19th Century carved mahogany dining chairs in the Hepplewhite taste:, the moulded shield-shaped backs with wheatear crestings and pierced vase-shaped central splats with foliage, paterae and pendant husk and bead ornament, having bowed upholstered stuff over seats on fluted square tapered legs, terminating in spade feet - including a pair of elbow chairs.*Notes Provenance - Purchased from Julia Bennett, Gt Dunmow, Essex 1990 - £4,000.
A pair of Chinese carved and red and black lacquered wood vase stands, early 20th century,: each with square top with serpentine sides above foliate carved friezes, above domed and relief carved aprons; each on four cabriole legs descending past an undertier to scrolled feet, on square bases; 78cm high, 44cm wide
A late Victorian silver salver, maker Lambert & Co, London, 1900: inscribed, of circular outline with piecrust edge and raised on three swept feet, 21cm diameter, together with an Art Nouveau period silver vase, of tapering outline with embossed decoration of a woman wearing drapes, 13.5cm high, total weight of silver 431gms, 13.86ozs.
A group of four Chinese porcelain snuff bottles and stoppers and an agate snuff bottle: one painted in underglaze blue and copper red with a dragon persuing a flaming pearl, 8cm; the second similarly decorated with a dragon and horse, 7cm; the third in underglaze blue with a dragon and flaming pearl, 8cm; the fourth in the form of a miniature bottle vase painted with peony, apocryphal four-character Qianlong mark, 5cm; the agate bottle with white metal filigree mounts, 6cm [5].
A mixed lot of Chinese porcelain: including a double gourd vase painted with sponged russet splashes, 14cm wood stand; a blue and white teapot and cover painted with Buddhist lion dogs, metal wire handle, 12cm high; and a similar famille rose teapot and cover painted with swallows flying over a lotus pond, the reverse with butterflies, iron-red seal mark, late Qing, 11cm high wood stand.
A large Chinese famille rose vase for the Straits market: the neck and shoulders applied with double lion dog handles and chilong, painted with panels of court, battle and landscape scenes on an elaborate turquoise ground of phoenix amongst flowers and fruit, Qing Dynasty, 63cm.
A Chinese famille rose dragon vase: of flattened baluster form with elephant head handles, each panelled side relief moulded with an iron-red and gilt dragon amongst blue and pink cloud scrolls on a turquoise ground painted with clouds and bats, impressed Qianlong seal mark but late Qing, 19.5cm [crack to neck] and wood stand.
A Chinese Canton famille rose baluster vase: with gilt Buddhistic lion mask ring handles, enamelled in traditional style with alternating panels of dignitaries and attendants on pagoda terraces with exotic birds, flowers and foliage, 19th century, 61cm [interior crack].
A Chinese famille verte yen-yen vase: the ribbed waisted slender neck with flared rim, painted with pierced green rockwork and insects flying amongst flowering shrubs and floral sprays divided by an iron-red peony scroll border, double circles mark, Kangxi, 38cm [damage to rim, minor chips to base].* Provenance Leighon House, Manaton, Devon.
A Chinese famille verte square section triple-gourd vase: painted with alternating panels of butterflies, auspicious objects, river landscapes and mythical beasts divided by waisted sections painted with hanging chimes, galloping horses and floral scrolls, Kangxi, 31cm [glue repair to rim, some chips/frits].* Provenance Leighon House, Manaton, Devon.
A Chinese wucai sleeve vase: of shaped cylindrical form with flared rim, painted with a continuous scene of a peacock on blue rockwork and other birds flying amongst tree peonies, 17th century, 37cm [slightly misshapen, glaze flaws to interior].* Provenance Leighon House, Manaton, Devon.
A Japanese Arita porcelain shaving bowl: of traditional scalloped form decorated in underglaze blue and overglaze in red, green and pale aubergine with a pavilion containing a vase of flowers and foliage within a rim of alternating blooms, 18th century Edo period [restored section of rim]
A Japanese porcelain double 'bamboo' vase with American silver mounts by Shreve & Co.: the conjoined vases moulded in low relief and enamelled with bamboo branches and foliage on a shaded green ground, the mounts in the form of pendant flowering stems, the porcelain with underglaze blue four-character seal mark for Nishiura Yaki, late Meiji/Taisho period, the silver stamped 'Shreve & Co. Sterling', 24.5cm [one silver petal lacking].
A William Moorcroft 'Claremont' vase: of waisted cylindrical form, tube-lined and decorated with a continuous design of mushrooms on a mottled green and blue ground, impressed Moorcroft, Burslem, England/M26 with facsimile painted signature, circa 1910-20, 26cm [rim chip with glue repair].
A group of three William Moorcroft vases: comprising a miniature baluster vase in the 'Pansy' design, impressed mark Moorcroft Burslem/M45? and painted monogram, circa 1920, 10cm; a similar vase in the 'Pomegranate' design, impressed marks Moorcroft Made in England/M22, circa 1920-30, 9cm; and a later vase in the 'Anemone' design, printed marks Moorcroft Made in England, 10.5cm [3].
A Doulton Lambeth stoneware vase by William Parker: with flared rim and footrim, incised and decorated overall with panels of flowers, foliage and scrollwork between lappet bands, incised monograms WP and EA [assistant] with impressed factory mark and date 1881, 42cm.
A Royal Doulton 'Sung' flambe baluster vase and a Royal Doulton flambe bowl: the vase with an abstact design of swirling lavender, mustard and red glazes, printed factory mark and inscribed 'Sung', 'Noke' and 'FM' monogram for Fred Moore, circa 1920-30, 26cm; the bowl with printed factory mark and inscribed 'Noke', 15.5cm [hair crack] 2.
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650806 item(s)/page