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A LOUIS XVI STYLE CLOCK GARNITURE, the clock in gilt metal case wityh Sevres style porcelain mounts surmounted by a vase, the enamelled dial with painted decoration and Arabic numerals, flanked by conforming vase-shaped ornaments, each on velvet-mounted and gilt bases, 18" high.
A Japanese Satsuma ovoid vase Meiji period (1868-1912), finely decorated with a panoramic of bijin and children within a hilly landscape with pine trees, tea houses and rivers, and within fan and floral raised borders, Satsuma mark in red and gilt and red and gilt seal, possibly Kozan, 12" high
A Coalport vase and cover, circa 1910, the classical two handled vase painted to one side with a lake landscape with castle beyond, signed J H Plant, within a gilt bordered reserve and against a rich cobalt ground, raised on a square canted plinth base, green printed Coalport England, gilt painted pattern No.V6211 and shape No.134, (finial possibly restored), 14.75" high. See M Messenger, Coalport, 1795-1926 plate 311 for a similar vase painted by Plant, currently in Shrewsbury Museum and Art Gallery, Rowley's House.
A Coalport vase and cover, circa 1870, the two handled pedestal vase in Empire style, finely painted to both sides with a basket of flowers on a ledge and fruit study within gilded reserve and against a turquoise ground, gilt painted ampersand mark to underside of cover, 14" high
A Royal Worcester two handled pot pourri vase and cover, date code for 1907, shape number H218 of compressed ovoid form raised on a pedestal foot, relief moulded with scrolling foliage and painted in hues of purple, the body painted with sweet peas, signed 'A Shuck' below a pierced cover with spire finial (damaged) green printed mark, 9.25" high
A Carlton ware vase decorated in the 'hollyhocks' design, the baluster shaped body with slightly everted rim, enamelled with flowering hollyhock plants against a black ground and over painted in gilt, black printed factory mark and painted '0\4574' and '3280' 11" high
A Wedgwood vase and cover, early 20th century, the pedestal ovoid vase of white jasper ware body with mustard 'dip' applied with a continuous garland of harebells suspended by ribbon bows in black jasper below an acanthus wrapped and reeded neck and pierced cover, all raised on a square plinth base, impressed 'Wedgwood' 12.25" high
A silver and glass epergne circa 1898, John Round & Son Ltd designed as a silver, circular, reeded base with knopped pedestal supporting a red flashed fluted vase with green trail glass rim, all raised on three pierced and shaped bracket feet, engraved with the arms of the 'Kings Royal Rifles', Sheffield 1898, 18.25" high
A late 19th century epergne, the white metal body designed as a pedestal vase bearing three scrolling foliate branches each terminated in a cut glass shallow dish with lobed and cusped rim and star and cross cut decoration, all raised on an elaborate foliate wrapped stand and raised on four scroll feet, 16.25" high
A small Moorcroft two handled vase, 1914, the body of compressed ovoid form painted with the pansy design in mottled tones of blue, purple, green and yellow against a white ground, impressed 'Burslem 1914' shape number indistinct, and signed W Moorcroft in green, 3" high
A Royal Vienna vase by Reishner, Stellmacher & Kessel circa 1900, the compressed ovoid body enamelled with iris flowers and foliage in blue and white and picked out in gilt, against a green ground printed in blue with prunus blossom, faint marked base, impressed '473 12', 7" high
A William IV rosewood games and work table, circa 1835, the rectangular fold over top revealing a baize lined playing surface above a shallow frieze drawer and canted silk pleated bobbin well, on brass sliders between pierced vase shaped end standards joined by a mirrored baluster stretcher and on bar and scroll legs and brass casters, 21" wide, 15" deep, 29" high
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653685 item(s)/page