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A Chinese blue and white 'erotic' gu vase,Kangxi (1662-1722), of square section form with a tall trumpet neck and a splayed lower section, the central section painted with scenes from The Romance of the Western Chamber, between panels of birds and flowers enclosed by ribbed flanges, a swastika diaper border to the rim and foot rim, the base with an amorous pair locked in an embrace on a daybed,26.2cm high清康熙 青花春宫图方觚Condition report: Glaze frits and burst bubbles to edges and corners. Rim chipped and cracked. Firing cracks to foot rim. Signs of overspray to the interior. The upper section and one panel of the central section fully restored.
A Chinese blue and white 'phoenix tail' vase,Kangxi (1662-1722), of baluster form with a flared rim, painted in bright shades of blue to depict scholar-officials and their attendants in a garden, 44.5 cm highProvenance: The Private Collection of a European Lady;purchased from Christie's South Kensington, London, 11 May 2016, lot 341.清康熙 青花人物故事图凤尾尊Condition report: There are three areas of overspraying to the mouth rim, the largest measuring approx. 9 cm. x 6 cm. These appear to be concealing cracks.There is a star crack to the base, measuring approx. 9 cm. at the widest point, with associated overspraying.There is some general age-related surface wear.
A Chinese bronze figure, seated wearing a long robe tied around the waist, his legs relaxed at ease, both hands resting on his knee with luxuriant gathered sleeves spilling over each side, 9cm high, andanother bronze figure,standing in a long robe on a lotus pedestal, holding a double gourd vase in his hands, 14.5cm high, on a lacquered wood base (2)铜铸供养人像 一组两件Condition report: Seated figure - surface scratches and knocks to edges consistent with age. Standing figure - surface scratches and knocks to edges consistent with age. Base with splits.
A Chinese gouache painting,Qing dynasty (1644-1911), of a literatus seated by a table, surrounded by a blossoming prunus branch emanating from a vase, scrolls, a crane and a censer with a teapot, inscribed with two artist's seals, ink and colour on silk, 56 x 32.5cm, framed and glazed 清 高士图 设色绢本 镜框Condition report: Did not examine outside of the frame. Frame chipped and scratched. Signs of repair, splits, creases, pulled threads, small holes, losses throughout. Colours faded, tired.
A Chinese sang-de-boeuf bottle vase,early 20th century, of globular form with a slender neck and flared mouth on a tall circular foot, covered in a rich strawberry-red glaze,34.5cm high二十世纪初 红釉赏瓶Condition report: Rim restored. Small chips to rim. Chips to glaze of foot rim. Surface scratches.
A Japanese silver and ivory vase,Meiji period (1868-1912), with a flaring floral rim and a slender neck, above a carved ivory body decorated with figures in relief, set with twin dragon handles and raised on a shaped base, with all-over floral and foliate enamelled decoration, bearing a three-character mark to the ivory, signed Yoshimitsu to silver base,18cm high, 172.5gCondition report: General wear, surface scratches and tarnish throughout. Mouth, base and one handle dented. Splits to ivory. Repair to foot.
A Japanese cloisonné vase, early 20th century, by the workshop of Tanigoro Hayashi, decorated with grasses in green near the foot, the neck and shoulder in red paling gradually to greyish-blue, the rim and foot rim in silver, the base engraved Fifth year of Taisho (1916), 'Osaka Asahi Shinbun sha, Shinchiku kinen' (Commemoration of the new building, Osaka Asahi Newspaper Co.), 18cm high, original wooden fitted box bearing the stamp, T HayashiCondition report: Base not flat, a little wobbly. Foot rim slightly dented. Very minor surface scratches.Box chipped.
A Chinese Canton enamelled famille rose vase, Qing dynasty (1644-1911), of cylindrical form with a lobed flared mouth, painted with figures catching lotus flowers from a pond or fighting on horseback in a rocky landscape, surrounded by birds and flowers, applied chilong to the shoulder, Buddhist lion and ball handles to the neck,64cm high清 广东粉彩人物故事图花口瓶Condition report: Restored. Surface scratches. One chilong with small chips.
A Chinese bronze censer, 20th century, the rounded sides with stylised archaic chilong scrolls against a key fret ground set with elephant handles, on three elephant feet, four-character Xuande mark, 25.5cm wide, 1758.4g, a Japanese bronze koro, of rounded form on three feet above a circular base, moulded in relief with birds and flowers, mask and tongue handles, marked Sōho to base, the cover with a Buddhist lion playing with pups, 14cm high, 1056.2g, and a Japanese bronze vase, of baluster form, decorated with birds and flowers in relief, between a phoenix and a dragon, 13.5cm high, 1142.3g (4)Condition report: Chinese censer - Surface scratches, general wear, knocks to edges.Koro - Surface scratches, knocks to edges. Some fur missing to the Buddhist lion's right ride. Vase - Surface scratches, knocks to edges.
A Chinese famille rose wushuangpu box and cover, Daoguang (1821-1850), of cylindrical form, painted with renowned historical figures with inscriptions of their stories alongside, 12cm high, and a vase, Tongzhi (1862-1874), similarly decorated, 13cm high (3)Condition report: Box - chipped in various places.Vase - gilt rubbed to rim.
A Chinese flambé-glazed bottle vase,late 19th century, of globular form with a straight neck, covered in a rich strawberry-red glaze, thinning to purple at the mouth and stopping at the foot rim,40cm, associated wood stand (2)清十九世纪末 窑变釉长颈瓶 Condition report: Surface scratches. Hairline cracks to rim. Chips to glaze near foot rim. Chips to wood stand.
A Chinese famille rose vase,19th century, of baluster form, painted with a basket of foliage in a rectangular panel, the reverse with a crane standing on a rock below a peach tree, surrounded by further scrolling flowers, the neck with precious objects, flanked by two blossoming prunus branches with applied petals, 49cm high清十九世纪 粉彩花篮纹瓶Condition report: Frits to rim. Base and wood stand drilled. Chips to hole of base. Stand with surface scratches, knocks and splits.
A Chinese famille rose vase and cover,19th century, of baluster form, painted with cockerels below a blossoming tree in a garden, between a ruyi-shaped border and a lappet border, the cover with precious objects, now fitted as a lamp,49.5cm high, associated wood stand清十九世纪 粉彩官上加官图将军盖罐Condition report: Both cover and base drilled. Cover with glaze frits and a hairline crack, signs of overspray to rim and underside. Unable to check condition of base and rim.
A collection of Chinese jade carvings, 20th century, comprising: a peach, the stone of celadon tone with russet inclusions, 14cm high, an elephant, with a boy holding a vase with lingzhi to the side, the stone of white tone with russet inclusions, 20cm long, wood stand, a hardstone bowl, of circular form on a circular foot with everted rim, carved with a twin-fish motif, the stone of spinach green colour, 22.1cm diameter, wood stand, and a recumbent horse, with a monkey seated on its back, the stone in grey tone with dark spots and russet inclusions, 22cm long (6)Provenance: The collection of David Widdicombe QC (1924-2019); thence by descent.Condition report: Peach - receipt from Kwok Gallery, Singapore, 17 December, 1988, $3.100 Singapore dollars. Nibbles throughout. Elephant - receipt from Kwok Gallery, Singapore, 17 December 1988, $5.850 Singapore dollars. Chips to base of boy and chips to lingzhi. Nibbles throughout. Hardstone bowl - receipt from Kwok Gallery, Singapore, 17 December 1988, $6.750 Singapore dollars. Chips to the rim and base. Nibbles throughout. Cracks to rim. Horse - receipt from Kwok Gallery, Singapore, 17 December 1988, $7.600 Singapore dollars. Minute chips to edges. Wood stand cracked.
A Chinese blue and white vase, of pear-shaped form rising from an oval splayed foot, painted with scrolling lotus between a banana leaf border and an upright petal lappets border, six-character Qianlong mark, 55cm highCondition report: Handles missing, damaged and restored with chips missing. Chipped in various locations.
A Chinese underglaze copper-red 'yuhuchun' vase, the pear-shaped body painted with chrysanthemum and other flowers by rocks, all beneath pendant trefoils, the waisted neck decorated with a classic key fret border between another of scrolling flowers, and a stiff plantain leaf band below the rim, each divided by double bands, the base with a further border of upright petal lappets containing ruyi-shaped pendants, 34cm highCondition report: Damaged and glued together, a hole to body. Some chips missing.
A bronze vase, possibly Tibetan or Persian, of octagonal form, inlaid with scrolling foliage in silver and gilt, above Eight Buddhist Emblems to the everted base, 26.4cm high, 1751.3gProvenance: The collection of Major Richmond Keith Molesworth Battye (1905-1958).Major Keith Battye left the army in 1938 and joined the Indian Political Service. He was posted to the North-West Frontier, working in Gilgit and Chitral, where he was called upon to adjudicate between different tribal chiefs in the area, and where he collected Sino-Tibetan items.Condition report: Surface scratches and dents consistent with age. A small split of inlaid metal near foot. 1751.3g.
A Chinese famille rose vase, Yongzheng (1723-1735), of baluster form, painted with flowers emanating from vases, together with precious objects set on a low table made of pierced rocks, the shoulder with flowers in ruyi-shaped panels, 25cm high清雍正 粉彩清供图瓶Condition report: Rim chipped with hairline cracks, small frits to rim and foot, foot rim chipped.
A Chinese brown-glazed porcelain vase, of globular form on a splayed foot, rising to a flared rim, painted in gilt with a geometrical band between two stiff plantain leaf bands, flanked by two mythical beast handles to the shoulder, four-character mark to base, 26.5cm highCondition report: Gilt rubbed. Mark worn. Surface scratches.
A collection of Chinese and Japanese miscellaneous,comprising: a ruby enamelled bowl, Jiaqing (1796-1820), the rounded sides rising from a circular foot, four-character Jiaqing mark, 10.9cm diameter, a brown glazed bottle vase, with anhua dragon and anhua Yongle mark to base, 16.5cm high, a blue and white cup, a green prunus cup, and a Japanese miniature cup, a hardstone cup, a coconut teapot, a porcelain spoon and another similar, a coral glazed jar, two cup stands, a white cover and two other, and a papier mâché figure (qty.)Condition report: Pink bowl - damaged and restored, numerous hairline cracks to rim. Brown glazed bottle vase - no obvious faults.Blue and white cup - chipped, foot rim repaired. a green prunus cup - cracked. Japanese miniature cup - chipped.Hardstone cup - damaged.Coconut teapot - surface scratches, chips to spout and handle, spout restored. Lid missing, metal liner dented. Minute knocks and nibbles. Spoons - one damaged. Jar - some glaze frits to body. Rim cracked. Surface scratches. Cup stands - blue and white one with frits to rim. White cover and two other white porcelain - surface scratches. Censer - handles damaged. Paper mache figure - damaged
A Chinese famille rose seal box, Daoguang (1820-1850), of square form, the cover painted with figures in a study, the sides with foliage and scrolls, four-character Daoguang mark to base, 5.9cm long, and a famille rose vase, 18th century, of square form, painted with figures or a landscape to each side, mask and ring handles in relief to the neck, four-character mark to base,8.5cm high (2)清道光 粉彩人物故事图盖盒 《道光年制》矾红篆书款及 清十八世纪 粉彩山水人物图小瓶Condition report: Box - chips to rims.Surface scratches. Vase - no obvious faults.
A Chinese flambé-glazed vase, 19th century, the pear-shaped body rising from a splayed foot to a waisted neck and an everted rim, covered with a vibrant strawberry-red glaze suffused with crackles, accentuated with vertical streaks of lavender and violet, thinning to an opaque tone at the rim,29.5cm high清十九世纪 窑变釉撇口瓶Condition report: Footrim chipped. Glaze with a minute chip and cracks throughout.
A Chinese famille rose vase,late Qing dynasty, of ovoid form rising from a tall splayed circular foot to an everted rim, with applied precious objects surrounded by flowers and fruits against a yellow ground, the foot similarly decorated,44cm high清晚期 粉彩黄地贴塑博古图瓶Condition report: Damaged, chipped with losses, cracked, rivetted and restored, a large hole to base.
A Chinese famille rose vase, Guangxu (1875-1908), the pear-shaped body rising from a slightly flared tall base, painted with a pheasant standing on a rock by peony, looking up to another pheasant standing on a blossoming tree, the foot with a border of upright petal lappets,42.5cm high清光绪 粉彩锦鸡牡丹图瓶Condition report: A hairline crack to the lower section of body, measuring approx. 14 cm. Another hairline crack to rim.
A Chinese polychrome-decorated gu vase, Republic period or later, painted in red and green overglaze enamels with leafy florets by rocks, six-character Wanli mark, 20.2cm high民国或更晚 红绿彩花卉纹花觚 《大明万历年制》青花楷书款 Condition report: A small chip and glaze flakes to foot rim. Small glaze flakes to edges.
A Chinese famille rose vase,of globular form rising from a flared circular foot, painted with fruiting peach branches with bats, the tapering cylindrical neck with pheasants standing on a rock by peony, lingzhi, bamboo and orchid, six-character Guangxu mark,39.5cm high粉彩九桃瓶 《大清光绪年制》矾红楷书款Condition report: No obvious faults.
A Chinese jade plaque,Qing dynasty (1644-1911), of oval form, pierced and carved with a goose in a lotus pond, 9cm long, attached to an associated wood frame with easel back, and another jade plaque,Qing dynasty, of oval form, pierced and carved with an elephant carrying a vase with flowers among clouds, against a diapered ground, 9cm long, associated wood stand (3)清 玉镂雕春水纹牌 及 玉镂雕太平有象纹牌Condition report: Plaque with bird - loose from frame, attached with wires. cracks and chips to stone with losses. Signs of repair to the lower section. Plaque with elephant - cracks and small chips to stone. Wood stand with general wear.
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653685 item(s)/page