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A pair of 19th century Jules Vieillard (1813-1868) Bordeaux vases. Featuring Chinoiserie enamel decoration, including quatrefoil panels of pairs of birds and flowers, within scroll and foliate borders, mounted on scroll bracketed feet, painted and impressed marks to base, H23cm Condition Report: no visible faults apart from a very hard to find crack in one vase. invisible until I 'tap tested' it and then put my torch on it and found it ( very hard)) Nigh on faultless;'''''''''''''''''''''' rims with no repairs or losses. you cannot say perfect as obviously there is ( see above) but you think at first they are !
Two George III silver mustard pots. Each with a blue glass liner, comprising; an oval example with a reeded rim, a scroll handle and a domed hinged cover with a ball finial, mark of Alice & George Burrows, London 1803, 11cm long overall, 4 1/4 inches), 95g (a little over 3 ozs); the other oblong with a moulded rim, reeded scroll handle, a domed cover with oblong-vase finial, and bun feet, mark of Thomas James, London 1810, 110g (3 1/2 ozs); together with two associated George III crested old English pattern salt spoons, London 1784 & 1804, the two weigh 19g
A pair of Art Nouveau silver vases. Each with three part open scrolling handles with leaf terminals, an everted rim and flared-out base, mark of Charles Clement Pilling (Sibray, Hall & Co. Ltd.), London 1902, 15cm high overall (6 inches), 344g (11 ozs) Condition Report: lovely and are worth a better lookone vase has a ting ding to mid body-not deepboth have slightly mis shapened rims to top, photos should reveal, otherwise nothing bad to report
A collection of small silver. Comprising; a vase shaped sugar caster, Birmingham 1923; a William IV fluted pedestal pepper or pounce pot, London 1837; an Art Deco engine turned rectangular ash tray, Sheffield 1938; a pair of Chinese export white metal lobed round and embossed pedestal pots each with two dragon handles, apparently unmarked; an English silver salt spoon and a small sugar tongs; 455g gross (a little over 14 1/2 ozs)
A late Victorian silver baluster-shaped sugar caster in George II style. With a pierced domed cover with a vase finial, a central moulded band on a stepped-round foot, mark of Charles Stuart Harris, London 1900, 16.5cm high overall (6 1/2 inches), 204g (a little over 6 1/2 ozs)
Five pieces of Victorian Staffordshire. Comprising a vase featuring a child being rescued from a river by a dog, H20cm, a vase featuring a fox carrying a chicken, H22cm, a goat with a serpent wrapped around its body, H19cm, a figure group of two dogs standing beside a deer, H19cm and a shepherd carrying a lamb, H21.5cm
A Chinese famille rose porcelain lobed footed Dish, decorated to the body with figures, on enamelled foot with iron red mark to base, restoration, W 20cm x L 27cm x H 7cm, together with a Chinese blue and white spherical Squat Vase, six character mark to base, H 7cm, two blanc de chine Figures, two blue and white Pots, a Charger, etc. (a lot)
A pair of antique Japanese Satsuma Vases, of bottle form, with dark brown and black ground decorated with flying gilded birds, H 30cm, together with a kutani Bottle Vase, H 30.5cm, three Kutani Plates, a miniature pair of Kutani Vases, a trinket pot, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small 19thC Chinese monochrome ovoid Bottle Vase, in shades of blue with long slender neck and potted foot, two chips to foot, H 17cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese Wucai porcelain Vase, of baluster form and slender neck, with antique repair, crazed, H 22.5cmProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese famille verte biscuit Vase, of tapering square with flared rim, restored, profusely decorated, coloured and reticulated with figures and mystic beasts, impressed seal mark to base, H 34cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese sang de beouf flambe Bottle Vase, with globular body and slender tapering neck, H 31.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Bourne Denby Danesby Ware Tyg, decorated in blues, factory marks to base D 29cm x H 18cm, together with a Charlotte Rhead for Burleigh twin-handled Vase, decorated in oranges and greens, heavily restored, printed marks and signature to base, H 20cm and a Carter's Poole Pottery Bowl, of blue colour, impressed mark, D 26cm (3)
A large quantity of antique and late Japanese Kutani Ware, to comprise a large Baluster Vase, H 36cm, together with a pair of bottle Vases, H 22cm, a Jar with Cover, the finial in the form of a figure, H 25cm, another lidded Jar, profusely gilded, H 24cm, a figure of a woman holding a Vase aloft, H 32.5cm, three Teapots, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A late 19thC Chinese blue and white Bottle Vase, of small proportions, together with Chinese blue and white Brush Pot, two blue and white Teabowls, a Chinese willow Pattern Teapot Stand, and willow pattern Jug, etc. (13)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese export porcelain slender baluster Vase, and cover, decorated in floral motifs with relief work vines, the Cover with foo dog sat atop, H 32.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of Studio Pottery Wares, to comprise an Agnete Hoy for Bullers footed bowl, in oatmeal glaze, D 15cm x H 7.8cm, a Sue Barker (Donnington Priory) faceted Vase, H 6.8cm, a salt-glaze Cream Bowl, decorated with floral pattern, impressed mark below handle (indecipherable), two large Jars/Vases in tenmoku glaze, a footed Bowl with flambe glaze, incised Millbank 79 to base, D 18cm x H 11cm, a four-handled Vase, etc. (9)
A pair of 19thC Chinese famille rose porcelain Plates, decorated in typical style with colourful enamels and gilt decoration, hairline crack to one, D 23cm, together with an antique Chinese famille rose Vase, of small proportions, H 9.5cm, a footed famille rose Dish, a Cloisonne lidded Pot, etc. (7)
A large 19thC Japanese lacquered Vase, with gilded decorations of exotic birds and cherry blossom in slight relief, H38cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large quantity of antique and later Japanese Kutani Ware, to comprise a 19thC Japanese Kutani Baluster Vase, with blue enamels and depictions of birds, H 24.5cm, together with a 20thC bottle Vase and Cover, H 33cm, with five further Vases of smaller size also with three large charger, the largest: D 36.5cm, and three further pieces (13)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese famille verte porcelain Wall Vase, of baluster form, decorated in enamels depicting an interior scene, some restoration, H 19.5cmProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
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653833 item(s)/page