JANE OSBORN-SMITH (1952-2013); a large porcelain vase decorated with birds, painted signature, made circa 1980, height 19cm, and a Rosenthal bone china vase made to Osborn-Smith's design, height 14cm (2). (D)PR – Jane Osborn-Smith was hailed as ‘the next Liz Fritsch’ and made a small number of stunning porcelain pots. This was probably her best piece and prompted Rosenthal to commission designs from her. She emigrated to North America shortly after and concentrated on designing until her death at a fairly young age.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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COLIN PEARSON (1923-2007); a tall square stoneware vase with convoluted wings covered in white glaze, impressed mark, made 1990s, height 37cm. (D)Provenance: John Christian collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
COLIN PEARSON (1923-2007); a porcelain vase with flared rim covered in celadon glaze, impressed mark, made early 1970s, height 9cm. (D)PR – Colin told me he particularly liked this pot. It was made about the same time he began adding wings. Late in life, he confessed that he felt ‘trapped’ by people only wanting winged pieces and wondered if making them had been a mistake.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
COLIN GORRY (born 1952); a large stoneware vase of swollen form covered in white glaze, impressed CG mark, made circa 1984, height 43cm. (D)Additional InformationShallow chip to foot, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
DELAN COOKSON (born 1937); a stoneware vase with mottled iron top and pink blush, impressed DC mark, height 16cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JANE HAMLYN (born 1940); an altered salt glazed vase, impressed JH mark, height 21.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
URSULA MOMMENS (1908-2010); a stoneware vase covered in tenmoku breaking to kaki glaze, impressed UD mark, made 1980/90s, height 12.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MIKE DODD (born 1943); a stoneware vase with applied and incised decoration covered in green ash glaze, impressed MJD mark, made late 1990s, height 24cm. (D)Provenance: The artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
POH CHAP YEAP (1927-2007); a globular stoneware vase covered in tenmoku breaking to kaki glaze, painted signature, made early 1980s, height 26cm. (D)PR – Yeap was a sensational potter. In the early 1980s he was one of the most successful potters in Britain. Liberty’s sold pots by him and by Lucie Rie – the best pieces were over £1000 and slightly higher than equivalent pots by LR. When he retired in 1985, he offered to sell me 100 pots. I was very nervous because Yeap was exceptionally difficult to deal with. I roped in a Yeap collector and agreed to buy 50 each. When I got there, I discovered that he was offering not only the remaining contents of his studio, but his personal collection. There was so much magnificent work that I ended up buying 125 pots instead of 50. Yeap has been somewhat forgotten in recent years, but I am positive that this will change – firstly because of the quality of the work and, secondly, because I think he will be one of the first Western potters that Chinese collectors will go for.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
POH CHAP YEAP (1927-2007); a globular stoneware vase covered in tenmoku breaking to kaki glaze, painted signature, made early 1980s, height 18cm. (D) Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ANDREW CROUCH (born 1955); a cut sided stoneware vase covered in tenmoku breaking to kaki glaze, impressed AC mark (glaze filled), made 2003, height 23cm. (D)Provenance: The artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ANDREW CROUCH (born 1955); a cut sided stoneware vase covered in white glaze, impressed AC mark, made 2003, height 21cm. (D)Provenance: The artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
HENRY HAMMOND (1914-1989); a globular porcelain vase with iron leaf decoration, impressed HH mark, made 1960/70s, height 18cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STEPHEN PEARCE (born 1943) for Shanagarry Potters, Co. Cork, Ireland; a cylindrical earthenware vase with white slip decoration and applied knob, impressed SP and pottery marks, height 20cm. (D) Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JACK DOHERTY (born 1948); a porcelain vase covered in soda vapour glaze decoration, impressed mark, made 1990s, height 22.5cm. (D)Provenance: Michael Ristic collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
REGINALD FAIRFAX WELLS (1877-1951) for Coldrum Pottery; a large stoneware vase covered in streaky turquoise and blue glaze, impressed pottery marks, made circa 1912, height 32cm. (D)Additional InformationFiring flaws including blistering to two sides and a short tight firing crack to inside rim, glaze chips to base where glaze has run, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
RUPERT SPIRA (born 1960); a tall cylindrical stoneware vase covered in motted grey glaze, impressed RS mark, made 1999/2000, height 22cm. (D)Provenance: Simon Fox collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KATE MALONE (born 1959); a stoneware pineapple vase with crystalline glaze pooling to base, made circa 1999, height 13cm. (D)Provenance: The artist.PR – When I decided (in 1998) to concentrate on 20th century work only, I went on a massive buying spree. At that time, Kate had nothing like the reputation she deservedly has today. I am a big admirer of her work and bought quite a few towards the end of the century.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PERCY BROWN (1911-1996); a stoneware vase partially covered in oatmeal glaze with unglazed bands, painted PB mark, made 1950/60s, height 21cm. (D)Exhibited: Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.PR – Brown has been very overlooked – but was one of William Staite Murray’s most interesting students. His work is rare but I have been fortunate in finding quite a few pieces.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PERCY BROWN (1911-1996); a large squat stoneware vase with cobalt decoration on green ground, incised PB mark and dated 1947, height 16.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
GWILYM THOMAS (1914-1995); a deep stoneware vase with slightly splayed foot, iron wash to interior and lower exterior, incised G mark and dated 1970, height 31cm. (D)Provenance: The artist.Exhibited: Gwilym Thomas: a retrospective exhibition, Glynn Vivian Art Gallery, Swansea, 1997; Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.Literature: Illustrated in Paul Rice, British Studio Ceramics (Crowood Press, 2002), p. 247.PR – Gwilym Thomas was, almost certainly, the most eccentric (and one of the best) of William Staite Murray’s students. I tried repeatedly to put on an exhibition – he always said he was very keen and then quoted astronomical prices. His family later told me that he never had an exhibition or sold any work. His output was small and he either gave away or smashed most of it. After his death, the family organized three small retrospectives – two at museums and the third at my gallery where most of the best pieces went to museums. This and the next lot are two of the four I bought.Additional InformationNick to rim, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
REGINALD FAIRFAX WELLS (1877-1951); a stoneware vase covered in streaky dark blue glaze, incised SOON mark, made circa 1920, height 22cm.(D)Additional InformationMinor glaze bursts to body, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware vase covered in grey glaze with iron decoration with kintsugi repair by Leach himself, impressed early BL mark, made 1920s, height 14.5cm. (D)Exhibited: British Studio Ceramics, Buckinghamshire County Museum, Aylesbury, 2003.Literature: Illustrated in Paul Rice, British Studio Ceramics (Crowood Press, 2002), p. 19. PR – Leach kept this pot in his collection for nearly 50 years and made the gold lacquer repair himself. A (very beautiful) young potter visited the Leach Pottery and he gave it to her as a gift – much to Janet’s annoyance. She sold it some years after his death and it has been in my collection since.Additional InformationGold repair to rim and firing crack to body, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KATHARINE PLEYDELL-BOUVERIE (1895-1985); a small fluted stoneware vase partially covered in yellow glaze, impressed KPB mark and incised and painted body/glaze codes, height 6.5cm. (D)Provenance: David Whiting collection.Additional InformationChip to underside of rim, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KATHARINE PLEYDELL-BOUVERIE (1895-1985); a miniature fluted stoneware vase covered in oatmeal glaze, impressed KPB mark, made 1960s, height 5.5cm. (D)Provenance: Artist's collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KATHARINE PLEYDELL-BOUVERIE (1895-1985); a small squat stoneware vase partially covered in iron rich and dark green glaze, impressed KPB mark and painted body/glaze codes, made 1960s, height 7cm. (D)Provenance: Simon Fox collection.Additional InformationBlow to one side, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
DAVID LEACH (1911-2005) for Lowerdown Pottery; a cut sided stoneware vase covered in dolomite glaze, painted DL mark, height 8.5cm. (D)Provenance: Michael Ristic collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware baluster vase with floxglove motif on tenmoku ground, impressed DL and pottery marks, made 1970s, height 22cm. (D)Additional InformationSmall glaze miss to one side, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JANET LEACH (1918-1997) for Leach Pottery; a squat stoneware vase with iron decoration on streaky grey/green ground, impressed JL and pottery marks, made 1960s, height 19cm. (D)Additional InformationShallow chips to base (but glazed over), otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JOHN LEACH (born 1939) for Muchelney Pottery; a stoneware vase covered in iron and dolomite glaze, impressed pottery mark, made 1990s, height 26cm. (D)Provenance: Michael Ristic collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
TREVOR CORSER (1938-2015) for Leach Pottery; a small porcelain vase with iron decoration on green band, painted TC and impressed pottery marks, made 1970s, height 9.5cm. (D)Additional InformationBlistering to one side, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JEFF OESTREICH (born 1947) for Leach Pottery; a faceted stoneware vase with iron and white glaze decoration on green ground, impressed JO and pottery marks, made circa 1970, height 19cm.Provenance: Michael Ristic collection.PR – Jeff told me that this was one of the most interesting pots he made at the Leach Pottery.Additional InformationHairline extending 2cm from rim, otherwise appears good with no further signs of faults, damage or restorations.
Two Coalport porcelain vases and covers, uniformly decorated, one of shouldered form, the other of flared cylindrical form, each with a pair of volute handles, having gilded and turquoise enamel "jeweled" decoration, surrounding oval cartouches containing hand-enamelled landscape views, tallest 18 cm high, printed and painted marks, smaller vase with restoration to the finial
John Hall Thorpe (1874-1947) "Primroses", yellow woodland primroses in a blue vase, foiled against a black ground, woodcut, pencil signed to the margin, in original pencil-lined mount and black frame, under glass, label to the back reads "Woodcut in Colour by Hall Thorpe for Home Decoration", 18.5 x 17 cm (50 x 34 cm framed)
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653685 item(s)/page