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Lot 68
A Derby pear shaped vase and cover, c1760-5, applied with floral festoons and painted with birds and, to the reverse, a flower spray painted in the manner of the 'Cotton stem' painter, 18cm h For another example see Rice (B G) - Derby Porcelain The Golden Years 1750-1770, fig.108(b) Cover - flower finial restored, socket chipped, small chip on rim. Vase - no substantial / extensive damage or restoration
Lot 165
A Miles Mason garniture of three vases c.1810possibly by Samuel Bourne, of twin handled campana form, painted with panels of rustic figures within landscapes, the reverses with a rustic cottage and picturesque ruins within landscapes, blue ground with gilt decoration, (3)largest height 19 cm.Condition:Largest vase handle is detached but present with old glue residue. Otherwise free from cracks or damage some rubbing to gilt
Lot 183
A pair of Doulton Lambeth vases decorated by Frank H Butlerof shouldered tapering from, tube lined decorated with scrolling foliate designs against a streaky brown ground, impressed factory marks, incised FHB for Frank H Butler and assistant's mark of JH for Jane Hurst, numbered 3323, (2).height 26 cm..ConditionOne vase good condition. The other has a repaired chip to underside of rim with very slight losses
Lot 189
A large Troika pottery column vaseof shouldered square section tapered form, decorated with circular motifs, underside with decorator's mark for Sylvia Vallence and 'TROIKA St IVES', height 31cmCondition:In good condition overall - slight flaw to rim.Sylvia Vallence worked at Troika, when it was based in St Ives, from 1967-1969.
Lot 191
Three Hungarian Tofej Keramia pottery itemsto include a small conical vase, with zigzag and striped motifs, and two jugs, with integral handles and blue vertical stripes on a black ground, two bearing paper maker's label (3)vase height 18cm, jugs height 25cmCondition:The vase with a small hairline crack to the inside of its top.
Lot 193
A group of five Moorcroft 'Magnolia Dark Blue' pattern piecestube lined and with impressed marks, the circular wall plaque within a mahogany frame, rear signed 'WM', a squat baluster vase, signed 'WM', a bowl, signed 'WM', a pin tray, signed 'LK', and a small circular framed plaque, various maker's boxes (5)Large wall plaque diam. 30cmCondition:All pieces in good condition.
Lot 194
Three Moorcroft 'Ryden Fields' pattern piecesthe pattern designed by Emma Bossons, tube lined and with impressed marks to bases, the candlestick with a tapered stem, a waisted baluster vase and lid, dated '2006', and a triangular sign reading Moorcroft Pottery, signed, various maker's boxes (3)vase height 20cmCondition:All in good condition.
Lot 195
Two pieces of Moorcroft including; a 'Mississippi Magnolia' vase and a 'Paradise Flower' ginger jar, designed by Kerry Goodwin, tube lined and with impressed marks to the bases, to include: the vase of trumpet form , signed, dated '2009 53/200', and with four stars, the ginger jar, lidded and of ovoid outline, base signed 'E. Bassons 76 2003,' (2)vase height 16cmCondition:Ginger jar with a small chip to inside edge of the lid and a small amount of crazing.
Lot 200
A Moorcroft 'Sandringham Bouquet' pattern table lamp and vasedesigned by Emma Bossons, tube lined and with impressed marks, the lamp of baluster form, the wooden base with felt stamped, 'Moorcroft Made in Stoke on Trent England', marks to pottery not visible, the small squat vase dated, '2007', with shade, (2)lamp height 29cmCondition:In good condition.
Lot 201
A Moorcroft 'Snowtime' pattern vase and plaquedesigned by Emma Bossons, tube lined and with impressed marks to bases, the ovoid vase signed and dated, 'EBossons 2010 KW', the plaque in a wooden frame, back signed and dated, 'EBossons 2010', (2)plaque height 27cm with frameCondition:Both in good condition.
Lot 202
Nine Moorcroft 'Magnolia Ivory' pattern piecesall with impressed marks to their bases, painted and tube lined, to include: a lidded ginger jar signed 'WM', a small dish, numbered '75/94', a small vase, with the same number, a squat vase, initialled 'WM', a small circular plaque, in frame, a bowl dated 16.5.96, signed 'J Moorcroft', and a shallow bowl, bearing Moorcroft Museum paper label, a large circular wall plaque, signed 'WM', in a wooden frame, and a pin tray, (9)ginger jar 11cmCondition:All pieces in good order.
Lot 203
A Moorcroft 'Magnolia' pattern lamp and vasetube lined and with impressed maker's stamps, the lamp of squat baluster form, marks hidden by base, felt base stamped 'Moorcroft Made in Stoke on Trent England,' the baluster vase signed, 'Rachel Bishop 2011', numbered 1 of 3, with shade (2)vase height 17cmCondition:Both in good condition.
Lot 204
A Moorcroft ginger jar and three vasestube lined and bearing impressed marks, the lidded ginger jar of 'Cream Magnolia' pattern, designed by Emma Bossons, underside dated '2008/2009 3/100 and Emma Bossons 22.5.09', a slender baluster vase, 'Antheia' pattern, dated '2008 2009', signed and initialled 'KW', a baluster vase, '2011 47/100', signed, and a 'Christmas Pansy' pattern baluster vase, signed 'RBishop 2009', all items in Moorcroft boxes (4)ginger jar height 20cmCondition:Some crazing to the lid of the ginger jar.
Lot 205
A collection of Moorcroft including;a large and a small Moorcroft plaque, two small dishes, a miniature vase and two booksall tube lined and with impressed marks, the large framed plaque in the Penistone pattern, framed, rear with stamp, 'James MacIntyre & Co Leeds', bearing signature, the smaller framed plaque, '2011', and signed, two small dishes dated '2009. 2011', a miniature vase, dated '2004', with various initials, the books titled, Moorcroft a New Dawn, by Fraser Street, and Moorcroft 1897-1993 New Edition, three items in maker's boxes (7)plaque length 47cm with frameCondition:All items in good condition.
Lot 206
A Moorcroft perfume bottle, two small vases and a miniature vaseto include; a small enamelled and gilt perfume bottle, with a gold finished metal stopper, underside, 'Moorcroft Made in England', a 'Faience Bouquet' pattern vase, designed by Marie Penketham, of baluster form, underside signed, dated '2010', a small pale brown and black baluster vase, underside dated '2008', and a 'Symbol of Happiness' pattern miniature vase, dated '2010' various signatures, with three maker's boxes (4)miniature vase height 6cmCondition:All in good condition.
Lot 223
A collection of 18th century and later glassincluding; a Kluk Kluk decanter, a French green glass table centrepiece with etched decoration, three comports of graduating size with etched decoration, amber and clear glass comport with ball stem, three plain rinsers, two press moulded rinsers, two late 19th century comports and matching bowl, a pair of beakers, a Campana shaped pedestal vase and matching bowl with Greek key border, (18) the first height 31.5cm Condition:
Lot 224
19th century and later glass to include an opaque twist stem sweetmeat glass and other glass first having bowl engraved with vine leaves, together an early 19th century mug engraved with a band of flutes, a measuring glass, a large goblet, a Rowland Ward Safari glass engraved tumbler, a pale blue glass, a celery vase, a pair of engraved wine glasses, a glass engraved with fighting cocks etc., (qty)first height 10.8cmCondition:Engraving to bowl of sweetmeat probably later. Chip to foot
Lot 227
A collection of seventeen pieces of coloured and art glass, 19th century and laterincluding: a Bristol blue glass lidded trinket pot, decorated in gilt; an opalescent bowl in the manner of Loetz, a Bohemian green glass vase, with enamelled floral decoration and gilt bands; a Bohemiam cranberry glass vase, with Art Nouveau overlay; eight hyacinth vases, in blue, amber and green; four posy vases and one further opalescent green glass vase, (17)the opalescent bowl width 18.5cm Condition:
Lot 233
Three Geoffrey Baxter for Whitefriars vases, 1960sto include a red "Bark" pattern example, design number 9691, a small orange textured bow fronted "Nailhead" vase and a kingfisher blue "Nailhead" square vase, (3)red vase height 15cm, orange vase height 12cm, blue vase 17cmCondition:The red vase in good condition. Orange vase with small chip to its top edge. Blue vase in good condition.
Lot 242
Two pairs of Japanese Meiji period patinated bronze vasesfirst of ovoid form decorated in raised relief with phoenixes, second of shouldered tapering form, decorated in silver copper with stemmed flowers and leaves, (4)first height 13.6 cm., second 12 cm.Condition:First base of one has solder round inside of rim, postcode also scratched to underside. Rubbing to highpoints. Second on vase solder to base and with postcode scracthed to side near base ocassional knocks
Lot 245
An 18th century Chinese export famille verte porcelain plate and other oriental ceramicsfirst decorated with peony, pine tree and bamboo, the border with floral sprays in underglaze blue, a Batavian ware bowl the interior decorated with fish, a Batavian ware tea bowl the interior decorated in Imari colours, a blue and white export tureen base and two saucers, together with a Japanese Imari footed dish and a prunus decorated bottle vase with gilt metal mounts, (8)first diameter 22.5 cm.Condition:Plate with chip to rim and fleabite to rim back. Batavian bowl with restoration to rim and two hairlines travelling down sides. Blue and white saucer with chip to rim. Japanese vase has a hole with loss to base
Lot 252
A Chinese clare de lune glazed porcelain vase early 20th centuryof ovoid form and the top edge modelled with a crouching dragon, underside with six character mark, together with a pierced wooden stand, (2)height 17cmCondition:Good overall, the body with a flaw in the glaze half way up, see image, approx. 1cm in length.
Lot 253
A Chinese blue and white crackle glaze jar and cover c.1900 and other Oriental ceramicsfirst baluster form, decorated with a landscape, together with a small prunus decorated ginger jar, two celadon famille rose plates, an 18th century export tea bowl and a Japanese square section vase, decorated in relief with geisha against prunus and cracked ice, (6)first height 17cm., Condition:Good condition except tea bowl with fleabite chips and nibbles
Lot 254
Two late 19th century Chinese Canton famille rose vases and a crackle glaze baluster vase and coverthe cylinder with four character marks in underglaze blue, the crackle glazed vase decorated in underglaze blue with warriors, impressed four character mark (3)first height 20.5 cm., Condition:Sleeve vase with hairline to rim. Small baluster vase with chip and hairline to rim. Crackle glaze vase has had cover glued to neck, the cover has had lion finial removed and been drilled
Lot 256
A near pair of Chinese blue and white and copper underglaze vases, late 19th/early 20th centuryof triple gourd form, the pomegranate form centre sections with bats, raised on rectangular plinth bases, one vase restored, (2)height 42cm Condition:One vase has been broken in two around its centre and the vase has been restored, but not professionally restored. It has chip to its lip.The other vase leans slightly to the left. It has a broken leaf end to its upper collar and has minor chips to the blue edges of the outer wings of the bat motif, on both sides of the vase.
Lot 266
A Chinese carved coral snuff bottle and stopper and a russet celadon jade snuff bottle and stopper early 20th centuryfirst of vase form carved with a Dhaoist symbol and flowers, second of flattened shouldered tapering form, relief carved with lion maks ring handles lotus bloom and flowering prunus, croal stopper, (2)first height 5 cm., second height 7 cm.Condition:Small chip to fooot of coral snuff bottle
Lot 351
An early 19th century French .950 silver mounted cut glass mustard pot c.1830 and two French .800 silver sifter spoons c.1900Paris guarantee marks 1819-1838, maker mark indistinctthe vase for facet cut glass body mounted with hinged silver dome lid and twin dolphin scroll handles on a square pedestal base on ball feet, second, French guarantee marks, by Page Freres, with pierced bowls and Empire style embossed filled handles, (3)First height 15 cm.Condition:Mustard pot in fair condition chips to rim of glass urn body around silver mount.
Lot 368
An early 20th century Norwegian .800 silver two branch candelabrumNorwegian marks by Norsk Filigransfabrikkissuing twin c-scroll branches with half fluted vase shaped nozzles from a flowerhead boss, raised on a spreading circular weighted baseheight 24.3 cm.Condition:Appears to have originally been marked as 830 which has then been cancelled and lightly marked 800
Lot 383
A George V silver-gilt sugar vase and coverLondon, 1934 by Ernest J Loweof circular tapering form the flared rim engraved with a landscape border, on a domed foot embossed with acorns and cartouche shaped reserves with acanthus borders, the domed cover embossed with winged masks fruit and flowersheight 17.5 cm., weight approx. 28.29 ozt.Condition:Some rubbing to gilt on high points. Slight buckel to foot
Lot 388
A George II silver casterLondon, 1740 by Samuel Woodof plain vase from on a spreading circular foot, the pull off cover cover with knop finial, crestedheight 15.6 cm.. weight approx. 5.24 ozt. Condition:Clear marks to body and lid. Repair to cover. A abnd has been inserted into the inside of the cover to strengthen. only part drilled. the pellet panels are drilled while the foliate panels are now blind. Some solder repair on foliate panels
Lot 1210
A REGENCY BOW-FRONTED BRASS-MOUNTED MAHOGANY STICK BAROMETERSigned Bate, London100cm highPROVENANCE: The Waterhouse CollectionPlease see the following for further details: Autumn at Bellmans | The Waterhouse Family CollectionOverall in good condition. The case has been repolished at some point. The mercury-filled glass tube appears in good order. There is a small loss to the right-hand side of the foot of the half vase on the cistern cover.
Lot 1252
A CHARLES II WALNUT, OYSTER VENEERED AND MARQUETRY LONGCASE CLOCK WITH 10” DIAL AND BOLT-AND-SHUTTER MAINTAINING POWERThe movement signed Daniel Quare, London, the case associated, circa 1680The hood with a moulded cornice above a glazed door, flanked by handed columns, above the trunk inset with a panel door, oyster veneered and with two small foliate spandrels and two larger foliate marquetry panels, the sides with oyster veneered panels, the base with a marquetry panel of a vase and flowers, on bun feet; the 10in square brass dial, signed on the dial plate Daniel Quare, London, with cherub mask and foliate spandrels, silvered chapter ring enclosing a finely matted centre, engraved with a rose, blued steel hands, narrow seconds subsidary and calendar aperture, the twin train movement with five knopped and finned pillars, bolt and shutter maintaining power, latched to the front plate, anchor escapement and external countwheel strike on a bell, case and movement associated193cm highPROVENANCE: Bonhams, London, 11 July 2018, lot 65.A marquetry clock, with virtually identical dial and movement by Quare, was sold at Bonhams, London, 13 December 2017, lot 12.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking. George I offered him the post of the King's watchmaker. However: his Quaker faith made him unable to swear an oath of alligence. Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.With two brass bound weights and its pendulum. The clock is in good condition and was running prior to consignment.The dial has two pairs of filled holes on the top edge of the dial plate (perhaps once holding an arched panel as a later addition?). The movement is clean and the steel work is clean and bright. The bolt & shutter mechanism is likely a replacement, well done.The case has been restored. The base appears to have been reconstructed, utilising the marquetry panel and re-laying it. The sides and front border are reveneered. The backboard is 90% complete and runs 173cm in length. The cheeks have been reduced by approx 10mm. There is no indication it originally had a rising hood. There is no sound fret to the hood.The clock presents very well and with the 10in dial and the proportions of the case it has a charming presence.
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653833 item(s)/page