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A 19thC Crown Derby porcelain vase, of pear shaped form, decorated with birds and flowers, gilt heightened, printed mark, 11cm high, together with a Royal Worcester dish circa 1926, decorated with fish on a blue ground, printed mark, 8cm wide, and a Royal Albert Beatrix Potter figure of Timmy Willie Sleeping. (3)
A Moorcroft Clematis pattern pottery vase, of squat baluster form, bears paper label, potters to the late Queen Mary, 7cm high, together with a Royal Doulton Issaac Walton wear pottery vase, designed by Noke, decorated with a band of fisherman and to the rim "Friend, Who Is More Welcome To My Dish Than To My Angle Was My Fish.", printed marks, 12cm high. (2)
An early 20thC Austrian pottery vase, in the manner of Capodimonte, of twin handled campana form, reserve decorated with Venus and a putti, against a cream ground, moulded with foliate scrolls and flowers, impressed Made In Austria, 62cm high, (AF), together with a Chinese hardwood circular stand. (2)
Gorgeous faceted crystal figurine modeled as a vase bursting with gem studded pink roses. Swarovski acid marks. This item has its original box. Box dimensions: 4.5"H x 3.25"dia. Dimensions: 1.75"L x 1.75"W x 2.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Arts & Crafts Tudric pewter twin-handled vase, David Veasey for Liberty & Co., model 214, with tall flared neck, sinuous handles cast with stylised buds near the neck, and intertwined Celtic knots to the squat body, stamped 'Tudric 0214', 32cm.Condition report:There is an indentation to the top shoulder of the squat body, approximately 4cm in diameter. Two slight indentations to the side walls under the handle straps. Otherwise, the shape is generally very good. The handles remain in good straight form as does the neck and rim. The foot is very flat to the rest of the base, but that appears to be in the design. Some surface scratching and spot marks.
George Tinworth for Doulton Lambeth, a pair of 'Seaweed' stoneware vases, 1877, applied prints, incised artist's monogram, stamped factory marks, 20cm.Qty: 2Condition report:Both vases have very shallow glaze nicks to the base lines. One of the vases has several of the larger pyramidal beads with chips. The same vase has a small firing line to the underside of the base. No hairlines or restoration.
William Moorcroft for James Macintyre, a 'Revived Cornflower'sign vase, circa 1905, flared form with knopped neck, squat base, signed in green with Macintyre backstamp, 29.5cm.Condition report:In very good condition, no chips, hairlines, or restoration. Two pinpoint nicks to the baseline. Some crazing lines have formed across the surface.
William Moorcroft for James Macintyre, a Florian Ware 'Alhambra' design vase, circa 1900, slightly swollen narrow neck squat body, Macintyre backstamp, 13cm.Condition report:Good condition. No chips, hairlines, or restoration. A little wear to the gilding to the rim revealing the navy glaze underneath. Minor crazing.
William Moorcroft, a large 'Moonlit Blue' design vase, circa 1930, signed in blue, facsimile signature mark with 'Potter to HM the Queen', 24cm.Condition report:No chips, hairlines, or restoration. Some slight pinpoint abrasions to the tubelining to some of the tree trunks. All over fine crazing.
William Moorcroft for Liberty & Co., a flambe landscape design vase, circa 1920, with slight lustred finish, incised signature, 'Made for Liberty' backstamp, 12cm.Condition report:No chips, hairlines, or restoration. There are some surface scratches to the lustre. There is also an underglaze chip to the baseline.
Moorcroft Pottery, a 'Leaf and Berry' design vase, circa 1950, compressed bottle form, the band of fruit and leaves against a mottled green ground, Walter Moorcroft's initials, stamped factory mark with facsimile signature, 20.5cm.Condition report:Good condition, no chips, hairlines, or restoration. Surface crazing throughout.
William Moorcroft for James Macintyre, a Florian Ware bottle vase, 'Violets and Butterflies' design, circa 1895, incised 'WM Des' with Florian backstamp, 22.5cm.Condition report:Some random pinpoint chips to the thick tubelining. No chips to the body, no hairlines, or restoration. Heavy crazing throughout.
William Moorcroft, a 'Moonlit Blue' vase, circa 1925, shape M154, green initials, stamped factory mark, 15.5cm (slight restoration).Condition report:The neck of the vase from the tree line to the rim has been sprayed with some small patches to the exterior rim that look like they could have been restored and repainted, but difficult to determine exactly what work has been done. Ingrained crazing lines to the underside of the base. Fine crazing lines elsewhere.
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653833 item(s)/page