A Japanese ginbari and cloisonné-enamel vase by Gonda HirosukeMeiji EraOf slender baluster form, the pale blue ground decorated with an egret standing in a pond by a tall, purple iris, the leaves in ginbari technique, signed to the base in red enamel with the mark of the artist, 30cm high.Condition Report: A tiny shallow enamel flake just under the breast of the egret. A few wires missing from the manufacturing process. Some very fine hairlines to the enamels, also possibly from the manufacturing, around the foot. Some scattered dark dusty spots around the shoulder, possibly a sign of over-firing.
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A Chinese jade archaistic twin-handled pear-shaped bottle vase and coverQing dynasty, 18th/19th centuryThe semi-translucent, green stone carved throughout with archaistic taotie and leiwen motifs in shallow relief, the neck with twin elephant-head handles, the cover with lotus bud finial, 15cm high.清十八/十九世紀 玉雕饕餮雷紋雙象耳蓋瓶Condition Report: Light nibbling to edges; expected natural inclusions and tiny fissures to stone.
A small Chinese spinach jade 'lingzhi' vase and coverMid Qing dynastyThe even, dark green stone carved and pierced as a flattened baluster vase, its neck set with animal mask-and-loose ring handles, the base flanked with a reticulated lingzhi sprig, fitted stand, fitted box, 8cm high overall.Provenance: Mufei Collection清中期 碧玉雕靈芝紋蓋瓶來源:木扉收藏。Condition Report: Expected natural fissures. The side of the lid may have slightly been polished off.
A Chinese celadon jade 'taotie' vase and coverQing dynasty, 19th centuryOf cylindrical form, carved to the body with two taotie masks, the neck with three ruyi-form handles suspending loose rings, each separated by incised banana leaves, the cover with three further ruyi handles below flower bud finial, 11.5cm high.Provenance: reputedly from the collection of the vendor’s step-grandfather, amassed in the South of England during the 1930s, and thence by descent.清十九世紀 玉雕饕餮紋三耳蓋瓶來源:曾為現藏家祖父私人收藏,於1930年代得於英格蘭南部,後傳承至現藏家。(口傳)
A Chinese copper red glazed bottle vase, yuhuchunQing dynasty, Qianlong mark and periodThe rounded sides rising from a spreading foot to a waisted neck and everted rim, the glaze of even raspberry tone stopping neatly at the footrim, 27cm high.清乾隆 紅釉玉壺春瓶,青花篆書「大清乾隆年製」款Condition Report: In good condition with expected minor surface wear. Minor firing imperfection to base.
Two Chinese Cizhou miniature vasesSong/Yuan dynastyThe first carved with a radiating design around the shoulder, beneath the flared rim, and covered overall in a think white glaze stopping short of the foot to reveal the buff body, box, 8cm high; the second, of baluster shape, covered in a glassy black glaze to the centre of the base and lower body to the base of the slender white-glazed neck, box, 8cm high (2).Provenance: Mu-Fei Collection.宋/元 磁州窯瓶兩件來源:木扉收藏。Condition Report: Expected firing imperfections, and old wear consistent with age and type. The white vase with extensive craquelure around the neck and glaze wear to the edge of the rim.
Liu Lishang (1916-2007); Liu Junli (1906-1978); Ding Cong (1916-2009)'Various Scenes'Ink and colour on paper, three album leaves, Dated Jiashen (1944), 20cm (8in) high x 20cm (8in) wide (3).Provenance: Air Marshal Sir Lawrence Arthur Pattinson, KBE, CB, DSO, MC, DFC (1890-1955) (dedication)劉力上、劉君禮、丁聰 繪事集 冊頁三幀 (劉力上) 遙遙望白雲,懷古亦何深。甲申十月奉柏鼎生將軍。劉力上。鈐印:劉力上 (劉君禮) 甲申仲冬寫贈柏鼎生先生返英紀念。劉君禮。鈐印:劉君禮印 (丁聰) 畫西康倮女圖以贈柏鼎生將軍。小丁。卅三年成都來源:Air Marshal Sir Lawrence Arthur Pattinson, KBE, CB, DSO, MC, DFC (1890-1955) (款識)。Sir Lawrence Arthur Pattinson (1890-1955) served in the Second World War as Air Officer Commanding Flying Training Command, working closely with the Chinese Air Force as Head of the RAF Training Mission before retiring in 1945. A Fuzhou lacquer vase gifted to Pattinson by Chiang Kai Shek in 1943 is in the collection of the V&A Museum, accession number FE.82-1977. Condition Report: Liu Lishang: Lightly stuck to mount through the centre. Also insignificant light creases to the top edge.Liu Junli: lightly stuck to mount through the centre. fold visible through the middle. Light water marks to the right edge of the leaf, and some smoothed out creases to the top left corner. A tiny tear to the left edge of the paper.Ding Cong: also lightly stuck to mount through centre like the other two. smoothed out crease to the top right conrner and very faint water marks to both top corner edges. A very tiny tear along the bottom of the central fold.
A Chinese russet-celadon jade vase, huMing/Qing dynasty, 17th centuryThe weighty vessel of flattened form, carved to the front and back with taotie masks on keyfret ground below a band of chilong, flanked by a pair of bracket handles decorated with cicadas below a band of keyfret to the mouth rim, the jade of yellowish celadon colour with light brown russet, 9cm high, with a wood stand and silk box. .十七世紀 青玉雕饕餮紋扁壺連木座Condition Report: Minor nibbling to the mouth rim and foot rim, natural inclusion in the stone, good condition.
A Chinese archaic bronze garlic mouth wine vessel, suantoupingHan dynastyThe compressed globular body raised on tall slightly tapered foot beneath long neck terminating in a bulbous lobed mouth, 33cm high. 漢 銅蒜頭口瓶Condition Report: Expected surface wear and deterioration including a large patch of verdigris and other agent to one side, mouth to foot. A large mass to the interior which can be felt moving around when the vase is handled. A repaired patch to one side of the globular lower body, approx 7x5cm. A couple of small nicks to foot.
Two Chinese hardstone tripod censers and a hardstone vase and cover20th centuryOne dark green censer carved as a chrysanthemum flower with loose ring handles, 14cm wide, one carved with Buddhist lion finial and with lion mask and loose ring handles, 15cm high, the vase and cover of archaistic form, carved and pierced with phoenix and dragon handles, 18.5cm high (3).二十世紀 硬石雕爐及蓋瓶
A Chinese rugSecond quarter 20th centuryThe central field with vase of flower motifs, on a red ground, contained by floral border, 290cm x 174cm, (VAT charged on hammer price).二十世紀 地毯Condition Report: some signs of moth damage, some stains, fringe has been cut at both ends, in need of a clean, no signs of repairs
A group of silver, including a half-reeded bachelor's teapot, London 1912, an oval mustard with pierced and engraved decoration, Birmingham 1892, a vase, embossed with scrolls, with a weighted base, Sheffield 1907, height 13.3cm, and a pair of pepper casters, Birmingham 1924, weighable items 610.8g, together with a pair of Indian white metal salt scuttles and a matching pepper caster and mustard, weight 198.3g.
18th century Chines Export porcelain 'Famille Rose' figural vase and cover depicting vignettes of figures and animals, birds and landscape. 22cm high approx. (B.P. 21% + VAT) The lid is badly damaged with chips and losses and the finial has broken off and is not present. The vase itself appearing overall in good condition, minor wear in places.
Collection of five similar Chinese blue and white Prunus ginger jars and covers together with a 19th century blue and white Prunus cylinder vase. (6) (B.P. 21% + VAT) Cylinder vase - two vertical hair-line cracks. Imperfection to the rim of the vase. Ginger jars - no obvious damage noted.
Tray of assorted ceramics to include: large Wedgwood the 'Federal' bowl, items of black Wedgwood 'Basalt' ware. Japonesque design china figural plate, Charles Noke Royal Doulton figural plate, Charles Noke Royal Doulton baluster shaped vase, two items of Wedgwood Jasperware and a Wedgwood creamware Williamsburg Restoration multi stem vase. (B.P. 21% + VAT)
Group of assorted china items to include: Adams of Tunstall Cries of London fruit bowl, group of 'Imari' pattern plates, Art Deco design octagonal bowl, Pratt ware pot lid and base featuring two bears in a landscape, various Japanese indented 'Imari' design dishes together with larger 'Imari' bowl with indented angles. Also small cloisonne foliate vase. (2) (B.P. 21% + VAT) Wear to the gilding, two have rim chips.
Royal Albert 'Old Country Roses' design bone china dinner and tea service comprising: twelve 10.5 inch plates, sauce boat and stand, pepper and salt, twelve cereal bowls, twelve dessert dishes, two oval serving dishes, twelve cups, twelve saucers, twelve 8 inch side plates, sandwich plate, cake stand, teapot, posy vase, heart shaped box and a flower spray wheel barrow. (5) (B.P. 21% + VAT) In general, no obvious damage (far too much to individually condition).
Varied collection of 19th century Cranberry glass, to include: Dimpled and sprigged baluster shaped jug, two heart shaped dishes with loop handles, similar circular dish with loop handle and cream jug, ewer with clear glass stopper, ruby glass specimen vase, plain cranberry glass fruit bowl on three feet, three other shaped bowls, cream jug with waved clear glass stem, sucrier with clear glass stem, another baluster bowl with a similar stem, butter dish and cover, sugar sifter etc. (3) (B.P. 21% + VAT)
A collection of silver and plated itemsvarious dates makers marks comprising a George III punch ladle, London, 1787, makers mark indistinct, oval bowl with beaded rim, twisted baleen handle, a George V spill vase, Birmingham, 1918, Robert Pringle, of square section trumpet shape with petal edged rim on a weighted base, an Edwardian silver topped dressing table jar, a Victorian dressing table jar and two scent bottle with plated tops engraved with a crest and a large leather and EPBM hipflask, (7)various Condition: Overall fair condition. Kock to bowl of punch ladle. Knocks to spill vase. Some rubbing to lids of scent bottles and jar with plated fittings
A Victorian silver christening mug and a spill vasefirst London, 1875, George Fox, with S scroll handle with heart terminal, foliate engraved border and embossed with beaded decoration, on a circular foot, crested and initialled and engraved 'Angel', second London, 1897, Edward Barnard & Sons Ltd, of trumpet from with a wavy edged rim, weighted base, (2)first height 8.5cm., weighable silver approx. 4.47oztCondition: Repair to base and holes which light can be seen through. interior gilt rubbed
Daisy Makeig-Jones for Wedgwood lustre a 'Dragon' lustre vase, Z4901of shouldered tapering form, purple and green mottled ground decorated in gilt with chasing dragons, mottled blue interior printed gilt factory marks height 19cm.,Condition: Good condition, without chips, hairlines or restoration. feint light crazing visible on close inspection, occasional light rubbing to gilt
A George III Neoclassical silver sugar vaseLondon, 1769, makers mark I.K probably John Kingof tapering vase form, the body pierced with a band of vertical slats with beaded borders over a central pierced panel embossed with husk garlands over a band of stiff leaves, raised on three elongated supports capped with rams heads and terminating in hoof feet, liner absent height 13cm. weight approx. 8.36oztCondition: Liner absent. Otherwise good condition commensurate with age
Mid 20th century Italian Murano Art glass large sommerso centrepiece bowl, a vase and a cockerel sculpturefirst of moulded sculptural form in red, orange and green, the vase of twisted design in red, yellow and blue, (3)first length 56cm., second height 29cm., Condition: The centrepiece in good condition without chips. the vase without chips but with surface scratches to interior. The cockerel has a chip with loss to rear of comb
An Elizabeth II silver trumpet shaped specimen vase, and a decanter label, the vase with delicate engine turned border and double knopped stem, stepped filled base, 19cm high, Birmingham 1978, makers W I Broadway & Co, 3.5oz all in, and a silver sherry decanter label of plain design, QEII Silver Jubilee, Birmingham 1977, 0.68oz. (2)
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653685 item(s)/page