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‡ William Plumptre (born 1959) a stoneware square dish, painted to the well with geometric panels in umber on a celadon ash ground, the rim with inlaid blue slip, an Aldermaston Pottery vase by Nick Caiger-Smith, a large twin-handled storage jar with slip decoration, a bellied jug and another jug painted mark, 30cm. square (Plumptre dish), (5) Provenance Fine Art Socity, by repute. Private collection.
‡ David Leach OBE (1911-2005) a Lowerdown Pottery stoneware vase, shouldered form with cylindrical neck and everted top rim, combed zigzag design in ash on a tenmoku ground impressed seal marks, 29cm. high Literature Emmanuel Cooper and Kathy Niblett David Leach, Richard Dennis Publications, page page 108 plate 107 for a comparable vase.
‡ William Staite Murray (1881-1962) a stoneware combed vase, shouldered form with cylindrical neck, the swollen body with finely combed decoration, glazed in brown and translucent ash glazes, impressed M pentagon mark, incised B and painted PF, 23cm. high Provenance Edward 'Eddie' Ball, Belvedere Kent Private collection.
‡ Gabriele Koch (born 1948) a large ovoid burnished coiled vase, the surface covered in a pink slip and burnished, incised signature, 36cm. high Provenance Purchased New Pots by Gabriele Koch Alpha House Gallery, Sherborne 13th February to 23rd March 1993, Private collection.
‡ Sasha Wardell (born 1956) a flaring porcelain vase, 1986, rectangular section, spray glazed in graduated grey to back, another similar glazed in graduated tones of blue, and another smaller glazed in pink, yellow and grey incised monogram and dates to all three, 12cm. high (3)
‡ Colin Pearson (1923-2007) Monumental Winged Vessel a very large, unique cylindrical stoneware vase with deeply modelled wing handles, covered in a translucent Chun glaze with speckles, impressed seal to side of base 40.5cm. high, 70cm wide Provenance Michael Cane. Private collection. Literature Oliver Watson British Studio Pottery, The V&A Museum Collection, Phaidon, page 225 cat. no.463 for a similar but smaller vase.
‡ Glynn Hugo (born 1934) a stoneware footed vase, flaring form, matt black sprayed glaze with black enamelled bands and metallic bronze bands, incised Hugo inside foot, 24cm. high, 32cm diam. Provenance Contemporary Ceramics, Bonham's Knightsbridge 21st November 1988 lot 141.
‡ Amanda Popham (born 1954) Open Coat Jug, 2005 painted modelled with hands in her coat pockets, her hat drooping to form a spout, in colours, and a bottle vase by Amanda Popham titled 'Study to be Quiet and to do Your Own Business' dated 2005, painted signature and date, 26cm. high (jug), (2) Provenance Amanda Popham, Richard Dennis Gallery, June 2005, catalogue number 15.
‡ Jennifer Lee (born 1956) an early hand built stoneware vase, (JL23) speckled olive base, haloed with dark ashed bands, pale speckled rim, unsigned 23cm. high Provenance Craft Shop Victoria & Albert Museum, 1984. This vase was also photographed on a leaflet for the Anatol Orient gallery in 1984. Private collection. Woolley and Wallis would like to thank Jennifer Lee for authenticating this vase.
'Owls' a Clarice Cliff Novelty jug, shape no,995, modelled in low relief with a pair of owls perched on a tree bough, painted in colours on a buff ground, another similar on blue ground, a Clarice Cliff vase modelled a leaping scaly fish and a 'Lillies' wall pocket modelled with bell flowers printed factory mark, 19cm. high (4) Provenance The Collection of Stephen and Marjorie Page
'Love Birds' a Clarice Cliff vase, tall, flaring cylindrical form, modelled in low relief with a pair of perched birds, a centrepiece and two bowls, painted in colours printed factory marks, 31.5cm. high (4) Provenance The Collection of Stephen and Marjorie Page Literature Greg Slater, Comprehensively Clarice Cliff, Thames & Hudson, page 349 this design illustrated.
A Clarice Cliff wall charger, modelled in low relief with a basket of flowers, glazed in colours on a mushroom ground, a Clarice Cliff 356 vase moulded with flower buds, two Clarice Cliff Scraffito vases and two flower troughs, printed factory marks, 34cm. diam. (6) Provenance The Collection of Stephen and Marjorie Page
'My Garden' a Clarice Cliff Bizarre pedestal bowl, moulded in relief with flowers, painted in colours, a biscuit barrel and cover similar, a preserve pot and cover and a collection of eight other Clarice Cliff moulded ware items including an 'Indian Tree' vase, printed factory marks, 21.5cm. diam. (13) Provenance The Collection of Stephen and Marjorie Page Literature Greg Slater, Comprehensively Clarice Cliff, Thames & Hudson, page 360 for the Indian Tree range illustrated.
A C I C Bailey Fulham Pottery stoneware vase by Edgar Kettle, dated 1894, shouldered baluster form, incised with panels of stylised foliage in arched cartouche, the shoulder with panels of two medieval maiden portraits and two portraits of goats, the neck with a band of scrolling foliage, in shades of blue, green and ochre on a buff ground, incised no.39 C I C Bailey The Fulham Pottery and artist cipher, 1894, 34cm. high
'Nuage' a Clarice Cliff Bizarre Oceanic jug, modelled in low relief and painted in colours, a 'My Garden' rose bowl and flower brick, a 'Sunshine' pattern plate, a 'Gay Day' miniature vase, and a collection of Clarice Cliff ceramics and a Lotus jug later painted with a Red Gardenia pattern, printed factory marks, jug restored, Lotus jug later painted, 20.5cm. high, (a lot) Provenance The Collection of Stephen and Marjorie Page
'Windbells' a Clarice Cliff Bizarre Cauldron, painted in colours, a Clarice Cliff 'Autumn' Cylindrical beaker, a 'My Garden' vase and a Wilkinson Honeyglaze preserve with printed floral design, printed factory marks, 7.5cm. high (cauldron), (4) Provenance The Collection of Stephen and Marjorie Page
'Orange Lily' a Clarice Cliff Fantasque Bizarre vase, shape no. 264, retailed by Lawleys, painted in colours between blue and brown bands, and a Clarice Cliff 'Orange Llly' jug, printed factory marks, professional restoration to vase rim, 20cm. high (2) Provenance The Collection of Stephen and Marjorie Page
'Branch and Squares' a unique Clarice Cliff Bizarre floor vase, painted in pastel Gloria colours printed factory marks, 68cm. high Provenance The Collection of Stephen and Marjorie Page Catalogue notes Probably made for an exhibition, this is one of a handful of floor vases or stick-stands produced by Clarice Cliff. There is an example in the standard Branch and Squares pattern.
A Crown Devon vase, pattern M.199, the footed vase printed and painted with flowers and foliage in colours and gilt on a mottled cream ground, a Crown Devon Mattajafde milk-jug and sugar basin, a pair of Myott coffee cans and saucers and a collection of Crown Devon, Carlton Ware and Art Deco ceramics, printed and painted marks, 19.5cm. high (a lot) Provenance The Michael Burningham Collection.
A Boch Freres Keramis vase designed by Charles Catteau, pattern D.1130, shouldered cylindrical form, painted with stylised exotic birds perched on a tree bough, in colours on a cream ground, printed factory mark, 30cm. high Literature Marc Pairon Art Deco Ceramics Made in Belguim, Fondation Charles Catteau, page 89 for comparable examples illustrated.
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653685 item(s)/page