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A collection of twelve 20th century English Beswick & Sylvac fine bone china & ceramic animal figurines. The lot to include five Beswick miniature bone china horses in various positions, a Beswick bird & Yorkshire dog, together with five Sylvac ceramic figures of bunnies, bear & miniature vase with swan. The vase measuring approx. 10 x 6.5cm
A collection of Contemporary English studio art pottery by Worcester based artist Sarah Nicol. The lot comprising of two single handled cups, a jug, pair of graduating bowls, together with two vases. One vase with damage. All signed to base. Largest measures approx. 16 x 20 x 8cm.
Mdina - A collection of three pieces of vintage 20th circa 1970s century Mdina Maltese studio art glass to include a tutti frutti type decanter signed to base, a large Ming pattern bottle vase and another with strapped glass Maltese cross to body. Measures approx. 21cm tall.
A large vintage 20th century pastel ceramic pottery twin handled vase. Having a flared shaped top into a tapering body with pan / satyr handles. With circular base hand painted foliate and floral design. No makers mark to base. Measures approx. 40cm tall.
A collection of 20th century glass to include Venetian Murano Tre Fuochi collection of scent bottles and decanters, several pieces of Bohemian glass to include hand painted black vase and an etched cut ruby glass decanter and an assortment of Art Deco slag ware.
A collection of 20th century studio pottery and glass to include a large Faience type vase of globular form with waisted neck having Islamic, a tall glass pitcher vase in the manner of Nanny Still and a studio pottery stem vase in red with concaves to body. Measures 45cm tall.
A pair of silver bottle coasters with turned wood bases, Birmingham 1979, to/w a pair of loaded silver vase-flutes with pierced rims and bases, London 1920; lot also includes two continental small spoons, a silver Brandy decanter label and a silver-mounted glass scent bottle London 1990 (8)
A pair of 19th century Chinese Canton famille rose baluster vases with everted foliate rims, applied with gilded guardian lions and chilong dragons, painted in the typical palette of polychrome enamels with figures and natural history designs against the green scroll work gilt ground, late Qing dynasty, 26 cm highOne vase with several small chips to underside or rim, both with wear to gilding and light wear to enamels, small firing splits to mouldings
A 19th/20th century Chinese blue and white double gourd vase painted with two sinuous dragons amongst trailing foliage, blossoming peony and chrysanthemum with diaper banding around the rim and prunus around the foot, all in rich tones of underglaze blue, the base with four character Kangxi mark but late Qing dynasty, 22 cm highGood condition, light surface wear only
A Chinese Junyao style meiping vase, the exterior covered in a thick striated opaque blue glaze with large irregular purple and earth toned splashes around the shoulder, unglazed foot and brown glazed base, 18 cm high c/w carved and reticulated hardwood standThe vase with firing crack in base and small rim chip otherwise light surface wear only, the stand with drilled holes and with losses/damaged
A 19th century Chinese blue and white tulip vase (tulipiere) with seven spouts, painted in tones of underglaze blue with auspicious Daoist symbols/emblems, exotic birds, butterflies and floral designs, unmarked base, 25 cm highsmall hairline to interior of one of the spouts and one small chip to underside rim of another
A Chinese Transitional style blue and white sleeve vase, painted in rich tones of underglaze blue with a continuous garden landscape and a Qilin below a flying phoenix, typical unglazed base, post Qing dynasty, 27.5 cmGood condition without damage, very light surface wear only
A 19th century Chinese famille rose bottle vase, painted in polychrome enamels with a tall prunus tree, flowering peony and a red-crowned crane in a landscape setting, the base with underglaze blue six-character Jiajing mark but late Qing dynasty, 20.5 cm highsome areas of light wear to enamels
A small Chinese langgyao vase, Kangxi period (1662-1722) Qing dynasty, the exterior with white rim and copper-red crushed raspberry glaze stopping short of the circular foot, 9.5 cm high c/w circular carved and pierced hardwood stand with A.C.J.Wall Collection' label, 14 cm high O/ANumerous small firing splits across the white glazed rim and a small chip where the foot joins the base, please see images provided
A large 19th century Chinese blue and white baluster vase, late Qing dynasty, four scattered guardian lion roundels reserved against the prunus on cracked ice blue ground with ruyi banding below the rim, and lappet banding at the foot, unmarked glazed base, 43 cm highApprox. 10 cm wide repair/re-glued section or the rim and hairline crack, some other surface wear commensurate with age
A pair of 18th century Chinese blue and white plates, painted with a vase of flowers on a table in a garden landscape setting with rockwork and bamboo, floral borders and diaper banding around the rim, Qianlong period (1736-95) Qing dynasty, 23 cm diameterSmall rim chips, one plate with hairline crack
A Chinese red and white baluster vase (mounted as a lamp on hardwood stand) painted in iron red enamels with playful guardian lions and calligraphic inscriptions in black, the base with Tongzhi four-character mark but probably later, vase height 38 cmBase drilled through the mark for lighting cable, hairline crack and wear to enamels
A pair of 20th century Chinese famille rose Nanking ginger jars and covers to/w a similar baluster vase painted with warriors on crackled ground, Japanese Satsuma bowl and cover, a Japanese polychrome coffee pot and cover, two Japanese Imari platters, two famille rose plates and a soapstone spill vase (box)
A mixed box of Asian ceramics and collectables including a pair of 18th century Chinese famille rose tea bowls and saucers painted with landscapes and figures, Qing dynasty to/w a Chinese cloisonne vase, brush washer, napkin rings and trinket box, an early 20th century cabbage leaf and butterfly pattern part tea service, six blue ground tea cups and saucers, a polychrome seated figure of the Daoist god Xuanwu on hardwood stand, Japanese Kyo-Satsuma koro and bowl, Canton enamel pin dish (box)Xuanwu figure with several chips, losses and repairs
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653685 item(s)/page