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Click here to subscribeA CHINESE FAMILLE ROSE YELLOW GROUND PORCELAIN VASE, MID-19th CENTURY, of baluster form, painted with a pair of cartouches each enclosing a pheasant perched amidst flowering boughs, against a floral scrolled yellow ground, unmarked. Height 45cm.Provenance: reputedly a gift from Lambeth Palace c. 1920 and thence by descent
A STAFFORDSHIRE BULL MASTIFF SPILL VASE, MID 19TH CENTURY, modelled lying facing left with bocage tree trunk forming the vase, on gilt lined base, 15cm high; together with A STAFFORDSHIRE HORSE AND FOAL SPILL VASE, MID 19TH CENTURY, the horse modelled standing behind the recumbent foal, bocage tree trunk forming the vase, 17cm. (2)
WILLIAM MOORCROFTA VERY LARGE AUTUMN LEAVES AND BERRIES FLAMBE VASE, OF EXHIBITION QUALITY, DATED 1931, the shouldered ovoid and ribbed body tubelined and hand painted with stylised leaves and clusters of berries against a shaded red ground, the base signed and dated 1931, remnants of paper label. 46.5cm (18 inches)Note: Accompanied by a note from Walter Moorcroft, dated 14.VIII.02, in which he erroneously gives the size of the vase as 20 inches. He goes on to say "...It is believed that this was made for the International Trade Fair in 1931. At the time leading British merchandise was freely sold in Buenos Aires".
WILLIAM MOORCROFTA CORNFLOWER PATTERN POWDER BLUE VASE, CIRCA 1925, of shouldered ovoid form, tubelined and hand painted with the stylised flowers against a blue ground, Sotheby's label, dated 2002, for the Albert E. Wade Collection, blue painted signature and impressed factory marks. 25.5cm
A LIBERTY & CO TUDRIC PEWTER VASE, DESIGNED BY OLIVER BAKER, CIRCA 1902, the tapering vase set with five turquoise cabochons against an undulating naturalistic frieze, applied with two lightning bolt strap handles, raised on a domed circular foot with flattened edge, no. 0786, stamped TUDRIC. 35cm
A LIBERTY & CO ENGLISH PEWTER AND GREEN GLASS VASE, DESIGNED BY ARCHIBALD KNOX, the slender tapering vase cast in low relief with a frieze of stylised foliage, the body with three tapering panels cut-out to reveal the green glass liner, applied with three sinuous handles, raised on a circular foot, no. 0957, stamped ENGLISH PEWTER/MADE BY/LIBERTY & CO. 21.5cm
*A Royal Worcester porcelain vase, of squat circular form, having reticulated neck, the body hand-painted with pheasants, signed James Stinton, having green mark verso, shape No.703, date code for 1903, h.12.5cm. Small defect to body within central banding.Some light handling wear.
*A Royal Worcester porcelain vase, having trumpet shaped rim to slender neck and bulbous lower body, hand-painted with sheep amidst landscape, signed H Stinton, having puce mark verso, shape No.307, date code for 1929, h.20.5cm. No chips.Small hairline to foot.Minor gilt wear to top edge.Small bubble to gilt on neck.Otherwise good.
*A Royal Worcester porcelain twin handled vase and cover, hand-painted with Highland cattle amidst landscape, signed H Stinton, having puce mark verso, shape No.2021, date code for 1909, h.18cm. Finial to cover is restored, but very well done.Otherwise no apparent faults.
*A Royal Worcester porcelain vase, having a shaped rim to a slender neck and bulbous lower body, hand-painted with pheasant amidst landscape, signed Jas. Stinton, having green mark verso, shape No.702, date code for 1903, h.14cm. Two scratches beneath foot of bird and in foliage.Chip to footrim.
*A Royal Worcester twin handled vase and cover, on a turquoise ground, enamel decorated with swans amidst foliage, signed G Johnson, having puce mark verso, shape No.2021, date code for 1914, h.18cm. Approx. 5% gilt wear all over.Enamels all good.No chips or cracks.A good example.
*A pair of Royal Worcester twin handled porcelain vases, of squat melon form, each hand-painted with a pheasant amidst landscape, signed R.H. Austin, having green mark verso, date code for 1926, h.8.5cm. Very minor scratches to paint within foliage, only seen under a glass.Mark to underside of one vase.The other vase with discolouration to the rim.Both with light handling wear.
*A Hadley's Worcester bottle vase, having a flared rim to a slender neck and bulbous lower body, hand-painted with roses, having printed backstamp verso, numbered F105 with 10 below, circa 1902, h.22cm; together with a Hadley's Worcester twin handled vase, of squat melon form, with painted floral decoration, printed green mark verso, numbered 15568, h.9cm (2). Bottle vase – light crazing.Small vase – heavily crazed and worn to gilt at rim.
*A Royal Worcester porcelain blue ivory pedestal vase, having reticulated rim to a tapering body, raised on dolphin supports to a circular base, with further gilt paw feet, puce mark verso, shape No.1639, date code for circa 1903, h.22cm. No chips, cracks or restoration.Very minor gilt wear.An excellent example.
*A small Royal Worcester porcelain squat vase, each panel painted with pink roses and leaves, having green mark verso, shape No.162, date code for circa 1911, h.8cm; together with a Royal Worcester twin handled vase, of squat circular form, painted with roses, having green mark verso, printed number 1781024, date code for circa 1907, h.9cm (2). No apparent faults to either vase.
*A pair of Royal Worcester porcelain vases, each of waisted hexagonal form, the central reserve hand-painted with fruit on a cobalt blue ground heightened in gilt, signed R. Sebright, having blue printed mark verso, shape No.2371, registration number 422919 and date code for circa 1912, h.16cm. Approx 2.5cm hairline crack to base of one vase. Both with crazing and handling wear to gilt.
*A Royal Worcester porcelain blush ivory flat-back jug, hand-painted with floral sprays, having gilt handle, puce mark verso, shape No.1094, date code for circa 1917, h.13cm; together with a Royal Worcester blush ivory ewer, with hand-painted floral decoration, puce mark verso, shape No.1260, h.16cm; and a blush ivory vase, having Wrythern moulded body, decorated with flowers, having green printed mark verso, shape No.G161, further printed flag for 1914, h.7cm (3). Flatback jug – light gilt wear.Ewer – poor finish where top of handle joins body,Vase – wear to gilt rim.
*A Royal Worcester porcelain teacup and saucer, on a deep blue ground, hand-painted with exotic birds and insects by G. Johnson, the whole heightened in gilt, having blue mark verso, No.2136, date code for 1918; together with a 19th century Crown Derby vase and cover, of spherical form, having all-over gilt floral decoration, printed mark verso, h.10cm (2). Crazing to panels of interior of cup and saucer and handling wear to gilt.Jar and cover with light gilt wear but OK.
*A Royal Crown Derby three vase garniture, each piece having a central panel painted with a landscape and signed W. E. J. Dean, on a cobalt blue ground heightened in gilt, printed mark verso, h.9cm. One side vase with 10mm scratch to glaze.Approx. 99% gilt complete.Otherwise all excellent condition.
*A Minton porcelain twin handled vase and cover, of tapering form, the frieze decorated with sailing ships on a pink ground heightened in gilt, having puce mark verso and numbered OA1341, h.18cm; together with an early 19th century Stevensons & Hancock Derby pot pourri, the central panel painted with flowers on a green ground heightened in gilt, having puce crown and crossed swords mark verso, h.14cm (2)
*A 19th century Vienna porcelain vase, of squat baluster form, the central panel hand-painted with a bust portrait of a semi-nude maiden, signed Wagner, having all-over raised gilt and enamelled decoration with birds, cornucopia and flowers, blue beehive mark verso, signed Gitonui(?), numbered 950 Depose, further numbered 5275-950579 to the rim, h.16cm. Three very small minor scratches to woman's hair. Slight wear to gilt rim. Very light gilt wear. Enamel decoration good.
A Japanese Meiji period bronze koro and cover, the whole surmounted with a Fo dog, the bulbous body with applied mythical beast decoration, h.22cm; together with a Japanese bronze specimen vase; and a Japanese bronze figure of a crane modelled standing upon a turtles back, h.24cm (3)
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