A Japanese silver vase, Taisho period (1912-1926), the tapering body rising to an everted rim, applied with a fourteen-petalled chrysanthemum in gilt between two engraved scrolling borders, with stamped marks 'jungin' and 'geneido' to base,34cm high, 1880g, accompanied by tomobako box with original liner, the cover with writing: 'Uragikugomontsuki Ginkabin' (Silver vase decorated with imperial gold chrysanthemum symbol); and'Sousatsuryou kinmuchuu no on iroutoshite, kakuguu on goudounitekashi, Taishō juunen juuichigatsu nijuugonichi' (In order to thank those who have worked in Sobu Lodging, the silver vases are given with the attendance of all the princes, 25 November 1921) to the insideFor a similar lot, see Bonhams, San Francisco, 7 Jun 2005, lot 2239.Condition ReportVase 1880g. Surface scratches and minor dents. Tomobako box cover with splits, cracks, losses and surface scratches.
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A Chinese blue and white vase, Guangxu (1875-1908), the globular body rising to a waisted neck and a flared rim, painted with five literati appraising a scroll of taiji, flanked by two ruyi handles to the neck, with a four-character Kangxi mark to base,20.5cm high清光绪 青花五老观太极图瓶 《康熙年制》青花楷书款Condition ReportSmall chips to rim.
A Chinese blue and white vase, Republic period (1912-1949), of lobed baluster form, painted with five dragons above spuming waves, the neck with bats, peaches and finger citrons, with a four-character Qianlong mark to base,17cm high民国 青花海水龙纹花口瓶 《乾隆年制》青花楷书款Condition ReportSurface scratches.
A Chinese flambé-glazed meiping vase, Qing dynasty (1644-1911), the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, covered with a lustrous glaze of purplish-red streaked with an olive tone,18cm high清 窑变釉梅瓶Condition ReportMinute frits to rim.Small glaze chips to foot rim.
A Chinese robin's-egg glazed double gourd vase, Republic period (1912-1949), formed in three lobes set over a low conforming foot, wreathed by a sash fastened into an off-centre knotted ribbon suspending two flowing tassels, applied overall with a mottled turquoise-blue glaze with lavender tones,11.5cm highCondition ReportNo obvious faults.
A large Chinese blue and white vase, 19th century, the globular body rising to a long straight neck, decorated with roundels of cranes grasping fruiting peach branches, surrounded by scrolling peony against a blue ground,72cm high, wood stand carved with lotus (2)清十九世纪 青花缠枝花卉团鹤纹天球瓶 连木底座Condition ReportVase with no obvious faults. Wood stand with surface scratches, splits and small chips in various locations.
A Japanese Satsuma ware miniature vase, Meiji period (1868-1912), of tapering form, painted with bijin gathering together and practising various pursuits, between two borders with millefleurs in shaped panels, with a three-character Kinkozan mark to base,6.3cm highCondition ReportMinor gilt losses.
A Chinese cloisonné arrow vase, Ming dynasty (1368-1644), the compressed globular body rising to a tall cylindrical neck and set with a pair of tubular handles, the exterior enamelled with scrolling lotus and florets against a turquoise ground,15cm high明 铜胎掐丝珐琅缠枝莲纹投壶Condition ReportSurface scratches. Enamel with chips and cracks.319.5g.
A Chinese Canton painted enamel vase, 19th century, of tapering square form, each side painted with literati in a shaped panel with scrolled borders, 11.7cm high, wood stand (2)Provenance: Purchased by the grandparents of the present owner from John Sparks Ltd. by repute and thence by descent.清十九世纪 铜胎画珐琅开光高士图四方瓶 连木底座Condition ReportSigns of repair to rim, neck, corners, above foot and base.Very fine hairline cracks to enamel above foot.Wood stand with one stretcher glued.
A Chinese bronze vase, 20th century, the globular body raised from a stepped foot to a flared rim, with gilt-splash decoration, flanked by two mask and ring handles to the shoulder, with a six-character Xuande mark within a recessed rectangle to base,16.5cm high, 1483g二十世纪 铜洒金铺首衔环耳瓶 《大明宣德年制》楷书模款Condition Report1483g.Surface scratches and dents.
A Chinese blanc de Chine vase, late Qing dynasty, the pear-shaped body rising from a circular foot to an elongated neck, decorated with a key fret band to the shoulder, covered with a white crackled glaze, with a four-character Chenghua mark to base, 22cm high 清晚期 白釉胆瓶 《成化年制》篆书模款 Condition ReportHairline cracked to rim.
A Chinese export famille rose vase, 18th century, the pear-shaped body rising from a circular foot to a cylindrical neck with an everted rim, painted with figures in a garden or birds and flowers, in shaped panels, against a diapered ground, 26cm high 清十八世纪 外销粉彩锦地开光人物故事图瓶 Condition ReportChipped and cracked to rim. Some gilding and enamel losses.
A Chinese blue and white vase, 19th century, of baluster form, painted with Fu, Lu and Shou in a garden,approximately 45cm high, and a celadon vase,Guangxu (1875-1908), incised with scrolling peony, 31cm high (2)Condition ReportBoth fitted as a lamp, unable to check condition underneath.Blue and White - base drilled. Celadon - top cut down and grounded with a small chip. Surface scratches.
A Chinese flambé-glazed meiping vase, 19th century, the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, covered with a lustrous glaze of purplish-red, thinning to opaque near the rim,14.5cm highCondition ReportFoot rim grounded and with chips.
A Chinese flambé-glazed vase, Republic period (1912-1949), the pear-shaped body rising from a circular foot, covered with a lustrous glaze of purplish-red,20.5cm highProvenance: From a private collection in Suffolk.Condition ReportDamage to mouth and drilled to base, a/f.Cracks to glaze. Chips to foot rim.
A Japanese inlaid-silver and cloisonné-enamelled vase, Meiji period (1868-1912), the globular body rising from a high foot with two butterflies to the shoulder, decorated with birds and flowers with coloured enamels in low relief in shaped panels, the neck and foot with foliage and clouds in filigree, 16.8cm high, 332.5gCondition Report332.5g.Surface scratches and dents, enamel losses. Restoration to both butterflies.
A Chinese famille verte vase, Kangxi (1662-1722), the pear-shaped body rising from a circular foot to a garlic mouth, painted with baskets of flowers in amber and aubergine against a green ground,25.5cm highProvenance: Acquired by the grandfather of the present owners in the 1950s.清康熙 素三彩花篮纹蒜头瓶Condition ReportChipped to foot rim.
A Chinese wucai vase, Republic period (1912-1949), of baluster form, painted with phoenixes standing on a rock, surrounded by various birds and peony, 33cm highCondition ReportMouth damaged and missing, with chips, cracks and enamel losses in various locations. Fully repaired, a/f.Damp sand to the base inside, unable to remove to check condition underneath.
Two Chinese jade carvings, 20th century, comprising:a Budai, seated wearing a long robe exposing his bare belly, a rosary in his left hand, a sack bag in his right,8.5cm long, wood stand, and the other, of a boy holding a vase, seated on the back of an elephant,8cm long, wood stand (3)Provenance: From the deceased estate of Rosemary and Theo Cutting in Suffolk.Condition ReportElephant - chipped to rim of vase and the tip of the right tusk, stone with hairline cracks. Wood stand - one foot damaged with chips and cracks. Budai - cracks to stone, wood stand chipped. Fixed to wood stand.
Late Victorian continental silver sweetmeat dish embossed with fairies and a stork, import mark for David Bridge, London 1896, 11cm dia, 3oz 92gm together with a cherub embossed pill box by Henry Williamson Ltd, Birmingham1908, 3.5cm x 3cm x 2cm, together with various scent and dressing table bottles, vase and thimble
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