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A later 20th Century Norman Stuart Clarke studio glass vase of globular form with blue spots and whiplash lines on the green ground all in an iridescence, engraved signature, height 11cm, together with a similar scent bottle of squat form with iridescent blue spots and green whiplash lines, conforming stopper, engraved signature. (2)
A Moorcroft Pottery vase decorated in the Foxglove pattern designed by Rachel Bishop, height 18cm together with a Moorcroft Pottery vase of globe and shaft form decorated in the Isis pattern designed Emma Bossons, height 16cm both with printed marks, both marked as seconds (2)
A Liberty & Co. Tudric pewter tray of shaped oblong form with twin loop handles issuing from shaped leaves, stamped marks no.045, width 47cm, together with three Art Nouveau Secessionst pewter tumbler vases each decorated in relief, to include as Kayserzinn example numbered 4568, an Orvit vase numbered 2109 and an unmarked example. (4)
Three 20th Century Middle Eastern rugs to include two Persian examples, both with a cream coloured central field decorated with birds, animals and a flowering vase within repeat pattern borders, both measuring 162cm x 131cm, together with a North West Iranian rug detailed with two geometric pattern guls upon a rust coloured ground, 145cm x 105cm (3)
δ Craigie Aitchison CBE RA (1926-2009)Still Life With Bird VaseScreenprint in colours, 2004, signed and numbered from the edition of 300 in pencil verso, on Saunders Waterford thick wove paper, printed by Advanced Graphics, co-published by Timothy Taylor Gallery and Advanced Graphics, the sheet loose as issued and housed within the original blue cloth portfolio and accompanied by the book 'Pictures', the full sheet, 280 x 220mm (11 x 8 3/4in) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A George II elm, ash and walnut 'comb' back Windsor armchair, mid-18th century, from the Thames Valley region, the shaped top rail above a vase shaped splat and turned supports, the solid 'saddle' seat flanked by 'horseshoe' shaped arms, on tapering cabriole legs terminating in hoof feet at the front, joined by a curved stretcher, 103cm high, 56cm wide, 53cm deep Provenance: Private Collection, Richmond, Surrey For closely related designs of chair of the period made in the Thames Valley see Bernard D. Cotton, The English Regional Chair, The Antique Collectors Club, 1990, page 45, figures TV14, TV15 & TV16.
A Continental porcelain Etruscan-style vase, circa 1830-50, probably Paris, painted in iron-red, black and shades of buff with vignettes of charioteers and figures flanking a stele between gadrooned, key-pattern and palmette borders, 31.5 cm. high; together with a Continental white biscuit figure of Spinario, after the antique, modelled as a youth seated on a mound above a rectangular base The decoration of this vase is inspired by the designs of ancient vases in the collection of the Duke of Hamilton, published in d'Hancarville, P-F. H, Collection Of Etruscan, Greek And Roman Antiquities From The Cabinet Of The Honble. Wm. Hamilton ... = Antiquités Etrusques, Grecques Et Romains, Tirées Du Cabinet De M. Hamilton ..., Naples, 1766/7, the scene of charioteers is adapted from Vol. I, pl. 130, a design from the Meidias Hydra, the stele is derived from Vol. I, pl. 55, on a volute krater known as the Hamilton vase, with flanking figures after a departure scene of a warrior and women, Vol. II, pl. 71. This stylised red and black figure-painting inspired potters such as Josiah Wedgwood and a raft of Neapolitan, French and continental makers such as Sèvres, Dagoty and Honoré of Paris. The connection with ancient pottery is further re-enforced by the use of the pelike form derived from an antique vessel for liquids.
A George II elm and yew 'comb' back Windsor armchair, mid-18th century, from the Thames Valley region, the scroll carved centred by a shell motif, above a vase shaped splat and turned supports, the solid 'saddle' seat flanked by 'horseshoe' shaped arms, on tapering cabriole legs terminating in pad feet at the front, joined by an H-shaped stretcher, 100cm high, 68cm wide, 47cm deep Provenance: Private Collection, Richmond, Surrey For closely related designs of chair of the period made in the Thames Valley see Bernard D. Cotton, The English Regional Chair, The Antique Collectors Club, 1990, page 45, figures TV14, TV15 & TV16.
A pair of Genoese cream and polychrome painted chairs, circa 1770, decorated with foliage, tulips and other flowers, each shaped and moulded back centred by a vase splat, each drop in seat above tapering cabriole legs and an H-shaped stretcher Provenance: Private Collection, Oxfordshire
A George III mahogany side chair, circa 1760, the vase-shaped interlaced splat below a scrolled top rail with central foliate clasp, above a padded drop-in seat, on moulded square supports joined by an H-shaped stretcher Provenance: Private Collection, Oxfordshire Purchased Christie's, London, Out of the Ordinary, the discerning individual taste of Christopher Gibbs and Harry Lindsay, 10th May 2006, lot 108 (£1,050). This chair was almost certainly supplied to Archibald Stirling of Keir (d.1783) for Keir House, Dunblane; sold Christie's house sale, 22-24 May 1995, lot 216. The parlour chair pattern with fretted vase splat incorporating addorsed and voluted ribbon-scrolls issuing from the crest-rail relates to patterns in Robert Manwaring's, The Cabinet and Chair-Makers Real Friend and Companion, 1765. KEIR HOUSE Keir House, near Dunblane, Perthshire was the historical seat of the Stirlings of Keir and Cawder until its sale in 1975. Keir passed down through several generations of Stirlings to the colourful James Stirling, proprietor of Keir from 1693 - 1715. A supporter of the Stuarts, he was tried for high treason in 1708 after the failed Jacobite invasion of that year and acquitted. Fortunately the troubled times did not prevent the constant improvement of the house and estate. Archibald Stirling, 12th of Keir (1710-1783), inherited Keir in 1757 and during the 1760s and 1770s dramatically changed the use and look of the lands of Keir and Cawder. He introduced the fine up-to-date stucco work throughout the interior of Keir in the early 1760s, possibly just after his marriage to Ann Hay in 1762.
A George III mahogany armchair, circa 1760, in the manner of Thomas Chippendale, the shaped back with pierced vase shaped splat, above the padded and needle work upholstered seat, depicting figures and a parrot in a landscape, flanked by scrolling outswept open arms, on blind fretwork square legs, joined by an H-shaped stretcher, 95cm high, 65cm wide, 61cm deep Provenance: Private Collection, Wiltshire
CERAMICS to include Masons Ironstone 'Brown Velvet' preserve jar, milk jug, bowl and thimble, 'Franklin Meadowland Butterfly Vase' by John Wilkinson with wooden stand, total height 31cm, oval dish decorated with a spray of flowers, Royal Doulton 'Bluebell' plate and Royal Worcester 'My First Christmas' plate
ONE BOX AND LOOSE OF SUNDRY ITEMS to include a collection of Metcraft Seals, produced by Walsall Litho with Summit cigarettes, Famous Buildings and Monuments,Caithness 'Maydance' and 'Moon Crystal' and Mdina paperweights, splatter glass vase, assorted ceramics and ornaments, Radius 21 primus stove in original tin (some parts missing)
THREE BOXES AND LOOSE OF CERAMICS AND GLASSWARE etc, to include an Isle of Wight squat vase, Caithness paperweight 'Moonflower', Tudor cut glass decanter and four sherry glasses, Humppila, Finland glass candlestick, a collection of ornamental Owls, five table lamps, a Chinese jardiniere, Dartmouth 'Plymouth Gin' gurgle jug, etc
A GROUP OF CERAMICS AND GLASSWARE to include a silver topped hand painted jug 'Portia & Shylock', Beswick No 281 'Tony Weller' character jug, Poole Pottery trinket dishes, three Masons graduated jugs, Masons vase, cut glass claret jug, Chinese Imari palette charger, ships in bottles, etc
A GROUP OF CERAMICS, EARRINGS etc, to include a Moorcroft vase, purple Orchid on cream ground, with nine Hummel figures (some a/f), Wedgwood jasperware, Aynsley Pembroke dish and jar with cover, Royal Standard tea wares, four Royal Doulton limited edition cabinet plates, a Langley jardiniere etc
A WATERFORD CUT GLASS BOWL standing on a stepped glass foot, height 12cm, with a Stuart Crystal cut glass and wheel etched footed vase, height 20cm, a Dartington Crystal wheel etched celery vase, height 21cm, an unmarked cut glass footed vase, height 21cm, an unmarked waited cut glass vase, height 27cm and a pair of glass candlesticks (7)
A COLLECTION OF POOLE AND PILKINGTON LANCASTRIAN POTTERY, to include a Poole blue iridescent baluster vase, approximate height 26cm, a Poole pale orange, iridescent, swollen baluster vase, approximate height 22cm, three small Poole globular vases in blue, green and iridescent white, approximate height 10cm, Poole baluster vase decorated with floral sprays, Poole tapering cylinder vase, hand painted decoration, painted LE to the base, together with an orange Royal Lancastrian vase 3358, inscribed initials for Edward Thomas Radford, approximate height 19cm, and a Pilkington square lobed vase, impressed backstamp and 2344, dated 1911, approximate height 7cm (no obvious damage or restoration)
A SELECTION OF SILVERWARE, to include an early 20th Century silver posy vase of tapered form, with silver hallmark for Birmingham 1912, a teaspoon, two button hooks, three cut glass and silver topped toilet bottles, two with stoppers and containing salts, lengths 6cm to 35cm, approximate total weight (excluding three toilet glasses) 331 grams
THREE ITEMS OF SILVERWARE AND A BOX OF MAINLY SILVER PLATE, the silverware to include a cased pair of decorative silver spoons and a silver vesta case with engraved monogram, approximate total weight 125 grams, together with a selection of silver plate and metalware, including a toast rack, a teapot, a tray, a handled dish, a bud vase etc
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653685 item(s)/page