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A collection of 19th century and later glassware including a wine glass with engraved detail to the bowl (af), LSA international vase, cylindrical vase with silver rim, etc. Additional InformationThis lot is from a fire damaged property. The pieces have been cleaned, but please bear in mind that the pieces may have underlying issues due to the fire.
AITKEN BROS; a pair Edward VII hallmarked silver posy vases of cylindrical form with wavy rims, each with repoussé decoration surrounding vacant cartouches, Sheffield 1906, height 11cm, approx weight 2.7ozt/86g (2).Additional InformationOne vase is a little bit dented on the foot rim so it is slightly wobbly, each with light wear, tarnishing and scuffs.
A late 19th century hallmarked silver tapering vase with hammered detail and gadrooned circular foot, import marks Bertold Muller, Chester 1898, height 15.5cm, approx 8.13ozt/253g.Additional InformationSlight misshaping to the rim, a few small dents to the body, traces of gilded interior, various marks to base including IPK in a rectangle, overall ok.
LANSON LTD; a cased set of six Elizabeth II hallmarked silver teaspoons, with angular shaped handles, Birmingham 1979, with a small cut glass decanter and stopper with hallmarked silver rim, cut glass vase with hallmarked silver rim, dressing table bottle with hallmarked silver stopper, miniature hallmarked silver chalice, and napkin ring, weighable 2.79ozt/87g.
STAN BRYAN; a contemporary pierced painted and incised decoration wooden vase, signed, height 23cm (af). (D)Additional InformationThe vase is cracked. There are numerous small losses and splits throughout and general surface wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
A set of twelve reproduction mahogany Chippendale style dining chairs each with carved top rail above pierced vase shaped splat back, padded drop-in seats and knee carved cabriole front legs to ball and claw feet, the two elbow chairs with stylised lion mask carved arms (10+2).Footnote: purchased Marston House in 2001.
A Regency mahogany folding tea table, on a vase shaped column and concave platform and reeded scroll legs, height 74cm, width 90cm, depth 45cm.Additional InformationThe top sits slightly proud when closed, general light age wear, knocks, slight scratches here and there, some of the beading to the bottom of the frieze has later repairs, some of the veneer has cracked here and there and there is general light age wear to the base.
ELOISE HARRIET STANNARD (BRITISH, 1829-1915)Still Life with carnations in a glass a vase signed and dated 'E H Stannard 1879' (lower left)oil on canvas38 x 30.5cmCondition reportLined. Fine craquelure. Vertical light pale scratch or mark visible to centre near base of vase approximately 4cm long and another smaller diagonal mark to centre left below leaf. Neither of these are terribly obvious.Otherwise overall appearance generally good.Inspection under UV light reveals finely executed infilling, especially to lower half of picture.
A mid 19th Century Staffordshire flower encrusted composite garniture, comprising a central vase encrusted and applied in high relief with coloured flowers and foliage, on a cobalt blue ground, double scroll handles; a pair of matching smaller vases; and a pair of similar vases and covers with double scroll handles, 21cms to 26cms high. (5)
Daisy Makeig-Jones for Wedgwood. An 'Argus Pheasant' or 'Phoenix' pattern lustre vase, (pattern Z5486) circa 1928, of slender bluster form (shape number 3148), decorated with phoenix, rockwork and peony on a blue printed diaper ground, all picked out in gilding, printed Portland vase mark, incised X4 3148, 26.5cms high.For a similar example see Una Des Fontaines, Wedgwood Fairyland Lustre, page 257, plate 69.
An Uzbek or Mongol warrior reclining against a large Chinese vase in a landscape, laid down on an album page with a verse couplet above Persia, perhaps Qazwin, late 16th Centurypen and ink with some gouache on paper, two lines of verse in nasta'liq script in black ink within cloudbands within a panel at top, inner margins ruled in colours and gold, outer borders with stylised floral motifs in gold on a blue ground main image within inner margins 168 x 90 mm.; visible album page 198 x 117 mm.Footnotes:ProvenanceMilo Cleveland Beach: acquired from the San Francisco dealer R.E. Lewis, circa 1960 or 1961.ExhibitedFogg Art Museum, Harvard, Massachusetts (on loan, date unknown, label on backboard).The poet of the couplet in the upper part of the page has not been identified. The text is as follows:buseh kardeh saghar-e ma bar sar-e khod mi-nahandsar-e shast-e naw mey parastan khatt-e dawr-e jam-e maTranslated roughly as:They kiss our cup and put it on their headThe fortune of the wine-worshippers is the writing around our cup[i.e. they will become poor, like the artist claims to be in the following inscription].The inscription on the band around the bowl held by the sleeping man reads:bandeh-ye faqir muhammad sharif mosavver, 'The poor servant [of God], Muhammad Sharif, the painter (musavvir)'. The painter has not been identified. On the backboard of the frame are handwritten comments by Beach: Banda-i-Qasr, Muhammad Sharif Musavvir BNG (1976). 'BNG' refers to B. N. Goswamy and his translation of the inscription on the bowl.While Uzbek or Mongol warriors (often prisoners) appear not infrequently in Persian painting of the 15th and 16th Century, this more relaxed figure seems to owe something at least to the archetypal Chinese figure of Li Bai. Li Bai (AD 701-762), also referred to as Li Po or Li Bo, was the foremost poet of the Tang dynasty (AD 618-907) and, together with Du Fu, remains one of the most famous poets in Chinese history. His ambition to serve the Emperor Huizong as a statesman was thwarted when the Emperor employed him as a palace poet composing mundane lyrics for the Court. Frustrated, he left the Court and spent the rest of his life wandering the country and indulging in his love for wine. See for example a quartz figure of Li Bai of the 18th-19th Century, sold at Christie's New York, Chinese Art from The Art Institute of Chicago, 12th September 2019, lot 777.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A small pair of Chinese Kangxi (1662-1722) Ormolu Mounted Vases, each vase moulded with cockerels in a rocky setting with handles at neck and coloured in a fine turquoise coloued glaze, later ormolu mounts13.5cm highQty: 2Condition report: In good overall condition
Mixed Lot: Edward VII silver trumpet vase of tapering form, London 1904, maker's mark William Comyns & Sons (loaded), 13cm tall; an Elizabeth II silver photograph frame of circular form with easel back, London 1981, 11.5cm diam, a Victorian silver butter knife, Sheffield 1863, Martin Hall & Co, together with a silver Hanoverian pattern tea spoon, Sheffield 1952
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653833 item(s)/page