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Click here to subscribeRoyal Doulton comprising an "Honest Measure Drinking at Leisure" toby jug, a pair of coaching scene vase and a small series ware vase.Condition: cracks to top rim of one of the coach vases, crazing present to small Doulton square vase, other minor loss to decoration, coach vasese height 15cm.
A Sèvres two-handled vase c.1790-95, the squat form painted with a continuous band of flowers reserved within gilt borders on a bleu celeste ground, blue Sèvres and RF painter's mark for H G Boileau, 11.7cm high.Provenance: the F E Andrews Collection, Cardiff. Purchased from Christie's, 17th May 1917, from the collection of the Earl of Harrington. This service was a gift for Giovanni Battista, cardinal-conte Caprara-Montecuccali, delivered in 1803.Cf. David Peters, Sèvres Plates and Services of the 18th Century, vol. VI, pp. 1524-1525.
A Chelsea figural pot pourri vase c.1759, the lobed baluster vase flanked by three figures dancing and playing a hurdy-gurdy, the vase painted and applied with flowers beneath a reticulated rim, one handle restored, 18cm. Exhibited: Loan Exhibition of Tournai and Chelsea Porcelain, 5th June - 4th July 1953, The Belgian Institute, London, catalogue p.43, no.119. Cf. C B Lippert, Eighteenth Century English Porcelain in the Collection of the Indianapolis Museum of Art, pp.80-82, no.9, and John Mallet, Chelsea Gold Anchor Vases 1: the Forms', ECC Transactions, 1999, pp.126-161, pl.38.
A tall Chelsea-Derby vase c.1760-65, the slender hexafoil form painted to one side with a maiden reclining against rocks and attended by a putto with grapevine, the reverse with a panel of flowers, applied with two scroll handles issuing from applied flowers and leaves, some restoration, 29.5cm.
An interesting white-glazed porcelain vase early 19th century, probably Swansea, the flared form finely applied with a band of biscuit flowers above mask heads with winged handles, raised on three paw feet, incised B mark, 17.2cm. Cf. Victoria & Albert Museum, Accession No. C.595-1935 for a decorated vase of the same shape. The biscuit decoration is attributed to James Goodsby who came to Swansea from Derby and operated principally during the Bevington era. Provenance: from the F E Andrews Collection, Cardiff.
An early Worcester quatrefoil vase c.1753-55, the lobed baluster shape painted with a floral arrangement to one side amidst scattered leaves and other flower sprigs, applied with shaped handles either side of the neck, cracked, 16.7cm. Paper label for The Amos Collection, W25. Cf. Simon Spero, Lund's Bristol and Early Worcester Porcelain 1750-58, p.222 for the shape, which was loosely derived from Chinese porcelain.
A Nantgarw-style vase 19th century, the slender form applied with swan handles, painted in the manner of William Pollard with moths in flight around a tilting basket of flowers, the reverse with a flower arrangement including rose, convolvulus and passion flower, raised on a square black hardstone base, 17.5cm. Provenance: the F E Andrews Collection, Cardiff.
A Chinese ivory vase, Ming dynasty (1368-1644), of globular form, the elongated neck decorated with raised bands, 11.3cm high, two Chinese ivory figures, early 20th century, standig holding a flute or fruits, 15.5 and 16cm, wood stands, a pair of glove stretchers (A/F), a pierced circular box, and a small carving (6)
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