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Click here to subscribeTROIKA POTTERY WHEEL SHAPED VASE,by Alison Brigden, circa 1977-83, with geometric textured designs on a blue, brown and beige ground, signed 'TROIKA CORNWALL' and with monogram to base, 19.7cm highCondition report: Condition generally good, with light manufacturing flaws. Wear to base. Additional images now available.
TROIKA POTTERY WHEEL SHAPED VASE,by Simone Kilburn, circa 1975-77, with geometric textured designs on a brown and blue ground, signed 'TROIKA' and with monogram to base, 11.9cm highCondition report: Condition generally good, with light manufacturing flaws. Possible very minor nick to inside rim, though possibly a flaw. Wear to base. Additional images now available.
TROIKA POTTERY COFFIN SHAPED VASE,by Annette Walters, circa late 1960s/early 1970, with geometric textured designs on a brown, beige and dark green ground, signed 'TROIKA' and with monogram to base, 17.6cm highCondition report: Condition generally good, with light manufacturing flaws. Wear to base. Additional images now available.
TROIKA POTTERY COFFIN SHAPED VASE,by Annette Walters, circa late 1960s/early 1970, with geometric textured designs on a beige and blue ground, signed 'TROIKA' and with monogram to base, 17.7cm highCondition report: Condition generally good, with light manufacturing flaws. Wear to base. Additional images now available.
LIBERTY & CO ARTS & CRAFTS PEWTER ROCKET VASE,No 0226, 19cm highCondition report: Condition good to fair. No chips, cracks or restoration. Surface wear and areas of deterioration throughout commensurate with use and age, though nothing of major concern. Additional images now available.
MOORCROFT 'POMEGRANATE AND GRAPES' PATTERN VASE,of waisted cylindrical form, tube-lined with fruits on a mottled blue ground, impressed marks and signature in green, 37cm highCondition report: Condition fair. Two restorations to rim. Crazing throughout. Stable hairline to base. Will require a light clean throughout. Additional images now available.
Stefano della Bella (1610-1664)Le Vase de MediciEtching, 1656, a very good delicate impression on laid paper with watermark of grapes, sheet 315 x 274 mm (12 1/4 x 10 3/4 in), trimmed to or just within the platemark, upper right corner with repair to old tear, minor handling creases (unframed)Literature:De Vesme 832 ii/ii
COLLECTION OF SILVER CUTLERY,comprising two sets of six pastry forks, a set of dessert forks, two sets of six silver handled knives, two sets of six teaspoons and a silver handled carving knife, these cased, along with further loose silver of various grades including a small toast rack, pair of patented servers, vase and strainer, weighable silver approx 695g
A Chinese blue and white porcelain octagonal dish, Qianlong period, the centre decorated with mother and child in a garden, willow tree and birds, 18 x 26.7cm, a Chinese celadon twin handled vase, circa 1900, height 13cm, a celadon plate, diameter 18.5cm, blue and white vase, height 18cm and a blue and white export dish, 19th century, diameter 15.5cm.
A Chinese blue and white porcelain baluster vase, circa 1800, the trellis ground with river scenes, height 14cm.Condition report: Being overly critical, there are two cm sized hairline cracks to the inside of the neck. Two very small firing flaws (3mm in size) one to the top and one to the bottom of the vase.
A Chinese porcelain vase, late 19th century, the yellow ground with flowers and tendrils, height 14cm and a Chinese porcelain vase, with Qianlong red seal mark, circa 1900, the red ground with gilt tendrils and opposing famille rose decorated oval panels, height 13.2cm.From the Estates of June Barrington Ward & Maggie Cameron Fraser‘Two Remarkable Ladies’June Barrington-Ward 1922-2002& Maggie Cameron Fraser 1923-2021 For several decades, two remarkable ladies lived contentedly in the remote farmhouse near Lanreath in Cornwall that they had restored and shared since the 1970s.June Barrington-Ward was a sculptor. She trained at Chelsea School of Art and exhibited widely during the 1960s & 70s. Her work featured in group shows in prestigious galleries and locations like the Royal Academy alongside artists such as Denis Mitchell, John Milne & Kim Lim. June was the daughter of Lancelot Barrington-Ward KCVO, a royal surgeon to King George VI and his family. He also played rugby for England. Her grandfather was the vicar of Duloe in Cornwall. Although her work was applauded by contemporary critics, she never pursued recognition. In the words of a family member “she didn’t seek fame and I believe she was simply happy to be left alone to make things.”Maggie Cameron Fraser was an academic who specialised in antique glass, a subject on which she wrote extensively and lectured at the Victoria & Albert Museum. Some of the very fine pieces in this sale were part of her treasured collection.They met during the Second World War. June, in the WRNS, drove ambulances in London and Maggie worked at Bletchley Park. For many years they shared a large property in Chiswick with a studio, until making the move to Cornwall.Maggie bought their magical house in North East Cornwall from the Carlyon Family in 1978. After renovating their home, they settled happily into retirement, Maggie astutely playing the stock market and June continuing to create sculpture. June died in 2002 and Maggie followed her last year.The home they left, and their wonderful collection of art and antiques, stand as a celebration and testament to their happy life together.Condition report: red ground vase has tiny nibbles/pitting on top rim. Yellow vase has no condition issues.
A quantity of Chinese carved wooden stands, one with gilded characters, the four character seal mark in the centre reads 'Imperial appreciation of the Qianlong emperor', the characters to the base reads 'for the Gu-shaped vase with thunder pattern decoration'. This wooden stand is most likely Qianlong mark and period, Qing Dynasty, 18th century, height 2cm, width 12cm, depth 11.7cm, inner diameter 8.5cm and numerous other stands dating from the 19th/20th century.Condition report: one stand has damage. The tri form stand has a crack. Extra images on the David Lay website.
A Chinese famille rose porcelain vase, 19th century, gilt Qianlong mark, the yellow ground with leafy vines and flowerheads, height 22.5cm, width 11cm.Condition report: minor rubbing in places otherwise no condition issues. Extra images now uploaded to our website www.davidlay.co.uk
A Chinese famille rose porcelain plate, Qianlong period, diameter 22.7cm, a Chinese Canton vase and cover, 19th century, height 22.5cm and a pair of Chinese Canton plates, early 20th century, diameter 18.5cm. (4)Condition report: The vase lid has edge chips to the rim. The vase rim also has five rim glaze chips. The rim also has a hairline crack. The body has a large hairline and one further small hairline. One of the pair of plates has one with rim chips and a large hairline running through, the other plate with a couple of minor edge chips. The singular plate has a star crack to the base and small rim chips.
A Chinese celadon porcelain bowl, height 6cm, diameter 12cm and a Japanese pottery footed dish, signed, height 5cm, width 16cm, a Japanese imari vase, height 24cm and a Tang-style model of a horse. (4)Condition report: The celadon bowl has a rim chip. No seal mark to the base. The imari vase is in good condition but some wear to the gilding and painted enamel. Footed dish good. Horse figure has heavy crazing to the base.
A Chinese reverse painted glass vase, early 20th century, height 14cm, a Chinese snuff bottle, height 7cm, a small Japanese Satsuma vase, 19th century, height 4.5cm, a Chinese style tea caddy, probably Samson, height 9cm and two Japanese lidded bowls, late 19th century. (6)
A Chinese blue and white squat baluster vase, Ming Dynasty, 14th century, painted with bands of fish swimming amongst aquatic weeds above a broad band lappets to the foot, height 27cm, diameter 26cm.Provenance: From a South East Cornwall Collection. Ex lot 518, Christies South Kensington, 25th November 1999.
A Taiwan-Cochin model of a dog of fo, signed, 20th century, height 8.5cm, width 9cm, a small Chinese bottle vase, signed, height 11cm, a Chinese porcelain tea bowl, red seal mark, a blue and white porcelain incense burner, a Chinese celadon plate, 19th century, diameter 18.5cm and a cloisonne bowl, circa 1900. (6)
A Chinese Canton porcelain vase, 19th century, the handles in the form of swans above ractangular panels with warriors on horseback and opposed by figures in an interior setting, height 33cm, width 16.5cm.Condition report: major repairs to the top of the vase. Head missing off one of the swan handles. Extra images on our website www.davidlay.co.uk
A Chinese blue and white porcelain dish, late Ming Dynasty, decorated with a stylised dragon, height 4cm, diameter 20cm, a Chinese blue and white porcelain base of a tulip vase, 19th century, height 11cm, diameter 16cm, a Chinese tea bowl, 20th century and a Japanese porcelain tea bowl, signed and rows of calligraphy to interior, height 6cm, diameter 7cm.Condition report: Chips and cracks to the dish, stem lacking to tulip vase.
A Chinese Canton porcelain teapot, late 19th century, height 14cm, diameter 10cm and a Chinese yellow ground porcelain vase and cover, late 19th century, with four character Kangxi mark, height 28cm.Condition report: Teapot has a chip to the spout. The vase has been broken and repaired in many areas. Repairs are easily visible. Chips to the flange and repair to the cover.
A Chinese blue and white porcelain vase, early 20th century, decorated with a stylised dragon amongst clouds, height 47cm, width 23.5cm.Provenance: inherited by a private vendor in Truro, Cornwall.Condition report: 2.5cm firing fault on the main body and a tiny black glaze blemish. Extra images have been uploaded to our website www.davidlay.co.uk Provenance: inherited by a private vendor in Truro, Cornwall.
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