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Hartleys
Lot 592

AN ANGLO-DUTCH BRASS WARMING PAN, early 18th century, the domed lid pierced with a vase of flowers, finely turned stained beech handle with brass hook, 44 1/2" wide

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Hartleys
Lot 676

A GEORGIAN MAHOGANY TRIPOD TABLE, late 18th century, the dished circular top with moulded edge, turned vase shaped stem, on downswept legs with stringing, 26 1/2" x 29 1/4"

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Hartleys
Lot 127

AN ENGLISH ART DECO GLASS TABLE SUITE, 1930's, possibly Stourbridge, in the style of Stevens and Williams, intaglio polished and etched with a continuous band in the "Willow" pattern over a band of diamond panels and star cut base, including six each tumblers (two sizes), fruit bowls and serving bowl, water jug and vase, 6" high, together with a slice cut decanter and stopper, 8" high (45)

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Hartleys
Lot 89

A MOORCROFT POTTERY VASE, modern, of squat globular form, tubelined and painted with the "Pulsatilla" pattern on a cream ground, impressed mark highlighted in sea green, retailer's original price label, 4" high, boxed

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Hartleys
Lot 105

A WILLIAM MOORCROFT POTTERY VASE, early 20th century, of baluster form, tubelined and painted in typical palette with the "Pomegranate" pattern, very indistinct impressed marks, signed in green, 5 3/4" high (Illustrated)

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Hartleys
Lot 1

A ROYAL WORCESTER CHINA POT POURRI, 1917, of globular form with basket weave moulded lower section, painted in colours with full blown pink and crimson roses and a lily, indistinctly signed, puce mark, shape 1286, 5" high, together with a bud vase, 1916, of rounded cylindrical form similarly painted, unsigned, puce mark, shape 2597, 4 3/4" high (2)

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Hartleys
Lot 20

A COLLECTION OF ROYAL WORCESTER BLUSH IVORY CHINA, various dates, all painted in colours with flowers and comprising a tyg 1908, 2 1/4" high, lobed cauldron on four peg feet, 1900, 2 3/4" high, a ewer with angular handle, 1903, 3 1/4" high and a spherical posy vase, 1909, 3 1/4" high, together with a plain shell moulded small bowl on three knurl feet, 1909, 3" high, various marks (5)

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Hartleys
Lot 9

A ROYAL WORCESTER CHINA VASE, 1919, of ovoid form with high neck and two angular handles, painted in colours by Harry Davis with a pair of sheep in a misty heather clad mountainous landscape, signed, puce mark, shape 1913, 5 3/4" high (Illustrated)

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Hartleys
Lot 115

A POOLE POTTERY VASE, 1950's, of lightly ribbed baluster form with stylised scroll and grape lug handles in "Pastel Pink" glaze, shape 659, printed and impressed marks, 10 1/2" high

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Hartleys
Lot 6

A ROYAL WORCESTER CHINA VASE, 1926, of cylindrical form with flared rim and base, painted in colours by Ricketts with a still life of black grapes and two peaches on a blossom strewn mossy bank, signed, green mark, shape G923, 9" high (Illustrated)

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Hartleys
Lot 35

A VIENNA PORCELAIN GARNITURE VASE AND COVER, late 19th century, the high domed pierced cover with open wreath finial, the slender ovoid body with two high angular handles and painted in polychrome enamels by C. Heen with "Aurora and Cephalus" on a gilt highlighted cobalt blue ground, on a waisted socle fixed to a square section base, signed, inscribed, blue shield, 13 1/2" high

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Hartleys
Lot 86

A MOORCROFT POTTERY LIMITED EDITION VASE, modern, of ovoid form, tubelined and painted with the "Iris Louisiana" pattern, impressed marks highlighted in green, signed by the designer Rachel Bishop and numbered 34/50, 5 1/4" high, boxed

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Hartleys
Lot 101

A BURMANTOFTS "FAIENCE" OCHRE GLAZED VASE, c.1900, of globular form incised with a border of sunbursts over a pierced whorl banding on a matt ground, impressed mark, shape 541, indistinct incised initials BM?, 7" high

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Hartleys
Lot 698

A SET OF EIGHT GEORGIAN MAHOGANY DINING CHAIRS, late 18th century, of Hepplewhite type including two elbow chairs, channelled shield back with pierced vase splat, drop in seat with serpentine front rail, raised on moulded square tapering supports joined by an H stretcher, 19" x 16 1/4" x 37 1/4"

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Hartleys
Lot 106

A MOORCROFT POTTERY VASE, mid 20th century, of flared cylindrical form, tubelined and painted in typical palette with the "Pomegranate" pattern, impressed signature highlighted in blue, 8" high (Illustrated)

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Hartleys
Lot 18

A ROYAL WORCESTER CHINA VASE, 1924, of lobed globular form, painted in polychrome enamels with full blown crimson, pink and yellow roses, unsigned, green mark, shape G161, 2 1/2" high, together with an earlier small cauldron shaped pot, 1908, on a quatrefoil foot with frilled rim, green mark, shape H220, 2" high (2)

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Hartleys
Lot 97

A MOORCROFT POTTERY VASE, modern, of slender baluster form, tubelined by Julie Harrison and painted by Joanne Mountford with the "Peacock" pattern, designed and signed by Rachel Bishop, impressed marks highlighted in blue, 8" high (Illustrated)

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Hartleys
Lot 17

A ROYAL WORCESTER CHINA SMALL VASE, 1908, of rounded tapering cylindrical form with quatrefoil neck, painted in polychrome enamels with violets on an ivory ground over a yellow moulded band, shape H285, 4 1/4" high, together with a similar two handled vase, 1910, painted with a pink and yellow rose, shape H214, 4 1/2" high, both unsigned, green marks (2)

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Hartleys
Lot 112

A MOORCROFT POTTERY VASE, 1999, of baluster form, tubelined by Hayley Grocott Smith and painted by Vicky Lovatt in browns and green with a "Training" pattern of rhododendrons on a blue ground designed by Debbie Hancock, 7 1/2" high, together with a "Violets" pattern vase designed by Sally Tuffin, impressed marks highlighted in green (2) (Part Illustrated)

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Hartleys
Lot 5

A ROYAL WORCESTER CHINA VASE, 1936, of cylindrical form with flared rim and base, painted in colours by Kitty Blake with a still life of blackberries, leaves and blossoms, signed, puce mark, shape G923, 8 3/4" high (Illustrated)

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Hartleys
Lot 719

A DUTCH SATINWOOD FRET PIER GLASS, 19th century, the arched and scrolled crest inlaid with a vase of flowers and a pair of cornucopiae, the oblong plate within a moulded rosewood and ebony banded surround, 24 1/2" x 15 1/2"

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Hartleys
Lot 88

A MOORCROFT POTTERY SMALL VASE, modern, of rounded cylindrical form, tubelined and painted with the "Finches on Ochre" pattern, impressed mark highlighted in brown, 4" high, boxed (Illustrated)

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Hartleys
Lot 662

A GEORGIAN MAHOGANY TRIPOD TABLE, late 18th century, the circular tip up top on turned vase shaped stem, tripod base with cabriole legs and pad feet, 35 1/2" x 28 3/4"

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Hartleys
Lot 667

A COMPOSITE SET OF TWELVE REGENCY MAHOGANY DINING CHAIRS covered in deep blue damask and comprising two near matching pairs with scroll back uprights, panelled top rail rope twist horizontal splat, overstuffed seats, on turned tapering front legs and splayed back legs, a set of three similar, a further set of three with drop in seats and sabre legs, and a pair of elbow chairs with brass inlaid top rails, downswept arms on vase shaped supports and overstuffed seats, the latter 20 1/2" x 17 1/2" x 29 1/2"

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Hartleys
Lot 24

A ROYAL WORCESTER CHINA VASE, 1908, of baluster form on a knopped socle and canted square foot, the two scroll handles with satyr mask terminals, painted in polychrome enamels by W. Hale with a spray of flowers with raised enamel outlines, on a gilt highlighted matt green ground, signed, puce mark, shape 1572, 8 3/4" high

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Hartleys
Lot 74

A GUSTAVSBERG ARGENTA POTTERY VASE, 1930's, of cylindrical form with straight shoulders and everted rim, on-laid with a raised silvered metal Chinese dragon, printed mark, shape 1243, 14" high, together with a similar smaller vase of ovoid form with silvered line panels, printed mark, original label, 6" high (2) (Part Illustrated)

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Hartleys
Lot 104

A FOLEY INTARSIO POTTERY VASE, early 20th century, of double gourd form with two loop handles, printed and overpainted in colours with scenes from "Much Ado About Nothing", printed and inscribed 3522 in black, 8 1/2" high

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Hartleys
Lot 129

A WHITEFRIARS GLASS "NUTS AND BOLTS" VASE, 1960's, designed by Geoffrey Baxter in cinnamon, shape 9668, 10 1/4" high

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Hartleys
Lot 79

A MOORCROFT POTTERY VASE, modern, of squat baluster form, designed by Emma Bossons, tubelined and painted in typical palette with the "Queens Choice" pattern, impressed mark highlighted in blue, inscribed in green, 4 1/4" high

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Hartleys
Lot 91

A MOORCROFT POTTERY LIMITED EDITION VASE, modern, of slender inverted baluster form, tubelined and painted in colours with the "Fishing for Dreams" pattern on a cream ground, impressed marks highlighted in blue, numbered 22/50, and with retailer's original price label, 10 1/4" high

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Hartleys
Lot 85

A MOORCROFT POTTERY VASE, modern, of squat globular form, tubelined and painted by Glynn Simpson with the "Peaches" pattern, impressed marks highlighted in green, retailer's original price label, 4 1/4" high, boxed

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Hartleys
Lot 102

A BURMANTOFTS "FAIENCE" OCHRE GLAZED BOTTLE VASE, c.1900, the base incised and highlighted in brown with scattered sunbursts, impressed and incised marks, shape 720, 11 1/2" high

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Hartleys
Lot 92

A MOORCROFT POTTERY VASE, modern, of waisted cylindrical form, tubelined and painted in dusky pinks, green and ochre with the "Blue Embryo" pattern on a blue/grey ground, impressed marks highlighted in green, signed by Hugh Edwards, with retailer's original price label, 9 3/4" high, boxed (Illustrated)

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Hartleys
Lot 111

A DOULTON BURSLEM CHINA VASE, c.1910, of two handled baluster form, printed in mottled shades of blue with stylised tall sinuous trees with bluebirds flying aloft on a sea green ground within matt gilt borders, base with monogram WB in blue, printed mark in green and indistinctly numbered, 9 1/2" high

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Hartleys
Lot 83

A MOORCROFT POTTERY VASE, modern, of squat globular form, tubelined and painted in typical palette with the "Sea Holly" pattern, impressed marks, 3 1/4" high

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Hartleys
Lot 76

A ROYAL DOULTON CHANG VASE, 1930's, of ovoid form, the shoulders covered in a thick yellow/brown running glaze over a mottled blue and red iridescent base, signed Noke, 8 3/4" high (Illustrated)

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Hartleys
Lot 82

A MOORCROFT POTTERY VASE, modern, of squat baluster form, tubelined and painted by Sandra Eaton in shades of blue with the "Hibiscus" pattern, impressed marks, 5 1/4" high

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Hartleys
Lot 253

A SMALL SILVER TABLE CENTREPIECE, maker's mark F & S, Birmingham 1914, the single girdled central trumpet vase with pie-crust rim flanked by three similar smaller vases, loose in a wirework frame and issuing from a domed foot, 9 3/4" high, loaded

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Hartleys
Lot 11

A ROYAL WORCESTER CHINA DRESSING TABLE BOX AND COVER, 1924, of squat globular form, the cover painted in colours with a still life vignette of pears and blackberries, the base with flowers, unsigned, puce mark, 2 1/2" diameter, together with a similar vase, 1907, of lobed ovoid form painted with full blown crimson and yellow roses, unsigned, green mark, 3" high (2)

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Toovey's
Lot 1263

A Japanese brown patinated bronze cylindrical vase, Meiji period, cast in relief with a dragon amidst clouds, height approx 29cm.

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Toovey's
Lot 1118

A Chinese blue and white porcelain 'phoenix tail' vase, Kangxi period, with later white metal mounted rim, the flared neck and body painted with figures in coastal mountainous landscapes, height approx 25.8cm (hairline cracks and later rim).

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Toovey's
Lot 1067

A Persian blue and white bottle vase, 17th Century, painted in the Chinese manner with four kneeling figures, pseudo seal mark to base, height approx 27cm (metal rimmed, body cracks, repaired and misfired).

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Toovey's
Lot 1528

A Staffordshire pottery figure of a bird, late 19th Century, colourfully painted on a rocky base, height approx 31cm, together with a Staffordshire style pottery bird and nest spill vase, 20th Century, and a Spode porcelain oval dish, circa 1820, painted with flowers, length approx 35cm.

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Toovey's
Lot 1479

A Vienna porcelain cabinet cup, late 19th/early 20th Century, painted with a head and shoulders bust portrait of a lady wearing 18th Century costume within an oval gilt beaded surround on a blue ground enriched in gilt, height approx 8.5cm, together with a group of later Vienna porcelain including a pot and cover decorated in green with flowers, and a vase decorated with pink rose sprays, a pair of Limoges porcelain novelty boxes and covers each in the form of a Turkey and a Limoges shell shaped dish.

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Toovey's
Lot 1192

A Chinese famille verte yellow ground porcelain ginger jar and cover, early 20th Century, painted with a dragon, height approx 14cm (repaired cover), a Chinese turquoise glazed pottery bottle vase with moulded dragon entwined neck, height approx 23cm, a Chinese turquoise glazed Buddhistic lion, a turquoise and aubergine glazed cockerel and a small collection of Chinese porcelain (minor faults).

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Toovey's
Lot 1450

A Doulton Lambeth stoneware vase, late 19th Century, by Florence Barlow and Frank Butler, the high shouldered tapering body decorated in pâte-sur-pâte with opposing panels of partridge amongst grasses against a buff textured ground framed by beaded shield shaped borders, flanked by mask and shell handles above incised scrolls and lattice panels, on a similarly decorated circular foot, impressed factory marks and incised artist's monogram to base, height approx 27.5cm (lacking cover and some restoration).

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Toovey's
Lot 1170

A Japanese cloisonné vase, Meiji period, the shouldered body decorated with sparrows flying amidst peonies and chrysanthemums on a blue ground, height approx 30.5cm, together with a similarly decorated circular dish, diameter approx 30.2cm.

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Toovey's
Lot 1233

A Chinese cinnabar lacquer vase, Qing dynasty, the ovoid body carved with a scene of figures in a landscape between rocks and trees, the flared neck with flowers and stiff leaves, height approx 15.5cm (restoration to rim and damage to foot).

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Toovey's
Lot 1162

A Chinese blue and white porcelain vase, late 19th Century, the baluster body painted with opposing panels of precious objects and vessels, reserved against a prunus ground, height approx 39.5cm (repaired neck).

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Toovey's
Lot 1078

A Chinese blue and white porcelain vase, Kangxi period, painted with a landscape of two deer beneath a pine tree and flying crane with rocks and clouds beyond, height approx 26cm (neck cut down).

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Toovey's
Lot 1437

Three Dutch Delft 'Ford Amsterdam Assembly Demonstration' plates commemorating the 'Consul & Zephyr Six 1951', 'New Anglia New Project 1953', abd 'Zephyr Zodica Mark III 1962', together with a collection of other decorative ceramics, including a Royal Dux figure of a lady, a model of an elephant and a Continental two handled vase decorated with a bird amongst flowers.

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Toovey's
Lot 1487

Three cranberry glass vases, each with clear frill decoration, a pair of Bristol blue and clear glass wines, each bowl with lattice cut decoration, a Bristol blue glass vase with enamelled floral decoration, and five cranberry and clear glass custard cups (minor faults).

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Toovey's
Lot 1226

A Chinese celadon crackle glazed vase, mark of Yongzheng but early 20th Century, of lozenge section, each side moulded in relief with the eight trigrams and taijitu emblems, picked out in coloured enamels, underglaze blue seal mark to base, height approx 28cm.

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Toovey's
Lot 1276

A Chinese blue and white porcelain double gourd vase, mark of Kangxi but late 19th Century, painted with various figures, pseudo four character mark to base, height approx 14cm.

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Toovey's
Lot 1421

A Moorcroft pottery vase designed by Sally Tuffin, the tapering body decorated with the Wattle pattern against a cream ground, impressed and painted factory marks to base, height approx 10.5cm.

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Toovey's
Lot 1190

A Chinese famille rose crackle glazed porcelain vase, late 19th/early 20th Century, painted with battle scenes within iron oxide borders, height approx 25cm (restoration to neck), together with two famille verte crackle glazed vases, nine similar ginger jars and two blue and white crackle glazed porcelain vases (some faults).

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Toovey's
Lot 1024

A Japanese cloisonné vase, Meiji period, of compressed circular form, decorated with wisteria, narcissi and chrysanthemums on a black ground, red maker's mark to base, height approx 6.6cm.

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Toovey's
Lot 1524

A white opaline glass vase with green tinted wavy rim, raised on a clear baluster stem and circular foot, a pair of amber tinted and clear glass sundae dishes, together with a small group of other similar glassware.

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Toovey's
Lot 1538

A Royal Worcester bone china vase, circa 1909 by John Stinton, signed, with flared neck and ovoid body painted with Highland Cattle in a mountainous landscape flanked by scroll handles, puce printed factory mark to base, height approx 44.5cm (badly damaged).

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Toovey's
Lot 1454

A Doulton Lambeth stoneware vase, late 19th Century, by Florence Barlow and Arthur Beere, the cylindrical flared narrow neck above an ovoid body decorated in pâte-sur-pâte with a crane amongst grasses against a buff textured ground within a beaded quatrefoil surround, framed by incised scrolling acanthus leaves and beaded scrolls, on a circular foot, impressed factory marks and incised artist's monograms to base, height approx 29cm.

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