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Meiji Bronze candelabra, for two lights , central vase on three dragon feet on round base with several sections, gallery , open work , on the sides dragons and on top eagle on rock, decorated with very fine landscapes in the centre with animals and dancing geisha, partly silvered and gilted with silver etched and engraved decorations, later electrification not proofed, 19. centuy , 63cm high
A selection of silver and white metal tableware, to include a George III silver caddy spoon by Samuel Pemberton, Birmingham 1808, 7.6cm long, an Edwardian silver mounted whiskey noggin by S Blanckensee & Son Ltd, Birmingham 1903, 9.8cm high (at fault), a toddy ladle inset with a George II coin, 34cm long, a white metal Dunhill pen, 12,3cm long, a weighted silver vase, 15cm high, a silver cocktail stirrer, 23cm long, and a silver condiment spoon, 6.4cm long (7) Provenance: Ruyton Hall, Shropshire
A Royal Worcester blush ivory twin handled vase, shape number 1200, late 19th century, decorated with front and rear hand painted gilt shot floral sprays, puce printed maker's mark, shape number and 'RdNo63497' to base, 34cm highCONDITION REPORT:The piece shows rubbing to the gilt highlights throughout, most noticeably to the handles. The ivory areas show some dirt and would benefit from cleaning. There are no visible chips, cracks or losses, and no obvious evidence of restoration.
A black basalt teapot and cover, early 19th century, of waisted rectangular form, the body with relief moulded panels depicting capronised elephants, the cover with capronised elephant finial, raised on elephant's feet, 14cm high (at fault) with a Wedgwood black basalt vesta and cover, early 20th century, the body with a continuous relief moulded floral motif, the cover with relief moulded classical maidens to the top and striker to the underside, impressed maker's mark to base, 9.5cm long, a Wedgwood Ordinary Lustre bowl, early 20th century, designed by Daisy Makeig Jones, the interior with a gilt outlined Wu Sun barbarian against a pearlescent ground, the exterior with gilt mythical beasts against a mottled blue ground, printed maker's mark and painted pattern number 'Z4829 F' to base, 5.5cm high, and a Barum ware vase dated 1883, 20cm high (at fault) (4)CONDITION:Tea pot - spout has nibbles to the tip, the body has a large hairline crack across the entire base and extending up through the body and through the elephants trunk to one side and a further fine hairline crack through the body. The cover has one chipped corner and one re-glued corner.Vesta box - some very tiny rim nibbles, some internal scratches where the striker has been used.Wedgwood - appears to be in generally good order with some minor surface scratching throughout.Barum vase - large and multiple chips to the rim, extending to hairline cracks in places, crazing throughout to the top rim, nibbles to the foot rim. Crazing throughout and nibbles.
A Fulham Pottery Art Deco vase, the plain white glazed exterior of fan shape, impressed marks to the underside, 18.5cm high, with a Linn Ware turquoise glazed vase and a Shorter & Son Ltd handled jug, 14.5cm high (at fault) (3) Provenance: Ruyton Hall, ShropshireCondition: Shorter jug - Some crazing and glaze pooling to the foot rim.Fulham Pottery - lengthy hairline crack extending from the foot rim down through the body, crazed and stained throughout. Large over-glazed chip to one corner.Linn vase - very grubby throughout and would benefit from a very good clean. Some mis-firing throughout appearing as black speckling and some pitting creating an orange peel effect in places. Otherwise appears to be in good order.
A Victorian epergne or posy vase, mid 19th century, the single curved purple trumpet fitted to a cast brass model of a sleeved hand and set to a rectangular alabaster base, 16cm high, with a further single trumpet cranberry glass epergne set to a white metal base modelled as a stag standing by a stylised tree, and a Bohemian glass globe bowl with scalloped rim and gilt relief floral and foliate motif, on associated socle base, 20cm high (3)
A Chinese porcelain flambe glazed vase, 19th century, the baluster shaped vase with a graduating aubergine/purple hue glaze to the exterior, 35cm high, raised on a hardwood base, converted to a lamp (at fault) Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A 19th century Chinese celadon glazed gourd vase, decorated in relief depicting two scrolling dragons and a flaming pearl, archaic shaped mythical lugs, below a garlic shaped rim, with ruyi sceptre decoration, 33cm high (without fitting) raised on a carved hardwood base and converted to a lamp Provenance: Ruyton Hall, Shropshire condition report; No obvious cracks or signs of restoration. Carved stand re-glued. Vase appears rather grubby with signs of glaze grazes and nicks but nothing too concerning. Of good decorative merit.
A Chinese celadon glazed baluster vase in the Yuan Dynasty style, with incised archaic decoration, ring handle lugs, below a yun wen border, 32cm high, later converted to a lamp Provenance: Ruyton Hall, ShropshireCondition report; This is a contemporary lamp base and purely of decorative merit. No obvious cracks, chips or signs of restoration. Fittings for conversion to lamp present. Some glaze imperfections visible to include pooling.
A Chinese carved soapstone figure of Shao Lao, 20th century, modelled standing supporting a staff and holding a gourd, 34cm high, with a spinach jade coloured model of Guanyin, stood besides a phoenix, 31cm high, a green fluorite figure of Guanyin, 26cm high and a black jadeite archaic vase and cover, 19cm high (at fault) (4)Provenance: Ruyton Hall, Shropshire
A Regency style ormolu student's lamp, modelled as a central vase issuing three swan form branches, 65cm high Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of George I walnut side chairs, each with a vase shaped splat over a drop in upholstered seat and shaped apron, raised upon cabriole font legs terminating in pointed pad feet, and back swept gun barrel rear legs with block feet, 103cm highCondition report; Light historic worm to rear underside rail on both chairs, evidence of restoration to underside blocks on both chairs, one chair has splice repair to front RH foot and a splice repair at the top of the rear RH leg, replaced seat pads on both chairs, chairs appear firm with only very slight movement in the joints, otherwise only very light wear commensurate with age and use
A pair of George II walnut side chairs, possibly Irish, the vase shaped splat above a board seat, raised upon front cabriole legs extending to pad feet, rear legs of chamfered square section, 97cm highCondition repport; Sun bleaching to the front of both chairs, both chairs have replaced corned blocks to the underside with historic strengthening bars fitted between the rear legs, one chair has a 23cm split in the splat, the second chair has minor splits in the seat and upright
A pair of Queen Anne walnut side chairs, each with a vase shaped splat over a tapestry drop in seat, raised upon cabriole front legs, 100cm high (at fault)Condition report: First chair has extensive inactive historic worm, in particular the right front leg, under seat frame and blocks, along with the splat, splice repair to left rear leg. Second chair similarly effected and has a break at the top of the left rear leg where it joins the cross member. Both chairs require some level of restoration
An 18th century, Chinoiserie influence, scarlet Japanned elbow-chair, in the manner of Giles Grendey, the vase shaped splat back applied with oriental figures, with painted gilt detail extending to the out swept arms and paper scroll terminals, enclosing the bow front upholstered seat, raised upon cabriole front legs and shell moulded feet, united to the chamfered back swept rear legs by a 'H' cross stretcher, 102cm H (at fault) Note: Giles Grendey was renowned for making high class Japanese influenced furniture for the export market in the second quarter of the 18th century Please see further imagesCondition report; Separation of cross stretcher from front leg, but no damage on either joint, signs of restoration to the inside of the top of the front legs, 'wings' of the vase splat appear to have been re attached, top rail and splat also appear to have been re attached, some movement in the arm joints, sagging in the seat upholstery, minor scratches and chips to lacquerProvenance: Ruyton Hall, Shropshire
A late Victorian chaise longue, later re-covered, the shaped back enclosing a loose seat cushion, raised upon, turned vase shaped legs, brass shoes and castors, 79cm H x 180cm w x 65cm D Provenance: Ruyton Hall, ShropshireCondition report;legs are later associated, only minor rubbing and wear to the legs. Very minor wear only to fabric
A William IV mahogany and upholstered Empire style library chair, the padded arms above a reeded apron raised on vase shaped front legs, 102cm high (at fault) Provenance: Ruyton Hall, ShropshireCondition report; Castor missing front RH leg, chip to front left leg, multiple historic repairs to both front leg joints, small split on rear left leg, heavy scuffs and marks to all legs, some play in the back rest, some stains and wears to fabric on the arms
A Victorian olive green leather Chesterfield corner settee, of 'L' shape, the shaped back rest uniting a short and long arm rest, enclosing a sprung seat, raised upon six turned walnut vase shaped legs, brass shoes and castors, applied with peripheral stud detail, 82cm H x 187cm W x 123cm D, some historic worm and restoration (at fault)Condition report; Front LH leg has extensive inactive historic worm with some damage, all the other legs have some signs of historic worm, rear left leg has had some restoration with a metal bracket fitted, bracing bars to the underside also show signs of historic worm, leather with only minor wear, no splits or holes
CHINESE FAMILLE ROSE FOUR-SECTIONED VASE QING DYNASTY, 19TH CENTURY sturdily potted, each side enamelled with idyll rural lifestyle, including a farmer ploughing with a buffalo, two men fishing on a river whilst a couple holding a fish, a woodcutter and a scholar, and a scholar sitting indoor with children at play, all amongst a dramatic mountainous landscape, flanked with a pair of mythical masks and rings as handles(39.3cm high)
Beautiful ranch scene with two horses and a huge amount of sunflowers adorning the vase, all the way around, mixed in with mountains and trees.Issued: 1913Dimensions: 13"H x 13"WManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: slight discoloration to upper right hand quadrant of vase
Rare stoneware figural vase. Figural scene mounted in front of brickwork chimney.Rectangular base inscribed FAILURE OF PEARS SOAP. Figure hand painted in tones of brown with cobalt blue interior. Incised GT monogram to verso. Doulton impressed backstamp. Artist: George TinworthIssued: c. 1885Dimensions: 4.5"HManufacturer: Doulton LambethCountry of Origin: England
Royal Doulton vase with Cobalt Blue face featuring a profile of Lord Nelson and his fleet of ships lined by rope motifs.Doulton stamp. Banner under rim reads "England expects every man will do his duty". In celebration of the victory at the Battle of Trafalgar. Issued: 20th c.Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good
Doulton commemorative vase celebrating the victory as the Bottle of Trafalgar. Lord Nelson is shown is shallow relief along with his fleet of ships in a soft zest green. The body of the vase is a luxurious royal blue.Doulton stamp Issued: 20th c.Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good
Lidded globular form vase; incised with flying bats design mounted on a stylized base.Special commission 1/1. Artist signed and dated October 2015. Hand written Special Edition Bat Vase to bottom base. Artist: Andrew HullIssued: 2015Dimensions: 13.5"HManufacturer: Andrew Hull PotteryCountry of Origin: England
Garden pots and urns: A pair of Pulham stoneware urns, late 19th century, stamped Pulham’s terracotta Broxbourne, 61cm highPart of the Irish Collection of Garden Statuary and Ornament, see lot 35 for further informationThe Pulham company was established in 1820 but made terracotta from around 1846 on into the 20th century, with workshops in Broxbourne, Hertfordshire. By the 1880’s the company was concentrating on garden and landscape ornaments. A catalogue of 1915, indicates that their wares were made of “Pulhamite” stone, which, is considered the best material for all designed stonework in connection with the garden for the following reasons: Pulhamite stone is more durable than natural stone, for it never decays and never shells or flakes, cement is not used in its composition, it is a lighter substance, making more elegant productions than any other so called artificial stone. This is an important point, as the sides of a Pulhamite vase give more space for soil. It is the colour of light stone. There is nothing deleterious to plant life in it, in fact, owing to the nature of the material, the opposite may be said in its favour. We guarantee its durability, and can refer to work which has been exposed for 70 years. If desired we can reproduce in the antique style, and copies can be made from practically any existing examples.The company held appointments to H.M. King Edward VII, H.M. King George V and H.M. Queen Alexandria.
A Chinese blue and white vase decorated with plants and birds (firing crack running from the rim), a crackle glaze ginger jar (no lid) another (no lid) and a blue and white small teapot Vase in good condition with firing crack as catalogued, 1 ginger jar ok, teapot has chips to spout and rim
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653685 item(s)/page