A 19th century continental green cut glass vase/vessel with slice cut shoulders and hobnail cut throughout with applied gilt and painted scrolling foliate detail, 19 cm tall approx together with a tall 19th century cranberry glass bowl raised on a circular pedestal base with two scrolling handles in the Lobmeyr style decorated with extensive foliate gilt decoration surrounding two oval shaped plaques, one decorated with a painted floral group, the other depicting figures in a courtyard setting (AF), 28 cm tall approx
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An extensive and wide ranging selection of mostly coloured Art Glass to include tall vases, a variety of dishes and vases of shallow cylindrical form with pinched and shaped rims, a selection of figures to include fish, birds and other animals in the Murano style, a tall opaque glass vase of bulbous form with beige ground decorated with applied foliate detail, further various Art Glass items in shades of red, blue, green, amber, etc
A Swarovski Crystal candlestick, a small Caithness amethyst glass vase together with a large bottle green glass vase with applied moulded handle, various drinking glasses and glass tankards together with a quantity of "Freestyle" ceramic plates and dishes, a small collection of miscellaneous Studio Pottery to include a round flask shaped vase in shades of grey, brown and dark brown with impressed maker`s mark to the side, etc
A collection of decorative glass to include two Caithness scent bottles of bulbous form, a further Caithness scent bottle of tapering cylindrical form decorated, a Mdina Art Glass vase of baluster form with flared rim decorated in encased detail, a Victorian glass beaker with etched dated Feb 20th 1887", a blue Wedgwood single candlestick on slender tapering stem, a circular paperweight with encased mottled green and yellow decoration etched "Cowdy" to the base, a further Wedgwood paperweight in the form of a seated bird, etc
A selection of coloured art glass in shades of blue, orange, amber, yellow, etc to include a Victorian basket shaped dish with white mottled finish and clear glass moulded handle, a tall vase in shades of red and amber with wrythen moulded finish and flared rim, various other vases, dishes, vessels, etc
A miscellaneous collection to include over twenty five drinking glasses with etched Greek key banded detail, plated coasters with embossed foliate detail, silver plated salt and pepper shakers, mustard pot, posy vase, etc together with a boot beetle of timber construction, a 19th century silver plated toast rack together with a large quantity of silver plated and stainless steel cutlery to include a quantity of stainless steel knives with polished bone handles, a silver plated crumb tray with chased floral decoration and antler handle, etc
A George V silver epergne, maker HEB FEB, Chester, 1923: inscribed, with central trumpet shaped vase and a further two vases and two bon bon dishes issuing from the central stem, raised on a domed circular foot, with ball feet, 30.5cm. high, one vase and one bon bon dish maker BB, Birmingham, 1923, 28.02ozs.
A Peking glass vase and cover: of flattened baluster form of pale green colour with gold inclusions the clear handles formed from grotesque masks the body with a pair of magpies amongst prunus and verso with a songbird and peony on a wave scroll ground with several raised signature tablets beneath a band of stiff leaves, the pieced domed cover with thunder key band and peony bud knop, 27.5 cm high, apocryphal Qianlong seal mark to base.
A set of six Chinese famille verte deep plates: with foliate moulded rims, the centres painted with a large vase of peony, other flowering plants and foliage within a panelled border of insects and flowers, Kangxi, 22cm diameter [minor chips, one with hair crack to rim] 6.
A Chinese tea dust glazed vase, Fanghu: of archaic bronze form with lug handles and peach shaped panels to each side, the mottled tea dust glaze thinning to the edges of the body, handles and rim, 19th century, 31cm high [chip to footrim, glaze imperfections and short stress cracks to rim].
Charlotte Rhead for Bursley Ltd. (Bursley Ware) vase: of oviform with short raised neck tubelined with three heavily stylised flower head motifs bisected by triple wavy linear borders, reserved on a yellow ground above a narrow orange and broad blue band beneath lustre glazes, 15 cm high, printed mark, painted pattern no.443 and lustrers mark, circa 1921
An Elton Ware (Sunflower Pottery) vase: the globular body set with six loop handles at the base of a waisted and flaring neck, the body decorated with raised blue and green slips with a band of foliage and berry-like fruit, the neck with simple incised decoration under streaky green and blue, 33 cm high, painted Elton to base, circa 1890-1900.
Frederick Rhead, a porcelain vase: of ovoid form decorated with a continuous raised design of a woodland landscape at dusk, painted mark `FR 7`, 11 cm high. * Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
*Biography. The Rheads were an old North Staffordshire family who had been connected with pottery production since the 18th century. Frederick Alfred Rhead [1856-1933] was to follow the family tradition of potting but combined it with that of artist and designer. At the age of thirteen he joined Mintons as an apprentice painter and a year later was assigned as an apprentice to Louis Solon, the leading exponent of the difficult and skillful technique of pate-sur-pate. Frederick worked for Solon until 1877 and the following year joined the Wedgwood factory. He also worked as a freelance for firms such as Pinder, Bourne and as art director for James Gildea, Brownfield`s and Wileman & Co. In 1912 he joined Wood & Sons and then in 1929 Cauldon Potteries which at that time was a conglomerate including Royal Crown Derby, Royal Worcester and Ridgways. Five of Frederick`s six children were involved in the pottery business, Frederick Hurten Rhead [1880-1942] and Charlotte [Lottie] Rhead [1885-1947] are probably the best known. Frederick Hurten worked for most of his life in the United States for firms including Tiltonville, Wheeling, The Weller Pottery, Roseville, his own firm Rhead Pottery and the Homer Laughlin China Company. Charlotte Rhead [1885-1947] started her career at Wardle & Co. in Hanley and it was here that she developed her skills as a tubeliner. She subsequently worked for Keeling & Co., T&R Boote and with her father at Wood and Sons. She is probably best known for her work at Burgess & Leigh [Burleigh Pottery] and A.G.Richardson [Crown Ducal]. PROVENANCE: The present collection is being sold on behalf of the Executors of the estate of the late Richard Harry Rhead Cronin. Frederick Alfred Rhead and his wife Adolphine had six children: Frederick, Henry, Marie, Charlotte, Catherine and Adolphine. Richard Harry Rhead Cronin was the son of Marie and therefore Charlotte Rhead`s nephew. A fine Frederick Alfred Rhead, probably for Minton, pate-sur-pate porcelain vase: of cylindrical form decorated with an angel holding aloft a large bowl with text below `And when the angel with his darker draught draws up to thee-take that and do not shrink` taken from verse 48 of The Rubaiyat of Omar Khayyam, signed F.A. Rhead, 30.5 cm. * Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
A Bretby Art Pottery yellow ground vase probably by Charlotte Rhead: decorated with three galleons on a turquoise sea, the shoulder and neck with clouds and geometric motifs, signed `L. Rhead`, impressed marks, 26.5 cm, short hair crack to rim, some glaze imperfections. *Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
Frederick Rhead, a porcelain vase in the Art Nouveau manner: of waisted cylindrical form, with raised design of gilt lined tree trunks and branches on a mottled blue ground, stylised green foliage below, incised mark `F R 13`, 21 cm high, crack to rim of base. *Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
Attributed to Frederick Alfred Rhead [1856-1933]- Design for The Gladstone Vase:- watercolour 49 x 33 cm. *The monumental pate-sur-pate `Gladstone Vase` was designed and executed by Frederick Rhead in 1887 for E.J.D.Bodley. The vase was commissioned by the Burslem Liberals and presented to the former Prime Minister William Ewart Gladstone in August 1888 at his home Hawarden Castle, Flintshire. it now forms part of the collections at the Potteries Museum, Stoke on Trent.
Frederick Hurten Rhead for Wardle& Co. a tube-lined pottery vase: of tapering form, the short flared neck with eight loop handles, decorated and tube-lined with two turtles in a continuous landscape with a village in the background, inscribed below with the tongue twister `Two tired turtles trying to trot to Tutbury`, signed Frederick Hurten Rhead 1902, 30 cm high. * Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
A Copeland and Garrett porcelain topographical vase: of footed two handled form, enamelled front and verso with gilt edged panels depicting Arabic views captioned `Mosque of Mahmoud at Tophana` and `Fountain of the Seraglio` on a turquoise ground, green printed mark, circa 1840, 20cm, some oxidation, riveted damage.
A Flight Barr & Barr Worcester vase: of campana form with scroll handles, applied jewelled band and painted with a landscape view `Near Matlock, Derbyshire` on a pink and foliate gilded ground, on socle base, painted title and mark `Flight Barr & Barr, Royal Porcelain Works, Worcester, London House 1 Coventry Street`, 13.5 cm high, rim and one handle restored.
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653833 item(s)/page