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ZSOLNAY, PÉCS VASE, CIRCA 1905 'eosin' lustre-glazed ceramic, applied maker's seal mark, indistinct impressed numberDimensions:14cm highNote: Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
CHRISTOPHER DRESSER (1834-1904) FOR MINTON & CO. PAIR OF 'CLOISONNE' PORCELAIN VASES, CIRCA 1870 bone china, glazed, enamelled and gilded decoration, impressed maker's marks, incised 1592 Dimensions:28cm high Note: Literature: Whiteway M. Christopher Dresser 1834-1904, Skira Editore S.p.A., Milan, 2001, p.66, p.31 where a similar vase is illustrated.
CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM AULT & CO. VASE, CIRCA 1893 glazed earthenware, impressed facsimile signature CHR. DRESSER, impressed number 248, and ink mark 14/6Dimensions:31.5cm highNote: Literature: Whiteway, Michael (edit.) Shock of the Old: Christopher Dresser's Design Revolution, London 2004, p.213, pl. 284 where a similar vase is illustrated.
ZSOLNAY, PÉCS PERSIAN STYLE PITCHER VASE, CIRCA 1895 'eosin' lustre-glazed ceramic, pierced and relief-moulded, impressed ZSOLNAY/ 7657/ 36/ 22Dimensions:33cm highNote: Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
CHRISTOPHER DRESSER (1834-1904) FOR JAMES COUPER & SONS, GLASGOW 'CLUTHA' VASE, CIRCA 1890 glass, etched to base CLUTHA/ DESIGNED BY CD/ REGISTEREDDimensions:12cm highNote: Literature: See Lyons H. Christopher Dresser: The People's Designer, 1834-1904, Woodbridge, 2004, pp.164-5, pl.313 where similar signed examples are illustrated.
ZSOLNAY, PÉCS TALL VASE, CIRCA 1900 'eosin' lustre-glazed ceramic, with three applied handles, applied maker's seal mark ZSOLNAY, PÉCS 6084/ 25/ 23Dimensions:33.5cm highNote: Literature: Csenkey E. Hungarian Ceramics From the Zsolnay Manufactory 1853–2001 – From Historicism to Postmodernism, Yale University Press 2002, p.124, pl.93a-c where similar examples are illustrated.Note: The Zsolnay factory rose to prominence after the 1867 formation of the Austro-Hungarian Empire ended political unrest in Hungary. Austrian design had a strong impact on the factory and its ‘eosin’ lustre glaze, developed in the 1870s, provides the curving outlines of its wares with a sensual metallic sheen.
WILLIAM MOORCROFT (1872-1945) FOR MOORCROFT POTTERY 'ORCHID & SPRING FLOWERS' BOWL, CIRCA 1925 glazed earthenware, blue painted signature and impressed facsimile signature/ MADE IN ENGLAND/ POTTER TO H.M. THE QUEEN, 24cm diameter; together with an 'AFRICAN LILY' VASE, glazed earthenware, painted initials, impressed factory marks and applied paper label, 31.5cm high
CHRISTOPHER DRESSER (1834-1904) FOR LINTHORPE ART POTTERY GOURD VASE, CIRCA 1880 glazed earthenware, impressed factory marks and facsimile signature LINTHORPE / Chr Dresser / 330 / HDimensions:10.5cm highNote: Literature: Halén W. Christopher Dresser: A Pioneer of Modern Design, London 1990, p.163, pl.185 where a similar vase is illustrated.
* Galsworthy (Frank, 1863-1959). At Santa Barbara, California, 1928, watercolour on thick paper, signed, titled and dated in pencil to lower left, exhibition number sticker '52' to lower left of glass, corresponds with an exhibition held at Walker's Galleries, London on the 11th - 24th June 1931, for the same work, sheet size 28.3 x 38.7 cm, framed and glazed (45 x 53.5 cm), with flyer for exhibition, plus Flowers in a Vase, July 1936, watercolour and gouache on canvas, signed, dated, with 'Piora, Lago Ritom, Suisse' to lower right, mount aperture 50 x 36 cm, framed and glazed (71 x 58 cm), together with 8 other watercolours comprising: Primula 'Mrs Porter', 1935, Camellia Japonica, 1936, The Old Nurseries, Tunbridge Wells, 1922, an oriental sketch, 1912, The Wallace Monument, Stirling, 1919, Warwick Castle, 1921, wrought iron ornamental gates, 1921 and a large vase of flowers, 1924, all signed and dated, various sizes from 28 x 38 cm to 87 x 66 cm, and related ephemera including a 1931 exhibition pamplet, 11 photographs (his studio, gardens and home), etc., a folio QTY: (10 and a folio)
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653833 item(s)/page