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BURMANTOFTS FAIENCE POTTERY, LEEDSYELLOW GLAZED POTTERY TOAD JARDINIÈRE, CIRCA 1890impressed marks to base ENGLAND, 16cm high; together with a BURMANTOFTS POTTERY BOTTLE VASE, covered in a yellow glaze, impressed maker’s marks to base BF/ ENGLAND/ 1582/ WHITE, 23cm high; and a BURMANTOFT'S POTTERY HANDLED VASE, covered in a pink glaze, marks to underside, 27.5cm high (3)
BRETBY ART POTTERYFLAMBÉ CERAMIC BOWL, CIRCA 1920moulded with a central rose flower and covered in red and green glazes, impressed maker’s marks BRETBY/ ENGLAND, associated hardwood stand, 28cm diameter; and a PILKINGTON’S WAISTED VASE, CIRCA 1910, covered in a bronze glaze, impressed maker’s marks to base, 14.5cm high (2)Provenance: Paul Reeves, London
SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRSLATE 18TH/ EARLY 19TH CENTURYthe shaped top rails above pierced and carved vase-shaped splats with scrolled roundels and leather upholstered seats, raised on square straight legs united by H-form stretchers, comprising two carvers and six side chairs (8)side chairs 52cm wide, 97cm high, 43cm deep; carvers 57.5cm wide, 99.5cm high, 48.5cm deepProvenance: Gow Antiques & Restoration Ltd., Angus
[§] PAUL COKERPAIR OF TURNED MAHOGANY URNS AND COVERS, MODERNwith lignum vitae finials and domed covers above vase form bodies and reeded socles, raised on square plinths, stamped maker's marks to base (2)38.5cm highProvenance: Purchased directly from the artist.Note: Paul Coker is a professional woodturner, having started his career in the late 1970s. His work includes small functional and ornamental items from chess pieces to urns and musical apparatus.
[§] ALEX STYLES (B. 1922)SILVER TWIN-HANDLED VASE, DATED 1963of cylindrical form with everted rim, the domed base chased with star and lozenge design with openwork supports cast as horses' heads, raised on a walnut stand, stamped maker’s marks, G&CO. LD., hallmarked London 196321.5cm high (silver), 26.5cm high (with stand), weight: 26.86ozNote: Alex Styles, predominantly a designer, was tutored by Reynell Huyshe, a partner of George Hart of the Guild of Handicraft at Chipping Campden, Gloucestershire. He became a staff designer for the Goldsmiths and Silversmiths Company in 1947, before moving on to Garrard, when the two companies amalgamated, in 1952.
GORDON FORSYTH (1879-1952) FOR PILKINGTON'S TILE & POTTERY CO.'APOLLO', A MONUMENTAL LANCASTRIAN LUSTRE VASE, DATED 1909 decorated with a frieze of cockerels to the neck, and to the body with the figure of Apollo riding a chariot through the clouds pulled by six horses, reserved on a blue ground, bears inscription APOLLO, painted artist’s and date cyphers to the base, impressed factory monogram and marks 2471 / IX/ ENGLAND 54cm highProvenance: The Harriman Judd Collection of British Art Pottery, Sotheby’s, New York, 22 January 2001, lot 407Note: This impressive vase is one of the largest pieces ever produced by the factory in lustre glazes. Pilkington’s Tile & Pottery Company was founded in 1891 at Clifton, near Salford, Greater Manchester. William Burton, previously a chemist with Josiah Wedgwood & Sons, was employed as manager and guided the company through its early years until 1915. He was joined by his brother Joseph, and together they developed the glazes for which the company became famous. The first large exhibition of Pilkington's Lancastrian Pottery was held at the Graves Gallery in London in 1904, and two years later the first of the lustre wares were shown at the Arts & Crafts Exhibition in London. The firm employed some of the leading designers of the day for these special wares, including Lewis F. Day, C.F.A. Voysey and Walter Crane, as well as designs from their own decorators, including Richard Joyce, Gordon Forsyth and William S. Mycock. The firm was awarded the Royal Warrant in 1913, after which the range was known as Pilkington’s Royal Lancastrian.
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, DATED 1914decorated with galleons at sea with opposed cartouches containing a fleur-de-lis and a cross, painted artist’s and date cyphers to the base, impressed factory monogram and marks XIV/ ENGLAND25cm high
WALTER CRANE (1845-1915, DESIGNER) AND WILLIAM S. MYCOCK (1872-1950, DECORATOR) FOR PILKINGTON’S TILE & POTTERY CO.LANCASTRIAN ‘SWAN’ LUSTRE VASE, DATED 1906decorated with classical figures in sailing ships, painted artist’s, designer’s and date cyphers to the base, impressed factory monogram and marks 2472/ VI 25.5cm highProvenance: Richard Dennis, London
GORDON FORSYTH (1879-1952) FOR PILKINGTON’S TILE & POTTERY CO.LARGE LANCASTRIAN LUSTRE VASE, DATED 1909 decorated with a frieze of lions rampant and stylised trees on a blue ground, painted artist’s and date cyphers to the base, impressed factory monogram and marks IX/ ENGLAND, bears paper label with inscription LL/ 670533.5cm high
RICHARD JOYCE (1873-1931) FOR PILKINGTON’S TILE AND POTTERY CO.ROYAL LANCASTRIAN LUSTRE BOTTLE VASE, DATED 1918decorated with hares in a landscape, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks 3015/ ROYAL LANCASTRIAN/ ENGLAND18cm high
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO.LANCASTRIAN LUSTRE VASE, DATED 1913decorated with galleons at sea with opposed cartouches painted with a lion rampant and fleur-de-lis, painted artist’s and date cyphers to the base, impressed factory monogram and marks 2873/ XIII/ ENGLAND24cm high
WALTER CRANE (1845-1915, DESIGNER) AND RICHARD JOYCE (1873-1931, DECORATOR) FOR PILKINGTON’S TILE & POTTERY CO.LANCASTRIAN ‘SWAN’ LUSTRE VASE, DATED 1907decorated with classical figures in sailing ships, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks 2472/ VII/ ENGLAND 25.5cm high
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, DATED 1922decorated with panels of roses and cypress trees, painted artist’s cypher and dated 1922 to the base, impressed factory monogram and marks 3**9/ ROYAL LANCASTRIAN/ ENGLAND17.5cm high
RICHARD JOYCE (1873-1931) FOR PILKINGTON’S TILE AND POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, DATED 1918decorated with leaping deer amidst trees, indistinctly painted artist’s and date cyphers to the base, impressed factory monogram and marks ROYAL LANCASTRIAN/ ENGLAND22cm high
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, DATED 1920decorated with an armorial device and bearing inscription PRO ARIS ET FOCIS, painted artist’s cypher and dated 1920 to the base, impressed factory monogram and marks 2869/ ROYAL LANCASTRIAN/ ENGLAND26.5cm highNote: "Pro aris et focis" is a Latin phrase used as the motto of many families, military regiments, and some educational institutions meaning "For God and country" or literally "For altars and hearths".
WALTER CRANE (1845-1915, DESIGNER) AND RICHARD JOYCE (1873-1931, DECORATOR) FOR PILKINGTON’S TILE & POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1918decorated with classical figures with cypress trees, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks 2085/ ROYAL LANCASTRIAN/ ENGLAND27cm high
WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO.ROYAL LANCASTRIAN LUSTRE VASE, DATED 1926decorated with opposed lions rampant on a foliate ground, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks 2967/ ROYAL LANCASTRIAN/ ENGLAND33.5cm high
DOROTHY DACRE FOR PILKINGTON’S TILE AND POTTERY CO.LANCASTRIAN LUSTRE VASE, DATED 1907decorated with a foliate chequer design, painted artist’s and date cyphers to the base, impressed factory monogram and marks VII/ ENGLAND 9.5cm high; and a PILKINGTON’S ROYAL LANCASTRIAN LUSTRE VASE BY GLADYS RODGERS, CIRCA 1920, decorated with a band of fruiting leaves, impressed factory monogram and marks 2720/ ROYAL LANCASTRIAN/ ENGLAND, chip to foot rim, 9.5cm high (2)
ATTRIBUTED TO JAMES POWELL & SONRARE GLASS VASE, CIRCA 1909of ribbed trumpet form with broad foot, etched registration mark to base RD. 543290 for 1909, 22.5cm high; together with a JAMES POWELL & SON GLASS VASE, pink ribbed decoration, 15cm high; a VICTORIAN AMBER GLASS BOTTLE VASE, 30cm high; and a WEBB GLASS PITCHER, 23.5cm high (4)Provenance: Paul Reeves, London
WILLIAM DE MORGAN (1839-1917)RUBY LUSTRE JAR & COVER, CIRCA 1890decorated with bands of exotic birds and foliage, impressed Sands End mark to base, bears Morris & Co. retailer’s label MORRIS & COMPANY/ 17 ST. GEORGE STREET, HANOVER SQUARE/ R.206/ D.M. LUSTRE/ VASE & COVER/ C P.LY.Y. £2032cm highProvenance: Richard Dennis, London
WILLIAM DE MORGAN (1839-1917)RUBY LUSTRE CHARGER, CIRCA 1880decorated with Cupid & Psyche, Cupid shown bearing a flaming torch, and verso decorated with leafy bands, bears Morris & Co. retailer’s label MORRIS & COMPANY/ 17 ST. GEORGE STREET, HANOVER SQUARE/ R.337/ LUSTRE DISH/ VASE & COVER/ CG.Y.Y £835.5cm diameterProvenance: Richard DennisLiterature: Greenwood, Martin, 'The Designs of William de Morgan', Richard Dennis 1989, p. 205, pl. 7 illus.
JOHN WALSH WALSH, BIRMINGHAM ENGLISH ART NOUVEAU OPALESCENT GLASS POSY VASE, CIRCA 1900the frilled tapering body with short stem raised on a spreading base, 11cm high; also a PAIR OF JAMES POWELL & SONS GREEN GLASS VASES, CIRCA 1890, each with frilled rim, short stem and spreading base, 19cm high; and a VICTORIAN GLASS STEMMED VASE, amber glass, 28cm high (4)Provenance: Paul Reeves, London
LOUISE POWELL (1865-1956) FOR WEDGWOODARTS & CRAFTS ARBARELLO VASE, CIRCA 1910with repeating red flowerheads and purple leaves, maker’s marks and monogram, 21.5cm high; together with a GRAY’S POTTERY SILVER LUSTRE JUG, depicting a lion rampant, maker’s marks and monogram, 15cm high; and a BOWL, with Greek key border and fruiting vines in silver lustre, with inscription JUNE 10TH 1944/ GREETINGS, the underside marked DESIGNED & PAINTED AND PRESENTED TO VICAR F.A. NOBLE & MRS NOBLE. BY MRS M. FOREMAN ON THEIR WEDDING DAY JUNE 10TH 1944, 23.5cm diameter (3)Provenance: Paul Reeves, London
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653833 item(s)/page