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Two vintage brooches, a gold pineapple form brooch set with five brilliant cut diamonds, estimated total diamond weight 0.65 carats, mounted in yellow gold stamped 18 ct, and a vase and flower brooch, set with pink tourmaline, emerald, jadeite, rubies and diamonds, measuring approximately 4.1 x 3.7cm. CONDITIONPineapple brooch weight 26.4 gramsPineapple brooch measures approximately 10 x 5.3 x 1.6cmVase and flower brooch weight 14.1 gramsmiddle oval cut ruby and jug piece both are loose in setting
A FRENCH PORCELAIN GARNITURE VASE, late 19th century, of ovoid form, painted in polychrome enamels by T. Quentin with classical figures at the fountain of love, on a gilt highlighted cobalt blue ground, with heavy gilt metal satyr mask handles and base, signed, on glaze pseudo Sevres mark, 20 1/4" high (Est. plus 21% premium inc. VAT)
A ROYAL WORCESTER CHINA POT POURRI AND COVER, 1923, of lobed rounded cylindrical form painted in polychrome enamels by Ricketts with a still life of two apples and cherries on a blossom strewn mossy bank within gilt highlighted borders, signed, puce printed mark, shape 278/H, 5" high, together with a similar late Victorian vase and cover, 1897, of two handled baluster form with raised gilded passion flowers, blue printed mark, shape 1683, 11" high (2) (Est. plus 21% premium inc. VAT)
A ROYAL WORCESTER CHINA VASE, 1916, of flared rounded cylindrical form, painted in polychrome enamels by R. Austin with an oval panel of Cape flowers on a gilt highlighted pink ground, signed, indistinctly inscribed "ER ... THUNB... (?), puce printed mark, shape 2470, bears original "Hollwills of Durban" label, 7 1/4" high (Est. plus 21% premium inc. VAT)
A ROYAL WORCESTER CHINA VASE, 1913, of slender ovoid form with two scroll handles, painted in muted enamels by Rushton with an oval panel enclosing a river landscape with a rowing boat beside a viaduct, castle beyond, on a gilt and blue faux marble ground, signed, puce printed mark, shape H257, 7 3/4" high (Est. plus 21% premium inc. VAT)
A GRAINGER & CO. WORCESTER PORCELAIN BLUSH IVORY PERSIAN STYLE VASE, late 19th century, with reticulated rim and minaret handles, painted in colours (reputably by Stinton) with two pheasants in flight amidst gorse, green printed mark, shape G60, 14 1/2" high (Est. plus 21% premium inc. VAT)
A COLLECTION OF LATE VICTORIAN GRAINGER & CO. WORCESTER PORCELAIN comprising a blush ivory wall bracket modelled as a female mask below scrolling acanthus leaves supporting a shaped oblong shelf, brown printed mark, 8" high, an ivory ground ewer of squat lobed globular form with a Persian inspired gilt and "pearl" panel, brown printed mark, 6" high, and a white glazed reticulated vase, brown mark, 6" high (3) (Est. plus 21% premium inc. VAT)
A SET OF SIX GEORGIAN MAHOGANY DINING CHAIRS, late 18th century, of Sheraton type and including two elbow chairs, panelled top rail over reeded three bar splat back, downswept arms on turned vase shaped supports, overstuffed seats in pale green striped weave, raised on square tapering legs and spade feet joined by an H stretcher, elbow 21 1/2" x 18" x 35" (Illustrated) (Est. plus 21% premium inc. VAT)
A SET OF FOUR REGENCY STYLE CANED AND PAINTED ELBOW CHAIR, 20th century, gilded with foliage on a black ground, the open trellis back with straight top rail and turned and block uprights with turned finials, open downswept arms on tapered vase shaped supports, circular seat with button upholstered cushion in champagne silk, raised on slender turned tapering front supports, 20" x 17" x 35" (Illustrated)
A MATCHED SET OF TEN ASH RUSH SEATED DINING CHAIRS, basically 19th century, including two elbow chairs, turned uprights with nipple finials, wavy top rail over two rows of spindles, quarter turned front legs joined by a baluster turned stretcher and multiple plain stretchers behind, 19" x 16" x 37 1/2", the elbow chairs with three rows of spindles and turned vase shaped arm supports (Est. plus 21% premium inc. VAT)
A Chinese cinnabar lacquer vase stand late Qing Dynasty/Republic The near square lobed top carved with three dragons chasing a flaming pearl amid roiling clouds, supported on a waist decorated with cell and lappet borders, above a shaped apron and four tapering cabriole legs, all carved with conforming dragons chasing flaming pearls, terminating in a low base formed by four shaped stretchers 89cm high, 46cm wide and 39 deep.
A Chinese hardwood vase stand Late Qing/Republic period The moulded circular top above a fretwork apron inset with iron bosses, raised on cabriole supports terminating in claw feet and united by a foliate undertier with conforming iron boss. 73cm high, 33cm top dia. One iron boss missing. General surface wear throughout. Sturdy structurally.
Two Chinese Hardwood Pink Marble-Inset Vase Stands 19th Century The first with lobed circular top having a beaded edge, above a foliate carved frame raised on cabriole supports carved with masks and terminating in claw feet, 46cm high, 46cm dia., the second with circular top above a foliate carved frame raised on carved cabriole supports united by a leaf-form stretcher, 48cm high, 27cm dia. (2)
Two Japanese lacquer inro Unsigned, Meji period The first two-case, dark brown and lacquered in shades of gold, silver and red with a dragon in clouds above waves, 5.5cm, the second five-case, dark brown and carved to one side with a fierce lion dog and to the other with a flower vase picked out in gilt, with goldstone ojime and rosewood manju netsuke, 11.5cm. (2) The first: Lacking chord. Chipping/nibbling to case edges. Surface wear and signs of age. The second: Gilt almost entirely rubbed. Slight nibbling to case edges. Lacquer losses to base of chiita. General surface wear throughout. Please refer to images.
Two Kashmir enamelled copper vessels 18th century The first a tea caddy of lobed ovoid form, cast with foliate motifs and enamelled in dark blue with red and turquoise details, 16.5cm high, the second a vase of amphora shape with twin scroll handles, worked with dense scrolling foliage and enamelled in dark blue and turquoise, 16.5cm high. (2) Tea caddy: Minor losses to enamel, general wear throughout. Vase: Minor wear and signs of age.
A large Chinese blue and white sleeve vase, Gu Kangxi Of near cylindrical form with slightly swollen centre section and gently flaring rim, decorated with the 'one hundred antiques' pattern of scattered precious and auspicious objects, lingzhi fungus mark within a double ring. 42cm high Restoration to a hair crack running down from the rim and curling round. Fine tail end of the crack remains visible and no further damage or filling in beneath the restored area detectable. In addition there are two very small rim chips and two small chips to the base just above the foot rim.
A large Chinese blue and white dish 18th Century Of circular shape and decorated with a 'long Eliza' figure in a fenced garden approached by a boy holding a flower vase, the rim with a diaper panel and ruyi-head border. 41cm dia. Very small flat chip to underside of rim.
A Chinese enamelled blue and white vase and cover Six-character Kangxi mark but 19th Century Of ovoid form and decorated with boys standing beside large decorative vases, each painted in the famille verte palette, surrounded by flowering prunus branches, a ruyi-head border to the rim, the domed cover probably associated and with lion finial, 32cm high, together with an enamelled blue and white bowl, decorated with scroll-bordered panels of flowers and foliage, 23cm dia. (2) Vase: Cover restored but probably associated. Vase appears in good condition. Bowl: Multiple hairlines to the rim.
A Chinese blue and white sleeve vase, Gu Kangxi With swollen centre section between flaring rim and foot, decorated with landscape vignettes containing auspicious flowers. 48cm high (reduced) Reduced and repaired to the rim. Associated hairlines to rim. Star crack to base.
A Chinese blue and white vase and cover 19th Century Of baluster form, the domed cover with lion finial, decorated with Confucian boys standing either side of large vases, surrounded by birds in flowering branches, beneath a diaper panel border to the rim, the base with a border of stiff banana leaves. 38cm high (restored) Cover finial restored. Vase restored to the rim where there was an apparent chip along with associated cracks running into the body.
A pair of Chinese ormolu mounted celadon bottle vase table lamps Qing Dynasty, 19th Century Of elegant bottle form and decorated with a uniform pale green ground, the gilt metal mounts probably French comprising palmette cast rims, twin lion-head handles and scroll feet, 38cm high, together with a celadon vase converted to table lamp, of baluster form and incised with a lotus bloom issuing from scrolling foliage, set on a carved hardwood stand, 31cm high (42cm high including fittings). Pair: Appear good. No light fittings attached. Single: Vase good. Wood base has some small losses.
A rare Chinese celadon five-spouted vase Daoguang seal mark and of the period The elegant globular body rising to four cylindrical necks flanking a taller central neck, raised on a spreading foot ring, decorated with an even sea-green glaze with white slip painted motifs of precious objects. 30cm high Two of the shorter spouts have fine hairlines. There is a very small dint to the underside foot rim. Please refer to images.
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653685 item(s)/page