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A Chinese Hundred Boys miniature ovoid vase, six-character mark, H 8cm and a collection of other Asian ceramics, mainly Chinese, comprising: a blue and white double gourd vase with prunus, vase and figure decoration, a similar smaller vase with panels of birds on branches and a small narrow neck bottle vase with foliate and stiff leaf decoration (all with four-character marks); a blue and white prunus-decorated ginger jar and cover, a similar pair of small baluster vases and covers with kylin finials and a similar tapered cylindrical vase with everted rim (all with blue circle marks); an Export famille rose plate, a small bowl glazed in orange and white with flowers and a miniature bowl mounted with a turtle (seal mark); together with two Chinese 20th century bronze silk irons with enamel handles (one a.f) and a near pair of Japanese blue and white bottle vases (15, some faults), max height 19cm
TWO BACCARAT CRYSTAL VASES AND ONE CRYSTAL ICE BUCKET, LATE 20TH CENTURY, comprising a Baccarat cylindrical "Harmony" vase with long angle cut vertical bands, verso acid-etched Baccarat mark, height: 12", diameter: 4 3/4"; a Baccarat circular flaring "Brigitte" vase with flat rim on tapering sides of vertical stylized long leaf details, verso acid etched mark, height: 10", diameter: 8 7/8"; together with a crystal ice bucket vase of short circular form and a flat rim above a waisted band of scalloped squares over tapering sides and a flat stylized starburst underside centering a polished pontil, unsigned, height: 7 3/8", diameter: 7 1/2". Provenance: From the Estate of William Woodford, Houston, Texas. Condition: Good condition with a few small surface scratches on sides and expected light wear on underside, surface buildup throughout but otherwise no serious discernible issues. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A DAUM PÂTE DE VERRE CRYSTAL "BUTTERFLY" BUD VASE AND "ORCHID" DISH, SIGNED, LATE 20TH CENTURY, the Butterfly bud vase (Papillon Soliflor pâte de cristal vase) with an elongated transparent crystal body with flaring rim, on a base modeled as a butterfly perched on a short stemmed leafy branch in colors of lavender shading to golden amber, verso pontil centering engraved signature "Daum / France," height: 8 1/4"; together with a pink shading to blue and green orchid bloom on a long waved leaves form dish, side with engraved signature "Daum France 181," height: 3 3/8", width: 10", depth: 5". Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Each in good condition with expected light wear on underside from use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN ENGLISH AESTHETIC MOVEMENT GILT METAL MOUNTED MAJOLICA VASE, 1870s, of inverted conical form and sides enameled with Blue Birds flying amongst blossoming cherry tree branches and carnation stems, surmounted by a reticulated metal mounted rim of stylized anthemions and blooms, over a conforming cast base ringed by acorn and oak leaf trim flanked by scrolling arms above continuous leafy bound stalks engraved ovules, raised on a circular socle and four pierced scrolling feet. Height: 22" Width: 9 1/2" Depth: 8 1/4" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Some surface flaking, crazing, gilding wear, handles are loose, metal rim has two chipped tips, repaired areas on metal base, one foot drilled twice, and surface buildup throughout. This was probably a lamp since the underside is a flat metal disc and has been drilled for gas/electricity. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE FAMILLE ROSE ENAMELED FIGURAL PORCELAIN VASE, 19TH/20TH CENTURY, a flared mouth over a long neck, above a bulbous body with overglaze enamel of three figures in landscape, with poem and red seal signature, the foot with an overglaze red-orange enamel archaic seal Qianlong style seal mark. Height: 14 1/2" Diameter: 7" Condition: Some minor rubbing and losses of enamel, dust and debris, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
EVA FISCHER (Croatian/Italian 1920-2015) A PAINTING, "Flowering Vase on a Yellow Table," mixed media on on felt, signed L/L. 31 1/2" x 35 1/2" Condition: Some surface wear, a dent in upper right, minor surface soil but overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A QING DYNASTY YELLOW GROUND FAMILLE ROSE DRAGON JAR, MARKED, TONGZHI (1862-1874), the parcel gilt bulb finial over a circular lid with three double happiness characters interspersed by bats, the vase with ballooning shoulders is collared by fluttering bats and double happiness ligatures, whipping flames and puffy clouds float and auspicious vases ethereally centering a five clawed Imperial dragon enameled in iron red, curling whiskers, his twisting torso with white flaming ridge is covered in gilt dotted scales, a basket of peaches descends from bangles and silks above a pale teal bat with ruyi mushroom carrying peaches and an oval lotus tassel pendant, below impressive colorful lishui waves roll and spray rising mountains, verso a four character red over glaze mark. Height: 12", Diameter: 8" Provenance: Treasures by Frederick Fisher, Scottsdale, Arizona. Condition: Some minor surface wear, a small loss of yellow enamel at lid, some surface soil, attributed to the 19th century, occasional label residue but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A DAUM AMBER PÂTE DE VERRE CRYSTAL "TULIP" VASE, SIGNED, LATE 20TH CENTURY, of long Tulip rippling leaves form, verso engraved signature "Daum France," height: 9", diameter: 6 3/4". Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Good condition with expected light surface wear on underside from use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO VINTAGE ART GLASS VASES, KELSEY/PILGRIM AND UNIDENTIFIED, SIGNED, LATE 20TH CENTURY, comprising a Pilgrim Art Deco style cameo glass vase, by Kelsey Murphy, 1989, of ovoid shape with stylized fan cut sides, verso pontil and engraved "Kelsey/Pilgrim," numbered "900430 '89," height: 7", diameter: 5"; together with a tapering bowl form art vase with stenciled pale blue checkered on a splotched ground detailed sides, continuing to underside over a pontil and including a stylized "e" centering an engraved "PJW / 32/200," height: 3 1/2", diameter: 6". Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Each in good condition with expected light wear on underside from use, otherwise, they are in good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
EUGÈNE SIBERDT (Belgian 1851-1931) A PAINTING, "Baroness Vaughan, Caroline Lacroix," 1906, oil on canvas, signed and dated L/L, "Eug. Siberdt Janu. 1906." 53" x 33" Note: The sitter is attributed as Caroline Lacroix, last confidant to King Leopold II of Belgium. The artist, Eugène Siberdt was appointed as a court painter some time in the late 1870's according to an entry by the Knohl Collection. The painting possesses clues and symbols to help identify the sitter. The viewer should note the 17th-century tapestry at the lady's back, which has a courting scene motif, at her side an old famille verte Chinese vase with chrysanthemums sits atop a two leg marble top console, and it is accompanied by a frame with portraits of two boys. Her fingers are covered in gold rings with emeralds, diamonds, an opal, and rubies; her wrists with pearl and diamond bangles. She wears a pastel blue silk day dress trimmed with embroidered lace, the dress pinned with a diamond and ruby dragonfly brooch at her breast, and at her neck a delicately strung pearl and jade cross necklace. She stands in chocolate silk beaded shoes on a parquetry floor laid with the pelt of a tiger, and her hand rests atop a lambs wool lined coat with an ermine collar. Layers of wealth and luxury surround the sitter setting her apart from bourgeois portraits by the artist, suggesting her identity could indeed be that of the Belgian, "Queen of the Congo." Provenance: Rau Antiques, New Orleans, Louisiana Condition: Some old repairs and inpainting, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE YUHUCHUNPING BLUE AND WHITE VASE, TONGZHI STYLE MARK, PROBABLY LATE QING DYNASTY (1644-1912), blue and white glazed porcelain, a trumpet mouth over tapering neck collared with plantain leaves, a band of flaming scrolls, and shaped spears, above a garden encircled by a fence, the landscape sprouting bamboo, lotus pods, and pomegranate fruit, a white lake with floating lily pads, above repeating feathers over lotus blooms, with double encircled foot, verso the base with underglaze blue six character mark. Height: 11" Diameter: 6 1/2" Condition: Minor surface wear, decent piling, and overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
KARI RUSSELL-POOL (American b. 1967) A SCULPTURE, "Pear Vase," flame-worked glass, the delicate filigree style glass vase form with leaves and flower blooms center a full size pear. Height: 15 1/2" Width: 9 1/2" Depth: 7" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MANUEL GONZALEZ SERRANO (Mexican 1917-1960) A PAINTING, "Portrait of a Raven Haired Beauty," 1939, oil on canvas, signed, placed, and dated L/R, "M. Gonzalez Serrano, Mexico, 1939." 37" x 27" Note: The sitter in a black high fashion Lanvin style dress is attributed as Eleanor Freed, Houston art critic, on tag verso, labeled, "Hart Galleries." The beauty with raspberry lipstick and rouged cheeks holds a pale pink rose in one hand, and on the other she wears a gold and emerald bangle, ending with en vogue dusty mauve polished nails. A powder blue and gilt striped Art Deco vase stands at her back. Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Some surface wear throughout including some scratches and abrasive losses and damages, but overall in fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE HORNBILL ARCHAIC STYLE LIDDED VASE SNUFF BOTTLE, LATE QING DYNASTY (1644-1912), the lid of tombeau form is carved with a celestial lion within two mythical beast masks hung with rings over a meander pattern, the tapered vase is carved on each side with figural scenes, one side with a farmer and cow visited by a goddess and the other side myriad swirling clouds reveal a charioted goddess with attendants, flanked by six integral rings, on a rectangular foot with repeating meander pattern. Height: 3 1/4" Width: 1 3/4" Depth: 1/2" Note: The scene is an ancient love story of the Cowherd, Niulang, and the Weaver girl, Zhinü. Both figural representations of the stars Vega and Altair joined only by the Milky Way. Their forbidden love is allowed one day a year to flourish by way of a celestial bridge built by magpies. On this day a festival Qixi (7th Day of the 7th Month) is celebrated by couples and the ancient love poem is revived in pursuit of a happy marriage. Often dubbed the "Chinese Valentine's Day," the participants seek happiness and blessings, modeling their marriage after the ancient celestial lovers. The present snuff bottle beautifully presents the heavenly and earthly communion of the lovers, as well as highlights their unrequited longing by arranging the two scenes as opposing vignettes. Condition: Some surface soil, minor chips, and losses, surface buildup, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A LUNDBERG STUDIOS IRIDIZED ART GLASS FOOTED VASE, SIGNED, 1997, a black rim surrounds a trumpet mouth above a tapered body with lyrical pulled swirls, on a slight ending in a circular slightly domed foot, engraved, "Lundberg Studios, 1997," numbered 111805. Height: 13 3/8" Diameter: 3 3/8" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Some minor surface wear mostly near foot, but overall in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HOVSEP PUSHMAN (Armenian/American 1877-1966) A PAINTING, "Still Life of Thangka, Figurine, and Vase," oil on wood board, verso an old paper framer label, "Armand Lee & Company, Ltd., Chicago, Illinois." 24 1/2" x 13 3/4" Provenance: By descent; William Hanzel, president of Hanzel Galleries Inc., Chicago, Illinois. Condition: In very good condition, framed very well but heavy, and overall in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A DAUM NANCY ACID ETCHED AND ENAMELED GLASS LAKESHORE VASE, SIGNED, EARLY 20TH CENTURY, with finely enameled sides depicting summertime birch trees in the foreground amidst high waterside grasses, before a large lake with distant shoreline tall trees reflecting in the still mirrored waters, verso marked with Daum Nancy and Cross of Lorraine. Height: 7" Diameter: 4 5/8" Condition: Good condition with very light surface wear on underside and some surface buildup in areas throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO AMERICAN STERLING AND SILVERPLATE WARES, BY LEBOLT AND SWID POWELL, 20TH CENTURY, comprising a pitcher with Arts and Crafts monogram, "F.B.," verso marked, "Handmade Lebolt," "Sterling, 469, 4 pints," early 20th century, approximate total weight 21.9 troy oz., height: 8 1/4"; and a silver plate flower bud vase, "Courtney", maker marked, "Swid Powell," and signed in monogram "GS" for designers Charles Gwathmey (1938-2009) and Robert Siegel (b. 1939), height: 7 1/8", diameter: 3 1/8". Provenance: From the Estate of William Woodford, Houston, Texas. Condition: Patina and wear throughout, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DINO ROSIN (Italian b. 1946) A MURANO ART GLASS VASE, "Calcedonia," SIGNED, with chalcedony/agate colored overlay on clear glass body, engraved signature on base rim, verso centering circular acid-etched maker's mark. Height: 19" Width: 11" Depth: 8 1/4" Condition: Good condition with some tape residue and surface buildup but no discernible issues. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A ROYAL BONN GILT METAL MOUNTED HANDPAINTED POTTERY VASE, SIGNED, GERMAN, 19TH CENTURY, of compressed ovoid form and a gilt rim above beautifully painted sides, depicting a peasant maiden beauty leaning on a stone wall with flowers spilling from a basket at her feet, amidst tall forest trees and gazing wistfully towards the golden sunlight reflecting off waters from a shoreline inlet, reversing to a winding trail meandering through a rolling hillside landscape interspersed with clusters of trees, signed "Zoyd," over a flaring circular beaded base with egg-and-baton gilt banding on a light apple green ground, on a reticulated gilt metal plinth of marguerite blooms alternating applied floral bouquets and raised on elephant mask cast feet, verso brown stenciled maker's marks "Royal," over a crowned cartouche centering a "JM" monogram and "1735," above "Bonn / GERMANY," adjoining an overglaze purple ink inscribed "Original," impressed letters "QB / 2699," drilled for electricity. Height: 23 1/4" Width: 12 1/8" Depth: 9" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition for antique vases of this age, use, materials and origin including but not limited to light gilding wear, surface buildup, winding trail side has dark surface spots, metal plinth has some old repairs with a few oxidized spots, and vase has been drilled for electricity. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO CHINESE METALWARES, CLOISONNÉ DRAGON PLATE AND GUMP'S LAMP, 20TH CENTURY, comprising an antique parcel-gilt cloisonné footed plate, a writhing blue dragon guards a pearl among white ground clouds, within a ring of lotus and repeating ruyi mushroom band, verso a black ground lily pad pond quivers with lotus blooms and pods, and a partial wax export seal, height: 1 3/8", diameter: 7"; together with a modern Chinese archaic style patinated metal vase lamp, shade marked "Gump's," height: 19", diameter: 12 1/2". Provenance: From the Estate of William Woodford, Houston, Texas. Condition: Some minor wear and losses to enamel on plate, dust, debris, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE BLUE AND WHITE BUDDHISTIC LION PAINTED VASE, SHIPWRECK ARTIFACT, MARKED, POSSIBLY KANGXI PERIOD, 1662-1722, of pear form and sides centering a roaring Buddhistic lion amidst fruiting and blossoming leafy stems, raised on a conforming flaring foot with diapered banding and verso underglaze blue Artemis leaf mark. Height: 9 1/4" Diameter: 4 3/4" Condition: Good condition for shipwreck porcelain of this age including but not limited to small areas of marine encrustations, surface glaze degradation, small patches of slight surface abrasions, surface sand/soil buildup and foot is not perfectly circular so vase has a slight wobble. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE DOUBLE GOURD BLUE AND WHITE PORCELAIN VASE, SHIPWRECK ARTIFACT, LEAF MARK, KANGXI PERIOD, EARLY 18TH CENTURY, of double gourd form and a flaring circular rim on a cylindrical neck with exotic long leaf banding, over a rounded knob with sides centering fan shaped reserves enclosing an ancient pine in a fenced garden opposite a weeping willow in similar garden, above a larger bulbous base with fan form reserves each painted as a traditional maiden in varying pursuits set within a fenced garden, raised on a conforming flaring foot with leaf tip detailed banding enclosing an underside with underglaze blue Artemis leaf mark. Height: 10" Diameter: 5 1/2" Condition: Good condition for shipwreck artifacts including but not limited to surface encrustation, hairline crack, areas of glaze degradation, dirt buildup and a few light surface abrasions. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
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653833 item(s)/page