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Lot 3435

An Egyptian alabaster ovoid vase, 15cm high

Lot 033

A continental pottery four handled vase, unusual short glass candlesticks, Booths willow patterned dinner service, chamber pots, also a collection of various general pictures including Ernest Bailey watercolour 'New Village Hall, Newbury'.

Lot 040

Moorcroft, a baluster shape vase, impressed marks, 14cm.

Lot 041

Moorcroft, modern vase on red ground, boxed, height 9cm.

Lot 049

Bohemian glass vases, pair of metal and decorated bookends, foreign continental vase height 19cm (seven).

Lot 124

A pair of Japanese 20th Century vases, similar single vase and a pair of Austrian porcelain ewers decorated with wild flowers, height 39cm.

Lot 224

Royal Crown Derby porcelain vase and cover decorated with flowers and gilt work, height 30cm.

Lot 236

A pair of blue and white vases decorated with blossom tree's oriental baluster vase, a 19th Century willow coffee pot (faults) and various modern figures (14).

Lot 323

An art glass vase with silver rim.

Lot 1001

A Derek Clarkeson (1928 - 2013) Studio Pottery ribbed ovoid vase, decorated with slip frondsDerek Clarkeson was a fellow of the Craft Potters Association, and an associate of David Leach OBE and Derek Emms

Lot 1007

A Royal Doulton stoneware ovoid vase with everted rim decorated with autumnal leaves, 14.5cm high; another, domed vase, 11cm high (2)

Lot 1017

A Royal Worcester blush ivory bottle vase, painted with flowers

Lot 1030

A Moorcroft Magnolia pattern dish, 21.5cm diameter; a similar vase (vase a/f) (2)

Lot 1032

A Portuguese style single handled vase, sgraffito decoration, 30cm high

Lot 1038

A West German pottery handled floor vase, red glazed onion pattern, 46.5cm high; another similar; a pair of Japanese baluster vases (4)

Lot 1051

A late 19th century glass vase, a similar bud vase, a 1970's red glass vase, later bell (4)

Lot 1059

Studio Glass - a continental three colour vase; a Whitefriars style smoky brown ridged tapering vase; another etched with a squirrel and oak branch, etc (4)

Lot 1063

A Rosenthal Studio swan back shaped vase; others similar (3)

Lot 1072

Ceramics - A Royal Doulton Old Leeds Spray dinner service, large serving platters, sauce tureen on stand, vegetable dish, dinner plates; a Persian style vase; a Cottage ware teapot; a Mason's plate

Lot 1116

A large Capodimonte porcelain twin handled vase and cover, applied with roses, glazed in polychrome, 70cm high; a globular tea kettle conforming; etc. (3)

Lot 1118

Glassware - a painted and moulded blue fish vase; Victorian drinking glasses; milk glass vase, etc

Lot 1124

A Denby majolica vase, another, jardiniere; a Langley Mill water jug; a Derbyshire salt glazed stoneware barrel shaped jardiniere (4)

Lot 1126

Glassware - an oversized Stella Artois chalice glass; an early 19th century cut glass vase; other 20th century vases; quantity

Lot 1128

Ceramics and Glass - a Royal Crown Derby Imari 1128 pattern plate, 21cm, first quality; a pair of Glyn Colledge Denby plates, signed; a Maling bough vase; a blue glass art vase (5)

Lot 1406

Metalware - an Indian brass vase, cast iron frog door wedge, ornamental brass lamp hook, picket candlestick; door furniture; etc

Lot 110

A collection of silver, silver plated and enamelled souvenir spoons, along with a collection of porcelain thimbles and a porcelain vase

Lot 176

Rachael Bishop design for Moorcroft, Phoenix Bird pattern vase of compressed globe form with long, slender neck, circa 1996, signed by designer with Moorcroft factory marks to base, 8 1/8"h

Lot 177

Rachael Bishop designed for Moorcroft 1996 - a contemporary tub lined Moorcroft pottery vase, decorated in the trail 'Peacock Feather' pattern, balustre form with everted rim, Moorcroft factory marks to base, 10 2/8" h, boxed

Lot 178

Emma Bossons design for Moorcroft - a contemporary tube lined vase decorated in the Victoriana pattern, of slender baluster form, collectors club number 1236, dated 1997, signed by designer to base, 8" h, boxed

Lot 284

A modern Chinese table lamp (deficient of wiring), a cloisonne vase, mixed cut glass and two steins

Lot 382

A mixed lot to include four volumes of Shakespeare, two hand mirrors and a water vase with matching glass

Lot 407

A Minton soup bowl with lid, exclusive for Harrods, a Meissen Onion pattern gravy boat on base, A/F, a Chinese famille Rose bowl, a late 19th century coffee can with saucer and a signed and etched glass posy vase

Lot 433

A mixed lot to include decanters, a vase, a chestnut roaster and a warming pan

Lot 464

A mixed lot of cut glass to include jugs, a vase, a Waterford Crystal clock, salt dishes and other items

Lot 54

A Japanese bronze box in the shape of a fan, mixed boxes to include pill boxes, a small cloisonne vase and other items, together with a twin handled oak tray

Lot 66

A miscellaneous lot to include table lamps, a Queen Anne part tea set, a Shorter Brothers pottery vase, other ceramics, a Middle Eastern/Indian copper charger, a 20kg weight and other items

Lot 102

A Republic period Yixing design terracotta vase, decorated dragons,12" high

Lot 109

A celadon glazed shallow vase with carved decoration, 10" dia, and two Chinese provincial blue and white decorated dishes

Lot 110

A Japanese pottery sake bottle with character decoration, 9 1/2" high, a provincial bowl and a blue and white vase

Lot 27

A quantity of Doulton stoneware with applied decoration of hunting scenes, together with an Art pottery vase and a Moorcroft "Hibiscus" dish, bearing script mark verso

Lot 270

An Oriental silver plated goblet, a white metal bowl and saucer and a white metal vase

Lot 30

A 1920s Rene Lalique "Boule de Gui" globular vase, No 948, the frosted glass decorated mistletoe stained blue, marks to base, 5 1/4" high (chip to base and rim)

Lot 32

A heavy cut glass pedestal vase with flared rim, 13 1/2" high

Lot 35

A mid 20th century Monart design blue glass cylindrical vase, with slightly flared neck, 7 3/4" high

Lot 488

A pair of Victorian watercolours, rural landscapes with figure, house and barn, 7" x 10", in gilt frames, C D Coleman: watercolours, vase of flowers and shell, 14 1/2" x 11 1/2", three 19th century cock fighting engravings and four Robson etchings

Lot 579

A George III mahogany circular tilt top table, on vase turned column and tripod splay support with pad feet, 31" wide

Lot 600

A 19th century mahogany Pembroke table, on vase turned pillar and four splay supports, 38" wide

Lot 753

A Persian tribal rug with vase of flower design on a red ground, 55" x 25" approx

Lot 88

A Chinese porcelain blue and white garlic vase with six character Yong Zheng mark to base, 4 1/2" high

Lot 9

A Burmantofts faience three-handled pottery vase, 22" high There is all over crazing, and plaster on the inside but otherwise in good overall condition

Lot 90

A Chinese bulbous celadon porcelain vase, decorated with figures and clouds, in polychrome enamel, 17" high

Lot 91

An 18th century Chinese porcelain blue and white vase, decorated figures, buildings and clouds in a continuous landscape, 10" high (heavily restored)

Lot 94

A Chinese crackle glaze celadon double gourd vase, 10" high, together with four mid 20th century crackle glaze vases, each with enamelled warrior decoration and Chinese impressed signature to base

Lot 98

A 19th century Chinese celadon glazed baluster vase with applied handles, 13" high, and a Chinese lacquered panel, carved with a man holding a flare

Lot 99

A Chinese blue and white prunus decorated baluster vase, a similar ginger jar, a hexagonal jar and cover, decorated foliate panels, and a larger similar vase and cover

Lot 171

A coal scuttle and shovel; a copper vase; two copper potpourri bowls

Lot 243

A brass jam pan; a Stuart crystal glass vase, by Jasper Conran, boxed

Lot 352

A Victorian lead drain hopper in the form of a fluted campana vase. 39cm high x 48cm wide.

Lot 1028A

Silver inkstand with cut glass inkwell and silver cover London 1918 17cm high, silver covered glass toilet jar, silver handled brush tidy, silver specimen vase and a plated cruet stand.

Lot 1140

Impressive George IV silver gilt, Campana shaped vase and cover by John Edward Terrey, London 1824, (marked on the cup, the cover and the finial), approx. 5,667 grms, 182 ozs, 46 cms high x 24 cms wideDetailed description; The cup has a broad band of classical decoration with horses, chariots, lions, a trumpeter and figures dancing in Bacchic revelry beneath a band of vines and grapes, two handles with mask terminals and with a band of acanthus, on a round foot with a band of vines and grapes, the cover with egg and dart border and a vine and grape finial.Inscription; The foot has an engraved presentation inscription Robert Sutton Esq., in testimony of the esteem and in acknowledgement of his gratuitous services as manager of that Institution since its foundation May 18 1801, Stock Exchange July 19 1824, unanimously voted by the proprietors.The maker biographical note;John Edward Terry entered a maker’s mark at Goldsmiths Hall in 1814 from Foster Lane in partnership with Samuel Hennell and 1816 alone at the same address. Christening records for two sons at St John, Hackney in 1816 and 1817 show their mother as Susannah Hennell, their address as Clapton Fields and their father John Edward Terrey as first a merchant and then as a gentleman. He notified Goldsmiths Hall in 1818 that he had changed his address to Hatton Gardens.A further six christenings of children of John Edward and Susannah Hennell Terrey at St Andrew, Holborn 1819-31 show their address as Hatton Gardens and their father as a merchant. The same information as to address and father’s occupation is shown on the christening records of a further two children at St Giles in the Fields in 1833 and for two further children back at St Andrews in 1836-37. The 1841 UK Census and his daughter Susannah Elizabeth’s marriage record in 1842 show him as a silversmith at Hatton Garden. By 1851 he had moved to Sydenham, Lewisham in Kent.The England & Wales Deaths Index for the Lewisham register shows his death in 1859. Provenance;This cup is sent in for sale by a descendant, having been in the ownership of the family since its original presentation. In recent times it has languished un-displayed in the vendor's house. Biography of Robert SuttonRobert Sutton, a stockbroker, of Finsbury Place, London, purchased Rossway, a large country house in Northchurch, Hertfordshire, in 1802, enlarging the estate to 570 acres by the time of his death in 1848. The estate was sold in 1863 to Charles Stanton Hadden, a coffee planter operating in Ceylon, who demolished the original house and built a replacement, which was completed in 1867. It remained in the Hadden family until 1998 when it was acquired by Khoo Kay Peng of the MUI Group, majority stakeholders in Laura Ashley.Robert Sutton was Master of the Mercers Company in 1817. His son Robert (c.1806-63) was Master in 1837 and 1842; his son James (c.1802-63) in 1847, and his youngest son Wadham Locke Sutton (1815-96) in 1858.The Mercers Company is the premier Livery Company and ranks first of the 12 City Livery Companies of the City of London. It was founded in 1394.On May 18, 1801, when William Hammond Esq, chairman of the Committee of Managers, laid the first stone of what was to become the Stock Exchange, at Capel Court, in London, one of those in attendance was his fellow manager Robert Sutton. There were ten managers in all and the concept of the exchange was to provide a place for “the transaction of business in the public funds”.The building was completed on December 30, when the words The Stock Exchange were incised on the entrance.During its first years there were no set rules, but in February 1812 the General Purpose Committee confirmed a set of recommendations that later became the foundation of the codified set or rules of the Exchange.Though increasingly influential as a City institution, the Exchange suffered continuous criticism from the press and the public. Nonetheless, having bankrolled the British Government through the Napoleonic Wars, it then provided a stable platform from which to trade foreign securities as the Empire grew.Robert Sutton, who was still in office in 1824, and had been Master of the Mercers Company in 1817, was Upper Warden of the Company in 1838 when he was involved in the foundation ceremony for the rebuilding of the Royal Exchange. Sutton was deputed to carry the glass bottle into which coins were to be deposited before Prince Albert placed it in the foundations and laid the first stone on top of it. The coins within the bottle came from the Mercers Company and the City, the two corporations financing the building.Sutton was again present in 1844 for the completion of the building and he died four years later in 1848.Notes on the vase and cover; An admiration for the Greco-Roman taste coincided with the Age of Enlightenment, when artists and intellectuals attempted to reform society's aesthetics and beliefs using reason, scientific fact and history. Through this movement, wealthy individuals gained exposure to Europe's cultural legacy of Classical antiquity. Architects, artisans and designers of that era naturally applied these design influences to their contemporary visions. Many domestic articles were modelled in the manner of, or decorated after, some object of significance from the classical past. As has been done for this presentation piece. Silversmiths like Terrey extrapolated on the ideas of Giovanni Piranesi, John Flaxman, William Theed and others to create their own unique pieces. Similar large pieces of silver were produced by Paul Storr; Benjamin Smith II; and Rundell, Bridge & Rundell; The decoration here is styled in the Antique campaña form based on the Medici vase as engraved by G.B. Piranesi.. Wear to gilding and decoration throughout and some pitting. Vase marks rubbed but legible. General wear and loss of detail to the high points of the decoration consistent with age and use.Cover - dents to inner rim. Where the cover has been dropped the central finial with bunch of grapes has been pushed in. Two possible repaired splits to rim of cover. Cover marks clear. Vase - Large dent to rim and rim bent out of shape. Foot rim also dented and bent. Possible start of a split where the fluted foot joins the next section above. Probably re-gilded.

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