Figur "Blumenmädchen mit Vase", Modell von J.J. Kändler, Meissen, 20. Jh.Weißporzellan, polychrom bemalt und goldstaffiert, Blumenmädchen mit diversen Blüten in Ihrer Schürze, auf der linken Seite eine Vase mit einem gelben Rosenstrauß, nach einem Modell von Johann Joachim Kändler (1706 - 1775). 1. Wahl, kleiner Finger an der linken Hand abgebrochen; Höhe ca. 12,5 cm; unter Glasur blaue Schwertermarke mit gravierter Form-Nummer "130", und entsprechendem Jahreszeichen ">" für 1967 sowie rotes Malersignetmarke "22".Gewicht ca. 170 g.
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Deckelvase "Weimar Vase", KPM Berlin, um 1914-1918.Weißporzellan, polychrome feine Malerei und reichhaltige Goldstaffage; auf rundem getrepptem Fuß mit Nodus montierter Korpus mit Ovoider Wandung und zwei Henkeln, Ansatz mit umlaufenden goldenen Schlangen, Deckel mit Akanthusblütenknauf, schauseitig Watteaumalerei (Kavalier überreicht Blumen) und Blumenbouquet; 1. Wahl, guter Zustand mit leichten Gebrauchsspuren, innerer Standring mit Abplatzung (von außen nicht ersichtlich); im Fuß Zeptermarke, Reichsapfel in Rot, Eisernes Kreuz, "144/49" in Schwarz (ebenfalls im Deckel); Höhe: 35,5 cm;Gewicht ca. 2, 1 kg.
Konvolut Vase, Leuchter, Schalen u.a., Form "Dickens" mit Dekor "Schmetterling mit Gold", Bing & Gröndahl, Dänemark, 20. Jh.Weißporzellan mit Dekor "Schmetterling mit Gold"; bestehend aus: 1 Vase (H: ca. 12 cm), 1 Kerzenleuchter (D: ca. 11 cm), 2 Zigarettenbecher (H: 6 und 7 cm), 2 gefußte Schalen (H: ca. 9,5 cm, D: ca. 11,5 cm); im Boden jeweils die grüne Firmenmarke mit Nummern, blaue Beizeichen (wohl Formnummern und Malermarken) sowie unterschiedliche Goldmarkierungen; altersbedingte leichte Gebrauchsspuren (Goldränder bei Vase und Leuchter berieben);Gewicht ca. 1.077 g.
Vase "Maracuia" aus der Serie "Semi", Laura de Santillana (1955-2019), 2001, ARCADE, 21. Jh. Sonnengelbes Muranoglas, mundgeblasen, handgeschliffene matte, facettierte Oberfläche; produziert von Maestro Simone Cenedese, Murano; Höhe ca. 31,2 cm; sehr guter Zustand, lediglich innerer Öffnungsrand mit winzigen "Flohbissen" (nur bei genauester Inspektion auffällig); signiert und nummeriert im Boden "ARCADE L. Santillana 300/103 ITALY";Laura de Santillana ist die Enkelin von Paolo Venini, der 1921 die Firma Venini, Murano, gründete; diese Vasen stehen idealerweise am Fenster, um Licht von hinten zu bekommen; wer die Farben etwas intensiver haben möchte, kann die durch den Mattschliff "neblige" Oberfläche mit wenig Olivenöl vorsichtig einölen;Gewicht ca. 2.145 g.
Golbs, Juliane, 20. Jh.Mischtechnik auf Holz; Farbenfroher Blumenstrauß in einer Vase. Teils pastoser Farbauftrag. Unten rechts am Rahmen signiert und bezeichnet J.G./bs(?!), rückseitig auf Holz datiert, Dezember 2019. Rahmenmaße ca. 38,3 x 43,5 cm, Bildmaße ca. 30 x 35 cm. Gewicht ca. 1,24 kg.
PABLO PICASSO (1881-1973)Chouette cachet Madoura Plein Feu/Edition Picasso, inscrit et numéroté Edition Picasso/ 14/500 en creux sous la basevase en terre de faïence blanche partiellement gravé avec engobe et émailléConçu en 1969 et exécuté dans une édition de 500 exemplairesstamped Madoura Plein Feu/Edition Picasso, inscribed and numbered Edition Picasso/ 14/500 (underneath)white earthenware ceramic vase, partially engraved with brown, black and white engobe and glazeConceived in 1969 and executed in a numbered edition of 500Hauteur 30 cm. (11 3/4 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.606)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
‡ AN ENGRAVED COW HORN FLASK, 18TH CENTURY with curved flattened body, engraved with a vase of flowers on each face, further floral sprays, an ibex and an angelic mask, fitted with carved wooded cap at each end, the top with tapering nozzle with later stopper, and later rings for suspension, 15.0 cm Provenance Joe Kindig Jr. (1898-1971), thence by descent Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
‡ AN IMPORTANT HIGHLY DECORATED 28 BORE GERMAN WHEEL-LOCK SPORTING RIFLE STOCKED BY THE SO-CALLED MEISTER DER TIERKOPFRANKE, DATED 1628 with octagonal swamped sighted barrel rifled with eight grooves, encrusted with silver in high relief against a delicately matted ground over its entire outer surface with winged demi-figures, garlands, ball flowers, roses, espagnolette masks and grotesques all within ropework frames and enriched with silver pellets, the back-sight surrounded by the date and maker’s initials ‘16HW28’, integral tang decorated with flowers and pellets en suite, flat lock fitted with external wheel retained by a bracket and with domed cover, moulded dog, delicately filed dog spring, sliding pan-cover, and flash-guard, encrusted with silver en suite with the barrel, including a winged demi figure on the lockplate, an eagle displayed on the wheel-cover and a panel of small flowerheads at the base of the dog, double set trigger, full stock profusely carved over its surface with elaborate designs of delicate leafy scrolls with differing monsterhead terminals against a stippled ground (small cracks and minor losses, fore-end with very small internal repairs), including hounds in pursuit of a hare on each side of the fore-end, a trumpeting demi-figure seated on a scroll terminating in a hare and an espagnolette profile opposite the lock, a bouquet in a vase and a hound beneath, the cheek-piece decorated on the left with further monsterhead scrolls inhabited by game animals and with patchbox on the right, the latter with a panel above filled with a hound in pursuit of a stag (patchbox cover a 19th century replacement), carved with a panel of delicate scale ornament beneath the butt and at the tip of the fore-end, inlaid with silver wire scrolls about the tang, barrel bolt apertures, cheek-piece, spine of the butt and above the patchbox (small losses, the central rondel of the cheek-piece missing, one piece lifting around the trigger-plate), silver trigger-guard shaped for the fingers, gilt iron trigger-plate, small engraved silver fore-end cap, iron butt-plate (perhaps an early working replacement) bordered by engraved silver plaques (one missing), associated iron-tipped ramrod and in fine condition throughout, 78.0 cm barrel ProvenanceMagniac Collection, sold Christies, Manson & Woods, 2nd July 1892, lot 1028 (£110 5s).Zschille Collection, sold Christies, Manson & Woods, 25th January 1897, lot 19 (£56).Sam Austin 26th April 1917, catalogue number 619 ($626).William Randolph Hearst sold to Gimbel Bros., Inc., May 26, 1941 for $298.50.Joe Kindig Jr. (1898-1971), thence by descent LiteratureFrancis Henry Cripps-Day, A Record of Armour Sales 1881-1924, London 1925, p. 33 and p. 101.Journal of the Walters Art Gallery, 1949, p. 55 fig. 1.Hans Schedelmann, Die Grossenbüchsenmacher, Braunschweig 1972, p. 98.Hans Schedelmann, The Master of the Animal-Head scroll, in Arms and Armor Annual, Robert Held (ed.), 1975, pp. 182-3 (illustrated), p. 186. This remarkable anonymous gunstocker, named the master of the animal head tendril (Meister Der Tierkopfranke), was probably employed at the Imperial court in Vienna where eleven firearms attributed to him remain extant and are now preserved in the Kunsthistorisches Museum. Dated firearms suggest a period of activity between 1624-59 for this maker, or workshop, making the present gun one of his earlier works. More than fifty wheel-lock guns, rifles and pistols, and one flintlock rifle with this distinctive carving have been identified to date, three of which were made for Emperor Ferdinand III. The quality of the silver encrustation and carving on the present rifle is of a notably high quality within this group and compares closely with another sporting rifle by him, also from the collection of Joe Kindig Jr., now preserved in the Metropolitan Museum of Art, New York (acc. no. 2018.103). The gun in New York has been described as a masterpiece of German baroque gunmaking. Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
A 28 BORE JAPANESE SNAP-MATCHLOCK MUSKET (TANEGASHIMA, TEPPO OR HINAWAJU), EDO PERIOD, 19TH CENTURY with tapering sighted iron barrel formed with a vase-shaped muzzle, inlaid in silver with traditional motifs including a dragon amidst flames over the breech, block-shaped back-sight, integral pan with brass pivot-cover, brass action engraved with a flower and with pronounced writhen border, lacquered full stock with some gilt scrollwork decoration (losses), applied with engraved iron plaques including a kabuto behind the breech, bamboo foliage over the trigger-plate and a mounted warrior on the right of the butt, brass trigger and brass trigger-guard (ramrod missing), 99.5 cm barrel
A quantity of 19th Century and later ceramics and glassware to include 19th Century Bohemian ruby flashed, cut and engraved vase, modern Chinese ceramics to include two blue and white wedding jars and covers, stone eggs, Candy Welsh china, silver collared and cut glass decanters, continental white glass bowls, in the form of winged puttie, Portmerion bowls and other items. Location:
A BLACK FIGURE VOLUTE KRATER VASE IN THE GREEK STYLE ITALIAN, 19TH CENTURYGlazed terracotta 43cm high, base 15.5cm diameterCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both handles and foot rim with restorations, some wear and loss to painted decoration to vignettes to body- Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A BLACK FIGURE KRATER VASE ITALIAN, EARLY 19TH CENTURYGlazed terracotta, on later wooden socle 43cm high, the base 12cm diameter Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per cataloguing- base is later painted wood- almost certainly with some retsoration around the junction point of body adn foot- internal visible glue filler section. Some spot retouching under UV visible to right of Athénienne and to her basketPlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A COMPOSITION STONE CENTREPIECE IN THE MANNER OF HADDONSTONE IONIAN VASE, MODERN Unmarked approximately 155cm high overall, the base 48.5cm wide Condition Report: Weathering- surface quite granular- metal attachment to interior of base of urn- more recent 7-9cm long chip to lower corner of pedestal edge- some of the pieces are there & may benefit from remedial work Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Oriental ceramics - An 18th century Chinese oval blue and white dish decorated with pagodas with mountaineers landscape, 27cm long; 20th century Japanese matsuki vase, stylized with four panels of trees and foliage, border of swirls, 19cm high; others later including Imari bowls and export ware
Ceramics - Royal Worcester including hand-painted leaf dishes,c.1887; a hand - painted trumpet vase, signed Gresley, another similar dish signed E. Townsend, Ovington hand painted plate, rg no.551926, signed E. Phillips; Royal crown derby Pembroke and Wilmot tea cup and saucer, c.1880; Royal Crown derby ' derby poise' plate, trinket dish, 'Real aves' plate; etc
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653685 item(s)/page