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Click here to subscribeA Chinese cloisonné jar and cover, 20th Century, of squat circular form with scale decoration on a black ground, diameter approx 20cm, together with two Korean inlaid celadon glazed pottery vases, 20th Century, typically decorated with cranes, heights approx 37cm and 23cm (larger vase with chip to rim).
A Chinese Transitional style wucai porcelain vase, late 19th Century, painted with a figural scene, height approx 17cm, together with a Chinese carved bamboo brushpot and a famille verte porcelain ginger jar and cover, late 19th Century, painted with prunus on a green ground, height approx 18.5cm (repaired and converted to a table lamp).
A Chinese famille rose export porcelain vase, Qianlong period, the compressed ovoid body painted with opposing panels of a maiden and children out of doors, reserved against a blue and white ground moulded in relief with butterflies and flowers, repeated on the flared neck, height approx 19cm (minor rim restoration).
A set of three Chinese famille rose porcelain tea bowls, late 19th/early 20th Century, each painted with flowering peony branches, pseudo iron red seal mark to bases, diameter approx 10.8cm, together with a Chinese blue and white beaker vase, three ginger jars and a small saucer (some faults).
A Chinese famille rose and calligraphic pea green ground porcelain vase, mark of Qianlong and probably of the period, the cylindrical body reserved with eight raised panels, alternately containing lines of black texts and flower paintings, reserved within a pea green ground filled with formal lotus flowers and tendrils, the texts written in four different scripts, comprising clerical, seal, regular and semi-cursive script, each with Emperors colophan in iron red, the flower panels filled with lotus, peony, prunus and chrysanthemum, all under a short trumpet neck, iron red seal mark of Qianlong to base, within a turquoise washed foot interior, height approx 40.3cm (riveted repair to rim). Note: style of this piece recalls a small group of vases bearing Qianlong`s own text, one example in the Percival David Collection.
A Chinese cloisonné bottle vase, mark of Qianlong and possibly of the period, the teardrop shaped body and neck worked with a uniform design of polychrome lotus and scrolling tendrils on a turquoise ground, beneath a key fret collar, four character mark of Qianlong to base, height approx 13.5cm.
A Chinese famille rose porcelain vase, mid-19th Century, the hexagonal baluster body moulded in relief with panels of precious objects and flowers on variously coloured grounds, including yellow, pink, blue and turquoise, the similarly decorated flared neck flanked by a pair of fruit and leaf moulded handles, height approx 59cm (rim chips and repairs).
A Japanese Satsuma earthenware vase, Meiji period, painted and gilt with opposing panels of bijin and flowers, reserved against a blue ground with gilt decoration, signed to base, height approx 13.5cm (reduced neck), together with a Satsuma hexagonal koro and cover painted with panels of ducks and flowers against a blue and gilt ground, signed to base, height approx 9cm.
A pair of Chinese famille verte biscuit porcelain side dishes, Kangxi period, painted with prunus against a green ground, length approx 10cm (one with restoration), together with a Chinese embroidered panel worked in coloured silks with flowers emanating from a vase and precious objects, approx 38cm x 10cm, framed and glazed.
A large Zsolnay Pecs pottery vase, early 20th Century, the ovoid body painted with three cockerels and a chicken amongst pink/purple flowers and green foliage on a cream ground within blue strapwork and foliate borders, heightened in gilt, blue printed factory mark to base, height approx 46cm (neck damaged and repaired).
A Wedgwood blue dip jasper miniature jug, late 19th Century, the ovoid body ornamented in white with classical figures, height approx 5cm, a blue dip jasper diminutive chamberstick, a group of four Wedgwood pale blue and sage green dip miniatures, a pale blue jasper circular plaque, early 19th Century, ornamented with classical figures, a Wedgwood blue dip jasper rectangular box and cover and a Wedgwood salt glazed khaki ground vase and cream jug (minor faults).
A plated shaped oval serving dish, decorated with a scroll and scallop moulded border and mostly plated and metal wares, comprising; a pair of ornamental pheasants, a mug, a sugar caster, a pair of salts, a glass preserve jar, with cover and stand, a goblet, a vase, a serving slice, a part set of dessert knives and forks, having mother of pearl handles and five tea knives.
Silver, comprising; a napkin ring, with engine turned decoration, Birmingham 1931, a christening egg cup and a spoon, Birmingham 1970, cased, a small circular box, two pairs of sugar tongs, two christening spoons and two christening forks, combined weight 232 gms, also the top part of a trumpet shaped vase and two Foreign salt spoons, detailed 925.
A Victorian silver butter shell, raised on three feet, London 1897, weight 70 gms, with a glass liner, cased, an Oriental cloisonne enameled vase, decorated with a dragon, two further Oriental enameled vases, a branch coral necklace, a panel link bracelet, a silver oval hinged bangle, two waist belt buckles, six brooches, a circular carved green stone pendant with a horse's head motif, two trinket boxes and six further items.
A Herend porcelain Rothschild Bird pattern inkstandish, the scroll back fitted with two removable inkwells and a pen holder above a pen tray, length approx 22.5cm, together with a Scandinavian clear glass specimen vase engraved with a flying insect and spray of flowers, etched marks to base, height approx 13cm.
A group of Sèvres porcelain wares, 18th/19th Century, comprising a pot and cover painted with birds within lattice borders, a cover painted with opposing landscape vignettes, against a green ground, a small gilt metal mounted posy vase, triangular dish painted with a cherub and floral panels against a green ground, a similar pot and a dish painted with knights on horseback at battle within a blue and gilt border (most with faults).
A Doulton Lambeth stoneware vase by George Tinworth, circa 1875, the baluster body moulded in relief with two winged beast mask handles above scrolling brown leaves and floral medallions against a mottled purple and buff ground between similarly decorated borders, impressed factory mark to base and incised artist`s monogram to foot, height approx 27.5cm.
A Derby porcelain candlestick group of Cupid disarmed by a maiden before bocage, on a rococo scroll moulded base, height approx 20.5cm (faults and restoration), an English spiral moulded tea bowl and stand with green and gilt floral spray decoration, a campana shaped vase, possibly Coalport, decorated with flowers, and a Capodimonte cup decorated in relief with a maiden in chariot riding on clouds (faults).
Two small early 20th Century pottery spirit barrels, marked `Brandy` and `Rum`, of ovoid form with gilt embellishment, heights approx 33.5cm and 28cm, together with a large early 20th Century blue soda glass vase, decorated with trailing vines, height approx 29.5cm, and a composite cherub wall bracket, height approx 17.5cm.
A ROYAL WORCESTER PORCELAIN VASE, 1956, of flared cylindrical form with rounded shoulders, painted in polychrome enamels by J. Smith with a still life vignette of apples and blackberries on a mossy banking, signed, black mark, 4"" high together with a similar pin tray of shaped oblong form, 1935, painted by Freeman with a still life of apples and blackberries, signed, puce mark, 2 1/2"" x 4"" (2) (Illustrated)
A ROYAL WORCESTER PORCELAIN VASE AND COVER, c.1921, of ovoid form with two fixed triple pendant husk handles printed in black with oval panels of stylised flowers and overpainted in green, yellow and blue with gilded highlights on a powder blue ground, puce mark, shape 2712, 6 1/2"" high overall
A CREAMWARE MUG, late 19th century, of plain cylindrical form on a stepped foot and strap handle with leaf terminals, on-glaze printed in black with two females allegorical of Love and Obedience beside three of the ten commandment tablets, over a short vase and with scattered winged cherub heads, unmarked, 6"" high
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